The Whole Singing Ocean
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About this ebook
The Whole Singing Ocean is a poetic narrative that circles around the central story of a boy and a whale, and the 2013 investigation into the École en bateau, a French countercultural “boat school,” or school at sea, which was based not only on the ideals of the sixties, but also on twisted ideas about child psychology, the theories of Foucault and an abolition of the separation between adults and children.
The narrative begins with a boat builder and his encounter with a whale when he was a student of the École en bateau himself, and moves on to explore threads of philosophy, memory and various kinds of destruction, fragmentation and wholeness. The text weaves in several voices and threads of rapture and horror, as it explores adventure, childhood, abuse and environmental degradation.
This work becomes a self-conscious documentation of the boat builder’s story as it unfolds, and as the narrator learns more of what happened and uncovers echoes from her own life and family history. Her discoveries cause the narrative to take some unexpected, and at times resisted, turns. Themes of memory and trauma, reliability and unreliability, binaries and magic, and the question of how to hold two very different things at once, are at the heart of this book.
Jessica Moore
Jessica Moore is an author and literary translator. Her first book, Everything, now (Brick Books, 2012), is a love letter to the dead and a conversation with her translation of Turkana Boy (Talonbooks, 2012) by Jean-François Beauchemin, for which she won a PEN Translation Prize. Mend the Living, her translation of the novel by Maylis de Kerangal, was nominated for the 2016 Man Booker International and won the UK’s Wellcome Prize in 2017. Moore’s most recent book, The Whole Singing Ocean (Nightwood, 2020), blends the genres of long poem, investigative journalism, and family history. She lives in Toronto.
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The Whole Singing Ocean - Jessica Moore
The Whole Singing Ocean
Nightwood Editions | 2020
Copyright © Jessica Moore, 2020
all rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, without prior permission of the publisher or, in the case of photocopying or other reprographic copying, a licence from Access Copyright, the Canadian Copyright Licensing Agency,
www.accesscopyright.ca
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info@accesscopyright.ca
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Nightwood Editions logoNightwood Editions
P.O. Box 1779
Gibsons, BC v0n 1v0
Canada
www.nightwoodeditions.com
Cover design: Angela Yen
Typography: Carleton Wilson
Cover Image: Original linocut by Jessica Moore
Government of Canada wordmark Canada Council for the Arts logo Supported by the Province of British Columbia through the British Columbia Arts Council
Nightwood Editions acknowledges the support of the Canada Council for the Arts, the Government of Canada, and the Province of British Columbia through the BC Arts Council.
This book has been produced on 100% post-consumer recycled, ancient-forest-free paper, processed chlorine-free and printed with vegetable-based dyes.
Printed and bound in Canada.
Library and Archives Canada Cataloguing in Publication
Title: The whole singing ocean / by Jessica Moore.
Names: Moore, Jessica, 1978- author.
Description: A story in poetic fragments.
Identifiers: Canadiana (print) 20200213792 | Canadiana (ebook) 20200213806 | ISBN 9780889713789 (softcover) | ISBN 9780889713796 (ebook)
Classification: LCC PS8626.O5939 W56 2020 | DDC C811/.6—dc23
for my mother, Angela Moore
& for the boat builder
Contents
The whale 11
Warning shot across the bow 26
Lines go blurry 45
L’École en bateau (The Boat School) 55
Can you keep a secret? 56
Foucault, or silence the surest fetters 68
Flotsam & jetsam 76
The beginning—no, further back 87
In his own words 91
The language of transgression 97
Groundswell 103
The shores of the world 107
I have a room in the dark 116
Other voices 134
The key that never fits any lock 138
Un séjour de rupture 146
The organ on the porch 154
Neither of us hungered 158
The whole singing ocean 160
Notes 186
Acknowledgements 190
About the Author 192
But the one thing we dread
o keep clear of his eye
– Coast of Peru, folk song
What haunts you wants a form that is like none other
– Phil Hall
The whale
The dreams began when I was still a child
always from shore always racing to see them
leaping dark joy in waves
hurled through with light
so when the boat builder invited me onto his boat
and told me his story
I listened
We were lying side by side in the hull
The sea was calm but stirred
bubbles sounding along the wood
like the whir in a vast aquarium
and there we were, specks
inside
Long before
building his own boat
he’d apprenticed aboard
a marine biology vessel
Being the youngest
he was chosen to be towed behind
diving mask on
eye out for them
If he saw one, he was to tug the rope as a signal
And me—
many nights I dreamed
Awe was in every dream & sometimes
it was the kind that makes the hackles rise up
& sometimes it was the kind that opens wings
This day he’d been trawling along thinking of music, jazz
the near impossibility of true improvisation, real randomness
because how can you trick yourself into playing something new?
Patterns pull us, patterns form us
form our slow sleeping states
our waking ones too
unless we keep
wildly alert
on the lookout—
That summer I’d thrown myself
to the lions of another adventure
Curled facing each other I confess I’d wished on the ferry crossing
to spot one—seeing a whale was a fathomless want
the kind you carry
in childhood
Once in Newfoundland I’d boarded
the whale-watching boat and then—
nothing—
only the dismal puffins on their shit-covered rock
Fog so thick
I could have choked
I burst into sobs inside the car
slammed my hands against the dash
His hands and mine between us
though we have both been inside
a greater love, a greater grief
Still it’s comfort
In the presence of something far more vast than ourselves
ANOTHER BOAT BUILDER EH yeah this one’s a real charmer, musician and all, never stops talking DID HE OFFER TO BUY YOU LUNCH no nothing like that we simply struck a chord or rather two chords side by side ON THE ORGAN yeah the one on the porch WOULD’VE THOUGHT IT WOULD BE MOSS-COVERED BY NOW ’cause of all the rain YES the blackberries were threatening to cover the high E but we never got that far anyway decided to have a Bloody Mary at the bar BAR FULL O’ BOAT BUILDERS there are a lot of them in these parts WHAT ABOUT YOU GOT YOUR SEA LEGS funny you should say that we were just talking about it the other night AND it’s not so much sea legs as sea ears COME AGAIN throws my inner ear equilibrium right off
I still said I’d sleep over on his boat
There is a lot we carry with us
into the hulls of ships
And I remember a thousand times
believing the dark was good
descending to meet it like trees to their roots
and I remember a thousand times
believing that it was not
Sometimes night is the surest thing there is
After the whale-watching boat
I took the coastal road
down the peninsula, following a hunch
parked the car past a narrow causeway
When I’d been walking the mist-pinned beach
no longer than twenty minutes, the fog lifted
revealing the fins of them, tens of them
just metres offshore
So close I could hear it:
the breath of whales
And on this day (he tells me) he did see one
a mother humpback
looming up from the depths beneath
He reached for the rope overhead
and here is