Our Splendid Failure to Do the Impossible
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About this ebook
Living in landscapes of ruin and ruination, memory and problematic nostalgia, Rebecca Lindenberg’s Our Splendid Failure to Do the Impossible plumbs the depths of disruption, decay, and how we go on when the world stops cold. Inspired by the speaker’s experiences of living with type 1 diabetes, the collection chronicles humanity’s daily fight for survival in a world that’s bent on destroying itself.
Lindenberg centers love, self-acceptance, and intimacy as incomparable balms across great geographical and psychological distances, and asks the reader to do the impossible: hope.
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Love, an Index Rating: 4 out of 5 stars4/5
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Our Splendid Failure to Do the Impossible - Rebecca Lindenberg
I.
To My Insulin Pump
You’re part of my anatomy now – port,
they call it. Into the flesh of my belly,
I insert a needle. Needle comes out, but
a tiny plastic capillary remains, affixed
to a button. Buoy on the surface of me.
Black, about the size of an old pager,
I wear you clipped to my bra like a spy.
When delivering insulin, I can hear and feel
a faint click-whir, click-whir near my heart,
a cat’s purr. Fine plastic tubing runs from
my pump to my button. Somehow
umbilical. It unclasps with a quick twist
if I want a bath. Or to fuck unobstructed.
It would not be exaggerating to say you
(weight of a deck of cards, cost of a small car)
are literally keeping me alive – but I’ll just say
you, splendid little engine, are the only part
of me I never find it difficult to love.
A Brief History of the Future Apocalypse
for Chris
Worlds just keep on ending and
ending, ask anybody who survived
an earthquake in an ancient city
its people can’t afford to bolt
to the bedrock, or lived to testify
to the tyrant who used his city’s roofs
like planks to walk people off,
his country’s rivers like alligator pits
he could lever open and drop a whole
angry nation into. Ask anyone
who has watched their own ribs emerge
as hunger pulls them out like a tide,
who watched bloody-sheet-wrapped
bodies from the epidemic burn,
or fled any forever-war.
The year I was eleven, I felt
the ground go airplane turbulent
beneath me. Its curt shuddering
brought down a bridge and a highway
I’d been under just the day before.
And I was not afraid, but should have been
the first time love fell in me like ash.
How could I know it would inter us
both, how could I not? The world
must, I think, keep ending
so long as we keep failing
to heed the simple prophecies of fact –
industry’s thick breath fogs our crystal ball,
war is a trapdoor sprung open in the earth
that a whole generation falls through
and love ends, if no one errs, in death.
When my love died, I remember thinking
this happens to people every day,
just – today, it’s my world
crashing like an unmanned plane
into the jungle of all I’ve ever
come to know, but didn’t want to.
It feels terrible to feel terrible
and so we let ourselves forget –
Why else would we let the drawbridge
down for a new tyrant, water
the Horseman of Famine’s red steed
with the last bucket from the well?
But we forget to give up, too. A heart
sorrow-whipped and cowering
will still nose out to its ribcage
to be petted, will still have an urge
for heroics. And anyway, when has fear
of grief actually kept anyone from harm.
Some hope rustles in my leaves
again. It blows through, they eddy
the floors of me, unsettling
all I tried to learn to settle for.
Would I be wiser to keep
a past sacrament folded in my lap
or would I be more wise to shake
the gathered poppies from my apron,
brush off soft crimson petals
of memory and be un-haunted –
I don’t know. So I choose you and we
will have to live this to learn what happens.
And though it’s tempting to mistake
for wonders the surge of dappled
white tailed does vaulting through
suburban sliding glass doors,
they are not. Nor vanishing bees
blown out like so many thousands
of tiny candle-flames, neither
the glinting throngs of small black birds
suddenly spiraling out of the sky,
the earth almost not even dimpling
with the soft thuds of feathered weight.
They’re not wonders, but signs
and therefore can be read. I didn’t
always know that in the ancient Greek
apocalypse
means not the end of the world but
the universe disclosing its knowledge
as the sea is meant to give up its dead,
the big reveal, when the veil blows back
like so many cobwebs amidst the ruins
and all the meaning of all the evidence
will shine in us to finally see –
And there you’ll be. And I’ll know you
not by the moon in your grin but the song
rung in my animal self. For I feel you,
my sure-handed one, with something
sacreder than instinct but just as fanged.
Then unharness me the way you know
I want so I can watch the stars
blink back on over the garden as we grapple
in the dimming black like little, little gods.
The Woodpecker
Last night at dinner, my husband told the children
the cat had left a red-bristled woodpecker at the door
still heaving her small breast, still blinking a bright eye.
He told them he got his gloves, gently lifted her up,
that she perched for a bit on his finger, frightened
tiny talons gripping and ungripping, until she finally
found her wings and flew off. Did you know, I asked,
this weird fact about woodpecker’s tongues? I let
their father explain (because he’s the one who told me)
that woodpeckers’ tongues wrap around their brains –
a fact so strange and obviously metaphorical it really
deserves its own poem. But this isn’t that poem because
a few nights earlier, my husband and I were talking
about poems and he suggested I should really write
a poem about this pandemic we’re in. The problem is
I have nothing to say about this pandemic we’re in.
If I get sick, I’m one of those people they say it kills.
I saw a political ad in which a lone bed sat in a lone room,
ventilator noises. It