speech.pptx

Stock Number: Y3617 A fine Harappan silver and copper seal the imprint with engraved Indus pictographic Script. On the reverse is a looped lug for suspension. circa 3rd millennium B.C., Mohenjo-Daro, Indus Valley Oxidised patina 2 x 1.5 cm koḍa 'one' Rebus: koḍ 'workshop'; aya 'fish' rebus: aya 'iron' ayas 'alloy metal' Stock Number: Y98 A Harappan steatite seal engraved with unicorn, ritual offering stand and row of signs from the Indus Valley script; the reverse with intact suspension loop carved from the same piece of stone.Circa late 3rd to early 2nd millennium B.C. Indus Valley2.7 x 2.7 cm tsarkh 'potter's wheel' (Pashto) rebus: arka 'copper, gold'; koḍa 'one' Rebus: koḍ 'workshop' kanda kanka 'rim of jar' कार्णिक 'relating to the ear' rebus: kanda kanka 'fire-trench account, karṇika 'scribe, account' kanda kanka 'rim of jar' कार्णिक 'relating to the ear' rebus: kanda kanka 'fire-trench account, karṇika 'scribe, account' PLUS koḍa 'one' Rebus: koḍ 'workshop'. Thus, scribes' workshop. Stock Number: Y96 A Harappan steatite seal engraved with unicorn, ritual offering stand and row of signs from the Indus Valley script; the reverse with suspension loop carved from the same piece of stone.Circa late 3rd to early 2nd millennium B.C. Indus Valley 2.7 x 2.7 cm koḍa 'one' Rebus: koḍ 'workshop' aya 'fish' rebus: aya 'iron' ayas 'alloy metal' kuṭi 'water-carrier' (Telugu) rebus: kuṭhi 'smelter' Stock Number: Y97 A Harappan steatite seal engraved with unicorn, and row of signs from the Indus Valley script taṭṭal 'five' Rebus: ṭhaṭṭha brass (i.e. alloy of copper + zinc) कर्णक m. du. the two legs spread out AV. xx , 133 , 3 Rebus: karNaka 'scribe, supercargo' PLUS Sign 293 is a hypertext composed of 'curve' and 'pupil of eye' hieroglyphs: Curve is signified by kuṭi 'curve'; rebus: कुटिल kuṭila, katthīl (8 parts copper, 2 parts tin); cf. āra-kūṭa, 'brass' Old English ār 'brass'; Pupil of eye is kuṭi rebus: kuṭhi 'smelter'. Thus, Sign 293 signifies smelter for कुटिल kuṭila, katthī 'brass'. baraḍo = spine; backbone (Tulu) rebus: baran, bharat 'mixed alloys' (5 copper, 4 zinc and 1 tin) (Punjabi.Marathi) Or. kāṇḍa, kã̄ṛ ʻstalk, arrow ʼ(CDIAL 3023). ayaskāṇḍa 'a quantity of iron, excellent iron' (Pāṇ.gaṇ) Rebus: khaṇḍa, khāṇḍā 'tools, pots, wares'. Stock Number: X9274 A rare Indus Valley figural stone seal, carved in the form of a benign looking animal - possibly a long-eared sheep - the underside engraved with a register of signs from the Indus Valley script; a lateral drill hole for suspension runs through the centre of the animal. Circa late 3rd to early 2nd millennium B.C. Harappa or Mohenjo-Daro, Indus Valley, Length: 6.7 / Height: 2.2 cm Re-joined from original fragments, in good condition with superb patina Stock Number: X9270 A Harappan steatite seal engraved with unicorn, ritual offering stand and row of signs from the Indus Valley script; the reverse with suspension loop carved from the same piece of stone. Circa late 3rd to early 2nd millennium B.C. Indus Valley 3.3 x 3.3 cm कर्णक m. du. the two legs spread out AV. xx , 133 , 3 Rebus: karNaka 'scribe, supercargo' kanda kanka 'rim of jar' कार्णिक 'relating to the ear' rebus: kanda kanka 'fire-trench account, karṇika 'scribe, account' sal 'splinter' rebus: sal 'workshop' Sign 267 is composed of rhombus/oval/bun-ingot shape and signifier of 'corner' hieroglyph. The hypertext reads: mũhã̄ 'bun ingot' PLUS kanac 'corner' rebus: kañcu 'bell-metal'. Sign 267 is oval=shape variant, rhombus-shape of a bun ingot. Like Sign 373, this sign also signifies mũhã̄ 'bun ingot' PLUS kanac 'corner' rebus: kancu 'bell-metal'. kaṁsá1 m. ʻ metal cup ʼ AV., m.n. ʻ bell -- metal ʼ Pat. as in S., but would in Pa. Pk. and most NIA. lggs. collide with kāˊṁsya -- to which L. P. testify and under which the remaining forms for the metal are listed. 2. *kaṁsikā -- .1. Pa. kaṁsa -- m. ʻ bronze dish ʼ; S. kañjho m. ʻ bellmetal ʼ; A. kã̄h ʻ gong ʼ; Or. kãsā ʻ big pot of bell -- metal ʼ; OMarw. kāso (= kã̄ -- ?) m. ʻ bell -- metal tray for food, food ʼ; G. kã̄sā m. pl. ʻ cymbals ʼ; -- perh. Woṭ. kasṓṭ m. ʻ metal pot ʼ Buddruss Woṭ 109.2. Pk. kaṁsiā -- f. ʻ a kind of musical instrument ʼ; A. kã̄hi ʻ bell -- metal dish ʼ; G. kã̄śī f. ʻ bell -- metal cymbal ʼ, kã̄śiyɔ m. ʻ open bellmetal pan ʼ. (CDIAL 2756) Stock Number: X1874A Harappan steatite seal engraved with unicorn, ritual offering stand and row of signs from the Indus Valley script. Late 3rd to early 2nd millennium B.C. Indus Valley18 x 18 mm Intact, with suspension loop on reverse. Stock Number: X8433 Lead tablet with Indus Valley script, three symbols on obverse; two symbols reverse. Circa 3rd millennium B.C., Harappa or Mohenjo-Daro 2.9 x 2.4 cm kolom 'rice plant' rebus: kolimi 'smithy, forge'. kolmo 'three' rebus: kolimi 'smithy, forge'. sal 'splinter' rebus: sal 'workshop' A rare Indus Valley figural stone seal, carved in the form of a benign looking animal - possibly a long-eared sheep - the underside engraved with a register of signs from the Indus Valley script; a lateral drill hole for suspension runs through the centre of the animal. Circa late 3rd to early 2nd millennium B.C. Harappa or Mohenjo-Daro, Indus Valley, Length: 6.7 / Height: 2.2 cm Re-joined from original fragments, in good condition with superb patina Stock Number: X9270 A Harappan steatite seal engraved with unicorn, ritual offering stand and row of signs from the Indus Valley script; the reverse with suspension loop carved from the same piece of stone. Circa late 3rd to early 2nd millennium B.C. Indus Valley 3.3 x 3.3 cm कर्णक m. du. the two legs spread out AV. xx , 133 , 3 Rebus: karNaka 'scribe, supercargo' kanda kanka 'rim of jar' कार्णिक 'relating to the ear' rebus: kanda kanka 'fire-trench account, karṇika 'scribe, account' sal 'splinter' rebus: sal 'workshop' Sign 267 is composed of rhombus/oval/bun-ingot shape and signifier of 'corner' hieroglyph. The hypertext reads: mũhã̄ 'bun ingot' PLUS kanac 'corner' rebus: kañcu 'bell-metal'. Sign 267 is oval=shape variant, rhombus-shape of a bun ingot. Like Sign 373, this sign also signifies mũhã̄ 'bun ingot' PLUS kanac 'corner' rebus: kancu 'bell-metal'. kaṁsá1 m. ʻ metal cup ʼ AV., m.n. ʻ bell -- metal ʼ Pat. as in S., but would in Pa. Pk. and most NIA. lggs. collide with kāˊṁsya -- to which L. P. testify and under which the remaining forms for the metal are listed. 2. *kaṁsikā -- .1. Pa. kaṁsa -- m. ʻ bronze dish ʼ; S. kañjho m. ʻ bellmetal ʼ; A. kã̄h ʻ gong ʼ; Or. kãsā ʻ big pot of bell -- metal ʼ; OMarw. kāso (= kã̄ -- ?) m. ʻ bell -- metal tray for food, food ʼ; G. kã̄sā m. pl. ʻ cymbals ʼ; -- perh. Woṭ. kasṓṭ m. ʻ metal pot ʼ Buddruss Woṭ 109.2. Pk. kaṁsiā -- f. ʻ a kind of musical instrument ʼ; A. kã̄hi ʻ bell -- metal dish ʼ; G. kã̄śī f. ʻ bell -- metal cymbal ʼ, kã̄śiyɔ m. ʻ open bellmetal pan ʼ. (CDIAL 2756) Stock Number: X8880 A Harappan steatite seal engraved with unicorn, ritual offering stand and row of signs from the Indus Valley script. Late 3rd to early 2nd millennium B.C. Indus Valley 3.4 x 3.4 cm tsarkh 'potter's wheel' (Pashto) rebus: arka 'copper, gold'; koḍa 'one' Rebus: koḍ 'workshop' dula 'two' rebus: dul 'metal casting' kanda kanka 'rim of jar' कार्णिक 'relating to the ear' rebus: kanda kanka 'fire-trench account, karṇika 'scribe, account' PLUS koḍa 'one' Rebus: koḍ 'workshop'. Thus, scribes' workshop. Sign 267 is composed of rhombus/oval/bun-ingot shape and signifier of 'corner' hieroglyph. The hypertext reads: mũhã̄ 'bun ingot' PLUS kanac 'corner' rebus: kañcu 'bell-metal'. Sign 267 is oval=shape variant, rhombus-shape of a bun ingot. Like Sign 373, this sign also signifies mũhã̄ 'bun ingot' PLUS kanac 'corner' rebus: kancu 'bell-metal'. kaṁsá1 m. ʻ metal cup ʼ AV., m.n. ʻ bell -- metal ʼ Pat. as in S., but would in Pa. Pk. and most NIA. lggs. collide with kāˊṁsya -- to which L. P. testify and under which the remaining forms for the metal are listed. 2. *kaṁsikā -- .1. Pa. kaṁsa -- m. ʻ bronze dish ʼ; S. kañjho m. ʻ bellmetal ʼ; A. kã̄h ʻ gong ʼ; Or. kãsā ʻ big pot of bell -- metal ʼ; OMarw. kāso (= kã̄ -- ?) m. ʻ bell -- metal tray for food, food ʼ; G. kã̄sā m. pl. ʻ cymbals ʼ; -- perh. Woṭ. kasṓṭ m. ʻ metal pot ʼ Buddruss Woṭ 109.2. Pk. kaṁsiā -- f. ʻ a kind of musical instrument ʼ; A. kã̄hi ʻ bell -- metal dish ʼ; G. kã̄śī f. ʻ bell -- metal cymbal ʼ, kã̄śiyɔ m. ʻ open bellmetal pan ʼ. (CDIAL 2756) Sign 176Hieroglyph: currycomb: खरारा kharārā m ( H) A currycomb. 2 Currying a horse. ख0 खाजवीत नगारा वाजवीत-येतो-फिरतो &c. Used of a low vagabond or idler.(Marathi) Rebus: wealth-accounting ledgers -- kharada खरडें 'daybooks' Hieroglyph: Currycomb, scraper: khareḍo 'a currycomb' (Gujarati); खरड्या kharaḍyā a (खरडणें) That writes or shaves rudely and roughly; a mere quill-driver; a very scraper. khareḍo = a currycomb (Gujarati) खरारा [ kharārā ] m ( H) A currycomb. 2 Currying a horse. (Marathi) Rebus: 1. करडा [karaḍā] Hard from alloy--iron, silver &c. (Marathi) 2. kharādī ‘ turner’ (Gujarati) Rebus: करडा [karaḍā] Hard from alloy--iron, silver &c. (Marathi). khareḍo = a currycomb (Gujarati) खरारा [ kharārā ] m ( H) A currycomb. 2 Currying a horse. (Marathi) Rebus: 1. करडा [karaḍā] Hard from alloy--iron, silver &c. (Marathi) 2. kharādī ‘ turner’ (Gujarati) Stock Number: X8881 A Harappan lead seal with design of unicorn, ritual offering stand and row of signs from the Indus Valley script. Late 3rd to early 2nd millennium B.C. Indus Valley 2.2 x 2.0 cm ranku 'liquid measure' rebus: ranku 'tin' Hypertext of Sign 336 has hieroglyph components: muka 'ladle' (Tamil)(DEDR 4887) Rebus: mū̃h'ingot' (Santali).PLUS Sign 328 baṭa 'rimless pot' rebus: baṭa 'iron' bhaṭa 'furnace'. The hypertext reads: mū̃h bhaṭa 'ingot furnace'

Este artigo tem por objetivo a investigação dos impasses no processo da identificação do Negro no Brasil e seu transcurso sócio-histórico, moldado por fatores de uma paranoia social isso, implicada no processo de violência e crime. A psicanálise freudiana reconhece que a identificação é a primeva e primordial forma de ligação afetiva a um objeto, isto é, um processo profundamente enraizado na singularidade do sujeito e em nossas atividades sociais; por outro lado, na clínica psicanalítica haveria o testemunho dessa manifestação sintomática no processo da identificação.

Resumo: Avalio aqui o modo como uma poética da narratividade audiovisual nos universos seriados da ficção televisiva parece uma opção heurística interessante, partindo do exame sobre as estratégias construídas por Jason Mittell para consolidar uma tal perspectiva de pesquisa. Considerando o modo como o percurso desse autor revela um débito excessivo com respeito a certas matrizes culturalistas do pensamento sobre a televisão, identifico as dificuldades implicadas em sua construção da ficção seriada, a partir de um recorte aproximadamente poético (sobretudo centrado nas estruturas narrativas desses produtos). Procuro então reconstruir o caminho de uma poética do storytelling televisual, seguindo as pistas daqueles autores que têm trabalhado esse problema a partir de uma imanência narratológica e poética da ficção seriada. Abstract: I hereby evaluate how a poetics of audiovisual narrativity in the serial universes of television fiction seems to be an interesting heuristic option, starting from the examination of the theoretical strategies constructed by Jason Mittell to consolidate such a perspective of research. Considering the way in which this author's career reveals an excessive debt with respect to certain culturalist matrices of the thinking about television, I identify the difficulties involved in its construction of serial fiction, from an approximately poetic (mainly centered on the narrative structures of these products). I then try to reconstruct the path of a poetics of televisual storytelling, following the clues of those authors who have worked on this problem, thus departing from a narratological and poetic immanence of serial fiction. INTRODUÇÃO Na compreensão mais freqüente e duradoura de sua compreensão, o vocábulo "poética" tem designado um conjunto de saberes centrados sobre a arte da composição de "poemas dramáticos" ou, em termos mais descritivos, a produção de representações de ações, agentes e situações, organizados-na medida do veículo narrativo que as articula-com o propósito de gerar efeitos de toda ordem na audiência (notadamente aqueles de perfil cognitivo, sensorial e/ou emocional). Na história desse campo disciplinar, diversas maneiras de avaliar os significados de poiésis dramática foram disputados por autores, escolas e tradições, em campos de conhecimento que se estenderam da filosofia da arte às teorias da narrativa, passando pelas teorias literárias e, mais recentemente, nos estudos cinematográficos.

Geleneksel Türk Halk müziği eserlerininin piyano eşlikli ve eşliksiz çoksesli koro düzenlemelerini inceleyebilir ve korolarınızla çalışabilirsiniz. You can examine polyphonic choral arrangements of traditional Turkish folk music pieces with or without piano accompaniment and work with your choirs.

The human immunodeficiency virus type 1 protease (HIV-1 PR) is an important enzyme in life cycle of the HIV virus. It cleaves inactive pre-proteins of the virus and changes them into active proteins. Darunavir suppresses the wild type HIV-1 PR (WT-Pr) activity, but can’t inhibit the mutant resistant forms (MUT-Pr). Increasing knowledge about the resistance mechanism can be helpful for designing of more effective inhibitors. In this study, the mechanism of resistance of Ile47val and Ile54Met MUT-Pr strain against Darunavir was investigated. For this purpose, complexes of Darunavir with WT-Pr (WT-Pr-D) and MUT-Pr (MUT-Pr-D) were simulated for 200 ns and structure, dynamic and energetic properties of both simulations were investigated based on essential dynamics (principal component analysis (PCA)), root mean square fluctuation (RMSF), radial distribution function (RDF), molecular mechanics/Poisson Boltzman surface area (MM/PBSA) energies and etc. Our data revealed that mutations incre...

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