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Деяния и Послания апостолов: греческая иллюминированная рукопись 1072 г. из собрания Научной библиотеки Московского Университет: сб. статей / ред.-сост. Э.Н. Добрынина (Исследование и реставрация одного памятника. Вып. IV). Москва, 2004 (на русск. и англ. яз.).
2016 •
The opposition "sacred-profane" is assumed as an antithesis in researches of the ancient religious notions, particularly in the field of "archeology of cult." In recent years, questions about the surfaces identification of the Thracian cult places from the Early Iron Age were razed again, although not as a subject of a systematic scientific discussion. A major issue is the disputed attribution of some sites as sanctuaries and their re-definition as settlements. However, reading the archaeological data may be very ambiguous and depending on the subjective interpretation of field situation. In search of an exit from the situation written sources are addressed once more for providing opportunities for comparison with archaeological observations. By all means, for solving the doubts about the sacred and the profane much more complex arguments, beyond the archaeological data, are needed.
Древности Боспора 27
Fine Ware and Lamps from the Residence of Chrysaliskos=Столовая посуда и светильники из резиденции Хрисалиска2022 •
The Residence of Chrysaliskos is one of the most interesting Late Hellenistic fortified constructions, situated in the north-eastern part of the Taman Peninsula. It was excavated in 1970-1973 by Nikolay Sokol’skiy. This house, which was a residence of a powerful Bosporan official during the reign of king Asandros, was destroyed in a great fire. In the layers of destruction, an important pottery assemblage was unearthed. The materials from the excavations have been preliminary published but without any special analysis of the ceramic complex. We could not distinguish exactly all the production centers of this pottery without archaeometric studies, but according to visual characteristics the main part of them belong to Bosporan sigillata, a local group of pottery distributed only in the Bosporan kingdom. Some Pergamene and Knidian vessels as well as their local imitations were also found here. A separate group of pottery of the same shape as Bosporan sigillata was covered with black slip. Several lekythos and unguentaria are also present in the article. Lamps of jug-shape type, typical for the late Hellenistic period, are the most common group among lighting equipment. This article is the revised version of the publication in English in the volume of the International Association for Research on Pottery of the Hellenistic Period (Lomtadze, Zhuravlev 2020). All the parallels for different pottery groups came from Crimea and Taman peninsula, as well as from other regions of the Black sea area and Mediterranean, mainly from the contexts of the second quarter of the 1st century BC From our point of view the Residence of Chrysaliskos could have been destroyed in the late third – early fourth quarter of the 1st century B.C., however it is still not evident what exact historic events could have caused such considerable devastation.
// Вестник сектора древнерусского искусства / отв. ред. А.Л. Баталов. №2. 2020. С. 112–128. ISSN 2658-543X The article describes the now-lost minuscule codex, three fragments of which are kept in the collections of Paris and Moscow. The handwriting of ‘tipo Anastasio’ and transitional features in decoration allow us to date the partially reconstructed codex to the late 9th – early 10th centuries. So the previously unknown fragment of the ‘Finding of the Holy Cross and nails’ of Menander the Protector, which was identified in Mosq. Syn gr. 73 belongs to the earliest copies of this text.
2020 •
Симферополь 2020 Министерство культуры Республики Крым Государственное бюджетное образовательное учреждение высшего образования Республики Крым «Крымский университет культуры, искусств и туризма» № 22 (2020)
Theological Herald
Review of: Tsarevskaya T. Yu. Theophanes the Greek. Frescoes in Great Novgorod. Great Novgorod, 2018. 320 p.; il.; ISBN 978-5-904339-18-02019 •
С жизнью и творчеством крупнейшего русского богослова и духовного писателя второй половины XIX в. святителя Феофана Затворника читатель может теперь подробно познакомиться в первых двух томах Летописи его жизни и творчества. Среди отечественных богословов сегодня вряд ли можно назвать какое-нибудь другое имя, кому в последнее время было посвящено столько исследований. Ежегодные Феофановские чтения, конференции и семинары 1 свидетельствуют о всё возрастающем интересе к личности и творениям святителя. Как отметил в Предисловии к первому тому Святейший Патриарх Московский и всея Руси Кирилл, «духовное наследие святителя Феофана представляется и сегодня весьма актуальным для верующего человека. The life and work of the greatest Russian theologian and spiritual writer of the second half of the nineteenth century, St Theophan the Recluse, is now available to the reader in the first two volumes of the Annals of his Life and Work. Among the Russian theologians of today one can hardly call a...
Ранносредновековен кръст от поликандилион (?) с вотивен гръцки текст от катедралния храм на Дръстър (Силистра). (Early Medieval Cross of Polycandelon with a Votive Greek Text next to the Drustur (Silistra) Cathedral). В: Средновековният човек и неговият свят. Сборник в чест на 70-та годишнината на проф. д.и.н. Казимир Попконстантинов. В. Търново, 2014
Материал содержит новые сведения о художнике-авангардисте, искусствоведе, действительном члене Государственной Академии художественных наук (ГАХН) и крупном музейном деятеле 1920-х-1950-х гг. Б. В. Шапошникове (1890-1956), основанные на материалах его личного архива, хранящегося в Рукописном отделе ИРЛИ.
The unstudied icon of St. Demetrius of unknown origin, though partially destroyed, is one of the iconographic monuments of highest quality preserved in the National Archeological Museum in Sofia (#755, size 43 x 32 x 2.5 cm). The image is of special interest first because the iconography of St. Demetrius enthroned is not frequently found in the icon-painting. The saint is designated by the rare epithet Μέγας Δούξ (Grand Voivode), related to the composition Royal Deesis with military saints. This composition is an almost obligatory element of the mural painting program of the monumental painting of the Kastoria artistic circle from 15th century. St. Demetrius is presented in military garb. Characteristic feature are the floral motifs upon his metal armor. Their form resembles spiral of the kind we see in many works of the Kastoria artistic circle from 15th century. The most frequently reproduced among them are the figures of Archangel Michael from the church of Kremikovtsi monastery near Sofia (1493) and from the monastery of St. Nikita near Skopje (1483/1484). However, stylistically identical with the image of St. Demetrius among the known examples is the icon of Archangel Michael from the church of the Holy Virgin in Borje, Albania (the end of 15th century), today in the Museum of Medieval Art in Korča. It could be expressed the hypothesis that the anonymous painter of the icon of St. Demetrius comes from Northern Greece, most probably from Kastoria, and he has also painted the Albanian icon. Among the other works of the Kastoria circle, to which belongs this icon-painter, are the mural paintings of the church of St. Paraskeva in Brajcino, Prespa (1486-1493), of the Kremikovtsi and Poganovo monasteries (1499). The quality of the painting and some typical features of the image of St. Demetrius suggest more precise dating in the nineties of 15th century – the most mature period of the activity of the masters from the Kastoria artistic circle from the second half of 15th century and the beginning of 16th century.
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