The event takes place in
English language and is open
to the public. Registration
kindly required.
Picture Credits: A. Losch /
Fotolia.com / United Nations
SDG18: Karl Herweg
Contact: Dr. Andreas Losch
Theologische Fakultät
Raum A 108
Länggassstr. 51
CH-3012 Bern
andreas.losch@theol.unibe.ch
www.planetarysustainability.
unibe.ch
Project and workshop sponsored by
Additional workshop funding by the
Developing Planetary Sustainability
International Workshop. Kathrin Altwegg, Bern. Natalia Archinard, Bern. Jacques
Arnould, Paris. David Barr, Chicago. Claus Beisbart, Bern. Ulrike Bohlmann, Paris.
Karl Herweg, Bern. Andreas Losch, Bern. Dovilé Matuleviciute, Luxembourg.
Erik Persson, Lund. Rory Rowan, Zurich. Christoph Weber, Munich. #SDG18
09.-10.03.2018
Start: 2pm
Room F-122
Unitobler
Lerchenweg 36
CH-3012 Bern
09.-10.03.2018
Start: 2pm
Room F-122
Unitobler
Lerchenweg 36
CH-3012 Bern
Developing Planetary Sustainability
International Workshop. Kathrin Altwegg, Bern. Natalia Archinard, Bern. Jacques
Arnould, Paris. David Barr, Chicago. Claus Beisbart, Bern. Ulrike Bohlmann, Paris.
Karl Herweg, Bern. Andreas Losch, Bern. Dovilé Matuleviciute, Luxembourg.
Erik Persson, Lund. Rory Rowan, Zurich. Christoph Weber, Munich. #SDG18
The event takes place in
English language and is open
to the public. Registration
kindly required.
Picture Credits: A. Losch /
Fotolia.com / United Nations
SDG18: Karl Herweg
Contact: Dr. Andreas Losch
Theologische Fakultät
Raum A 108
Länggassstr. 51
CH-3012 Bern
andreas.losch@theol.unibe.ch
www.planetarysustainability.
unibe.ch
Project and workshop sponsored by
Additional workshop funding by the
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Juan de Borja, a major music patron in the Iberian World in the last third of the 16th and early 17th centuries, died in 1606. In his testament he arranged to sell all his goods in a public auction to satisfy his wills. Among the several kind of goods inventoried, there were instruments and music books.
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Working Papers des SFB 980, 2018
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14-16 novembre 2019 - Études classiques face au XXIe siècle
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Asiatische Studien/Études Asiatiques LXVII/4, 2013, 1205-1235.
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Ausschreibung der Sektion "Mediävalismus und Renaissancismus im langen 19. Jahrhundert in transkultureller Perspektive" im Rahmen des XIV. Kongresses der Internationalen Vereinigung für Germanistik (IVG)
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The paper analyzes Karl Popper’s and John Eccles’ account of mind-matter interaction and compares their use of the concept of downward causation with other more recent accounts of it, especially those of Nancey Murphy and George Ellis. The argument includes John Polkinghorne’s take on Divine action, as it provides an interesting version of downward mind/matter-interaction. It will be argued that while downward causation is a speculative concept, it nevertheless remains the best approximation to a scientific perspective on mind/matter interaction that we can obtain. As a result, Popper’s and Eccles’
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Purpose: The present study aimed at the comparison of body height estimations from cadaver length with body height estimations according to Trotter and Gleser (1952) and Penning and Riepert (2003) on the basis of femoral F1 section measurements in post-mortem computed tomography (PMCT) images. Methods: In a post-mortem study in a contemporary Swiss population (226 corpses: 143 males (mean age: 53 ± 17 years) and 83 females (mean age: 61 ± 20 years)) femoral F1 measurements (403 femora: 199 right and 204 left; 177 pairs) were conducted in PMCT images and F1 was used for body height estimation using the equations after Trotter and Gleser (1952, ''American Whites "), and Penning and Riepert (2003). Results: The mean observed cadaver length was 176.6 cm in males and 163.6 cm in females. Mean measured femoral length F1 was 47.5 cm (males) and 44.1 cm (females) respectively. Comparison of body height estimated from PMCT F1 measurements with body height calculated from cadaver length showed a close congruence (mean difference less than 0.95 cm in males and less than 1.99 cm in females) for equations both applied after Penning and Riepert and Trotter and Gleser. Conclusions: Femoral F1 measurements in PMCT images are very accurate, reproducible and feasible for body height estimation of a contemporary Swiss population when using the equations after Penning and Riepert (2003) or Trotter and Gleser (1952).
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What does make Drin Valley interesting? Landscapes, canyons, gorges, clean waters, diversity of geological formations with different types and very well expressed folds, dams constructed in very mountainous terrains, artificial lakes, hospitality of people living in this region, mineral and water recourses, specific biodiversity, historic values of this region, etc. Drin River is composed of upper course is constituted of two branches (Black Drin and White Drin branches). The joining point of these two branches is in Kukesi town. Kukesi town became famous for hosting of thousands refugees from Kosova in 1999. Black Drin springs from the Ohri Lake. White Drin springs from the Bjeshket e Namura (Kosova). Middle course (Vau i Dejes Lake, Komani Lake and Fierza Lake). Lower course (Adriatic depression).
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Zeugen vergangener Macht und Herrschaft. Schweizer Burgen und Schlösser vom Mittelalter bis heute, 2017
Armand Baeriswyl, Herrenhöfe, Erdwerke und Wohntürme – Die Anfänge des mittelalterlichen Burgenbaus im deutschsprachigen Raum, in: Armand Baeriswyl, Peter Niederhäuser (Hrsg.) Zeugen vergangener Macht und Herrschaft. Schweizer Burgen und Schlösser vom Mittelalter bis heute (Schweizer Beiträge zur Kulturgeschichte und Archäologie des Mittelalters 45), Basel 2017, 26-38.
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Doing History. Performative Praktiken in der Geschichtskultur, 2016
History is not only construed and handed down in writing. In popular cultural prac- tice, it has long been edited and can be experienced in many forms. Past debates have not treated these practices well, however, and concentrated primarily on representa- tional forms shaped by historical politics, such as museums and schoolbooks, as well as by entertainment-oriented media, such as television documentaries, feature lms and TV-series, video and computer games, as well as non- ction and novels. In this context, doing history, understood as a discursive and performative visualisation of the past, has hardly been explored, although it has quite a long tradition.
In this introduction, we pursue an access that is both theoretical and practical, and draw closer to doing history on the basis of three central pairs of concepts that have strongly in uenced the cultural and historiographical debate over the last several years: ›body_emotion‹, ›experience_space‹ as well as ›thing_meaning‹. History is created in the interplay between person, body, space and object. The physical and a ective experience in uences, in interaction with the evocative experience of pres- ence, as well as the relationship and meaning of the object and the actions and inter- pretations of individuals, what is capable of leading to sensational, certainly cultur- ally subjectively shaped imaginations from the past.
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Joseph Furttenbach, Lebenslauff, 1652-1664, edited by Kaspar von Greyerz, Kim Siebenhüner and Roberto Zaugg, Böhlau (series: Selbstzeugnisse der Neuzeit), Köln 2013
Joseph Furttenbach the Elder (1591-1667) was a Swabian architect, scenographer and engineer as well as a collector and prolific writer. During his youth he spent twelve years in Italy, absolving a mercantile apprenticeship in Milan and Genoa. His interests in arts and techniques lead him to undertake extensive travels across the peninsula: in Florence he even met Galileo Galilei. Back in Swabia, he settled down as a magistrate and merchant in the imperial city of Ulm. Thanks to his cabinet of curiosities and his numerous treatises, during decades he played an important role in the transfer of Italian Renaissance and Baroque culture to the Holy Roman Empire. Kaspar von Greyerz, Kim Siebenhüner and Roberto Zaugg have published a critical edition of Joseph Furttenbach's diary (Lebenslauff, 1652-1664): an autobiographical text which provides fascinating insights into the daily life of a pious Lutheran, a member of the urban elite and a renowned scholar of seventeenth-century Germany.
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Celebrating the centenary from Benjamin's Bern Dissertation, "The Concept of Criticism in german Romanticism", the International WB Conference was held in Bern in june. My presentation has been selected for the fifth panel, "The Bern Dissertation - Structural concepts", hosted by Michael Jennings and Alexander Honold.
For my presentation's abstract, look at p.31.
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