UNIVERSITY OF
WESTMINSTER PRESS
2020
Books and journals, open access & print
www.uwestminsterpress.co.uk
Welcome to the latest catalogue of the University of Westminster Press, an academic open
access publisher since 2015. Our logo, an open laptop and an open book forming a W,
was intended as a succinct comment and a visual representation of our mission.
For UWP the most signficant development in the last year has been the addition of three
new journal titles: the first, Anthropocenes – Human, Inhuman, Posthuman (p.34) an interdisciplinary title of great range tackling some of the big questions of our age including climate
change, species extinction and latterly Covid-19. Likewise we are delighted to welcome
the Journal of Deliberative Democracy (p.32). As populism surges across the world, the
need for democratic legitimacy and real engagement continues to grow. JDD’s August
2020 relaunch with UWP highlights key debates in participative democracy and public
deliberation and considers how new insights might assist politics grapple with mounting
challenges. We also look forward, later in the year to the first issue of Active Travel Studies
(p.31). Healthier and more environmentally conscious transport is the focus of the journal’s
parent research body, the Active Travel Academy at the University of Westminster. Also
during this period two of our existing journals Silk Road (p.36) and Westminster Papers in
Communication and Culture (p.38) are now presented in a new research environment that
of ScienceOpen. We welcome ScienceOpen and other new channels assisting readers in
discovering our publications. UWP book titles remain available via JSTOR (www.jstor.org)
and OAPEN (www.oapen.org), as MARC-21 records for libraries are also now available
to download from our home page. Book trade orders and customers can also be set up via
an account with Ingrams at www.ingramcontent.com/publishers/lp/introducingipage.
This 2020 catalogue features three forthcoming books in the Critical Digital and Social
Media Studies series (pp.4–17) – two focusing on the ‘Commons’ – in Autumn on top of a
total of 30 published book titles, 7 CAMRI Policy Briefs (pp.21-23] and the distributed titles
in the the History of the ‘University of Westminster’ series. One undoubted highlight in 2020
will be Can Music Make You Sick? (p.18) Sadly the answer to this question appears to be
‘yes’ for musicians, whose mental health is facing unprecedented challenges in the wake of
the gig economy, streaming and currently a cessation of the festival season and most live
events. Spreadheading a new wave of publications challenging some of the benign assumptions of previous creative industries literature, this title is sure to contribute to an urgent
debate in the field. So we hope there’s plenty to engage you in the following pages!.
Andrew Lockett, Press Manager, August 2020
University of Westminster Press
115 New Cavendish Street
London W1W 6UW
contact: a.lockett@uwestminsterpress.ac.uk
Contents
4
MEDIA STUDIES
New Critical Digital and Social Media Studies Series
5
The Condition of Digitality
6
The Internet Myth
7
Communication and Capitalism
8
Marx and Digital Machines
9
The Commons: Economic Alternatives in the Digital Age
10
Intellectual Commons and the Law
11
Recently Published Incorporating the Digital Commons
12
Cultural Crowdfunding
13
Bubbles and Machines: Gender, Information and
Financial Crises
14
Previously Published
18
OTHER MEDIA STUDIES New Can Music Make You Sick?
Recently Published The Media and Communication Study
19
Skills Student Guide
20
Digital Objects, Digital Subjects
21
Collaborative Production in the Creative Industries
CAMRI POLICY BRIEFS New
22
Fashion Media and Sustainability
22
Achieving Viability for Public Service Media in Challenging
Settings
23
Previously Published
24
LAW AND THE SENSES
25
Touch
26
Taste; See
27
Social Sciences and Humanities, Previously Published
Dies Irae – Jean-Luc Nancy; Farewell To Freedom; Reform
and Revolution in the City of Dreaming Spires
28
The Blitz Companion; Naval Leadership in the Atlantic
World; Developing Educators for the Digital Age
29
Destination London: The Expansion of the Visitor Economy
30
The History of the University of Westminster Series
31
JOURNALS New Active Travel Studies
32
Journal of Deliberative Democracy
34
Anthropocenes – Human, Inhuman, Posthuman
36
Other Journals Silk Road: A Journal of Eurasian
Development
37
The Entertainment and Sports Law Journal
38
Westminster Papers in Communication and Culture
3
www.uwestminsterpress.co.uk
CRITICAL, DIGITAL AND SOCIAL
MEDIA STUDIES
EDITED BY CHRISTIAN FUCHS
CHRISTIAN FUCHS PROFESSOR OF SOCIAL MEDIA RESEARCH,
UNIVERSITY OF WESTMINSTER
FORMAT
PAPERBACKS
229 x 152mm
SERIES ISBN
Print ISSN 2517-1585
Online ISSN 2517-1593
The book series Critical, Digital & Social Media Studies
publishes books that critically study the role of the internet,
digital and social media in society and make critical
interventions. Its publications analyse how power structures,
digital capitalism, ideology, domination and social struggles,
shape and are shaped by digital and social media. They use
and develop critical theories, are profoundly theoretical
and discuss the political relevance and implications of the
studied topics. The book series understands itself as a critical
theory forum for internet and social media research. It is also
interested in publishing works that are based on methods
that challenge digital positivism. It furthermore is interested
in digital media ethics that are grounded in critical social
theories and critical philosophy.
www.uwestminsterpress.co.uk/site/books/series/critical-digital-and-social-media-studies
www.uwestminsterpress.co.uk
ALL TITLES AVAILABLE
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critical-digital-andsocial-media-studies
EDITORIAL BOARD
Thomas Allmer
Mark Andrejevic
Miriyam Aouragh
Charles Brown
Mélanie Dulong de Rosnay
Eran Fisher
Peter Goodwin
Jonathan Hardy
Kylie Jarrett
Anastasia Kavada
Arwid Lund
Maria Michalis
Stefania Milan
Vincent Mosco
Safiya Noble
Jack Qiu
Jernej Amon Prodnik
Sarah Roberts
Marisol Sandoval
Sebastian Sevignani
Pieter Verdegem
Bingqing Xia
Mariano Zukerfeld 4
THE CONDITION OF DIGITALITY
A POST-MODERN MARXISM FOR THE PRACTICE OF
DIGITAL LIFE
ROBERT HASSAN
ROBERT HASSAN
researches and teaches
at the University of
Melbourne. His recent
works include Uncontained:
Digital Connection and
the Experience of Time
(2019) and The Information
Society: Cyber Dreams
and Digital Nightmares
(2017). Since 2009 he has
been Editor-in-Chief of the
journal Time & Society.
David Harvey’s The Condition of Postmodernity rationalised capitalism’s
transformation during an extraordinary year: 1989. It gave theoretical
expression to a material and cultural reality that was just then getting properly
started – globalisation and postmodernity – whilst highlighting the geospatial limits to accumulation imposed by our planet. However, this landmark
publication, author Robert Hassan argues, did not address the arrival of digital
technology, the quantum leap represented by the move from an analogue
world to a digital economy and the rapid creation of a global networked
society. Considering first the contexts of 1989 and Harvey’s work, then the idea
of humans as analogue beings, he argues this arising new human condition of
digitality leads to alienation not only from technology but also the environment.
This condition, he suggests, is not an ideology of time and space but a reality
stressing that Harvey’s time-space compression takes on new features including
those of ‘outward’ and ‘inward’ globalisation and the commodification of all
spheres of existence. Lastly, the author considers culture’s role, drawing on Rahel
Jaeggi’s theories to make the case for a post-modern Marxism attuned to the
most significant issue of our age. Stimulating and theoretically wide-ranging,
The Condition of Digitality recognises postmodernity’s radical new form as a
reality and the urgent need to assert more democratic control over digitality.
PUBLISHED
JANUARY 2020
FORMAT
212 pages
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5
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THE INTERNET MYTH
FROM THE INTERNET IMAGINARY TO NETWORK
IDEOLOGIES
PAOLO BORY
PAOLO BORY is a postdoctoral
researcher at the Polytechnic
University of Milan and
lecturer in Media Studies at
the Università della Svizzera
italiana (USI), Switzerland. His
research has been published
in journals such as New
Media & Society, Convergence
and Critical Studies in Media
Communication.
‘The Internet is broken and Paolo Bory knows how we got here. In a powerful
book based on original research, Bory carefully documents the myths,
imaginaries and ideologies that shaped the material and cultural history of the
Internet. As important as this book is to understand our shattered digital world,
it is essential for those who would fix it.’ Vincent Mosco, author of The Smart
City in a Digital World.
The Internet Myth retraces and challenges the myth laying at the foundations
of the network ideologies – the idea that networks, by themselves, are the main
agents of social, economic, political and cultural change. By comparing and
integrating different sources related to network histories, this book emphasizes
how a dominant narrative has extensively contributed to the construction of the
‘Internet Myth’ while other visions of the networked society have been erased
from the collective imaginary. The book decodes, analyses and challenges the
foundations of the network ideologies, looking at how networks have been
imagined, designed and promoted during the crucial phase of the 1990s.
Three case studies are scrutinized so as to reveal the complexity of network
imaginaries in this decade: the birth of the Web and the mythopoesis of its
inventor; and the histories of two Italian networking projects, the infrastructural
plan Socrate and the civic network Iperbole, the first to give free internet access
to citizens. The Internet Myth thereby provides a compelling and hidden sociohistorical narrative in order to challenge one of the most powerful myths of our
time.
www.uwestminsterpress.co.uk
PUBLISHED
APRIL 2020
FORMAT
170 pages
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6
COMMUNICATION AND
CAPITALISM A CRITICAL THEORY
CHRISTIAN FUCHS
CHRISTIAN FUCHS is a critical
theorist who works on political
economy and critical theory of
communication, digital media and
society: http://fuchsc.net.
PUBLISHED
MAY 2020
FORMAT
406 pages
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PAPERBACK
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‘An authoritative analysis of the role of communication in contemporary
capitalism and an important contribution to debates about the forms of
domination and potentials for liberation in today’s capitalist society.’
Professor Michael Hardt, Duke University, co-author of the tetralogy
Empire, Commonwealth, Multitude, and Assembly.
‘A comprehensive approach to understanding and transcending the deepening
crisis of communicative capitalism. It is a major work of synthesis and essential
reading for anyone wanting to know what critical analysis is and why we need
it now more than ever.’
Professor Graham Murdock, Emeritus Professor, University of Loughborough
and co-editor of The Handbook of Political Economy of Communication.
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Communication and Capitalism outlines foundations of a critical theory of
communication. Going beyond Jürgen Habermas’ theory of communicative
action, Christian Fuchs outlines a communicative materialism that is a critical,
dialectical, humanist approach to theorising communication in society
and in capitalism. The book renews Marxist Humanism as a critical theory
perspective on communication and society.
7
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MARX AND DIGITAL MACHINES
ALIENATION, TECHNOLOGY, CAPITALISM
MIKE HEALY
MIKE HEALY is an independent
researcher who previously worked
as a Senior Lecturer at Westminster
Business School, University of
Westminster. His published work
includes papers on ethics and ICT,
diversity and employment in the ICT
sector, and teaching the development
and problems of e-government, and,
using Marx’s theory of alienation to
explore the notion of dignity in the
IT sector.
This book explores the fundamental contradiction at the heart of the digital
environment: technology offers all manner of promises, yet habitually fails to
deliver. This failure often arises from numerous problems: the proficiency of
the technology or end-user, policy failure at various levels, or a combination
of these. Solutions such as better technology and more effective end-user
education are often put into place to solve these failures.
The aim of this book is to argue that such approaches are inherently faulty,
drawing upon qualitative research informed by Marx’s theory of alienation.
The theory considered participants in three distinct settings: information and
communications technology (ICT) professionals; scholars concerned with
researching the ethical and societal implications of our digital environment; and
a group of pensioners living in South East London, UK, undertaking ICT training.
By delving beneath the surface of how information technologies are created,
how they are researched and how they are experienced, this theory illustrates
that the contradictory nature of our digital lives directly arises from the needs of
capitalism.
FORTHCOMING
OCTOBER 2020
FORMAT
166 pages
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The book also places Marx’s theory in contrast to the mainstream approaches
derived from Seeman and Blauner. In researching and comprehending ICT, this
book reaffirms the superior explanatory power of Marx’s theory of alienation.
8
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THE COMMONS
ECONOMIC ALTERNATIVES IN THE DIGITAL AGE
VANGELIS PAPADIMITROPOULOS
VANGELIS PAPADIMITROPOULOS
s a political theorist, social scientist,
independent researcher, and editor
holding a PhD in political philosophy.
Formerly a Research Affiliate and
post-doc researcher at the Free
University of Amsterdam and the
University of Limerick, he has
written extensively on the topic of
the commons. This is his first book.
This book explores the potential creation of a broader collaborative economy
through commons-based peer production (P2P) and the emergent role of
information and communication technologies (ICTs). The book seeks to critically
engage in the political discussion of commons-based peer production, which
can be classified into three basic arguments: the liberal, the reformist and the
anticapitalist. This book categorises the liberal argument as being in favour of
the coexistence of the commons with the market and the state. Reformists, on the
other hand, advocate for the gradual adjustment of the state and of capitalism
to the commons, while anticapitalists situate the commons against capitalism
and the state. By discussing these three viewpoints, the book contributes
to contemporary debates concerning the future of commons-based peer
production.
FORTHCOMING
OCTOBER 2020
FORMAT
248 pages
229 x 152mm
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978-1-912656-83-7
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Further, the author argues that for the commons to become a fully operational
mode of peer production, it needs to reach critical mass arguing that the
liberal argument underestimates the reformist insight that technology has the
potential to decentralise production, thereby forcing capitalism to transition
to post-capitalism. Surveying the three main strands of commons-based peer
production, this book makes the case for a postcapitalist commons-orientated
transition that moves beyond neoliberalism.
9
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INTELLECTUAL COMMONS AND
THE LAW
A NORMATIVE THEORY FOR COMMONS-BASED PEER
PRODUCTION
ANTONIOS BROUMAS
ANTONIOS BROUMAS is a technology
lawyer, academic researcher and
social activist. He practices law in
fields relevant to technology and
society. He holds postgraduate
degrees in philosophy of law and
IT & electronic communications
law from the Universities of
Athens and Strathclyde and
has published widely on social
movements, commons theory, critical
jurisprudence and critical media
studies.
‘In this pioneering book, Antonios Broumas argues that philosophically, morally,
politically and economically we are in urgent need of a new legal regime
that recognizes the intellectual commons, peer production and sharing as the
primary practices of intellectual production, distribution and consumption. I
cannot imagine a more urgent task today. A legally protected intellectual
commons will lead to greater scientific and cultural innovation and creativity
and will lead to an urgently needed second Enlightenment. This book should
be read by lawyers, critical theorists, economists and the many professionals
of science, culture and the academy’ -— Costas Douzinas, Professor of Law,
Birkbeck, University of London.
‘Antonios Broumas’ book is an excellent critical analysis of the cultural commons
and a must-read for everyone interested in understanding what the commons,
the cultural commons, and the digital commons are all about … brilliantly
outlines the foundations of an empirically grounded critical theory of the
commons’—Christian Fuchs, author of Communication and Capitalism: A
Critical Theory.
‘Broumas takes us on a spellbinding tour of how and why the law could
and should change to accommodate the creative multitude, which engages
into an emerging mode of production. He tells a vibrant story that makes us
shout: “Lawmakers of the world, unite!”’-— Vasilis Kostakis, Professor of P2P
Governance, Tallinn University of Technology.
www.uwestminsterpress.co.uk
FORTHCOMING
OCTOBER 2020
FORMAT
204 pages
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978-1-912656-87-5
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10
INCORPORATING THE DIGITAL
COMMONS
CORPORATE INVOLVEMENT IN FREE AND OPEN
SOURCE SOFTWARE
BENJAMIN J. BIRKINBINE
BENJAMIN BIRKINBINE is Assistant
Professor of Media Studies in the
Reynolds School of Journalism and
Center for Advanced Media Studies at
the University of Nevada, Reno. He is
the co-editor of Global Media Giants
(Routledge, 2017).
PUBLISHED
FEBRUARY 2020
FORMAT
154 pages
229 x 152mm
PAPERBACK
978-1-912656-42-4
£19.99
The concept of ‘the commons’ has been used as a framework to understand
resources shared by a community rather than a private entity, and it has also
inspired social movements working against the enclosure of public goods and
resources. One such resource is free (libre) and open source software (FLOSS).
FLOSS emerged as an alternative to proprietary software in the 1980s. However,
both the products and production processes of FLOSS have become incorporated
into capitalist production. For example, Red Hat, Inc. is a large publicly traded
company whose business model relies entirely on free software, and IBM, Intel,
Cisco, Samsung, Google are some of the largest contributors to Linux, the opensource operating system. This book explores the ways in which FLOSS has been
incorporated into digital capitalism. Just as the commons have been used as a
motivational frame for radical social movements, it has also served the interests
of free-marketeers, corporate libertarians and states to expand their reach by
dragging the shared resources of social life onto digital platforms so they can
be integrated into the global capitalist system. The book concludes by asserting
the need for a critical political economic understanding of the commons that
foregrounds (digital) labour, class struggle and uneven power distribution within
the digital commons as well as between FLOSS communities and their corporate
sponsors.
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11
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CULTURAL CROWDFUNDING
PLATFORM CAPITALISM, LABOUR AND
GLOBALIZATION
EDITED BY VINCENT ROUZÉ
VINCENT ROUZÉ is Associate
Professor of Information and
Communication Sciences at the
University of Paris 8 and a member
of the Cemti research lab. He was the
director of the ‘Collab’ programme
funded by the French National
Research Agency.
This book analyses the strategies, usages and wider implications of
crowdsourcing and crowdfunding platforms in the culture and communication
industries that are potentially reshaping economic, organisational and social
logics. Platforms are the object of considerable hype with a growing global
presence. Relying on individual contributions coordinated by social media to
finance cultural production (and carry out promotional tasks) is a significant
shift, especially when supported by morphing public policies, in the name of
enhancing cultural diversity and accessibility.
The aim of this book is to propose a critical analysis of these phenomena by
questioning what follows from decisions to outsource modes of creation and
funding to consumers. Drawing on research carried out within the ‘Collab’
programme backed by the French National Research Agency, the book
considers how platforms are used to organise cultural labour and/or to
control usages, following a logic of suggestion rather than overt injunction.
Four key areas are considered: the history of crowdfunding as a system; whose
interests crowdfunding may serve; the implications for digital labour and lastly
crowdfunding’s interface with globalization and contemporary capitalism.
The book concludes with an assessment of claims that crowdfunding can
democratize culture.
PUBLISHED
NOVEMBER 2019
FORMAT
128 pages
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BUBBLES AND MACHINES
GENDER, INFORMATON AND FINANCIAL CRISES
MICKY LEE
MICKY LEE is an Associate
Professor of Media Studies at
Suffolk University, Boston. She is the
author of Alphabet: The Becoming of
Google (2019) and the co-author of
Understanding the Business of Global
Media in the Digital Age (2018).
PUBLISHED
MAY 2020
FORMAT
164pages
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Are financial crises embedded in IT? Can gender studies offer insights into
financial reporting? Feminist theories and Science and Technology Studies
(STS) can enrich a critique of financial crises in capitalism as the author
argues their critical, political-economic approaches to communication can
help in understanding because they historicize technology and economy
and how these are materially embedded. Current literature has neglected
finance and capital’s gendered aspect – even – the ideology of a ‘crisis’. This
book develops four themes: women as resources in financial markets and
as producers of values; gender ideology and unequal distribution; machine
production and distribution of financial information and the varied actuality
of markets. Working with case histories of tulipmania, microcredit, Wall
Street reporting and the role of ‘screens’, Bubbles and Machines argues that
rather than calling financial crises human-made or inevitable, they should be
recognized as technological.
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CRITICAL THEORY AND AUTHORITARIAN
POPULISM
JEREMIAH MORELOCK (ED.)
In this volume, leading European
and American scholars apply
insights from the early Frankfurt
School to present day authoritarian
populism, including the Trump
phenomenon and related
developments across the globe.
Chapters are arranged into three
sections exploring different aspects
of the topic: theories, historical
foundations and manifestations
via social media. This book is a
major contribution towards deeper
understanding of populism’s
resurgence in the age of digital
capitalism.
THE PROPAGANDA MODEL TODAY
FILTERING PERCEPTION AND AWARENESS
JOAN PEDRO-CARAÑANA, DANIEL BROUDY AND JEFFERY
KLAEHN
Thirty years after Chomsky and
Herman elaborated the Propaganda
Model, this title aims to introduce
a new generation of readers to it.
It presents cutting-edge research
demonstrating the model’s general
validity as well as new attempts
– in the light of digital media and
21st century politics – to critically
update, expand and refine it.
PUBLISHED
DECEMBER 2018
FORMAT
298 pages
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HARDBACK
978-1-912656-04-2
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_________________
PUBLISHED
OCTOBER 2018
FORMAT
314 pages
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14
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PEER TO PEER
: THE COMMONS MANIFESTO
MICHEL BAUWENS, VASILIS KOSTAKIS AND ALEX PAZAITIS
As capitalism faces a series of structural
crises, a new social, political and
economic dynamic is emerging: peer
to peer. What is peer to peer? Why is
it essential for building a commonscentric future? How could this happen?
These are the questions this book tries
to answer. This book argues that peer to
peer enables a new mode of production
and creates the potential for a transition
to a commons-oriented economy.
SOCIAL CAPITAL ONLINE: ALIENATION AND
ACCUMULATION
KANE X. FAUCHER
Social Capital Online examines the
idea of social capital within the new
‘network spectacle’ of digital capitalism
via the ideas of Marx, Veblen, Debord,
Baudrillard and Deleuze. Explaining how
online narcissism and aggression arise,
Faucher offers a new understanding of
how the spectacularization of online
activity perfectly aligns with the value
system of neoliberalism and its data
worship. Even so, at the centre of all,
lie familiar ideas – alienation and
accumulation.
THE BIG DATA AGENDA: DATA ETHICS AND
CRITICAL DATA STUDIES
ANNIKA RICHTERICH
This book highlights that the capacity
for gathering, analysing and utilising
vast amounts of digital (user) data
raise significant ethical issues. Annika
Richterich provides a systematic
contemporary overview of the field
of critical data studies that reflects
on − corporate, institutional and
governmental − practices of digital
data collection and analysis. It assesses
in detail one Big Data research
area: biomedical studies, focused on
epidemiological surveillance. The Big
Data Agenda argues data literacy and
discourse ethics may contain solutions as
well as a critique.
www.uwestminsterpress.co.uk
PUBLISHED
MARCH 2019
FORMAT
102 pages
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_______________
PUBLISHED
MAY 2018
FORMAT
194 pages
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978-1-911534-56-3
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15
CRITICAL THEORY OF COMMUNICATION
NEW READINGS OF LUKÁCS, ADORNO, MARCUSE AND
HABERMAS IN THE AGE OF THE INTERNET
CHRISTIAN FUCHS
One of the world’s leading
theorists of digital media,
Professor Christian Fuchs,
explores how the thought
of the Frankfurt School can
be deployed for critically
understanding media in the
age of the Internet. Five essays
form the heart of this book
reviewing the works of Georg
Lukács, Theodor W. Adorno,
Herbert Marcuse, Axel Honneth
and Jürgen Habermas. The book
offers a vital set of new insights
on how communication works
and can be understood via
critical theory.
PUBLISHED
OCTOBER 2016
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THE SPECTACLE 2.0:
READING DEBORD IN THE
CONTEXT OF DIGITAL CAPITALISM
MARCO BRIZIARELLI AND EMILIANA ARMANO (EDS.)
‘A much needed and valuable reelaboration of a classic situationist
concept.’ Tiziana Terranova.
The Spectacle 2.0 recasts
Debord’s theory of spectacle
within the frame of 21st century
digital capitalism. It offers
a reassessment of Debord’s
original notion of Spectacle
from the late 1960s, and it
presents a reinterpretation of
the concept within the scenario
of contemporary capitalism and
of digital and media labour.
Spectacle 2.0 operates as an
singular contradictory interactive
network. It thus colonizes most
spheres of social life by processes
of commodification, exploitation
and reification.
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DOI:10.16997/book1
_________________
PUBLISHED
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16
POLITICIZING DIGITAL SPACE: THEORY, THE
INTERNET AND RENEWING DEMOCRACY
TREVOR GARRISON SMITH
‘[A]n important challenge to the current
political theory of democracy’ R. Süß,
tripleC.
The objective of this book is to outline
how a radically democratic politics can
be reinvigorated through the use of the
internet. Raising awareness of what
‘politics’ means, the author develops
theoretical work by Arendt, Rancière,
Žižek and Mouffe to present a view of
how IT can be digitized and alternatively
how the internet can be deployed in the
service of truly democratic politics.
CAPITAL, STATE, EMPIRE: THE NEW AMERICAN
WAY OF DIGITAL WARFARE
SCOTT TIMCKE
This book offers an analysis of the
USA’s historical impulse to weaponize
communication technologies. At the
same time it demonstrates how the
American security state represses
activists – for instance those in Black
Lives Matters – who resist this emerging
security leviathan. With Big Data now
conditioning so much of social life, the
book critiques the digital positivism used
to control labour and further diminish
prospects for human flourishing for the
‘99%’ worldwide.
KNOWLEDGE IN THE AGE OF DIGITAL
CAPITALISM: AN INTRODUCTION TO COGNITIVE
MATERIALISM
MARIANO ZUKERFELD
Winner of the ESCOCITE Amilcar
Herrara Prize for ‘Best Book’ by an
established author in field of social
studies of science and technology.
‘A bold, comprehensive theoretical
book, offering a new understanding of
knowledge and its role in capitalism,
historically, and today.’ Dr Eran Fisher
Knowledge in the Age of Digital
Capitalism proposes a new critical theory
concerning the functioning of capitalism,
knowledge, labour, IP and information.
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PUBLISHED
JULY 2017
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PUBLISHED
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PUBLISHED
MAY 2017
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17
CAN MUSIC MAKE YOU SICK?
!
NEW
MEASURING THE PRICE OF MUSICAL AMBITION
SALLY ANNE GROSS AND GEORGE MUSGRAVE
SALLY ANNE GROSS is a Principal
Lecturer at the University of
Westminster and the course leader
of the MA in Music Business
Management. She is also a music
manager and music business affairs
consultant, and has worked in
the music industry for over three
decades.
GEORGE MUSGRAVE is an academic
based at both the University of
Westminster and Goldsmiths,
University of London. He is also a
musician who has been signed to
Sony/EMI/ATV.
It is often assumed that creative people are prone to psychological instability,
and that this explains apparent associations between cultural production and
mental health problems. In their detailed study of recording and performing
artists in the British music industry, Sally Anne Gross and George Musgrave turn
this view on its head.
By listening to how musicians understand and experience their working lives,
this book proposes that whilst making music is therapeutic, making a career
from music can be traumatic. The authors show how careers based on an allconsuming passion have become more insecure and devalued. Artistic merit
and intimate, often painful, self-disclosures are the subject of unremitting scrutiny
and data metrics. Personal relationships and social support networks are
increasingly bound up with calculative transactions.
Drawing on original empirical research and a wide-ranging survey of
scholarship from across the social sciences, their findings will be provocative
for future research on mental health, wellbeing and working conditions in the
music industries and across the creative economy. Going beyond self-help
strategies, they challenge the industry to make transformative structural change.
Until then, the book provides an invaluable guide for anyone currently making
their career in music, as well as those tasked with training and educating the
next generation.
PUBLISHED
SEPTEMBER 2020
FORMAT
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18
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THE MEDIA AND COMMUNICATIONS
STUDY SKILLS STUDENT GUIDE
DOUG SPECHT
The Media and Communications
STUDY SKILLS
STUDENT GUIDE
DOUG SPECHT is a senior lecturer
and Director of Teaching and
Learning in the School of Media and
Communication at the University of
Westminster. He has taught for 15
years across a range of sectors and
countries, and now teaches digital
media and communications at both
undergraduate and postgraduate
and is a Senior Fellow of the HA
holding an MAHE and PGCE.
Doug Specht
All the tips ideas and advice given to, and requested by, MA students
in Media and Communications are brought together in an easy-to-use
accessible guide to help students study most effectively. Based upon many
years of teaching study skills and hundreds of lecture slides and handouts,
it covers a range of general and generic skills that the author relates
specifically towards media and communications.
Includes
Goal-setting and listening skills
Introduction
Reading and notetaking
1. Why we Study and Setting Goals
Reflective learning and time
2. Listening Skills and Getting the Most from Lectures and management
Writing: from basics to excellence;
Lecturers
3. Reading and Notetaking 1: Referencing and Plagiarism academic language
Methods from interviews to
4. Seminar Skills
sampling
5. Developing a Reflective Approach to Learning
Writing a dissertation
6. Writing – Getting Started
Features
7. Reading and Notetaking 2: Combining Sources
Student tips
8. The ‘I’ in Academic Writing
Summary and tracking sheets for
9. Writing – From the Basics Towards Excellence
reference
10. Writing Questions for Research Topics
Diagrams, boxes and highlight
11. Empirical Research Skills
quotes
Online Appendices: Checklists and
12. Putting it all Together: Writing a Dissertation
Summaries
Index
Contents
PUBLISHED
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19
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DIGITAL OBJECTS, DIGITAL SUBJECTS
INTERDISCIPLINARY PERSPECTIVES ON CAPITALISM, LABOUR
AND POLITICS IN THE AGE OF BIG DATA
EDITED BY DAVID CHANDLER AND CHRISTIAN FUCHS
DAVID CHANDLER is Professor of
International Relations at the University
of Westminster. He is the author of
Ontopolitics in the Anthropocene: An
Introduction to Mapping, Sensing and
Hacking (2018).
CHRISTIAN FUCHS is a Professor at the
University of Westminster, where he is
Director of the Westminster Institute for
Advanced Studies (WIAS) and the
Communication and Media Research
Institute (CAMRI). He is the editor of the
journal tripleC.
This volume explores activism, research and critique in the age of digital
subjects and objects and Big Data capitalism after a digital turn said to
have radically transformed our political futures. Optimists assert that the
‘digital’ promises: new forms of community and ways of knowing and
sensing, innovation, participatory culture, networked activism and distributed
democracy. Pessimists argue that digital technologies have extended
domination via new forms of control, networked authoritarianism and
exploitation, dehumanization and the surveillance society. Leading international
scholars present varied interdisciplinary assessments of such claims – in theory
and via dialogue – and of the digital’s impact on society and the potentials,
pitfalls, limits and ideologies, of digital activism. They reflect on whether
computational social science, digital humanities and ubiquitous datafication
lead to digital positivism that threatens critical research or lead to new horizons
in theory and society.
PUBLISHED
JANUARY 2019
FORMAT
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book29
CONTRIBUTORS
An electronic version of this book is freely available, thanks to the support of
libraries working with Knowledge Unlatched. KU is a collaborative initiative
designed to make high quality books Open Access for the public good.
More information about the initiative and details about KU’s Open Access
programme can be found at www.knowledgeunlatched.org.
www.uwestminsterpress.co.uk
Joanaa Boehnert
Elisabetta Brighi
David Chandler
Robert Cowley
Jodi Dean
Christian Fuchs
Paolo Gerbaudo
Peter Goodwin
Kylie Jarrett
Anastasia Kavada
Phoebe Moore
Toni Negri
Jack Linchuan Qiu
Paul Rekret
Pauliina Tamabakaki
20
COLLABORATIVE PRODUCTION IN THE CREATIVE
INDUSTRIES
James Graham and Alessandro Gandini (eds.)
‘This volume makes a significant contribution
to existing debates on the creative industries …
providing important insights.’
Daniel Ashton, University of Southampton, UK.
This collection develops a critical understanding
of the integral role collaboration plays
in contemporary media and culture. It
draws attention to diverse kinds of creative
collaboration afforded via the intermediation
of digital platforms and networked publics.
It considers how these are incorporated into
emergent market paradigms and investigates
the complicated forms of subjectivity that develop. But it also
acknowledges historical continuities, in terms of continued
exploitation as well as alternative models of contemporary cultural
work.
PUBLISHED
MAY 2017
FORMAT
240 pages
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DOI:10.16997/book4
CAMRI POLICY BRIEFS
CAMRI POLICY OBSERVATORY, COMMUNICATIONS AND MEDIA
RESEARCH INSTITUTE, UNIVERSITY OF WESTMINSTER
SERIES DESCRIPTION:
The CAMRI POLICY BRIEF series disseminates in short form the
results of its media and communications research to a broad
audience, comprising both policymakers and the public, in a
language and format that is accessible and engaging. Briefs are
written for institutional actors engaging with the relevant areas
of policymaking and a wider public including policymakers and
politicians, civil society organisations, consumer associations, as
well as journalists and the media.
Each brief has the following structure:
Executive summary
Explanation of the context of the issue in question
Presentation of research evidence (incl. relevant graphs/tables)
Critique of the policy options
Sources
All briefs are available free in digital versions of between 28-38 pages
but are not available for purchase in print.
www.uwestminsterpress.co.uk
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EDITORIAL BOARD
Steve Barnett
Christian Fuchs
Anastasia Kavada
Maria Michalis
21
CAMRI POLICY BRIEFS
CAMRI POLICY OBSERVATORY, COMMUNICATIONS AND MEDIA
RESEARCH INSTITUTE, UNIVERSITY OF WESTMINSTER
!
NEW
FASHION MEDIA AND
SUSTAINABILITY: Encouraging Ethical
Consumption via Journalism and
Influencers
Anastasia Denisova
A garment spends 2.2 years on average
in a UK wardrobe. Fashion is among the
biggest polluters, yet the media still promote
throwaway fast fashion. The growing fashion
public relations industry encourages and
enables this media coverage. This Policy Brief
identifies patterns in the way journalists and
influencers cover fashion which contribute to unsustainable buying
behaviours. Identifying numerous patterns of unstainable media
coverage, it offers practical solutions encouraging a sustainable
approach to fashion. These include modifying vocabulary, regulating
the use of affiliated links in journalism and on social media – and
positive incentives for social media platforms and their influencers to
promote ethical influencers and sustainable hashtags.
!
NEW
ACHIEVING VIABILITY FOR PUBLIC
SERVICE MEDIA IN CHALLENGING
SETTINGS: A Holistic Approach
James Deane, Pierre François Docquir, Winston
Mano, Tarik Sabry, Naomi Sakr
In the face of challenges posed by a shifting
digital media landscape, an array of
international bodies continue to endorse public
service media (PSM). Yet how can PSM achieve
viability in settings where models of media
independence and credibility are unfamiliar or
rejected by political leaders? The answer lies in a holistic approach
that is neither media-centric nor defeatist about PSM’s place in a
landscape marked by younger generations’ widespread preference for
social media platforms. This Policy Brief considers the issues, research
and policy options around achieving viability for PSM. It concludes
with six recommendations that are relevant to policymakers,
practitioners and media studies specialists.
FORTHCOMNG
OCTOBER 2020
FORMAT
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pages
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PUBLISHED
MARCH 2020
FORMAT
229 x 152mm 38
pages
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978-1-912656-51-6
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book41
22
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THE ONLINE ADVERTISING TAX: A Digital Policy Innovation
Christian Fuchs
DOI: 10.16997/book24 June 2018 33 pages
ARTIFICIAL INTELLIGENCE AND THE INTERNET OF THINGS: UK Policy
Opportunities and Challenges
Mercedes Bunz and Laima Jancuite
DOI: 10.16997/book25 June 2018 31 pages
OPEN ACCESS
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APPEARANCE, DISCRMINATION AND THE MEDIA: Portraying Facial
Disfigurement Fairly in the News
Diana Garrisi, Laima Jancuite and Jacob Johanssen
DOI: 10.16997/book31 July 2018 28 pages
WELL-BEING AND MENTAL HEALTH IN THE GIG ECONOMY: Policy
Perspectives on Precarity
Sally-Anne Gross, George Musgrave and Laima Janciute
DOI: 10.16997/book32 August 2018 37 pages
THE ONLINE ADVERTISING TAX AS THE
FOUNDATION OF A PUBLIC SERVICE
INTERNET CAMRI EXTENDED POLICY REPORT
CHRISTIAN FUCHS
CHRISTIAN FUCHS is
Professor and Director CAMRI
(Communications and Media
Research Institute) University of
Westminster.
This extended CAMRI policy report examines the
arguments concerning where Google and Facebook
should be taxed and where the value of its activities is actually created.
It argues that tax should be levied in countries where these companies’
advertisements were personalised with the help of users’ data. Moreover,
it examines the practical steps needed to ensure transparent accounting of
taxed transactions in order to avoid long term negative effects for media.
The author concludes that an online advertising tax in combination with
a public service internet strategy could form the basis for viable platforms
and head off the dangerous trend towards duopoly or oligopoly in the sector as a whole under the current business model.
www.uwestminsterpress.co.uk
PUBLISHED
JUNE 2018
FORMAT
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book23
23
WESTMINSTER LAW AND THEORY LAB
LAW AND THE SENSES SERIES
SERIES EDITORS:
LAW AND THE SENSES SERIES .
LAW AND THE SENSES SERIES .
PROFESSOR ANDREAS
PHILIPPOPOULOS-MIHALOPOULOS
UNIVERSITY OF WESTMINSTER
LAW AND THE SENSES SERIES .
DR ANDREA PAVONI
ISCTE UNIVERSITY INSTITUTE OF LISBON
LAW AND THE SENSES SERIES .
DR CATERINA NIRTA
ROEHAMPTON UNIVERSITY
LAW AND THE SENSES SERIES .
DR DANILO MANDIC
UNIVERSITY OF WESTMINSTER
T
O
U
C
H
S
E
E
H
E
A
R
S
M
E
L
L
T
A
S
T
E
SERIES DESCRIPTION:
The LAW AND THE SENSES series aims to reflect critically on the
relationship between law and the senses by gathering contributions
from a wide range of critical fields, and intersecting contemporary
debates alimented by spatial, material, affective and post-human
turns in philosophy, social and legal theory, critical geography, arts
and the humanities.
FORTHCOMING
SEE
2018
TASTE
2018
TOUCH 2020
HEAR
2021
SMELL
tbc
FORMAT
All books
108 x 178mm
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The growing ‘sensory turn’ across different scholarly disciplines has
been followed by an increasing number of publications that engage
with the senses. The series contributes to the developing scholarship
investigating law and the senses. The established literature deals
with the relation between law and the senses from phenomenological
positions, or taking the senses as objects of legal regulation. In
contrast, this series makes an important contribution by taking a
trans-disciplinary approach that is critically underpinned with a main
purpose to introduce new perspectives and engage in shaping future
debates on the topic.
In that regard, books in the series provide original and diverse
research that will appeal to scholarly communities and students
from across different disciplines, in particular: law, anthropology, art,
philosophy, cultural studies and social sciences.
24
www.uwestminsterpress.co.uk
TOUCH
LAW AND THE SENSES
EDITED BY CATERINA NIRTA, DANILO MANDIC, ANDREA
PAVONI AND ANDREAS PHILIPPOPOULOS-MIHALOPOULOS
PUBLISHED
JANUARY 2020
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Described by Aristotle as the most vital of senses, touch contains both the
physical and the metaphysical in its ability to express the determination
of being. To manifest itself, touch makes a movement outwards, beyond the
body, and relies on a specific physical involvement other senses do not require:
to touch is already to be active and to activate. This fundamental ontology
makes touch the most essential of all senses.
This volume of Law and the Senses attempts to illuminate and reconsider
the complex and interflowing relations and contradictions between the
tactful intrusion of the law and the untactful movement of touch. Compelling
contributors from arts, literature and social science disciplines alongside artist
presentations explore touch’s boundaries and formal and informal ‘laws’ of
the senses. Each contribution unveils a multi-faceted new dimension to the
force of touch, its ability to form, deform and reform what it touches. In unique
ways, each of the several contributions to this volume recognises the transcorporeality of touch to traverse the boundaries on the body and entangle
other bodies and spaces, thus challenging the very notion of corporeal integrity
and human being.
An electronic version of this book is freely available, thanks to the support of
libraries working with Knowledge Unlatched. KU is a collaborative initiative
designed to make high quality books Open Access for the public good: www.
knowledgeunlatched.org.
OPEN ACCESS
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DOI: 10.16997/
book37
CONTRIBUTORS
Jan Hogan
Erin Manning
Nicole Nyffenegger
Caterina Nirta
Naomi Segal
Moritz von Stetten
Tolis Tatolas
Barbara Zanditon
25
www.uwestminsterpress.co.uk
TASTE
EDITED BY ANDREA PAVONI, CATERINA NIRTA, DANILO
MANDIC AND ANDREAS PHILIPPOPOULOS-MIHALOPOULOS
LAW AND THE SENSES
Edited by Andrea Pavoni, Danilo Mandic
Caterina Nirta, Andreas Philippopoulos-Mihalopoulos
Taste usually occupies the bottom
of the sensorial hierarchy. Yet it is
indissolubly tied to knowledge.
This second title in the Law and
the Senses series explores law
using taste as a conceptual and
ontological category able to
open up directions away from
legal certainties and a promising
tool with which to investigate
the materiality of law’s relation
to the world. The result is an
original interdisciplinary volume
dedicated to a rarely explored
intersection with contributions
from artists, legal academics,
philosophers, anthropologists and
sociologists.
SEE
EDITED BY ANDREA PAVONI, CATERINA NIRTA, DANILO
MANDIC, AND ANDREAS PHILIPPOPOULOS-MIHALOPOULOS
LAW AND THE SENSES
Edited by Andrea Pavoni, Danilo Mandic
Caterina Nirta, Andreas Philippopoulos-Mihalopoulos
Vision traditionally occupies the
height of the sensorial hierarchy.
The sense of clarity and purity, it is
the one most explicitly associated
with truth and knowledge. This
first title in a new interdisciplinary
series Law and the Senses asks
how can we develop theoretical
approaches to law and seeing
that would go beyond simple
critique of its pretension of
bringing us truth. It is also explores
devices and practices of visibility,
how iconology and iconography
have evolved and the relation
between the gaze of the law and
the blindness of justice.
PUBLISHED
JULY 2018
FORMAT
300 pages
108 X 178mm
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DOI:10.16997/
book21
PUBLISHED
FEBRUARY 2018
FORMAT
226 pages
108 X 178mm
PAPERBACK
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DOI:10.16997/
book12
26
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DIES IRAE JEAN-LUC NANCY
DIES IRAE
What does it mean to judge when there
is no general and universal norm to
define what is right and what is wrong?
This is the first publication of an English
translation of Jean-Luc Nancy’s acclaimed
consideration of the law’s most pervasive
principles in the context of actual systems
and contemporary institutions, power,
norms, laws.
JULY 2019 Paperback: 106 pages 108 X
178mm 978-1-912656-30-1 £13.99
Open Access: DOI: 10.16997/book36
FAREWELL TO FREEDOM A WESTERN GENEALOGY
OPEN ACCESS
PDF, EPUB & MOBI
All titles available free
from uwestminsterpress.
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OF LIBERTY RICCARDO BALDISSONE
‘[A] compelling work and a real tour
de force … shows an admirable and
indeed exceptional knowledge across
a range of sources and languages and
offers an insightful way of approaching
the question of freedom both in terms
of a genealogy of its origins and an
engagement with contemporary theories
of power, individuation, and the self.’
Professor Nathan Widder
JULY 2018 Paperback: 218 pages 203 X
133 mm 978-1-911534-60-0 £20.99
Open Access: DOI: 10.16997/book15
REFORM AND REVOLUTION IN THE CITY
OF DREAMING SPIRES RADICAL, SOCIALIST AND
COMMUNIST POLITICS IN THE CITY OF OXFORD 1830–1980
DUNCAN BOWIE
‘… a fascinating read. There is a wealth
of detail regarding meetings, elections
and personalities, following social and
political developments within parties,
factions and movements through 150
years.’ Ann Black, The Chartist.
‘Oxford and Oxford university both have
a radical, left-wing history that deserves
to be better known.’ Urban History.
DECEMBER 2018 Paperback: 354 pages
229 X 152mm 978-1-912656-12-7 £22.99
Open Access: DOI: 10.16997/book28
www.uwestminsterpress.co.uk
27
THE BLITZ COMPANION
AERIAL WARFARE,
CIVILIANS AND THE CITY SINCE 1911 MARK CLAPSON
The Blitz Companion is an overview of
aerial warfare, its impact on cities and
the people who lived in them from the
earliest bombing raids through to the
London Blitz and Allied bombings to the
aftermath of 9/11. Uniquely accessible
and comparative, it draws conclusions
about civilian experience and
implications for military engagement
and civil reconstruction processes once
conflicts have been resolved.
APRIL 2019 Paperback: 354 pages 203 X
133 mm 978-1-911534-48-8 £14.99
Open Access: DOI: 10.16997/book26
OPEN ACCESS
PDF, EPUB & MOBI
All titles available free
from uwestminsterpress.
co.uk/site/books
NAVAL LEADERSHIP IN THE ATLANTIC
WORLD THE AGE OF REFORM AND REVOLUTION, 1700–
1850 RICHARD HARDING AND AGUSTÍN GUIMERÁ (EDS.)
‘Harding’s contributions especially forge
a new agenda for the study of historical
naval leadership …’ Mariner’s Mirror
This book examines naval leadership in
Europe between 1700-1850.
MARCH 2017 Hardback: 354 pages
229 X 152mm 978-1-911534-08-2 £48
Paperback: 978-1-911534-76-1 £19.99
Open Access: DOI: 10.16997/book2
DEVELOPING EDUCATORS FOR THE
DIGITAL AGE A FRAMEWORK FOR CAPTURING
KNOWLEDGE IN ACTION PAUL BREEN
This book provides a narrative account
of teacher development geared towards
the further usage of technologies. This
book will be of interest to the growing
body of scholars interested in TPACK
theory, or ‘communities of practice’
theory.
DECEMBER 2018 Paperback: 354 pages
229 X 152mm 978-1-911534-68-6 £19.99
Open Access: DOI: 10.16997/book13
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DESTINATION LONDON
THE EXPANSION OF THE VISITOR ECONOMY
EDITED BY ANDREW SMITH AND ANNE GRAHAM
ANDREW SMITH is a Reader
in Tourism and Events at the
University of Westminster. He is
the author of Events and Urban
Regeneration (2012) and Events in
the City (2016).
ANNE GRAHAM is Professor
of Air Transport and Tourism
Management at the University
of Westminster. Her most recent
books include Air Transport: A
Tourism Perspective (2019) and
The Routledge Companion to Air
Transport Management (2018).
London is one of the world’s most popular destinations and visitors contribute
approximately £14.9 billion of expenditure to the city every year. Its tourism
and events sectors are growing and over the last few years London has
received more visitors than ever before. However, detailed accounts of the
city’s visitor economy are conspicuously absent. This book analyses how the
capital is developing as a destination through the expansion of tourism and
events into new urban spaces. The book outlines how parts of London not
previously regarded as tourist territory are now subject to the visitor gaze with
tourism spreading beyond established central zones into peripheral, suburban
and residential areas – in part propelled by a big rise in peer to peer
accommodation use. Simultaneously, London’s airports and sports stadiums
and their surrounds are becoming destinations in their own right. New vantage
points have been created, allowing tourists to explore the city: from above,
at night-time or through tours given by the homeless; via the opening up of the
River Thames; or through the transformation of local parks into eventscapes.
The book explores these trends and shows how urban destinations expand. In
doing so, it enhances our understanding of London and highlights the growing
significance of tourism and events in global cities.
PUBLISHED
MAY 2019
FORMAT
264 pages
229 x 152mm
PAPERBACK
978-1-912656-26-4
£22.99
OPEN ACCESS
PDF, EPUB AND
MOBI
VERSIONS
Available free from
uwestminsterpress.
co.uk/site/books
PDF
978-1-912656-27-1
ePub
978-1-912656-28-8
Kindle
978-1-912656-29-5
DOI:10.16997/
book35
CONTRIBUTORS
Simon Curtis
Claudia Dolezal
Adam Eldridge
Anne Graham
Clare Inkson
Jayni Gudka
Claire Humphreys
Robert Maitland
Ilaria Pappalepore
Andrew Smith
29
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HISTORY OF THE UNIVERSITY OF
WESTMINSTER
DISTRIBUTED TITLES AVAILABLE AS OPEN ACCESS PDFS AND
PAPERBACKS † All series titles 269 x 200mm
THE EDUCATION OF THE EYE
HISTORY OF THE
ROYAL POLYTECHNIC INSTITUTION 1838-1881 BRENDA WEEDEN
Paperback £20 110 pages 2008
OPEN ACCESS PDF
DOI: 10.16997/book7
ISBN 978-1-911534-20-4
AN EDUCATION IN SPORT
COMPETITION,
COMMUNITIES AND IDENTITIES AT THE UNIVERSITY OF
WESTMINSTER SINCE 1864 MARK CLAPSON
Paperback £20 126 pages 2013
OPEN ACCESS PDF
DOI: 10.16997/book8
ISBN 978-1-911534-14-3
EDUCATING MIND, BODY AND SPIRIT
THE LEGACY OF QUINTIN HOGG AND THE POLYTECHNIC,
1864-1992 HELEN GLEW ET AL.
Paperback £25 276 pages 2013
OPEN ACCESS PDF
DOI: 10.16997/book9
ISBN 978-1-911534-17-4
THE MAGIC SCREEN:
A HISTORY OF REGENT STREET
CINEMA JOOST HUNNINGHER ET AL.
Paperback £20 174 pages 2015
OPEN ACCESS PDF
DOI: 10.16997/book10
ISBN 978-1-911534-23-5
EDUCATING FOR PROFESSIONAL LIFE
TWENTY-FIVE YEARS OF THE UNIVERSITY OF WESTMINSTER
ELAINE PENN
Paperback £20 148 pages 2017
OPEN ACCESS PDF
DOI: 10.16997/book18
ISBN 978-1-911534-23-5
† Print paperbacks of these books can only be purchased direct from the University
of Westminster when the university is open using this link: www.westminster.ac.uk/
historybooks. Staff, students and alumni can claim a 20% discount on this price.
www.uwestminsterpress.co.uk
30
ACTIVE TRAVEL STUDIES
EDITED BY TOM COHEN AND RACHEL ALDRED,
UNIVERSITY OF WESTMINSTER
NEW F
OR
2020!
FORTHCOMING
AUTUMN 2020
EDITORIAL BOARD
Esther Anaya Boig
Andy Cope
Sonja Haustein
Giulio Matitoli
Active Travel Studies is a new, peer-reviewed, open-access journal
intended to provide a source of authoritative research on walking,
cycling and other forms of active travel. In the context of a climate
emergency, widespread health problems associated with inactivity
and poor air quality caused in large part by fossil-fuel transport, the
journal is relevant and timely. It will perform the critical function of
providing practitioners and policy makers with access to current and
robust findings on all subjects relevant to active travel. The journal is
produced by the Active Travel Academy, University of Westminster.
ARTICLE TYPES
Research Articles
Commentaries
Review Articles
Debates
Interviews
Unpublished original research – up to 8,000
words
Reflection on or critique of a specific
‘happening’ – up to 3,000 words
Cover topics such as current controversies
historical development of studies, issues of
regional or temporal focus – up to 8,000
words
A range of views by at least two authors
taking contrasting positions – up to 5,000
words
Will present the opinions of influential
figures from the world of active travel –
up to 5,000 words
FORMAT
Digital. Articles are
usually published on
an iterative rolling basis
every year. This means
the journal can be
very swift to publish,
– subject to peer
review – on topical and
contemporary matters.
E-ISSN: 2732-4184
OPEN ACCESS
Available free from
the University of
Westminster Press from
the journal’s website.
activetravelstudies.org
31
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JOURNAL OF DELIBERATIVE
DEMOCRACY
EDITED BY NICOLE CURATO, KIM STRANDBERG, ANDRÉ
BÄCHTIGER, GRAHAM SMITH
The Journal of Deliberative Democracy (formerly the Journal of
Public Deliberation) publishes articles that shape the course of
scholarship on deliberative democracy. This journal was previously
published as the International Journal for Public Participation (20072010) and, in November 2010, merged with the Journal for Public
Deliberation as a joint venture between the Deliberative Democracy
Consortium and IAP2. This initiative aimed to extend the discourse in
the field benefiting from first-hand experience of public participation
practitioners.
In 2020, the journal was relaunched as the Journal of Deliberative
Democracy. It is the forum for the latest thinking, emerging debates,
alternative perspectives, as well as critical views on deliberation.
The journal welcomes submissions from all theoretical and
methodological traditions. It aims to be the platform to broker
knowledge between scholars and practitioners of citizen engagement.
The journal is supported by the newDemocracy Foundation,
the Deliberative Democracy Consortium and the International
Association for Public Participation. It is hosted at the Centre for
Deliberative Democracy and Global Governance at the University of
Canberra and co-edited by Nicole Curato with Kim Strandberg, Åbo
Akademi University, André Bächtiger, University of Stuttgart and
Graham Smith, University of Westminster.
ARTICLE TYPES
Research articles are full-length manuscripts that
present an original contribution to the field of deliberative
democracy. The length ranges from 6,000 to 8,000 words.
Commentaries are short, thoughtful pieces that take
stock of recent developments in deliberative democracy.
Commentaries are usually solicited, not longer than 3,000
words.
Book reviews are welcomed and may run up to 3,000 words
if the author is reviewing two to three related books. The
upper limit for reviews about one book is 800 words.
Creative content is usually solicited, which includes
interviews, conversations, roundtables and reflections from
the field.
ASSOCIATE EDITORS
Emmanuel Ani
Edana Beauvais
Lori Britt
Henrik Christensen
Tamirace Fakhoury
Marina Lindell
Timothy Shaffer
Jane Suiter
BOOK REVIEW
EDITORS
Patricia Mockler
Filipe Motta
Kei Nishiyama
John Rountree
EDITORIAL BOARD
Hans Asenbaum
Emily Beausoleil
John Boswell
John Dryzek
Selen Ercan
David Farrell
John Gastil
Rachel Gibson
Kimmo Grönlund
Zeynep Gülru Göker
Marit Hammond
Cassandra Hemphill
Carolyn Hendriks
Kaisa Herne
Jonathan Kuyper
Peter MacLeod
Rousiley Maia
Sofie Marien
Simon Niemeyer
Jonathan Rose
Paromita Sanyal
Molly Scudder
Maija Setälä
William Smith
Leyla Tavernaro-Haidarian
delibdemjournal.org
32
www.uwestminsterpress.co.uk
JOURNAL OF DELIBERATIVE
DEMOCRACY
NEW F
OR
2020!
EDITED BY NICOLE CURATO, KIM STRANDBERG, ANDRÉ
BÄCHTIGER, GRAHAM SMITH
FORMAT
Digital. The journal
normally publishes
two issues a year
(January to June, July
to December). Articles
are made available as
soon as they are ready
to ensure that there are
no unnecessary delays
in getting content
publicly available.
FORTHCOMING ARTICLES from JOURNAL OF DELIBERATIVE
DEMOCRACY include
E-ISSN: 2634-0488
2020
OPEN ACCESS
Available free from
the University of
Westminster Press from
the journal’s website.
from Vol 16(1): Frontiers of Deliberative Democracy
Deliberation in an Age of (Un)Civil Resistance
William Smith
Deliberative Theory and African Philosophy
Leyla Tavernaro-Haidarian
Can Deliberation Reduce Political Misconceptions?
Staffan Himmelroos and Lauri Rapeli
Rethinking Representation and Diversity in Deliberative Minipublics
Daniel Steel, Naseeb Bolduc, Kristina Jenei, Michael Burgess
from Vol 16(2): Democracy Without Shortcuts
Commentary on: Cristina Lafont, Democracy without Shortcuts
Jurgen Habermas
Participatory Deliberative Democracy in Complex Mass Societies
Mark Warren
delibdemjournal.org
33
www.uwestminsterpress.co.uk
NEW!
ANTHROPOCENES
– HUMAN, INHUMAN, POSTHUMAN
EDITED BY DAVID CHANDLER, JANE LEWIS AND ANDREAS
PHILIPPOPOULOS-MIHALOPOULOS
Anthropocenes –Human, Inhuman, Posthuman is a global interdisciplinary journal. Our core contributor base and readership will be
in the social sciences, arts and humanities although often social and
political thought will be applied to aspects of the natural or ‘hard’
sciences. Moving beyond concerns around around global warming
and the environment, it focuses on diverse theoretical approaches
to the anthropocene from social sciences and humanities. Drawing upon the University of Westminster’s unique strengths across
diverse fields from the arts and media to the human sciences, via
law, architecture and politics, Anthropocenes will engage and work
with leading and upcoming international academics and practitioners looking for an interdisciplinary outlet and keen to develop and
initiate debate through traditional and non-traditional forms of publication including visual and audio links. The journal is about the
invitation to rethink notions such as abstraction, art, architecture,
design, governance, ecology, law, politics and discourses of science
in the context of human, inhuman and posthuman framework.
JOURNAL ARTICLE TYPES
Commentaries; Interventions; Interviews; Reviews; Visual Essays;
Audio Essays; Practice Pieces.
EDITORIAL BOARD
Harshavardhan Bhat
Farai Chipato
Lewis Dartnell
Hannah Fair
Anna Grear
Elizabeth Johnson
Francesco Forzani
Thiago Hoshino
Jennifer Lawrence
Mirko Nikolic
Jane Norris
Andrea Pavoni
Doug Specht
Tamara Trownsell
Stephanie Wakefield
FORMAT
Digital. Articles are
usually published on
an iterative rolling basis
every year. This means
the journal can be
very swift to publish,
– subject to peer
review – on topical and
contemporary matters.
E-ISSN: 2633-4321
OPEN ACCESS
Available free from
the University of
Westminster Press from
the journal’s website.
anthropocenes.net
34
www.uwestminsterpress.co.uk
ANTHROPOCENES
– HUMAN, INHUMAN, POSTHUMAN
EDITED BY DAVID CHANDLER, JANE LEWIS AND ANDREAS
PHILIPPOPOULOS-MIHALOPOULOS
RECENT ARTICLES from ANTHROPOCENES include
2020
The Anthropocene Eel: Emergent Knowledge, Ontological Politics and New
Propositions for an Age of Extinctions
Casper Bruun Jensen
Constructing Human Versus Non-Human Climate Migration in the
Anthropocene: The Case of Migrating Polar Bears in Nunavut, Canada
Julian Reid
Walking with a Ghost River: Unsettling Place in the Anthropocene
Tricia Toso, Kassandra Spooner-Lockyer, Kregg Hetherington
Frontier Technologies and Digital Solutions: Digital Ecosystems, Open Data
and Wishful Thinking
Jessica McLean
Hyperobjects, Hyposubjects and Solidarity in the Anthropocene:
Anthropocenes Interview with Timothy Morton and Dominic Boyer
Anthropocenes – Human, Inhuman, Posthuman
anthropocenes.net
35
www.uwestminsterpress.co.uk
SILK ROAD: A JOURNAL OF EURASIAN
DEVELOPMENT
PIPPA CATTERALL AND CHARLES BECKER (JOINT EDITORS-IN
CHIEF). BAKROHM MIRKASIMOV (MANAGING EDITOR).
ASSOCIATE EDITORS
Kathryn Anderson
Kamiljon Karimov
EDITORIAL BOARD
MEMBERS
SILK ROAD exists to promote evidence-based scholarly research in
social sciences and public policy studies that make the affairs of the
Great Silk Road countries an area of significant interest, scholarship
and impact.
RECENT ARTICLES from SILK ROAD include
Renewable Electricity Production and Sustainability of the National and
Regional Power Systems of Kazakhstan
Nazym Temirgaliyeva, Madina Junussova
Trilingual Education in Hong Kong Secondary Schools: A Case Study
Lixun Wang
Going Beyond the Local: Exploring the Role of Transnational Higher Education
in Shaping Students’ Life Trajectories in Uzbekistan
Andre Celeti, Rano Nurmanova, Nora Gavalyan
From Employment to Employability: Uzbekistan and the Higher Education Skills
Agenda
Richard Paterson
Victor Agadjanian
Muzaffar Ahunov
Kamiljon Akramov
Tanika Chakraborty
Damir Esenaliev
Ichiro Iwasaki
Katrina Kosec
Peter Malvicini
Roman Mogilevskii
Ziyodullo Parpiev
Francesco Pastore
Lyaziza Sabyrova
Olga Shemyakina
Susan Steiner
Nurmukhammad
Yusupov
Zhong Zhao
FORMAT
Digital. Articles are
published on an
iterative rolling basis
every year.
E-ISSN: 2631-682X
OPEN ACCESS
Available free from
the University of
Westminster Press from
the journal’s website.
silkroadjournal.online
36
www.uwestminsterpress.co.uk
ENTERTAINMENT AND SPORTS LAW
JOURNAL
EDITED BY STEVE GREENFIELD, MARK JAMES AND GUY OSBORN
EDITORIAL BOARD
Simon Boyes
Catherine Easton
Peter Robson
Clare Sandford- Couch
ADVISORY BOARD
MEMBERS
Richard Collier
Ken Foster
David Fraser
David Wall
RECENT ARTICLES from ESLJ include
2020
The Night and Cultural Benefit: The Case for A Holistic Approach to Licensing
Marion Roberts, Adam Eldridge, Guy Osborn, Simon Flacks
Doctor Who, Family and National Identity
Danny Nicol
The Good, the Gothic and the Transnational Rules of the Afterlife in The Good
Place
Allison Craven
The Creation and Regulation of Sports Equipment: Implications for the Future
James Brown
An Analysis of the Service Provider’s Legal Duty to Make Reasonable
Adjustments: The Little Mix Saga
Stephen Bunbury
Global Sports Law Revisited
Ken Foster
entsportslawjournal.com
FORMAT
Articles are published
on an iterative rolling
basis every year. This
means the journal can
be very swift to publish,
subject to peer review.
E-ISSN: 1748-944X
OPEN ACCESS
Available free from
the University of
Westminster Press from
the journal’s website.
Special collections
in ESLJ – on football,
music and Ken Foster/
global sports law,
television drama,
national identity
and law – are now
available presenting
material on related
topics, together for
readers’ convenience.
twitter @ESLJournal_new
37
www.uwestminsterpress.co.uk
WESTMINSTER PAPERS IN
COMMUNICATION AND CULTURE
LATEST ISSUE JULY 2020 15(2): ADVERTISING FOR
THE HUMAN GOOD
ISSUE EDITOR: CARL JONES
PUBLISHED
JULY 2020
FORMAT
Digital
E-ISSN: 1744-6716
OPEN ACCESS
Available free from
the University of
Westminster Press from
the journal’s website
Inaugurated in 2004, Westminster Papers in Communication and Culture
(WPCC) engages international scholars in a critical debate about the
relationship between communication, culture and society in the 21st century.
WPCC is a peer-reviewed journal, published online. Contributions from both
established scholars and those at the beginning of their academic career are
equally welcome. It is published by the Communication and Media Research
Institute (CAMRI) in the Westminster School of Media, Arts and Design,
University of Westminster, with the University of Westminster Press.
RECENT ISSUES
2020 15(1) VIRAL MEDIA
2019 14(1) MEDIA ACTIVISM
2018 13(2) GEOGRAPHY AND COMMUNICATIONS
2018 13(1) RE-EVALUATING CHINA’S GLOBAL MEDIA EXPANSION
2017 12[3] REDESIGNING OR REDEFINING PRIVACY?
2017 12[2] RADIO AND REVOLUTION
2017 12[1] REFRAMING MEDIA AND CULTURAL STUDIES IN THE AGE
OF GLOBAL CRISIS
FORTHCOMING
2020 14[3] PUBLISHING, THE INTERNET AND THE COMMONS
EDITOR:
Anthony McNicholas
EDITORIAL BOARD:
Anastasia Denisova,
Rikke Jensen, Hannu
Nieminen, Kristin
Skoog, Colin Sparks,
Doug Specht, Dinara
Tokbaeva
Special collections in
WPCC – on Journalism
and the Digital
Challenge; Television
Studies and Censorship
and Propaganda –
are now available
presenting material
on related topics,
together for readers’
convenience.
westminsterpapers.org
twitter@WPCC_journal
38
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