To the Wren: Collected & New Poems
By Jane Mead
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About this ebook
"Mead ... wrote clean, spare, often elegiac lines"—The New York Times
This massive collection houses Mead’s life’s work: seven books spanning twenty-seven years. Follow chronologically through decades and become captivated by heartfelt muses on loss, madness, danger, grief, isolation, and self-identity. Her poems explore spaces we often try to ignore and finds a comfortable middleground. Mead candidly and openly weaves together pain and joy until it meshes into glimpses of humanity.
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To the Wren - Jane Mead
A TRUCK MARKED FLAMMABLE
—for Edith Morgan Whitaker
Special thanks to Aspen Rose Ahmad.—
A TRUCK MARKED FLAMMABLE
(From inside the dumpster, outside the bughouse)
HEADNOTES
1 Euclid assumed the truth of five postulates, upon which he built his system of geometry. The fifth of these postulates was troublesome, both to Euclid and to subsequent mathematicians and, since he could not prove it, he avoided using it as much as possible. By 1763 twenty-eight faulty proofs of the fifth postulate had been published. In 1823, Non-Euclidean geometry was discovered by twenty-one-year-old János Bolyai, and, simultaneously, by Nokolay Lobachevskiy. It was based, not on a proof of the fifth postulate, but on a denial of it, and a following out of the consequences of that denial. In the following letter, Farkas Bolyai, father to János, describes the frustrations of his own lifelong attempts at trying, unsuccessfully, to prove Euclid’s fifth postulate. (See Douglas R. Hofstadter, Gödel, Escher, Bach (New York: Vintage Books, 1979), pp. 88-99.)
2 Joseph Campbell, The Hero with a Thousand Faces (Princeton: Princeton University Press, 1986), p. 42.
3 In their Principia Mathematica, Bertrand Russell and Alfred North Whitehead set out to rid logic, set theory, and number theory from paradoxes. In order to do this they had to eliminate self-reference between terms within any given system. They created closed systems which relied on extremely formal and artificial definitions in order to rid these systems of paradoxes. For example, they rid set theory of its paradoxes by disallowing the formation of certain kinds of sets. In 1931 Gödel published a paper in which he showed that no axiomatic system could be proven consistent without the imposition of such artificial rules. (See Hofstadter, pp. 18-24.)
You must not attempt this approach to parallels. I know this way to its very end. I have traversed this bottomless night, which extinguished all light and joy of my life. I entreat you, leave the science of parallels alone … I thought I would sacrifice myself for the sake of the truth. I was ready to become a martyr who would remove the flaw from geometry and return it purified to mankind. I accomplished monstrous, enormous labors; my creations are far better than those of others and yet I have not achieved complete satisfaction. For here it is true that si paullum a summo discessit, vergit adimum.*
I turned back unconsoled, pitying myself and all mankind … I have traveled past all reefs of this infernal Dead Sea and have always come back with broken mast and torn sail. The ruin of my disposition and my fall date back to this time. I thoughtlessly risked my life and happiness—aut Caesar aut nihil.**¹
*If he comes down a bit from the heights, he swerves towards the bottom.
**Either Caesar or Nothing.
I
The nurses make my name
into a song
because they like to hear
their own voices singing.
MAArio … MAAArio,
MAAArio GallUUUCHio.
And when I hear them I hug my knees
more tightly to my chest—
my butt pulls me deeper
into the soggy layers
where it’s quiet. Everything shifts
slightly; the flies all jump
into the air where they will wait
for me to resettle.
Then I close my eyes
and the color is the same
dark gray as these walls.
I squeeze my eyes. I make the colors
of orange peels and banana skins.
They see a forest green
dumpster. When they walk past
their song rises
and falls through the air—
but my absence holds
its place against them:
a pocket of air, resting
in the dead branches
of the tree across the lot,
my absence never shifts, no matter
what the wind says.
Usually I’m in the rec room
when that clumsy truck
bitches its way up the drive.
I go to the window and watch it
lift my box and dump
everything into itself—
the place I hollowed out,
the walls and floor I made
just so. Everything but a few
useless globs that stick
or snail down the steel walls.
Then it’s two days before
I have enough to work with,
three before it’s right
in here again.
One day in April, while the snow
was being changed into mud
and the grass lured back into life,
I spent my morning hours sorting
plastic forks and knives,
gallon milk jugs, and juice tins
with bright pictures of ripe oranges
peeling from their sides
from the paper plates and cups
that I crushed into a leaf-like nest.
I curled up, let the warm smell
cover me and slept.
The truck’s beeping and whining
woke me—just in time. I climbed out
the back door, without peeking first—
but nobody saw me.
Some days, I am a lucky man.
II
Today I told the doctor
I wanted to be
a girl eating salad, just
a girl eating salad—
idly looking out a window,
idly watching the traffic,
watching the traffic
without a thought—
eating salad.
If he understood me
he did not say.
He did say,
however (as they say)
you are, however, not.
III
Till I was four
my parents kept me in the rabbit hutch
at the far end of the lawn on Sunday
afternoons for safekeeping.
I read this in a report on me.
But what I remember is the way
I graphed my world as it moved
beyond the wire’s sturdy grid
without knowing, without needing
to know, the name for what I did.
I remember my mother’s head
at the kitchen window, swaying
in a gentle arc as she ironed,
my father pacing out the X-axis
with his big boots, running his head
along the fifth grid, and back
and out of sight where the lawnmower
still sputtered. And I remember
how those soft-bodied rabbits
whom I loved, loved me.
And, one day in particular,
how we watched the bright leaves falling,
as they must have fallen often.
In time I might have learned something
more about what passes between
the wind and a leaf
when the leaf is falling.
With a stopwatch and a ruler
on the grid, I could have learned,
by the time I was seven
to figure the speed of one leaf
falling on one calm Sunday
and known then something
of the order in an instant.
But when I was four, a man
with a heavy holster and stiff pants
got out of a blue and white car
and waved his papers at my father’s face.
And then, my father pulled me out
of that straw bed and bought
a padlock to keep me out and I
had to touch my rabbits
from the other side
of the wire’s sturdy grid.
Within a week they lost interest
in me, and there was nothing I could do
to coax their little squares of fur,
their mobile noses, to the front of the hutch.
I began to wander
the complicated lawn.
So, I grew up somewhere
between points east and west
in the generation of the professional
backrub, in a town marked
gas only,
in a two story white house
near highway 80, never dreaming
that the numbers would not step in
and show the way in which all things
explain themselves in relation
to each other, thinking only
that if I worked and worked
and worked them they’d help me
understand the traffic on the highway,
the slant of the roof, the hardened
white drip on the paint can.
By the time I was ten I’d begun
ordering my days around the joy
of every proof I could coax out
of the postulates, but when I was
fourteen the postulates collapsed
and fell like questions at my feet
and I began the lonely work of proving
the given, as if the world depended
on me for its existence. But sometimes,
buoyed up towards my dreamful sleep,
I sensed the shy presence
of some lamenting God—
just on the verge of speaking.
IV
But even Euclid couldn’t prove
his faulty fifth; it was
the prayer he built his dreams on
and on his dreams they built
the Golden Gate, which hovers
over the silver bay—God’s
answer to the doubtful.
Mario, I told myself, you
must learn to see
God’s voice; you must learn
to pray, and he will answer.
V
So, I prayed
at the university. I used formulas
that worked like machines
greased to a point past friction,
making jumbles of numbers
fall evenly into place.
Sometimes I worked at my desk
through the night with nothing
to disturb me but the sound
of the night watchman
who’d jingle slowly up the hall,
like a dog with too many tags
to surprise a cat, turn his key
at a quarter past each hour
and jingle slowly away
with his steady steps and his gun—
reminding me that I should have been
home hours ago, pulling chicken
from the cracks between my teeth.
Stepping out in the morning
after those nights
it was always as if it had just
rained, as if it were spring
and a subway token an unusually
bright and dispensable thing.
I welled up right smack
to behind my eyes and
had to lower my lashes
on the platform. The world was
that close and I was
that close to it—I wanted not
to come out through my eyes
in such a dim unruly place.
Do you know what it means
when all the numbers take their places
and insist upon their innocence
amid the chaotic babble about paradoxes?
When the pourers of concrete
defy the smashers of theory
(when a building scrapes the sky,
when a bridge casts its shadow
on water, when stars and satellites
mix in the heavens, one and the same
to the human eye) it is the numbers,
telling of an invisible shape—an order
so huge and flawless it cannot be seen
clearly in the mind, which it visits
sometimes, in flashes. It is the shadow,
in concrete, of a perfection
no mind can hold.
And if you laugh at me I will count
slowly from one to ten
on the fingers God gave me,
ploddingly, on the fingers
which used to flower geometrically
towards Eden, and remind you—
those formulas work.
Witness the Golden Gate:
good enough for jumping from,
good enough for driving on—
only a fool would rather swim,
choose to scoff a fact
because his mind can’t prove it.
The building in the sky. The bridge
on the water. The light
in the heavens. I was so happy
loving my formulas—
but only in flashes.
***
The dome of heaven rests on the quarters of the earth, sometimes supported by four caryatidal kings, dwarfs, giants, elephants or turtles. Hence, the traditional importance of the mathematical problem of the quadrature of the circle: it contains the secret of the transformation of heavenly into earthly forms.²
***
VI
And in those flashes
I saw all
that I could not see
with my flawed reason
and I saw
that my reason was flawed,
and shouted
damn Russell, damn Whitehead, logic
is of a human mind, while the numbers,
the numbers are divine
I will sing my two shoes, my feet,
my socks that match, my two legs—
one for each leg of my pants—
I will sing the shape of my calculator
and the lopsided circle of the moon.
My absence will hold its place against you.³
VII
Most of you have something
in common with the nurses:
it gives you your knack
for seeing things and leaving
them at that. It makes
everything possible:
the long subway tunnels buried
in the earth, the life of rising
each morning and taking yourself
to work. It stands between
the platform and the platform’s
stunning wonder and makes
all things which cross your vision
bearable. In it you see
a perfect blueprint of the world
which shields you from the world’s
perfection. It has no name I know of,
for it’s all you can see
if you don’t know it’s there,
but, like a huge mirror,
it reflects all things straight
back to you clearly,
save your own image
which it frees to wander.
Yes. A mirror. That’s it.
And like a thought or a mind
it could break when you
least expect it.
VIII
I thought the numbers
would explain the true
workings of God’s shadow
on the earth—but I
cannot explain them
and still I sensed Him
somewhere, moving beyond
the clear limits
of my perception.
IX
After I left the university
in New York, I hired out
to drive a truck marked
flammable
all the way
to San Francisco.
In a truckstop.
In Pittsburgh.
In my little room.
I don’t know how it happened,
but I sat on the bed and watched
the slow motion cracking
of that safe blueprint—
my mirror vision of a room:
the web of light creeping
over the table, spreading
past the bathroom door,
‘till the whole room starred
and shattered into brightness.
I watched, shocked, as if
I’d sped up a bank into
a wide unyielding tree, as if
it had nothing to do with me—
that ending.
X
I have cursed God
for showing me all
that I cannot see,
for flaunting Himself
through the great machine
of the world, while I
with my flawed understanding
have the power he denied
all other creatures
to recognize my flaw.
And he has,
in turn, cursed me
with a vision
that blinds my eyes.
And now I will fly.
XI
I left the truckstop and drove
that tanker through the narrow streets
of Pittsburgh where a skinny kid
with a scab on his nose
ran after a bus and, falling,
showed no signs on his face
(elsewhere and slightly sad)
that he had fallen, but just
rose up running, token in hand,
through the fumes.
Then a pockmarked kid,
no more than seventeen,
wobbled by on a