Niamh Cullen

In his brief public career, Piero Gobetti was one of the most outspoken and original voices of early Italian antifascism. Before his sudden death in 1926, he founded and edited three periodicals, including the fiercely antifascist La Rivoluzione Liberale and the literary journal Il Baretti. While much has been written about his antifascism and his theories of 'liberal revolution', this book considers him primarily as an 'organiser of culture' and situates him both in the context of his lived experience in Turin after the First World War and in a wider European panorama. Although politically marginal by 1918, Turin was one of Italy's most modern cities, with its futuristic Fiat factories, vocal working class and militant socialist intellectuals such as Antonio Gramsci. The book explores Gobetti's encounters with Turin - both its history and the modern, urban landscape of Gobetti's own day - as central to his thinking. Historically and geographically, Turin was also the Italian city closest to France and northern Europe. If Gobetti's immediate surroundings inspired much of his thinking, his sensibilities were - in true Piedmontese style - more European than Italian, and his ultimate impact far from only local. Finally, Gobetti's bitter disillusionment with liberal and fascist Italy, as well as his refusal to fit any of the conventional political labels, means that his memory has remained contentious right up to the present day. This groundbreaking new study explores the roots of Gobetti's thinking, his impact on Italian culture and his controversial legacy.

The popular Italian photo-romance magazine Grand Hotel – famed for its stories about love – is studied here as a kind of school for the emotions, in a society where social change was bringing about redefinitions of love, jealousy, courtship and marriage. Both the love stories and the advice columns of the magazine are closely examined for their representations and negotiations of changing gender codes and changing rituals and experiences of courtship, in the context of the rapidly modernising society of the 1950s where migration, the rise of mass media, consumerism and changing gender roles were transforming everyday life, with a particularly strong impact on the generation coming of age during this period.

This article uses the prism of dress to explore the ways in which ordinary women negotiated Catholic morality codes in Italy during the great social transformations of the ‘economic miracle’ and afterwards. These years saw dramatic changes in gender roles and the influence of the mass media in society, as well as a rapid increase in migration, urbanization and financial well-being among Italians, and all of these changes were reflected in a very visible, everyday sense in changing fashions. At the same time, the Church was on the defensive and launched a morality crusade, focusing particularly on feminine ‘purity’ and modesty in dress, seeing more modern ways as a threat to Catholic values and traditions. Here, the advice column of Italy's leading – Catholic – magazine in these years is used to examine how individual Catholic women negotiated the competing influences of these years as they decided how to dress.

While Piero Gobetti has often been the subject of historical attention in Italy since his death in 1926, the existing literature on this anti-fascist intellectual and editor has almost always considered him in the context of political tradition and focused on his theories and historical studies rather than on his editorial activities. This article aims to redress this balance, by situating Gobetti within the context of the socio-economic environment of post First World War and early fascist Turin, and by examining his role as an editor and cultural organiser with respect to his most well known periodical: La Rivoluzione Liberale. Drawing on the personal correspondences of Gobetti and the administrative archives of the periodical, an account of its circulation and readership will be constructed in order to determine the nature (in geography, education, profession and political affiliation) of the community of the ‘Liberal Revolution’.