Jacopo Ripanda
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Recent papers in Jacopo Ripanda
17/04/2020 Please consider that chapter "Opere Anonime Attorno a Guido Aspertini" (pp. 55-66) is superseded by PICTRIX 49 - ORIGINAL ABSTRACT: This part describes anonymous paintings, created before 1510. According to the practice... more
Around the year 1500, some documents have various elements in common. They mention a painter named Jacopo; they point out his Bolognese origin; they place him in Rome or close by as Orvieto or Sulmona. In fact there exist three frescoes... more
Reconsidering the so-called Frizzoni-Wickhoff group, the author decided to start from scratch, using a traditional criterion: the painting for which a drawing is preparatory plays a big role in attribution. Sant’Onofrio al Gianicolo... more
After considering Bolognese painters, being active from 1460 and 1580, and known with a historical name, it may be the moment to study anonymous paintings and anonymous painters. This is a complex and wavy sea, but it gives some chance if... more
Until now, the present research has introduced several paintings without an organic index. Such data as first whereabouts and alternative authorship, indicated for “Masters with a name”, were missing for “Masters with a namepiece”. The... more
in "La Roma di Raffaele Riario tra XV e XVI secolo: cultura antiquaria e cantieri decorativi", Aa cura di Luca Pezzuto, Roma, UniversItalia, 2017 (collana di "Horti Hesperidum"), ISBN 978-88-6507-795-5, pp. 127-134. A differenza di... more
Recently some documents have brought new light to the personalities of artists hitherto labelled as Ripanda and Rimpatta, influencing their denominations, biographies and catalogues. Novelties arose during a colloquium held in Rome on... more
40 tempera on wood, Renaissance Bean Ceiling Tables formerly Myron C. Taylor Coll., Locust Valley, New York, provenance from a Riario Della Rovere palace, here attributed to Jacopo Ripanda
Al cardinal Riario fu dedicato un importante convegno i cui atti sono pubblicati in "La Roma di Raffaele Riario tra XV e XVI secolo. Cultura antiquaria e cantieri decorativi". Atti del convegno, Roma, 2 febbraio 2016, a cura di LUCA... more
This essay is the German version of my English-language essay from RIHA-Journal 0094 / 9th July 2014. It is, however, extended by a description of the rediscovered third drawing, which is described and classified but not illustrated. As... more
Newly found documents reveal that Bolognese painters Jacopo Ripanda and Antonio Rimpatta were brothers, and both were in Rome as early as 1500.
Paper published in: Visual Resources. An International Journal of Documentation XIX (December 2003), nr 4. Special Issue: ‘Describing Depictions vs. Depicting Descriptions’, Guest Editor: Jan L. de Jong, 259 – 281
By "Anonymous, known as ‘Master of Oxford’ (active c. 1510-1520)"
c. 1515
c. 1515
Negli studi più recenti attraverso il recupero dei fatti storico-artistici occorsi durante i pontificati di Giulio II e Leone X si è proposto un graduale riordinamento della geografia artistica romana nel primo quarto del Cinquecento. Si... more
This talk presented two recently discovered drawings of the reliefs on the Trajan’s column. To put them in their proper artistic context, the drawings are compared to known examples of such reproductions of the 16th century. Current... more
At the end of “Major Bolognese Painters”, the present text provides final additions and a cancellation. The updated database contains 2114 paintings, by Amico Aspertini, Cesare Baglione, Denis Calvart, Giovanni Battista Cavalletto,... more
Il ritrovamento di alcune carte d’archivio che testimoniano Jacopo Ripanda ancora in piena attività nel 1517 permette una nuova lettura degli ultimi anni della sua vita. Si tratta di pagamenti per un perduto ciclo di pitture commissionate... more