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146 pages
1 file
2013
Category: Article Written by Egill Arnarson Lán í óláni-þannig maetti lýsa aeviferli Vicos. En einnig má halda því fram að sagan af slysinu sem sögumaður varð fyrir sem barn geymi kjarnann í heimspeki hans því inntakinu í Hinum nýju vísindum má lýsa sem nokkuð svipuðu: Í gegnum söguna og öll þau skakkaföll sem hún þekkir er að verki guðleg forsjón sem ljaer henni merkingu og-a.m.k. tímabundinn-tilgang. Heimspeki Vicos maetti því lýsa sem heimspeki forsjónarinnar. Líf Vicos var að öðru leyti þó nokkur barningur: Laun hans sem háskólakennara í maelskulist, Nordicum-Mediterraneum [nome.unak.is]
Projeto Historia Revista Do Programa De Estudos Pos Graduados De Historia E Issn 2176 2767 Issn 0102 4442, 2001
Roberto Bellarmino e l’arte di ben morire: «qui cupit bene mori, bene vivat», in La vita, la morte, la divinità e la magia, «Chronica Mundi», 1 (2011), n. 1, pp. 79-98. , 2011
With the publication in 1620 of the successful pamphlet De arte bene moriendi, it became clear that its author, Roberto Bellarmino, was a mainstay even in the field of ascetical literature. Concerned by the drama of salvation, the Jesuit theologian developed a pedagogy of death in which human life has to be governed in a Christian manner as to have a happy passing away. Dominated by the concept of sin, the teaching of Bellarmino identifies the Church as the only guarantee of salvation. In this context, his De arte bene moriendi, whose immense luck remained intact until Saint Alphonsus’ Apparecchio alla morte and beyond, explains the way to prepare oneself with method to the delicate moment of the passing away : the individual can not redeem himself only at the end of his earthly existence, or convert for fear of divine justice, but he must be ready to the rendezvous with death in a state of grace. Departing from the traditional treatises of the ars moriendi, the work of Bellarmino assimilates the art of well dying to the inner conquest of well living, arising in the post-Tridentine age as an exemplary model and a mature evolution of the change in sensitivity occurred in the mid-sixteenth century and fostered by the Dottrina del ben morire of Pietro da Lucca. According to Bellarmino, those who wish to well die, must live well, as it can be seen by comparing the condition of those who learned the art of well dying, and who will have a happy passing away, and those who ignored the art of living well, and who are doomed to a miserable death.
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