04 Handout 1 PDF
04 Handout 1 PDF
04 Handout 1 PDF
Ballroom Dance
• Third-Hand Contact – This occurs when the man’s right hand is placed under the left
shoulder blade on the lady’s back.
• Elbow Contact - This occurs when the lady’s left elbow rests on the man’s right elbow
and both arms are kept in a horizontal line. The lady’s arms are held comfortably by the
man and permit her to follow the man’s lead with ease. This also gives the couple the
appearance of having a bearing of royalty. This is an important characteristic in the
ballroom dances that came from Western Europe because these dances were performed in
the royal courts.
• Chest Contact – This last point of contact occurs when the right area of the chest of one
(1) touches almost the right area of his/her partner. This closeness allows very little room
between the partners’ faces thus contributing to the dance’s romantic appeal.
III. Evolution of the Different Types of Ballroom Dance
A. Waltz
The waltz is probably the oldest extant ballroom dance, not including the medieval re-
enactment of court dances, still regularly performed today. Set to 3/4 time, it was too
scandalous for the French court due to the close embrace that it required. King Louis XIII
actually banned the dance from his court. Like most legislated morality, the law failed to
quell the act and the dance survived and spread. The dance halls in Vienna sped up the
tempo and gave the world the intense and whirling Viennese waltz, and composers such
as Johann Strauss Jr. became famous for the music they composed for the dance.
B. Tango
In the Latin world, the Spanish explorers brought flamenco with them to the new world.
As it melded with slave dances from Africa and Central American cultures, it became
known as the tango, with a particularly sensual variant becoming popular in Argentina.
Traveling back across the Atlantic to France in 1910, it became popular through Europe
and America and further.
C. Foxtrot and Quickstep
Not all ballroom dances have such murky beginnings. The Foxtrot, for example, came
quite simply from a popular performer in 1913, Harry Fox. The "trot" part of the name is
a little confusing, as the dance is characterized by a very smooth yet sauntering basic step.
In social dancing, this is also known as the slow foxtrot to differentiate it from the
quickstep, another variant with the same roots.
D. Rhythmic Latin Dance
The roots of the Latin or Rhythm dances are a more tangled morass of traditions and
popular culture. Although similar in some aspects, each of these dances still has a distinct
style of its own.
E. Mambo and Cha Cha
The mambo came from Cuba and has a very clear originator, Perez Prado, who developed
the mambo style of music in 1943. However, that style of music itself was based on a
rumba beat with a slightly different ending, and mambo was done with an emphasis on a
different beat. As the mambo became too difficult for nearly anyone other than the
professional ballroom dancers, it metamorphosed into the cha cha.
F. Rumba
The rumba beat had its own dance that was known by various names including Son and
Danzon. However, rumba is the name that stuck and the dance became a sensual writhing
staple of ballrooms across the world.
G. Samba
It is also known as the Brazilian waltz. A cross-blending of African tribal dance and
traditional Brazilian moves, it became the featured dance for the wild revelry of Carnival,
accompanied by the pounding beats of the bateria or drum corps.
H. Bolero and Paso Doble
Both the bolero and paso doble are of Spanish origin, although the paso doble developed
in France. They are highly stylized dances based on older forms of dance such as the
flamenco and the fandango and are danced more often by professional competitors than
social dance enthusiasts.
I. Swing
The swing dance comes in several varieties. The two (2) primary versions are east coast
swing and west coast swing, both of which originated in the American heartland and spread
in opposite directions during the era of World War II. Like the waltz of centuries ago, this
kind of dance was deemed immoral, and therefore exploded in popularity with the young,
hip dancers all over the world. Today, swing is still performed in clubs and dance halls all
around the world.
IV. Benefits of Ballroom Dancing to One’s Health
A. Mental
• It helps to improve mental acuity by requiring split-second rapid-fire decision making.
• It can stimulate the connectivity of the brain by generating the need for new neural
pathways.
• It simultaneously involves kinesthetic, rational, musical, and emotional processes.
B. Physical
• Flexibility – Most forms of dance require dancers to perform moves that require
bending and stretching, so dancers naturally become more flexible simply by dancing.
• Endurance – Regular dancing is great for improving endurance and overall health.
Elevating the heart rate through vigorous ballroom dancing can increase stamina. Just
as in any form of exercise, regular dancing will build endurance.
C. Well-being
• It provides many opportunities to meet other people. Joining a dance class can increase
self-confidence and build social skills. And, because physical activity reduces stress
and tension, regular dancing gives an overall sense of well-being.
• It burns calories and can assist in weight loss. Dancing burns anywhere from 5-10
calories per minute, depending on speed and intensity.
References:
History of ballroom dancing. (n.d.). Retrieved from http://dance.lovetoknow.com/
Origins of ballroom dancing. (n.d.). Retrieved from http://www.montrealballroomdancing.com/
Types of ballroom dancing. (n.d.). Retrieved from http://www.justdanceballroom.com/styles.html