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Select Poems
Select Poems
Select Poems
Ebook59 pages31 minutes

Select Poems

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An essential collection of classic poems by the father of modernist poetry.
 
In the masterly cadence of T. S. Eliot’s verse, the twentieth century found its definitive poetic voice, an incredible “image of its accelerated grimace,” in the words of Eliot’s friend and mentor Ezra Pound. This twenty-four-poem volume is a rich collection of Eliot’s greatest works—including the classic “The Love Song of J. Alfred Prufrock”—all of which unveil the desires, grievances, failures, and heart of modern humanity.
 
This collection includes “Gerontion,” “Burbank with a Baedeker: Bleistein with a Cigar,” “Sweeney Erect,” “A Cooking Egg,” “Le Directeur,” “Mélange Adultère de Tout,” “Lune de Miel,” “The Hippopotamus,” “Dans le Restaurant,” “Whispers of Immortality,” “Mr. Eliot’s Sunday Morning Service,” “Sweeney Among the Nightingales,” “The Love Song of J. Alfred Prufrock,” “Portrait of a Lady,” “Preludes,” “Rhapsody on a Windy Night,” “Morning at the Window,” “The Boston Evening Transcript,” “Aunt Helen,” “Cousin Nancy,” “Mr. Apollinax,” “Hysteria,” “Conversation Galante,” and “La Figlia Che Piange.
 
This ebook has been professionally proofread to ensure accuracy and readability on all devices.
LanguageEnglish
Release dateJan 9, 2018
ISBN9781504050173
Select Poems
Author

T.S. Eliot

THOMAS STEARNS ELIOT was born in St Louis, Missouri, in 1888. He moved to England in 1914 and published his first book of poems in 1917. He received the Nobel Prize in Literature in 1948. Eliot died in 1965.

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Rating: 4.16865671641791 out of 5 stars
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  • Rating: 3 out of 5 stars
    3/5
    I don't like poetry, but I liked this. I read it for sixth form, and Eliot's spiritual journey echoed mine. I recognised the words from the music of Cats, at the time I had no clue who inspired who.
  • Rating: 2 out of 5 stars
    2/5
    Poetry is just not my thing. I don't think I understood any of it. But that's just me. I really need to take a class to study T.S.Eliot's works, because I know he is a famous poet. I am just too ignorant to appreciate it ;)
  • Rating: 4 out of 5 stars
    4/5
    For some reason most poetry does not really resonate with me. One of the only poets I can stand is T.S. Eliot. His poetry is absurd and lyrical, providing just the barest glimpses at the underlying meaning. But the images stay with me.
  • Rating: 5 out of 5 stars
    5/5
    In general, my reading tastes are pulp-press-simple. I can neither appreciate, nor enjoy, nor, I admit, even understand, poetry. But Eliot is different, and I don't know why. I have very little understanding of what is going on in the poems themselves, but the lines that are so seeped in meaning and imagery and are so tangible that I can taste them as I read.

    I remember having to analyse the first part of "The Waste Land" in high school, and, for once, hating the ponderous application of reason and logic and inference and analysis to something that, to me, stands outside and in some ways beyond meaning.
    So I don't really analyse the poems. I just read them for those evocative lines.

    A few of my favourites:

    ~~~~~~~ "The Hollow Men" ~~~~~~~
    (Probably my favorite poem, incidentally, possibly because it is both haunting and interpretable.)

    'This is the way the world ends
    Not with a bang but a whimper.'

    'Remember us--if at all--not as lost
    violent souls, but only
    as the hollow men'

    'Shape without form, shade without colour
    Paralysed force, gesture without motion'

    'Eyes I dare not meet in dreams'

    'in that final meeting
    In the twilight kingdom'

    'The supplication of a dead man's hand
    Under the twinkle of a fading star'

    'Lips that would kiss
    Form prayers to broken stone'

    'In this valley of dying stars
    In this hollow valley'

    'The hope only
    Of empty men'

    'Between the essence
    And the descent
    Falls the shadow'

    ~~~~~~~ "The Waste Land" ~~~~~~~

    'A heap of broken images, where the sun beats'

    'I will show you fear in a handful of dust.'

    'Looking into the heart of light, the silence.'

    'Those are pearls that were his eyes.'

    'Unreal City, Under the brown fog of a winter dawn'

    'And still she cried, and still the world pursues.'

    'The river's tent is broken; the last fingers of leaf
    Clutch and sink into the wet bank.'

    'Where the dead men lost their bones'

    'Sweet Thames, run softly, till I end my song.'

    'Throbbing between two lives'

    'A current under sea
    Pickled his bones in whispers.'

    'Thinking of the key, each confirms a prison'

    ~~~~~~~The Love Song of J Alfred Prufrock~~~~~~

    'The yellow fog that rubs its back upon the window-panes'

    'There will be a time to murder and create'

    'I have measured my life with coffee spoons'
  • Rating: 3 out of 5 stars
    3/5
    Selected Poetry by T.S. Eliot
    1888-1965
    American-born/British Modern Poet
    The Well-Educated Mind

    T. S. Eliot was an American-born poet-turned British citizen. After graduating Harvard with his doctorate, he moved to London and later become a citizen of England. For a time he was a banker, but writing was his desire; he was influenced by Ezra Pound and dedicated one of his most memorable poems, "Wasteland," to him.

    Eliot's poetic style is considered modern or high modern because it is complex and experimental. One description reports high modernism as "aestheticist: formal innovation and detachment from history, society, and politics," and another claimed that high modernists only cared about the aesthetics of the work, not necessarily the purpose or the moral, which is what I was searching for and was left lost. Some critics have referred to it as "elitist and inaccessible," which may also be why I was confused by much of what I read by Eliot.

    At times, Eliot's themes contained dismay, despair, indifference from reality; his poems were disjointed and his voices often changed. Even when he was seemingly hopeful, it was questionable. But, to be fair, his times affected his themes, such as Post-WWI and his theological conversion to Anglican faith.

    I am not sure I want to read more from T. S. Eliot; however, I own a copy of T. S. Eliot's Collected Poems 1909 - 1962, which I can explore more, if I like.

    In the meanwhile, following are the four poems I read of the selected poems from TWEM poetry list, along with a short opinion of my experience.

    ~

    The Love Song of J. Alfred Prufrock

    I still do not know who J. Alfred Prufrock is or was, but from this poem he is an emotionally awkward individual who cannot relate to other people, particularly women, or reality. He seems to not fit into the modern world. He is aware of his physical flaws. I think this eats away at his confidence.

    Nonetheless, he wants to compare himself to literary heroes, like Hamlet. But he is clueless or spineless and does not know how to approach people/women. The best he can do is envision or imagine or fantasize about those relationships, as if women were mermaids.

    And then reality wakes him from his dream. It's kind of a waste.

    The Waste Land

    This long poem was dedicated to Ezra Pound and written in five sections:
    1. The Burial of the Dead
    2. A Game of Chess
    3. The Fire Sermon
    4. Death by Water
    5. What the Thunder Said

    While I found the poem enjoyable to read, I was dumbfounded of its purpose. I did not know if it was supposed to feel disjointed intentionally, because it does.
    There are many references to literature, particularly Antiquity, Classical, or Medieval. It helps to have understanding of who's who in literature.

    There are extensive allusions to death, loneliness, the emptiness of life and relationships; sex is meaningless, life has no value, and society is broken. It could be a real downer. I almost felt like I was reading something by Virginia Woolf.

    Then I did a little probing and learned that Eliot wrote this poem in the aftermath of WWI, and I remember Hemingway had this same somber mood in A Farewell to Arms and The Sun Also Rises. WWI caused people -- particularly young people -- to feel isolated from reality, hopeless, disappointed, and wandering in a broken world.

    But in his final section, the poet also made allusions to rebirth, a bit of hopefulness, a way to demonstrate that nihilism is destructive to society -- it is not a way to live or look at life. However, he also made references to different religions, as if to say that any religion works (and is better than nihilism) to bring one to peace and fix society. (I have to disagree about the "any religion" part, but we'll leave it at that.)

    I had written so much more about this poem over two days, but I did not save it, and I lost it all when I hit POST. I do not have the energy to try to remember it all. So this is my short version. It is a worthwhile read, but not an uplifting one.
    Ash Wednesday
    Ash Wednesday is a very personal poem covering the spiritual struggles of the poet. I think he converted to Catholicism from another faith or religion. It sometimes reads like a prayer. This is a longer poem with many parts and stanzas in each part.
    Part I
    The poet begins in hopelessness or despair. He is uncomfortable with his past, but he cannot turn away or turn to God. He knows he cannot change and he desires mercy.

    Part II
    Here the poet introduces Mary (or what I think is Mary, the Mother of Jesus). His body is eaten in a dream-like situation, which leads to a rebirth.

    Part III
    The poet struggles with the devil. (Not strangely will you get Dante's Divine Comedy vibes throughout the poem.) He tells the Lord he is not worthy.

    Part IV
    Like Beatrice, from Dante's Divine Comedy, Mary is with the poet who describes her as having powers to create nature. She is leading him through purgatory.

    Part V
    Christ is called the Word, and even if the Word is silent it/He is still working in the world. The poet wonders about those who deny Him or do not have the Truth. He asks Mary to pray for them.

    Part VI
    The poet hopes to never turn back to his hopeless state, but he struggles because it is difficult to keep from temptation. He asks Mary to help him keep from sin and be at peace with God.

    That's the bare bones. Again, I think he converted to Catholicism because of his divine ideals about Mary and her abilities and powers in nature and the world. Basically she was given the same powers as Jesus.

    In the poem, Eliot refers to her as The Lady, and she is described as wearing blue and white, which I did not know was customary for Mary. And now that I know that, I remember as a child seeing most of Mary's statues in blue and white. Occasionally she was in brown.
    The Journey of the Magi

    Journey of the Magi was like a reminiscence of the time the wise men went to Bethlehem to find the baby King Jesus. Though specifics are not mentioned, and it is more about the journey, the reader who is familiar with the story of the Magi will know it.

    The poem is told from the POV of one of the Magi or someone within the group who went with them. Not sure. The narrator remembered what it was like to travel in the beginning, in the summer, how they seemed to take their time; but toward the end, as it became winter (or colder with snow), they journeyed faster.

    The narrator pondered if this experience was about birth (rebirth) or death. It was both. The world had changed after the birth of Christ. And truly, with the birth of Christ (with the entrance of a new religion -- Christianity) the old world had to died and the new world had begun.

    I suppose this could also be another reference to the poet's own religious experience from the death of his old life, to the rebirth of his new life after the conversion to the Anglican faith.
  • Rating: 4 out of 5 stars
    4/5
    A classic. A little bit of Eliot goes a long way. Reading Elliot is like trying to read Derrida, trying to understand all the multiple contexts, references, and allusions.
  • Rating: 5 out of 5 stars
    5/5
    Could be worth 5 stars for Prufrock alone, and what with Waste Land, Hollow Men, etc. it's got the best of Eliot - perhaps the best poet of the period. Pretty light collection.
  • Rating: 5 out of 5 stars
    5/5
    I first read TS Eliot at Uni nearly forty years ago and this is my Faber and Faber paperback study copy, complete with notes. It was interesting to revisit one of the great poets of the twentieth century and initially I was struck by the misanthropy (and anti semitism) of the early poems, however the later poems hauled me in with the beauty of the images and words and I mellowed towards the poet. There was still a certain disenchantment with humanity but also more sympathy with what it means to be a fallible human being.
  • Rating: 5 out of 5 stars
    5/5
    I imagine practically everyone literate knows or knows of T.S. Eliot and his erudite poems.

    He has a distinctive style, and there is a distinctive rhythm to his poems, so one always recognizes his authorship.

    I like his quotes in various languages, which I mostly understand, except the ones in Greek.

    I can’t say I understand what the poems mean, however; in fact, I would have appreciated the inclusion of an explanation/interpretation of them – absolutely.

    I remember studying Murder in the Cathedral years ago, at school, or university. That was comprehensible, as I recall, if I recall correctly,

    I don’t know Eliot’s work well enough to suggest the inclusion of other of his poems or extracts thereof.

    Here is an extract from The Love Song of J. Alfred Prufrock:

    “Let us go then, you and I,
    When the evening is spread out against the sky
    Like a patient etherised upon a table;
    Let us go, through certain half-deserted streets, ---
    Let us go and make our visit. ---

    In the room the women come and go
    Talking of Michelangelo. ---

    I grow old … I grow old …
    I shall wear the bottoms of my trousers rolled.”

    From The Hollow Men:

    “We are the hollow men
    We are the stuffed men
    Leaning together
    Headpiece filled with straw. Alas!
    Our dried voices, when
    We whisper together
    Are quiet and meaningless
    As wind in dry grass ---

    Those who have crossed
    ---- to death’s other Kingdom
    Remember us – if at all – not as lost
    Violent souls, but only
    As the hollow men
    The stuffed men. ---

    This is the way the world ends
    This is the way the world ends
    This is the way the world ends
    Not with a bang but a whimper.”

    Extracts from The Waste Land and choruses from The Rock are also included in this selection.

    This was an enjoyable read, though somewhat cryptic.

    Now I will look into Eliot’s Four Quartets, The Family Reunion and The Cocktail Party.

Book preview

Select Poems - T.S. Eliot

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Select Poems

T. S. Eliot

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Gerontion

Thou hast nor youth nor age

But as it were an after dinner sleep

Dreaming of both.

Here I am, an old man in a dry month,

Being read to by a boy, waiting for rain.

I was neither at the hot gates

Nor fought in the warm rain

Nor knee deep in the salt marsh, heaving a cutlass,

Bitten by flies, fought.

My house is a decayed house,

And the Jew squats on the window sill, the owner,

Spawned in some estaminet of Antwerp,

Blistered in Brussels, patched and peeled in London.

The goat coughs at night in the field overhead;

Rocks, moss, stonecrop, iron, merds.

The woman keeps the kitchen, makes tea,

Sneezes at evening, poking the peevish gutter.

I an old man,

A dull head among windy spaces.

Signs are taken for wonders. ‘We would see a sign!’

The word within a word, unable to speak a word,

Swaddled with darkness. In the juvescence of the year

Came Christ the tiger

In depraved May, dogwood and chestnut, flowering Judas,

To be eaten, to be divided, to be drunk

Among whispers; by Mr. Silvero

With caressing hands, at Limoges

Who walked all night in the next room;

By Hakagawa, bowing among the Titians;

By Madame de Tornquist, in the dark room

Shifting the candles; Fraulein von Kulp

Who turned in the hall, one hand on the door.

Vacant shuttles

Weave the wind. I have no ghosts,

An old man in a draughty house

Under a windy knob.

After such knowledge, what forgiveness? Think now

History has many cunning passages, contrived corridors

And issues,

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