indian culture
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The Present manuscript discusses on various scientific aspects of Indian Vedic Agnihotra Vijnan and Mantra therapy. It has been scientifically proven in many recent experiemnts and literature that Homa therapy is much effective in inviting rainy clouds, efficient in disesaes control through inhaling therapy, generates negative ions responsible for happiness, organic homa krishi (farming) is best for humans, boon for mental and physical fitness. The authors’ team have tried best to present a series of small experiemnts in support of few of above results and confident enough that gradually this therapy is poular and being accepted globally by one and all. Indian culture and science is scientific and full of components to uplift the human conciousness and ease in life. The present study supports this fact by visualizations and sensor based experiemnts. In 21st century, it is crucial to accept with open minded the good features of this alternate therapy in view of second and third and multiple waves of pandemic caused by sars-cov’19 and other global threats.

The progress of science has sometimes been unjustifiably delayed by the premature rejection of a hypothesis for which substantial evidence existed and which later achieved consensus. Continental drift, meteorite impact cratering, and anthropogenic global warming are examples from the first half of the twentieth century. This article presents evidence that the Younger Dryas Impact Hypothesis (YDIH) is a twenty-first century case. The hypothesis proposes that the airburst or impact of a comet ∼12,850 years ago caused the ensuing ∼1200-year-long Younger Dryas (YD) cool period and contributed to the extinction of the Pleistocene megafauna in the Western Hemisphere and the disappearance of the Clovis Paleo-Indian culture. Soon after publication, a few scientists reported that they were unable to replicate the critical evidence and the scientific community at large came to reject the hypothesis. By today, however, many independent studies have reproduced that evidence at dozens of YD sites. This article examines why scientists so readily accepted the early false claims of irreproducibility and what lessons the premature rejection of the YDIH holds for science.

"The current paper strives to discover and reveal the influences of Indian culture and classical Indian music in French operas. At first, the evocation of India was obtained through the subjects of the operas and stunning scenic designs, fulfilling the requirements of exoticism. Gradually, the composers attempted to include in their musical discourses exotic rhythmic and melodic elements, in some instances inspired by Indian classical music, thus aiming to evoke a genuine image of India. At the same time, the use of elements pertaining to Indian music (rāgas, rhythmic patterns, timbres) offered the musicians the possibility to create novel sound discourses. The analysis focuses on several operas, composed between the eighteenth century and the beginning of the twentieth century, following the evolution of Indian representations in several dimensions: dramatic (libretto), visual (scenic representations, dance), and musical (melody, rhythm, timbre). The present paper investigates the way Indian themes influenced the conception of the libretto, and at the same time the visual dimension of the works (setting, costumes), observing how these visual elements were gradually absorbed into the musical discourse (analysis of the melodic structures), through the incorporation of Indian rāgas in works conceived according to the rules of Western music composition. Keywords: exoticism, orientalism, India, French opera, rāga "

India’s Soft Power which is part of Smart Diplomacy or cultural diplomacy in India. India’s soft power diplomacy can be traced back to the time when Swami Vivekananda visited Chicago Parliament of Religion and spoke about Hinduism and India, which attracted many Indians and Foreigners who visited India and learnt about the Indian culture and the Sanskrit, his book on Raja Yoga influenced Western countries to practice Yoga who came to India and visited asharams, India’s main soft powers include spiritualism, yoga, Ayurveda, the world is shifting towards organic method of treatment which has its trace in India. There is culture exchange of arts, music, dance. Indian Diaspora and Young youth are the weapons for the spread of Indian culture across the globe, People are interested in Indian culture and epics of Ramayana and Mahabharat and studying on Kautliya. India literature and craft have received international recognition, countries abroad have included Sanskrit as part of their educational curriculum. India has also emerged has an export of herbs medicine to many foreign countries like Middle East, Europe, Africa etc. and this soft power of India will help in creating a massive influence across the world but before that Indian should have ample knowledge about their own history and culture and languages.

Indian Classical Music is the best gift of Indian culture to the world. Indian Classical Music is of two types – उत्तर हिन्दुस्तानी संगीत पद्धति एवं दक्षिण हिन्दुस्तानी संगीत पद्धति. The roots of Indian Music are found in Vedas. Sanskrit is the ancient language and we found it in the Vedas. Many treatises related to music systems are also found in Sanskrit Language. To learn music properly, every learner has to go through two paths – 1. Theoretical music (Ancient treatises) 2. Practical Music (which follows Guru Shishya tradition). Pandit Bhatkhande has given wonderful and helpful notation system to Indian Classical Music. With the help of it he has collected many Bandish from different people and made a large collection. This collection is known as Kramik Pustak Malika. (Parts 1 -6). All these six parts are having theory of 150 ragas divided Thata-wise, with introductory chapter on the general theory of music, besides a short description of every Raga, followed by Svar-vistar. They contain about 1000 traditional compositions including Pandit Bhatkhande’s own compositions which are about 300 in notation. To know the Raga deeply, one can refer the same book and can get many Bandish, Svar-vistar, information about Ragas, their descriptions given in Sanskrit treatises, Thata (थाट), Tala, etc. Therefore, Kramik Pustak Malika of Chatur Pandit is the treasure of Indian Music.

Cynodon dactylon is a forage crop besides being a medicinal herb which has been holding a sacred position in our Indian culture. Its survival capacity in any ecological succession has forced it to exist as medicinal plant containing a broad spectrum of secondary metabolites like Cyanidin, Luteolin, apigenin having several therapeutic uses. The review paper has been designed in coordination with research articles to compile the various properties of the plant like its thriving capacity in tropical and subtropical regions where it can alter ecosystem by effecting nutrient cycles and community composition, diverse chemical composition, and therapeutic uses to name some such as diabetes, atherosclerosis etc., which could be used as an area of further research for mankind and environmental benefits.

This paper seeks to explore three modes of cultural identification presented in Kiran Desai’s The Inheritance of Loss. With three intersecting plotlines, the novel focuses on three divergent modes of cultural identification in different spatio-temporal contexts. The first kind of cultural identification is imbued with a sense of foreignness, exemplified by the judge, Jemubhai, whose cultural identity is deeply shaped by imperialist ideology during British colonization of India. As Indian culture is negated by the colonial power, Jemubhai adheres to English cultural identification and disavows his Indianness. The second mode of cultural identification revolves around the issue of cultural authenticity in the diasporic context for Biju, a young migrant, illegal worker in various restaurants in New York. To survive in a foreign country, Biju forces himself to transgress cultural borders, which disconcerts Biju and further prompts him to pursue cultural authenticity. The third mode highlights Sai’s and Gyan’s trajectories of cultural identification. Just as Sai, Jemubhai’s granddaughter, embodies the idea of in-betweenness, Gyan, Sai’s math tutor, manifests the desire to escape narrow nationalism. Both Sai and Gyan evoke the potential of crossing borders. Juxtaposing the three modes of cultural identification, Desai’s novel explores the process of negotiating cultural identity and gestures towards a field of border-crossing identity.

Flowers are an integral part of Indian culture and tons of flowers often gets accumulated at religious sites like temples, mosques, churches and gurudwaras due to a number of religious practices and it is also generated in places like wedding ceremonies, flower markets, residential areas, etc. But sadly, most of these flowers often thrown in water bodies and garbage, creating an environmental hazard. Hence, the present study was taken to analyse the floral waste generation pattern and their disposal in the city. A total sample of 62 floral waste generators consisting of 30 temples, 12 function halls and 20 flower shops was selected for the study. Data was analysed and tabulated. The study analysed that the bigger temples contribute to higher floral waste generation, and the festival seasons around the year also generates more floral waste. The function halls don’t generate a constant quantity of floral waste and the usage of flowers highly depends on the budget and theme of the ceremony. The flower markets generate more floral waste if the sales are less in the market. The flowers such as Chrysanthemum, Marigold Jasmine and Rose are generated as major category of floral waste.

<p align="center"><em>Abstract</em></p><p><em>Indian culture has a lot of influence on the religious and social activities of the Hindu community in the archipelago. One of them is the use of animals in the religious social activities of the Hindu community in the archipelago. The similarity of the concept of Vedic teachings and their implementation in the Land of the Archipelago encouraged the ancestors to fight for Hinduism to be recognized in Indonesia. Recognition of Hinduism begins with Hindu intellectual ideas on the island of Bali with full of twists and turns, the ups and downs of the struggles of the ancestors until Hinduism is recognized as a religion in Indonesia. The syncretism of Vedic teachings and ancestral teachings has occurred for centuries, both from the 5 theories of the entry of Hinduism to Indonesia, from the process of the Indians traveling to the archipelago known as the Bali Yatra, and from the mangjawaken byasa mata process carried out by the king of Kediri, namely Dharma Wangsa. Teguh in the IX century AD. The recognition of Hinduism in Indonesia encouraged Hindu intellectuals at that time to immediately formulate Hindu religious concepts for the life of the nation and state, such as the name of the highest entity, the concept of carrying out daily prayers, holy days, organizations, and so on. etc. This indicates the importance of understanding the Hindu red coat in Indonesia.</em></p>