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Love Poems and Others
Love Poems and Others
Love Poems and Others
Ebook79 pages39 minutes

Love Poems and Others

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Although best known for his novels, Lawrence wrote almost 800 poems, most of them relatively short. His first poems were written in 1904 and two of his poems, "Dreams Old" and "Dreams Nascent", were among his earliest published works in The English Review. It has been claimed that his early works clearly place him in the school of Georgian poets, and indeed some of his poems appear in the Georgian Poetry anthologies. However, James Reeves in his book on Georgian Poetry, notes that Lawrence was never really a Georgian poet. Indeed, later critics contrast Lawrence's energy and dynamism with the complacency of Georgian poetry.


CrossReach Publications

LanguageEnglish
Release dateMar 25, 2019
Love Poems and Others
Author

D.H. Lawrence

David Herbert (D. H.) Lawrence was a prolific English novelist, essayist, poet, playwright, literary critic and painter. His most notable works include Lady Chatterley’s Lover, The Rainbow, Sons and Lovers and Women in Love.

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    Book preview

    Love Poems and Others - D.H. Lawrence

    WEDDING MORN

    The morning breaks like a pomegranate

    Ah, when to-morrow the dawn comes late

    It will find me watching at the marriage gate

    On him who is sleeping satiate,

    And when the dawn comes creeping in,

    Myself to watch the morning win

    As it shows him sleeping a sleep he got

    He grows distinct, and I see his hot

    Then I shall know which image of God

    And I shall know my bitter rod

    And I shall know the stamp and worth

    Shall see an image of heaven or of earth

    Yea and I long to see him sleep

    I long to know what I have to keep,

    My love, that spinning coin, laid still

    For me to count—for I know he will

    And then he will be mine, he will lie

    Opening his value plain to my eye

    He will lie negligent, resign

    Shall watch the dawn light up for me

    And I shall watch the wan light shine

    On his brow where the wisps of fond hair twine

    On his lips where the light breaths come and go

    On his limbs that I shall weep to know

    KISSES IN THE TRAIN

    I saw the midlands

    The fields of autumn

    And sheep on the pasture

    And still as ever

    My mouth on her pulsing

    And my breast to her beating

    But my heart at the centre

    Was still as a pivot,

    On its prowling orbit

    And still in my nostrils

    And still my wet mouth

    And still one pulse

    And the world all whirling

    Like the dance of a dervish

    My sense—and my reason

    But firm at the centre

    Her own to my perfect

    Like a magnet’s keeper

    CRUELTY AND LOVE

    What large, dark hands are those at the window

    Lifted, grasping the golden light

    Which weaves its way through the creeper leaves

    Ah, only the leaves! But in the west,

    In the west I see a redness come

    Over the evening’s burning breast—

    Oh, water-hen, beside the rushes

    Hide your quaint, unfading blushes,

    Still your quick tail, and lie as dead,

    Till the distance folds over his ominous tread.

    The rabbit presses back her ears,

    Turns back her liquid, anguished eyes

    And crouches low: then with wild spring

    Spurts from the terror of his oncoming

    To be choked back, the wire ring

    Her frantic effort throttling:

    Ah soon in his large, hard hands she dies,

    And swings all loose to the swing of his walk.

    Yet calm and kindly are his eyes

    And ready to open in brown surprise

    Should I not answer to his talk

    Or should he my tears surmise.

    I hear his hand on the latch, and rise from my chair

    Watching the door open: he flashes bare

    His strong teeth in a smile, and flashes his eyes

    In a smile like triumph upon me; then careless-wise

    He flings the rabbit soft on the table board

    And comes towards me: ah, the uplifted sword

    Of his hand against my bosom, and oh, the broad

    Blade of his hand that raise my face to applaud

    His coming: he raises up my face to him

    And caresses my mouth with his fingers, which still smell grim

    Of the rabbit’s fur! God, I am caught in a snare!

    I know not what fine wire is round

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