The Law of the Unforeseen
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The Law of the Unforeseen - Edward Harkness
promise.
One: Great Apes at the Zoo
Oh, when they heard that Louis was dead,
All the people, they dressed in red.
The angels laid him away.
~From the song Louis Collins,
by Mississippi John Hurt
THREE ITALIAN PRUNES
roll off my desk at work, and of course
I must ponder this inconsequential event,
as if adhering to it grants it eternal life,
and damn, they’re bruised and bleeding now
in my hand. I look at them as Newton did
his famous apple, also bruised, no doubt,
but a bruise that led to the glue of the universe,
a world that pulls us toward its heart,
which is good and bad, good in that
we don’t float through life as anemones do
in the starless deeps. Bad in that we’re magnetized,
tethered to the three dimensions,
always feeling about for the fourth or fifth
key ring to the beyond. I pick a scab
of purple prune skin from my teeth.
In truth, there are no dimensions.
There’s merely now, my cluttered desk
with its pens and sandwich wrappers,
and an 1886 edition of Berens’ Hand-Book
of Mythology: Myths and Legends of Greece and Rome,
in remarkably good condition considering its age,
owned once upon a time by a young scholar.
On the inside cover she has floridly fountain-penned
her name, Amelia, notes she’s 17, boarding
at something-or-other academy in Charleston.
She likes Athene, has scrawled Athene
here and twice
on the secret back inside cover. Amelia has,
I discover, underlined a passage: "Pallas-Athene,
goddess of Wisdom and Armed Resistance....
is the only divinity whose authority was equal
to that of her father, Zeus himself."
As for the prunes, I ate them, they were delicious,
so sweet and so cold. As for Berens, he writes
with the clarity of the stream into which Narcissus gazed.
As for Amelia, her secret is an open book.
She’s fallen hard for the goddess of Wisdom
and Armed Resistance, the two of them
now married to the scintillant dust of eternity.
~With apologies to WC Williams and EM Behrens
COMING TO TERMS WITH THE FACT THAT I MAY NEVER GET THE HANG OF MISSISSIPPI JOHN HURT’S MONDAY MORNING BLUES
I said it and life goes on.
It’s not just the complicated 6/8 time,
or the continuous alternating bass.
And it’s not the smooth-as-a-baby’s-butt
slides from the 3rd fret to the 5th,
and the instantaneous requirement
of the left-hand fingers that they leap
from the barred A-chord to the 5th fret D,
or the two-step dance of the right thumb
thumping the thick baritone E-string,
or even the jump back to A and a rather
eccentric little duet you do
with your left pinky and ring finger
to make an A-sharp major diminished,
or whatever in God’s name Hurt does there
to resolve the dissonance and settle back
into the barred A. Nor would I say
it’s the slurring of certain notes,
the hammer-offs and hammer-ons
scattered variously throughout the ragged
bluesy but up-tempo wizardry on the 1965
recording I have, now so scratched
as to be almost unplayable. And it’s not as if
my no-longer-nimble fingers
refuse to hop and skip gymnastically
up and down the fret board, as they once did.
It’s the damn song—that’s what trips me.
It’s the blues of Monday morning,
you feel around for your shoes—gone—
and you realize you’re in jail,
you don’t know why, nobody does—
in jail, you realize, for six long weeks today,
so goes the song. Tomorrow’s your trial day.
What might be my fine, you’re wondering.
Can’t be too much, can it?
Then the trial, you’ve played the song
over and over, nobody cares how many hours
you’ve put in, you yourself don’t care,
you just like to play, but the jury says guilty,
the judge says Get a pick and shovel,
let’s go down in the mine. That’s the only time,
that’s the only time, that’s the only time,
you ever felt like crying. Mister,
change a dollar and give me a lucky dime.
Jail or mine—there’s no escape, none,
except by playing again and again
Hurt’s simple, wickedly difficult tune
with your forever tender fingertips
raw from pressing the steel wires—
except by singing your way,
no matter how badly,
through the secret air duct of music.
CLEARING BRUSH
I’d fallen asleep in the snow. Waking,
a thin coverlet slid off my poncho.
There lay the handle of my machete,
long as my forearm, its dented blue blade
already stained with rust, blade and forearm
put to the test that winter to clear brush.
I rose and re-entered my sodden life,
the one I’d just left, the one on a bluff
above the beach where on clear days you’d see
the blue Olympic Range across the Sound.
If the tide was slack, the Sound flat as glass,
you’d