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To the Wren: Collected & New Poems
To the Wren: Collected & New Poems
To the Wren: Collected & New Poems
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To the Wren: Collected & New Poems

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"Mead ... wrote clean, spare, often elegiac lines"—The New York Times

This massive collection houses Mead’s life’s work: seven books spanning twenty-seven years. Follow chronologically through decades and become captivated by heartfelt muses on loss, madness, danger, grief, isolation, and self-identity. Her poems explore spaces we often try to ignore and finds a comfortable middleground. Mead candidly and openly weaves together pain and joy until it meshes into glimpses of humanity.

 

LanguageEnglish
Release dateOct 21, 2019
ISBN9781948579575
To the Wren: Collected & New Poems

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    To the Wren - Jane Mead

    A TRUCK MARKED FLAMMABLE

    —for Edith Morgan Whitaker

    Special thanks to Aspen Rose Ahmad.—

    A TRUCK MARKED FLAMMABLE

    (From inside the dumpster, outside the bughouse)

    HEADNOTES

    1 Euclid assumed the truth of five postulates, upon which he built his system of geometry. The fifth of these postulates was troublesome, both to Euclid and to subsequent mathematicians and, since he could not prove it, he avoided using it as much as possible. By 1763 twenty-eight faulty proofs of the fifth postulate had been published. In 1823, Non-Euclidean geometry was discovered by twenty-one-year-old János Bolyai, and, simultaneously, by Nokolay Lobachevskiy. It was based, not on a proof of the fifth postulate, but on a denial of it, and a following out of the consequences of that denial. In the following letter, Farkas Bolyai, father to János, describes the frustrations of his own lifelong attempts at trying, unsuccessfully, to prove Euclid’s fifth postulate. (See Douglas R. Hofstadter, Gödel, Escher, Bach (New York: Vintage Books, 1979), pp. 88-99.)

    2 Joseph Campbell, The Hero with a Thousand Faces (Princeton: Princeton University Press, 1986), p. 42.

    3 In their Principia Mathematica, Bertrand Russell and Alfred North Whitehead set out to rid logic, set theory, and number theory from paradoxes. In order to do this they had to eliminate self-reference between terms within any given system. They created closed systems which relied on extremely formal and artificial definitions in order to rid these systems of paradoxes. For example, they rid set theory of its paradoxes by disallowing the formation of certain kinds of sets. In 1931 Gödel published a paper in which he showed that no axiomatic system could be proven consistent without the imposition of such artificial rules. (See Hofstadter, pp. 18-24.)

    You must not attempt this approach to parallels. I know this way to its very end. I have traversed this bottomless night, which extinguished all light and joy of my life. I entreat you, leave the science of parallels alone … I thought I would sacrifice myself for the sake of the truth. I was ready to become a martyr who would remove the flaw from geometry and return it purified to mankind. I accomplished monstrous, enormous labors; my creations are far better than those of others and yet I have not achieved complete satisfaction. For here it is true that si paullum a summo discessit, vergit adimum.*

    I turned back unconsoled, pitying myself and all mankind … I have traveled past all reefs of this infernal Dead Sea and have always come back with broken mast and torn sail. The ruin of my disposition and my fall date back to this time. I thoughtlessly risked my life and happiness—aut Caesar aut nihil.**¹

    *If he comes down a bit from the heights, he swerves towards the bottom.

    **Either Caesar or Nothing.

    I

    The nurses make my name

    into a song

    because they like to hear

    their own voices singing.

    MAArio … MAAArio,

    MAAArio GallUUUCHio.

    And when I hear them I hug my knees

    more tightly to my chest—

    my butt pulls me deeper

    into the soggy layers

    where it’s quiet. Everything shifts

    slightly; the flies all jump

    into the air where they will wait

    for me to resettle.

    Then I close my eyes

    and the color is the same

    dark gray as these walls.

    I squeeze my eyes. I make the colors

    of orange peels and banana skins.

    They see a forest green

    dumpster. When they walk past

    their song rises

    and falls through the air—

    but my absence holds

    its place against them:

    a pocket of air, resting

    in the dead branches

    of the tree across the lot,

    my absence never shifts, no matter

    what the wind says.

    Usually I’m in the rec room

    when that clumsy truck

    bitches its way up the drive.

    I go to the window and watch it

    lift my box and dump

    everything into itself—

    the place I hollowed out,

    the walls and floor I made

    just so. Everything but a few

    useless globs that stick

    or snail down the steel walls.

    Then it’s two days before

    I have enough to work with,

    three before it’s right

    in here again.

    One day in April, while the snow

    was being changed into mud

    and the grass lured back into life,

    I spent my morning hours sorting

    plastic forks and knives,

    gallon milk jugs, and juice tins

    with bright pictures of ripe oranges

    peeling from their sides

    from the paper plates and cups

    that I crushed into a leaf-like nest.

    I curled up, let the warm smell

    cover me and slept.

    The truck’s beeping and whining

    woke me—just in time. I climbed out

    the back door, without peeking first—

    but nobody saw me.

    Some days, I am a lucky man.

    II

    Today I told the doctor

    I wanted to be

    a girl eating salad, just

    a girl eating salad—

    idly looking out a window,

    idly watching the traffic,

    watching the traffic

    without a thought—

    eating salad.

    If he understood me

    he did not say.

    He did say,

    however (as they say)

    you are, however, not.

    III

    Till I was four

    my parents kept me in the rabbit hutch

    at the far end of the lawn on Sunday

    afternoons for safekeeping.

    I read this in a report on me.

    But what I remember is the way

    I graphed my world as it moved

    beyond the wire’s sturdy grid

    without knowing, without needing

    to know, the name for what I did.

    I remember my mother’s head

    at the kitchen window, swaying

    in a gentle arc as she ironed,

    my father pacing out the X-axis

    with his big boots, running his head

    along the fifth grid, and back

    and out of sight where the lawnmower

    still sputtered. And I remember

    how those soft-bodied rabbits

    whom I loved, loved me.

    And, one day in particular,

    how we watched the bright leaves falling,

    as they must have fallen often.

    In time I might have learned something

    more about what passes between

    the wind and a leaf

    when the leaf is falling.

    With a stopwatch and a ruler

    on the grid, I could have learned,

    by the time I was seven

    to figure the speed of one leaf

    falling on one calm Sunday

    and known then something

    of the order in an instant.

    But when I was four, a man

    with a heavy holster and stiff pants

    got out of a blue and white car

    and waved his papers at my father’s face.

    And then, my father pulled me out

    of that straw bed and bought

    a padlock to keep me out and I

    had to touch my rabbits

    from the other side

    of the wire’s sturdy grid.

    Within a week they lost interest

    in me, and there was nothing I could do

    to coax their little squares of fur,

    their mobile noses, to the front of the hutch.

    I began to wander

    the complicated lawn.

    So, I grew up somewhere

    between points east and west

    in the generation of the professional

    backrub, in a town marked

    gas only, in a two story white house

    near highway 80, never dreaming

    that the numbers would not step in

    and show the way in which all things

    explain themselves in relation

    to each other, thinking only

    that if I worked and worked

    and worked them they’d help me

    understand the traffic on the highway,

    the slant of the roof, the hardened

    white drip on the paint can.

    By the time I was ten I’d begun

    ordering my days around the joy

    of every proof I could coax out

    of the postulates, but when I was

    fourteen the postulates collapsed

    and fell like questions at my feet

    and I began the lonely work of proving

    the given, as if the world depended

    on me for its existence. But sometimes,

    buoyed up towards my dreamful sleep,

    I sensed the shy presence

    of some lamenting God—

    just on the verge of speaking.

    IV

    But even Euclid couldn’t prove

    his faulty fifth; it was

    the prayer he built his dreams on

    and on his dreams they built

    the Golden Gate, which hovers

    over the silver bay—God’s

    answer to the doubtful.

    Mario, I told myself, you

    must learn to see

    God’s voice; you must learn

    to pray, and he will answer.

    V

    So, I prayed

    at the university. I used formulas

    that worked like machines

    greased to a point past friction,

    making jumbles of numbers

    fall evenly into place.

    Sometimes I worked at my desk

    through the night with nothing

    to disturb me but the sound

    of the night watchman

    who’d jingle slowly up the hall,

    like a dog with too many tags

    to surprise a cat, turn his key

    at a quarter past each hour

    and jingle slowly away

    with his steady steps and his gun—

    reminding me that I should have been

    home hours ago, pulling chicken

    from the cracks between my teeth.

    Stepping out in the morning

    after those nights

    it was always as if it had just

    rained, as if it were spring

    and a subway token an unusually

    bright and dispensable thing.

    I welled up right smack

    to behind my eyes and

    had to lower my lashes

    on the platform. The world was

    that close and I was

    that close to it—I wanted not

    to come out through my eyes

    in such a dim unruly place.

    Do you know what it means

    when all the numbers take their places

    and insist upon their innocence

    amid the chaotic babble about paradoxes?

    When the pourers of concrete

    defy the smashers of theory

    (when a building scrapes the sky,

    when a bridge casts its shadow

    on water, when stars and satellites

    mix in the heavens, one and the same

    to the human eye) it is the numbers,

    telling of an invisible shape—an order

    so huge and flawless it cannot be seen

    clearly in the mind, which it visits

    sometimes, in flashes. It is the shadow,

    in concrete, of a perfection

    no mind can hold.

    And if you laugh at me I will count

    slowly from one to ten

    on the fingers God gave me,

    ploddingly, on the fingers

    which used to flower geometrically

    towards Eden, and remind you—

    those formulas work.

    Witness the Golden Gate:

    good enough for jumping from,

    good enough for driving on—

    only a fool would rather swim,

    choose to scoff a fact

    because his mind can’t prove it.

    The building in the sky. The bridge

    on the water. The light

    in the heavens. I was so happy

    loving my formulas—

    but only in flashes.

    ***

    The dome of heaven rests on the quarters of the earth, sometimes supported by four caryatidal kings, dwarfs, giants, elephants or turtles. Hence, the traditional importance of the mathematical problem of the quadrature of the circle: it contains the secret of the transformation of heavenly into earthly forms.²

    ***

    VI

    And in those flashes

    I saw all

    that I could not see

    with my flawed reason

    and I saw

    that my reason was flawed,

    and shouted

    damn Russell, damn Whitehead, logic

    is of a human mind, while the numbers,

    the numbers are divine

    I will sing my two shoes, my feet,

    my socks that match, my two legs—

    one for each leg of my pants—

    I will sing the shape of my calculator

    and the lopsided circle of the moon.

    My absence will hold its place against you.³

    VII

    Most of you have something

    in common with the nurses:

    it gives you your knack

    for seeing things and leaving

    them at that. It makes

    everything possible:

    the long subway tunnels buried

    in the earth, the life of rising

    each morning and taking yourself

    to work. It stands between

    the platform and the platform’s

    stunning wonder and makes

    all things which cross your vision

    bearable. In it you see

    a perfect blueprint of the world

    which shields you from the world’s

    perfection. It has no name I know of,

    for it’s all you can see

    if you don’t know it’s there,

    but, like a huge mirror,

    it reflects all things straight

    back to you clearly,

    save your own image

    which it frees to wander.

    Yes. A mirror. That’s it.

    And like a thought or a mind

    it could break when you

    least expect it.

    VIII

    I thought the numbers

    would explain the true

    workings of God’s shadow

    on the earth—but I

    cannot explain them

    and still I sensed Him

    somewhere, moving beyond

    the clear limits

    of my perception.

    IX

    After I left the university

    in New York, I hired out

    to drive a truck marked

    flammable all the way

    to San Francisco.

    In a truckstop.

    In Pittsburgh.

    In my little room.

    I don’t know how it happened,

    but I sat on the bed and watched

    the slow motion cracking

    of that safe blueprint—

    my mirror vision of a room:

    the web of light creeping

    over the table, spreading

    past the bathroom door,

    ‘till the whole room starred

    and shattered into brightness.

    I watched, shocked, as if

    I’d sped up a bank into

    a wide unyielding tree, as if

    it had nothing to do with me—

    that ending.

    X

    I have cursed God

    for showing me all

    that I cannot see,

    for flaunting Himself

    through the great machine

    of the world, while I

    with my flawed understanding

    have the power he denied

    all other creatures

    to recognize my flaw.

    And he has,

    in turn, cursed me

    with a vision

    that blinds my eyes.

    And now I will fly.

    XI

    I left the truckstop and drove

    that tanker through the narrow streets

    of Pittsburgh where a skinny kid

    with a scab on his nose

    ran after a bus and, falling,

    showed no signs on his face

    (elsewhere and slightly sad)

    that he had fallen, but just

    rose up running, token in hand,

    through the fumes.

    Then a pockmarked kid,

    no more than seventeen,

    wobbled by on a

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