The Polifonia portal: a confluence of user stories, research pilots, data management and knowledge graph technology

The Polifonia portal: a confluence of user stories, research pilots, data management and knowledge graph technology Andrea Scharnhorst, Femmy Admiraal, Peter van Kranenburg, Christophe Guillotel-Nothmann, Paul Mulholland DARIAH Annual event 2021, Interfaces, September 7-9, 2021, On-line This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement GA101004746. The communication reflects only the author’s view and the Research Executive Agency is not responsible for any use that may be made of the information it contains. 1 Polifonia | 2020 ToC ● About Polifonia ● Vision(s) of Polifonia’s portal ● Stakeholders of the portal ● Making of the portal - interfaces for translatory work ● Summary About Polifonia | 2020 PILOTS as corner stones About Note that there is a variety of content providers, sources (data, metadata, formats); the connecting thread is semantic web-technology (knowledge graphs) - POLIFONIA covers texts (about/around music), scores (music notation) and sound. The pilots are of different character: They are data, method, tool and audience driven. Polifonia | 2020 Visions on the POLIFONIA Portal Vision Registry MH resources, including but not limited to all collections used and produced in the project Demonstrator Aggregator of digital musical heritage collections: extending musoW, a catalogue of Musical Data on the Web ● Methods for continuous indexing of MH resources, ● Methods for automatic and semiautomatic generation of metadata according to the Polifonia ontologies, ● Methods for searching, querying, browsing MH resources From finding sources to deep analysis Credits: https://commons.wikimedia.org/wiki/File:Newtons_cradle_animation_book.gif Polifonia | 2020 Stakeholders Stakeholders of the POLIFONIA Portal In the consortium Pilots - researchers, archivists from different humanities fields Knowledge engineers Associated with the consortium Wider public Cultural heritage institutions Consumers of Music (Children, People with hearing disabilities) Polifonia | 2020 Making Making of the Portal Survey in the consortium (sources and epistemics) Stories, persona’s and manipasta Atlas of sources and knowledge units Meetings Github Collection of existing ontologies and competency questions Research Data Management Plan Github based ORDP 1. iteration Polifonia | 2020 Making Polifonia - First DMP - results Inventory of sources Making Polifonia - First DMP - results Inventory of sources Making Polifonia - First DMP - results Inventory of sources Knowledge management inside of POLIFONIA Summary Polifonia | 2020 Summary ● The making of the portal is interwoven with the organisation of the knowledge exchange inside of the project. ○ Qualitative methods are applied to further specify the needs inside of the consortium. ○ Output as Portal versions but also the RDM are envisioned as iterative events. ● Challenges lie in the alignment of bottom-up and top-down approaches and the continuous re-negotiations inside of the project. ○ Visualisations, tabular overviews, archetypical stories, personatas and workflows act as interfaces for the translatory work among different epistemological frameworks and research goals. ● The POLIFONIA Portal as the final interface to resources and methods emerges from a journey of the consortium accompanied by temporal interfaces. Let us know your experiences with interfaces used in a process of interdisciplinary work! Thanks This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement GA101004746. The communication reflects only the author’s view and the Research Executive Agency is not responsible for any use that may be made of the information it contains.