Hill of Sorrow Mountain of Joy: Collected Poems
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Hill of Sorrow Mountain of Joy - Roland Verfaillie
Hill of Sorrow Mountain of Joy
Collected Poems
Roland Verfaillie
Copyright © 2010 Purple Onion Press
All rights reserved
Published by Purple Onion press
Miami, Florida
Designed and produced by Sigmund Rich, Purple Onion Press versessa@comcast.net
Other works by Roland Verfaillie published by Purple Onion Press:
The Ashley Dancers
The Lie (screenplay)
the book of job(s)
the second book of job(s)
No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means, including mechanical, electronic, recording, or otherwise, without written permission from the publisher.
Writers Guild of America, East, Inc.
Registration Number: I224158
Date Registered, January, 18,2011
Hill of Sorrow, Mountain of Joy
9781257741977
Table of Contents
Title Page
Copyright Page
Epigraph
Introduction
Hill of Sorrow - Mountain of Joy
Traveler Series
Traveler
Traveler’s Return
Traveler On the Road…
The Gods’ Work
Waiting for the Tiller Man
My Captive
Dune Crossing
Man Child
Ode to Florida
Simple Wedding
Mae She Rest
The Wedding Anniversary - (Till Death Do Us part
)
Babble
Language index
A poet is an unhappy being whose heart is torn by secret sufferings, but whose lips are so strangely formed that when the sighs and the cries escape them, they sound like beautiful music... and then people crowd about the poet and say to him: Sing for us soon again;
that is as much as to say, May new sufferings torment your soul.
~Soren Kierkegaard
Introduction
I owe this work to the inspiration of Samuel McCord Crothers, the late 19th Century essayist. I was particularly encouraged by the seminal ideas espoused in his essay: The Dame School of Experience (1920).
Here is an excerpt from the essay on which I felt compelled to act - A prose writer gets tired of writing prose, and wants to be a poet. So he begins every line with a capital letter, and keeps on writing prose.
And this is what I’ve done. After years of writing prose in the form of the novel, I have ventured out, and taken up the quill, so to speak, to write poetry. Yes, I began every line with a capital letter, but I didn’t just keep writing prose. Well, okay, sometimes I do. But I don’t believe that the prose-poetry that results from this exercise in writing is anyone’s best. It is good enough if it fleshes out the space between the lines of what passes for a paragraph or two of prose. It is only marginally successful if it communicates an important