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Lesson 1 - Audio Synthesis

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Audio Synthesis & SynthEdit

What it is, how it works,


and what the heck you can
do with it.
Its all about Sound waves

Your ears are full of tiny hairs sensitive to


minute changes in air pressure. These
changes are perceived as sound. Sound is
represented visually using sound waves (as
above) or spectral analysis (as below)
What is a (synth)esizer?
• A (synth)esizer is a device which combines things. It is
also a keyboard or program for making sound waves.

– Can be:

• Hard (physically present) or soft (virtual, on a computer)

• Analogue: using direct voltage to represent data (AKA


C.V. or control voltage).
– Sometimes unpredictable and bulky,
– Has real world advantage of “unlimited resolution”

• Digital
– Uses numbers in a computer to represent data.
– Reliable and convenient.
– but limited by the digital resolution and computer
processing power.
Synths often work by:
Modifying existing sound waves or generating
waves electronically using one technique or a
combination of different techniques:
• Subtractive synthesis; the most common type

• Granular synthesis

• Additive or (F)requency (M)odulation


synthesis

• Sampling

• Modeling synthesis
What is a oscillator?
• The thing that makes the sound wave. That’s all you
need to know. Usually you can control:
– The “coarse” and “fine” pitch of the oscillator. This is
the same as the frequency of the wave.
– The shape of the wave the oscillator generates.
– Where the oscillator sends its wave signal to.

• Synths can have multiple oscillators


• Polyphony: How many notes you can hit at once.
Subtractive Synthesis
• Begins w/ a
harmonically rich
waveform
generated by a
oscillator
– Sine
– Square
– Triangle
– Saw tooth
Filters subtract harmonics
CUTOFF: The frequency at which the filtering begins
RESONANCE (AKA “Q”): the strength of the filter effect / also at high
resonances; creates a unique whistling effect. Like R2-D2.

Different types of filters:


• Low Pass: A low pass filter cuts off the frequencies above
the cutoff point. The most commonly used type of filter.
• High Pass: A high pass filter cuts off the frequencies
below the cutoff point.
• Band Pass: A band pass filter allows only the frequencies
near the vicinity of the cutoff point to go through.
• Notch: A notch filter allows all frequencies except those
near the cutoff point to go through.
A.D.S.R. Envelopes
ADSR envelopes can apply to volume, filters or LFO’s

• Attack: How fast and loud the sound starts


• Decay: How long does the sound decrease.
• Sustain: How long does the sound continue.
• Release: How long does the sound take to end
after it stops.
(L)ow (F)requency (O)scillators
A special type of oscillator that
generates a very slow moving waveform.
• LFO’s are primarily used to create interesting effects by
controlling another function or modulating the primary
oscillator. (combining the main OSC waveform and the
LFO waveform to make a new waveform)
• LFO’s often:
– Control the filter cutoff frequency, or the filter amount
• Used to create a “wah-wah” effect.
– Rhythmically alter the pitch of the main oscillator
• Used to create a vibrato effect.
– Rhythmically alter the volume level of the oscillator:
• Used to create a tremolo effect.

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