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Ann Radcliffe’s Gothic novels are rich with visual imagery, but their use of sound is largely overlooked. While there is significant research into eighteenth century music, little has been said about Radcliffe’s use of atmospheric sound.... more
Ann Radcliffe’s Gothic novels are rich with visual imagery, but their use of sound is largely overlooked. While there is significant research into eighteenth century music, little has been said about Radcliffe’s use of atmospheric sound. This article proposes that Radcliffe uses sound to generate terror in response to eighteenth century concepts of sensibility and permeability of the self. In Radcliffe’s novels sound has an obscurity image does not, and penetrates the body, representative of larger anxieties over the degeneration of society.
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Research Interests: