The Study of Human Life
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About this ebook
An acclaimed poet further extends his range into the realm of speculative fiction, while addressing issues as varied as abolition, Black ecological consciousness, and the boundless promise of parenthood
Featuring the novella “The Book of Mycah,” soon to be adapted by Lena Waithe’s Hillman Grad Productions & Warner Bros. TV
Across three sequences, Joshua Bennett’s new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth. The central section, “The Book of Mycah,” features an alternate history where Malcolm X is resurrected from the dead, as is a young black man shot by the police some fifty years later in Brooklyn. The final section of The Study of Human Life are poems that Bennett has written about fatherhood, on the heels of his own first child being born last fall.
Joshua Bennett
Dr. Joshua Bennett is the author of The Sobbing School (Penguin, 2016) - which was a National Poetry Series selection and a finalist for an NAACP Image Award. He is also the author of Being Property Once Myself (Harvard University Press, 2020), Owed (Penguin, 2020), The Study of Human Life (Penguin, 2022) and Spoken Word: A Cultural History, which is forthcoming from Knopf. He has received fellowships and awards from the Guggenheim Foundation, the Whiting Foundation, the National Endowment for the Arts, and the Society of Fellows at Harvard University. He is a Professor of English at Dartmouth College.
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The Study of Human Life - Joshua Bennett
ALSO BY JOSHUA BENNETT
POETRY
The Sobbing School
Owed
NONFICTION
Being Property Once Myself: Blackness and the End of Man
Spoken Word: A Cultural History
Book Title, The Study of Human Life, Author, Joshua Bennett, Imprint, Penguin BooksPENGUIN BOOKS
An imprint of Penguin Random House LLC
penguinrandomhouse.com
Copyright © 2022 by Joshua Bennett
Penguin Random House supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin Random House to continue to publish books for every reader.
Sunday Afternoon
from Magic City © 1992 by Yusef Komunyakaa. Published by Wesleyan University Press. Used by permission.
This page constitutes an extension of this copyright page.
library of congress cataloging-in-publication data
Names: Bennett, Joshua (Poet), author.
Title: The study of human life / Joshua Bennett.
Description: [New York] : Penguin Books, [2022] | Series: Penguin poets Identifiers: LCCN 2022006597 | ISBN 9780143136828 (trade paperback) | ISBN 9780525508328 (ebook)
Subjects: LCGFT: Novels. | Poetry.
Classification: LCC PS3602.E664483 S78 2022 | DDC 813/.6—dc23/eng/20220224
LC record available at https://lccn.loc.gov/2022006597
Cover design: Lynn Buckley
Cover photograph: Justin Hardiman
Designed by Alexis Farabaugh, adapted for ebook by Estelle Malmed
pid_prh_6.0_148350563_c0_r0
for my family
Acknowledgments
Sincerest thanks to the following journals for publishing earlier versions of the work featured in this collection:
Academy of American Poets: Dad Poem (Ultrasound #2)
Colorado Review: Dad Poem (We play Cam’Ron at eleven)
and Trash (The Knicks were trash)
The Kenyon Review: Trash (All the men I loved were dead)
Poetry: The Book of Mycah
Poetry Daily: Trash (All the men I loved were dead)
Puerto del Sol: Trash (Saturdays, it was my job to pick the bones)
The Southern Review: Trash (Abolition),
Trash (I bought a house by the trees),
and Trash (The American Negro is an invention)
The Wall Street Journal: Dad Poem (No visitors allowed)
The Yale Review: Dad Poem (The New Temporality)
and Dad Poem (Your doula’s name is Perpetual)
Thank you to the family that raised me: my late grandmother, Charlotte Elizabeth Ballard; my aunts and uncles; my big sister; and my mother and father, who taught me that strength was inextricably tied to gentleness. That poems, like all good things, were meant to be shared.
Thank you to my editor, Paul Slovak, for his keen eye and willingness to try something new with me every time we put one of these together. Thank you to my Langston’s Legacy family for workshopping several of the poems in this manuscript in their earliest forms: Andrea Bossi, Danielle Georges, Florence Ladd, Gavin Moses, and Patrick Sylvain. Thank you to my friends, mentors, colleagues, and collaborators, for your calls, your work, your camaraderie and laughter, especially during these harrowing last couple of years: Thomas Alston, Charlotte Bacon, Jamil Baldwin, Cory Benjamin, Everett Aaron Benjamin, Kyle Brooks, Jamall Calloway, Devin Chamberlain, Daniel Claro, Ben Crossan, Tongo Eisen-Martin, Mary C. Fuller, Aracelis Girmay, Jarvis Givens, Bill Gleason, Carlos Andrés Gómez, Terrance Hayes, R.A. Judy, Susan Lambe-Sariñana, Carvens Lissaint, Jesse McCarthy, Roshad Meeks, Ernie Mitchell, Wesley Morris, Timothy Pantoja, Gregory Pardlo, Imani Perry, Samora Pinderhughes, Elaine Scarry, Christina Sharpe, Tracy K. Smith, Josef Sorett, Matthew Spellberg, Brandon Terry, Daniella Toosie-Watson, and Simone White.
Thank you to the Whiting Foundation, the John Simon Guggenheim Memorial Foundation, the Society of Fellows at Harvard University, and the Department of English and Creative Writing at Dartmouth College for the various forms of institutional support that helped make this manuscript possible.
And thank you to my wife and son, Pam and August Galileo: You are my life. Thank you for making each day miraculous.
Contents
TRASH
THE BOOK OF MYCAH
DAD POEM
How do you provide for the Study of Human Life?
—June Jordan
Where life is precious, life is precious.
—Ruth Wilson Gilmore
Trash
What critics throw away I love the more;
I love to stoop and look among the weeds,
To find a flower I never knew before
—John Clare
One man’s waste is another man’s soap
Son’s fan base know the brother man’s dope
—MF DOOM
I knew life
Started from where I stood in the dark,
Looking out into the light,
& that sometimes I could see
Everything through nothing.
—Yusef Komunyakaa
I
All the men I loved were dead
-beats by birthright or so the legend
went. The ledger said three
out of every four of us were
destined for a cell or lead
shells flitting like comets
through our heads. As a boy,
my mother made me write
& sign contracts to express
the worthlessness of a man’s
word. Just like your father,
she said, whenever I would lie,
or otherwise warp the historical
record to get my way. Even then,
I knew the link between me
& the old man was pure
negation, bad habits, some awful
hyphen filled with blood. I have half
my father’s face & not a measure of his flair
for the dramatic. Never once
have I prayed & had another man’s wife
wail in return. Both burden & blessing alike,
it seemed, this beauty he carried
like a dead doe. No one called him Father
of the Year. But come wintertime, he would wash
& cocoa butter us until our curls shone like lodestone,
bodies wrapped in three layers
of cloth just to keep December’s iron
bite at bay. And who would have thought
to thank him then? Or else turn
& expunge the record, given all we know
now of war & its unquantifiable cost,
the way living through everyone around you
dying kills something elemental, ancient.
At a