Music Studio v2 10 User Manual
Music Studio v2 10 User Manual
Music Studio v2 10 User Manual
Version 2.10
User Manual
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Table of Contents
Music Studio 1!
Navigation map 20
Marker buttons 20
Wave editor 21
Wave editor menu 22
Record button 22
Load button 23
Save button 24
Delete file button (iPad only) 24
Display and ruler 24
Selection buttons 24
Trim button 24
Delete button 25
Insert silence button 25
Reverse button 25
Normalization button 25
Fade buttons 25
Audiobus 26
Inter-App Audio 27
Instruments 28
Instrument list 28
User section 28
Volume fader 28
Offset fader 28
Attack fader 29
Release fader 29
Keyboard row selector 29
Preview button 29
Keep attack/release times (iPad only) 29
Sampler 30
Workflow 30
Sharing instruments 31
Sample list 32
Import button 32
Record button 32
Edit button 32
Delete button 32
Settings button 33
Auto Ranges button 33
Looping samples 33
Tracks 34
Track list 34
Track view switch 34
Scrolling and selecting 34
What is a track? 34
Track screen menu 35
Zoom buttons 35
Tempo button 35
Ruler 35
Markers 36
Add bar button 36
Track Editor 37
Track list icons 37
Note area 38
Rearranging tracks and changing the color 38
Filter tracks 38
Add track buttons 38
Mute button 38
Music Studio 2!
Solo button 38
FX button 39
Edit button 39
Duplicate button 39
Delete button 39
Pan knob/fader 39
Volume fader 39
Bar Editor 40
Selecting 40
New selection button 40
Change selection button 40
Clipboard (copy and paste) 40
Move button 40
Duplicate button 41
Repeat button 41
Transpose button 41
Volume button (iPad only) 41
Quantization button 41
Edit button 41
Delete button 41
Bar insert/cut button 41
Piano roll editor 42
Piano roll view 42
New selection button 42
Change selection button 43
Draw button 43
Move button 43
Duplicate button 44
Repeat button (iPad only) 44
Length button 44
Volume button 44
Quantize button 44
Delete button 44
Quantization popup 45
Note buttons 45
Dotted button 45
Triplet button 45
Quantize note lengths 45
Soft (quantize 50%) 45
Effects 46
Effect routing 47
Tips and tricks 47
Reverb 48
Delay 49
Equalizer 50
Filter 51
Resonance and frequency panel 51
Snap back 51
Filter type 51
Filter accelerometer control 51
Phaser 52
Amplifier 53
BitCrusher 54
Compressor 55
Limiter 56
StereoWidener 57
Projects 58
Music Studio 3!
File list 58
Beats 58
New project button 59
Load button 59
Save button 59
Delete button 59
Append button (iPad only) 59
Transfer files to full version 59
Export 60
Share 61
Compress (zip) checkbox 61
AudioCopy 61
SoundCloud 61
Files 62
Apps & More 62
Rename 62
Server 63
iTunes File Sharing 64
Setup 65
General setup 65
Polyphony 65
Lock interface orientation 65
Continuous playhead movement 65
Keep attack/release times (iPhone only) 66
Bluetooth / AirPlay 66
Background audio 66
Keyboard setup 67
Snap to white keys 67
Allow touches between black keys 67
Allow touches on key borders 67
Key label language 67
Velocity control 67
Mod wheel instead of pitch wheel (iPhone only) 67
Auto quantization 67
Transposition 67
Pitch 68
Pitch bend semitones 68
Pitch bend sensitivity 68
Pitch bend accelerometer control 68
Pitch bend record mode 68
Accelerometer setup 69
Threshold 69
Reactivity 69
Calibration 69
Metronome setup 70
Volume 70
Pan 70
Style 70
Count in 70
MIDI setup 71
MIDI out for muted tracks 71
Send MIDI Clock 71
MIDI Thru 71
Keyboard split point 71
Ports & Channels button 71
Send params button 71
MIDI panic button 71
Music Studio 4!
MIDI ports & channels popup 72
Troubleshooting Guide 74
Four steps to resolve most issues 74
Installing does not work 74
My purchased instruments do not appear on my second device 74
Audio recording does not work 74
The Instruments tab is greyed-out 74
Audio stuttering occurs 75
Some notes are not played back 75
The audio output sounds noisy 75
The server does not work 75
Version history 76
Version 2.0 76
Version 2.0.1 76
Version 2.0.2 76
Version 2.0.3 77
Version 2.0.4 77
Version 2.0.5 77
Version 2.0.6 77
Version 2.0.7 77
Version 2.0.8 77
Version 2.1 78
Version 2.2 78
Version 2.2.1 78
Version 2.3 78
Version 2.3.1 79
Version 2.4 79
Version 2.4.1 79
Version 2.5 79
Version 2.5.1 79
Version 2.5.2 80
Version 2.6 80
Version 2.6.1 80
Version 2.6.2 80
Version 2.6.3 80
Version 2.6.4 80
Version 2.6.5 80
Version 2.7 80
Version 2.7.1 81
Version 2.8 81
Version 2.9 81
Version 2.10 81
Limitations of the Lite version 82
Music Studio 5!
Quick Start Guide
You can adjust the size and position of the keyboard by making a slide or pinch gesture anywhere on the menu bar. This also
works in the Tracks screen.
• Select the instrument of your choice from the Instruments screen and adjust the attack/release faders to change the fade in/
out times.
• Back in the Keyboard screen, tap the “...” button on the right to toggle the LiveTools menu. It contains a
switch for the pitch bend wheel (and filter wheel on the iPad) and assignable chord buttons.
• The blue pads button switches to chord pads if you selected an instrument, or drum pads if you
selected a drum kit. The pad edit mode allows you to rearrange, add and delete pads, and to assign
different chords or drum kit samples to each pad.
• In the keyboard view on the iPhone, tapping the keys button brings up a menu for switching to 2
keyboard rows, changing the key labels, and a keyboard map which allows you to position the keyboard
with a single tap. On the iPad, these buttons are always visible.
• Go to the Effects screen and play around with the reverb and delay settings. Adjust the reverb type and size to simulate a
specific room. High quality reverb sounds better but may introduce playback stuttering on older devices. Many synths sound
great with a delay set to 1/8 and dotted.
Music Studio 6!
Recording a song
Follow these steps to create a song from scratch.
• Open the Projects screen and tap the New button to create a new project.
• Double tap the Beats folder, find a beat of your liking and double tap to load it.
• In the Tracks screen you will see one or more tracks containing the beat you just loaded.
If it’s too slow or to fast, tap the tempo button to change the tempo and signature of the song.
• Select the empty track (or tap the “+ MIDI” button to create a new one), then go to the Instruments screen and
select your instrument of choice.
Note: The Keyboard and Instruments screens always apply to the active track, so make sure that your new track is
selected.
• In the Keyboard screen (or maybe you switched to pads), tap the record button, wait for the counter to
hit 1.1 and start playing. Hit the record or the stop button if you’re done, or hit the undo button right
away if you made a mistake and want to re-record.
• Switch to the Tracks screen to review what you just recorded. To repeat your melody or beat,
tap the bar editor button in the upper right corner, select the bars you just recorded and tap the
repeat button in the bottom menu several times.
• Switch back to the track editor and tap the “+ MIDI” button to create a new track. Repeat the previous steps to record
something on this track.
• Let's assume that your song has a duration of 20 bars and you want to start recording at bar 10. Go to the
Tracks screen where you’ll notice 2 markers on the ruler. Move the left marker to the 10th bar and recording
will always start from there. Tap the loop button to loop the area between the two markers indefinitely.
Hint: Enable the loop button prior to recording to create a loop. You can even add tracks and switch instrument
to record a complex loop in one go.
• Tune the reverb in the Effects screen, try out the delay effect and maybe play around with the other effects. Adjust the limiter's
gain fader so that the decibel meters barely hit the red areas for the loudest part of your song.
• To save your song, tap the Save button in the Projects screen and enter a song name.
• Select your song in the file list and tap the Export button. Choose AAC to create a compressed audio file
which you could share via email, Dropbox, iCloud Drive or SoundCloud. You can also export to WAV and
share it with other apps on your device via AudioCopy. Or export to MIDI to create a .mid file which can be
opened with DAW or music notation software on your computer.
• iTunes file sharing (or the WiFi Server) can be used to transfer your song (or any exported file) to your
computer. It is recommended that you regularly backup your songs (.xms files) this way.
Music Studio 7!
Audio tracks and recording
Note that an audio track can only be linked to one audio file. Opening another file in the wave editor will link it to the selected
audio track. Editing in the wave editor always changes the original audio file in the Audio folder, unless you tap the “Save as”
button to save it under a new name. This improves the workflow by not having to save and type filenames every time you
change an audio file.
• Go to the Tracks screen and tap the “+ Audio” button at the bottom of the track list, which will open the wave
editor.
• In the wave editor menu, tap either the Record button for microphone recording
• or the Open button on the right, which will present you with the other options. You can use iTunes file sharing or
the WiFi server to copy audio files from your computer to the Audio folder in Music Studio. Audio files can also be
opened from Mail and Safari directly with Music Studio.
• Use the bottom menu in the wave editor to select and modify parts of the audio file.
• In the Tracks screen, the track you just created has been filled with an audio region.
Tip: Double tapping an audio track takes you right to the wave editor.
• Switch to the bar editor to move, duplicate, repeat, quantize or delete audio regions. In other words, the
bar editor treats audio regions as if they were notes.
• If you want to load the song in Music Studio on another device, in addition to the .xms file all the .wav files
used in the song need to be present. To simplify the transfer, a song can be exported as a zip file which contains the .xms and
all the linked .wav files from the Audio folder.
Music Studio 8!
Writing notes
Notes can be drawn and edited in the piano roll editor, where they are represented as blocks.
• In the Tracks screen, tap the “+ MIDI” button to create a new (MIDI type) track.
• Double tap the track or tap the Edit button to enter the piano roll editor.
• Tap the Draw button and select the desired note length. Move the crosshair and tap OK to draw a few notes. Tap
the OK button in the lower right corner when you’re done.
• By default, all notes are selected and every edit operation will modify all notes. Draw a rectangle over the notes to
select a few of them, then try out the buttons in the bottom menu: move, duplicate, length, velocity (volume),
quantize and delete.
• The undo button in the top menu is handy if you made a mistake. To redo, tap and hold the undo button for 2
seconds and tap Redo.
Quantization
It’s very hard to play in perfect timing. Notes you played on the keyboard will
often be off by a fraction of a beat, that’s where quantization comes in handy. It’s
best to try out different quantization parameters (1/8, then 1/16, maybe 1/32)
and hit the undo button if you are not satisfied with the result.
Red notes
Congruent notes, i.e. notes that are placed at the same position and have the
same length, are displayed red in the piano roll editor. In most cases they are
unwanted and should be deleted because they result in the note being played back with
increased volume.
Tip: Legato
If you want a melody to sound legato, increasing the release time in the Instruments screen
is often faster than changing the length of all notes.
Music Studio 9!
Performance considerations
The more complex your song gets, the more processing power Music Studio requires. This can lead to audio stuttering on older
device, which can be counteracted. These factors have the most impact:
• Polyphony
Lower the polyphony in the general settings. While a 2013 device can easily cope with 32 or 128 voices at a time, a 2009
device would have to be restricted to playing no more than 16 voices simultaneously in order to prevent stuttering.
• Reverb quality
Set it to low on older devices, and to high before you export a song to wav or AAC format.
• Release time
In order to keep the polyphony low, reduce the release time of the tracks as much as possible on older devices. For example,
an guitar playing a fast riff with 1 second release time can drive up the polyphony to 32 or 64. Lowering the release time to
0.1s has a positive impact on performance with almost no impact on quality, depending on the music of course.
• Animations
Disabling the animations in the general setup can improve the performance. The setting Continuous playhead movement
should be enabled only on last generation devices.
Music Studio 1! 0
External Hardware
This is an overview of most of the external audio and MIDI hardware supported by Music Studio.
Note: Always check if the hardware you are going to purchase is compatible with your iOS device and its Lightning or Dock
connector, and with the iOS version installed.
MIDI hardware
There are 4 ways of utilizing Music Studio's MIDI input & output:
1. Apps that are CoreMIDI or Virtual MIDI compatible
2. Keyboard controllers made for iOS
Here are a few examples, but Music Studio is compatible with all CoreMIDI compatible keyboards:
• Line 6 Mobile Keys
• iRig Keys, iRig Keys Pro
3. MIDI interfaces made for iOS
Connect the interface's MIDI IN port to your keyboard’s MIDI OUT port, vice versa.
Music Studio supports all CoreMIDI-compliant MIDI interfaces made for iOS devices.
Here are a few examples, but Music Studio is compatible with all CoreMIDI compatible devices:
• Yamaha i-MX1
• Line 6 MIDI Mobilizer
• iRig MIDI, iRig MIDI 2
4. Apple USB adapter
There's a Lightning to USB adapter for new devices and a "Camera Connection Kit USB adapter" for the dock connector
on older devices. USB keyboards with low USB power requirements can be directly connected to the adapter.
Alternatively, MIDI-to-USB adapter cables can be used to connect any MIDI keyboard via Apple's USB adapter to the iPad.
Music Studio 1! 1
FAQ (Frequently Asked Questions)
For support-related discussions, visit the forum at the Music Studio website.
Additional instruments
• All-in-one package
It contains all the available instruments. Owners of the all-in-one package will automatically receive all new instruments added
to the shop in the future.
• Classic / Band / Electro / World package
These packages include each of the 4 individual category’s instruments. Owners of a category package will automatically
receive all new instruments added to this category in the future.
Music Studio 1! 2
Installing
I want to install the app on my second device. Do I have to pay for it again?
No, if you open the App Store on your device and search for Music Studio, a cloud icon will indicate that you already purchased
it and that it will be a free download. Just make sure that you are logged in with the same Apple ID that you used to purchase
Music Studio in the first place.
Functionality
Can I connect my external audio or MIDI device?
See the quick start guide for a list of compatible devices.
Music Studio 1! 3
A list of the supported file types can be found in the Projects section. There are 4 ways to copy a file into Music Studio’s folders:
1. iTunes file sharing is the simplest method to quickly copy files from your computer to Music Studio and vice versa.
The disadvantages are that a computer is required and that folders can only be copied as a whole.
2. The WiFi server requires that your second device, which can be a computer or any mobile device, is in the same WiFi
network. It allows you to browse Music Studio’s folders and to download, upload (= import) or delete any number of files to
or from any folder.
3. Supported file types can be opened from other apps (Mail, Safari, Dropbox etc.) with Music Studio. Some apps have a
dedicated share button, others (like Mail and Safari) require you to tap and hold the file, then select “Open with” and tap
Music Studio. The file will be copied into Music Studio’s Inbox folder.
4. Audio files can be transferred between apps via AudioCopy and AudioPaste. Music Studio can also import audio files from
your iPod music library.
iOS does not have an open file system and thus no Finder or Explorer type app. Every app has its own closed (sandboxed)
folder that no other app has access to, except for the 4 methods described above.
If I select and edit bars in the bar editor, why are some notes ignored?
Selected notes are colored dark blue. If you select a bar but a note starts a few ticks earlier than this bar, it will not be selected. If
possible, quantize the track, thereby aligning the notes to simplify further editing.
Why are the drum kit's sounds arranged in such a strange way?
This "strange way" is called the "General MIDI Level 1 Percussion Key Map". It is commonly used on nearly every hardware
keyboard/synthesizer to retain full MIDI compatibility.
Music Studio 1! 4
Keyboard and Drum Pads
Keyboard
Music Studio features a 85-key clavier capable of handling up to 5 simultaneous touches (10 on the iPad). Not every instrument
has the full tonal range, hence the number of playable octaves varies from instrument to instrument.
If you are uneasy with the way the keys react to your touch input, the keyboard setup offers some handy preferences.
Key velocity
In the keyboard setup, enable Velocity to control the note volume with the touch position, the accelerometer or the mod wheel.
Music Studio 1! 5
Keyboard Menu
Play button
The play button toggles playback of the song. Stop rewinds to the left marker.
Loop button
Tap the loop button to toggle looping the song (or more precisely, the area between the markers).
Record button
The record button start or stop a new recording. Tap it, then wait for the counter to hit 1.1 (this is called count-in)
and start playing. Hit the record or the stop button if you’re done, or hit the undo button right away if you made a
mistake and want to re-record.
Note: recording is always done on the selected track. To record with another instrument on top of your current song, create a
new track, select it and record.
Undo button
The undo button deleted the notes you just recorded, or reverts the song to the state prior to the last edit.
Tip: Hold the undo button for 2 seconds to display a popup with the possible undo/redo actions.
Display
The LCD contains gain bars to indicate the volume, the icon of the selected track’s instrument and
the position of the playhead within the song. The number format is measure-dot-beat, so “7.2”
means that the playhead is in the 2nd beat of the 7th bar (measure). The small dot on the bar below the
numbers also indicates the playhead position. Tap the display it to enter the playhead mode.
Metronome button
Tap the metronome button to toggle the metronome during playback or recording. Its state is remembered
separately for playback and recording. Per default, the metronome is enabled only during recording. Metronome
volume and style can be set in the metronome setup.
iPhone only: tap and hold the metronome button to bring up the tempo popup.
Music Studio 1! 6
Drum pads button
The pads button toggles between keyboard and drum or chord pad input. See the section about drum pads.
LiveTools button
The LiveTools menu contains the pitch wheel, sustain and chord buttons.
Accelerometer button
The accelerometer button is located below the pitch bend wheel. It toggles the accelerometer input, which can be
recorded too. By default, it enables the pitch bend effect (and disables the pitch bend wheel in turn). Tilt your device
to bend the pitch of the currently played notes. The filter effect can also be configured to react to the accelerometer.
Sustain button
The sustain button in the LiveTools menu holds all the keys that are currently pressed until it it released again. It
simulates the right pedal of a grand piano.
Note: MIDI CC64 events are not recorded, but the note lengths are increased if you use the sustain button during recording.
Chord buttons
Each chord button can be configured to not only play chords, but any number of notes at once. Touch a chord button to play it
like a key.
To assign a chord, tap the SET button, then tap one of the chord buttons. The keys assigned to this chord button are
highlighted blue. Tap a key to assign or remove it from the chord. When you’re done, tap the set button again.
To clear a chord, tap the SET button, then tap and hold a chord button. A popup will appear asking if only the selected or all
chord buttons should be cleared.
Tip (iPad only): if chord pads are enabled, tap a chord pad (with SET enabled) to assign it to the selected chord button.
Music Studio 1! 7
Keyboard layout mode
Tap the button with the keys to enter the keyboard layout mode, where the keyboard rows can be scrolled and resized
anywhere on the screen.
Octave buttons
The left and right octave buttons quickly scroll the keyboard one octave (12 semitones) down or up.
Keyboard map
The map illustrates which part of the keyboard is currently visible.
Slide or tap it to quickly scroll the keyboard.
Music Studio 1! 8
Drum pads
Depending on the instrument selected, the pads either play drum samples or chords.
Tip (iPad only): if the LiveTools menu with the chord buttons is visible, tap the SET button in the menu, tap a chord button, then
tap a pad to assign its chord it to the selected chord button.
Music Studio 1! 9
Playhead mode
The playhead mode can be accessed by tapping on the display in the Keyboard or Track screen menu. It allows you to adjust
the position of the playhead and to set the markers. Use the controls in the bottom menu or simply slide your finger anywhere
on the screen to adjust the position of the playhead.
Rewind button
Rewinds the playhead to the left song marker. Tap it a second time to rewind to the beginning of the song.
Transport buttons
Rewind and forward the playhead position by exactly 1 bar (measure).
Navigation map
Tap or slide on the map to position the playhead anywhere in the song. The
song markers are depicted by yellow lines, the areas outside the markers are
darkened. The map also displays the current track's notes as white dots and lines.
Marker buttons
Tap a marker button to set the left or the right song marker to the current playhead position. The markers
must be at least 1 bar apart.
Music Studio 2! 0
Wave editor
The wave editor can be entered by double tapping an existing or adding a new audio track in the track list.
It is also used for editing samples in a user instrument.
• Import an existing audio file. Supported formats: wav, mp3, ogg, AAC (m4a)
An audio track can only be linked to one audio file. Opening another file in the wave editor will link it to the selected audio track.
Editing in the wave editor always changes the original audio file in the Audio folder, unless you tap the “Save as” button to save it
under a new name. This improves the workflow by not having to save and type filenames every time you change an audio file.
Music Studio 2! 1
Wave editor menu
The menu buttons to the left to the display (for playback and undo) and the zoom buttons are the same as in the Keyboard
screen. The loop button toggles looping, but in the sampler mode it toggles the loop markers to set the looped sample range.
Record button
Tap the record button to open the audio recording popup for recording a wav file into the Audio folder.
Supported hardware
See the list of compatible hardware.
Filename textfield
By default, a file name that doesn’t exist yet in the Audio folder is displayed. Tap it to change the name of the file you are going
to record.
Input levels
Tap anywhere on the input level bars to reset the clipping indicators. The red clipping indicators light up if the stereo input level
bars hit full gain. This means that clipping has occurred and there probably will be a clipping noise in the recorded file.
Note: Only the levels of the first 8 input channels are displayed.
Music Studio 2! 2
Monitoring
Input monitoring outputs the input audio signal before and during audio recording. There are 2 modes:
• No effects skips the effect bus and directly outputs the raw input signal.
• Track effects routes the incoming audio signal through the effect bus of the selected track. This way you can listen with
headphones to what you sing or play before and during recording, exactly as it will sound on the track.
Note: To prevent feedback, input monitoring is only available if headphones or an external microphone are connected.
Note: Monitoring is not available if Audiobus input is selected.
Channels
With the internal microphone, only mono is available. If an external microphone or CoreAudio device with more than 1 channels
is connected, the following options are available:
• Mono L/R: The left or right mono channel.
• Stereo: Records both channels into one stereo file.
• 2-24 mono files: Records all the available mono channels simultaneously into separate mono files.
• 2-12 stereo files: Records pairs of 2 mono channels simultaneously into stereo files.
• Audiobus: Every Audiobus input app is recorded to a separate stereo track.3
• Inter-App Audio: A second menu appears where you can select all recordable IAA apps that are installed on your device. For
more information read the chapter about Inter-App Audio.4
Metronome button
Enable the metronome button to listen to the metronome during recording.
Note: If count-in is enabled in the metronome setup, it will kick in during audio recording too.
Record button
Tap the record button to start and stop audio recording.
Tip: Keep an eye on the input levels. Increase the distance to the microphone or decrease the input gain if they
reach 100%.
Tip: If you want to trash the recording and re-recording, tap the undo button right after recording to delete the file.
Load button
• Audio folder
The Audio folder holds all your audio recordings and can also be browsed in the Projects screen.
You can use iTunes file sharing or the WiFi server to copy audio files from your computer to the Audio folder in Music Studio.
Audio files can also be opened from Mail and Safari directly with Music Studio.
Music Studio 2! 3
• iPod library
All the songs you synced with iTunes or downloaded from the iTunes Store are stored in the iPod library. Tapping the OK
button shows the contents of your iPod library. Importing the file from the compressed format into the wav format can take up
to a few minutes on older devices.
• AudioPaste
The AudioCopy clipboard allows to you copy and paste audio material between apps that have AudioCopy support. The
AudioCopy app (available on the App Store) lets you manage the clipboard.
• Files
Audio files can be imported from the iOS Files app, which accesses local files, as well as iCloud Drive and other cloud services
like Dropbox.
Save button
To save the current audio file under a new name, tap the save button and enter a file name. The original audio file
will remain unchanged.
Tip: In many cases, enabling the “Save selection only” checkbox is more handy than using the trim button.
Selection buttons
Tap the leftmost selection button and slide over an area in the wave form to select it. Use the
markers on the ruler to adjust the selection, or tap one of the other two selection buttons to
extend the selection to the beginning or the end of the audio file.
Trim button
The trim button cuts the areas outside of the selection away from the audio file.
Music Studio 2! 4
Delete button
The delete button cuts the selected area from the audio file.
Reverse button
The reverse button reverts the selected area of the audio file, so that it sounds backwards when played back.
Normalization button
Normalization modifies the audio file’s volume to that the peak is at the desired percentage of the maximum volume.
Here are a few examples:
• Normalizing a quiet recording to 100% will boost its volume without clipping the wave form.
• If a quiet recording contains a spike that has a peak value of 100%, normalizing to 100% won’t change the file.
• Normalizing to 50% will set the peak to 50% of the maximum available volume. Repeating this procedure won’t change the
file because the peak will already be at 50%.
Fade buttons
Tapping the fade in or out button unfolds a sub menu with 3 choices for the gradient: slow, linear, or fast.
The two most common cases are fading in the beginning and fading out the ending of an audio file. Try out
the different gradients and tap the undo button in between.
Music Studio 2! 5
Audiobus5
Audiobus is an iOS app (available on the App Store) that enables app-to-app audio and MIDI routing
between iOS apps that support Audiobus. Music Studio can send and receive audio and MIDI to and
from other apps, through Audiobus. For more information see http://www.audiob.us
Music Studio 2! 6
Inter-App Audio6
Inter-App Audio (IAA) was introduced by Apple in iOS 7.0. It provides universal audio routing across apps. It's not as reliable as
Audiobus, but IAA doesn't require a separate app, in other words it's free. There are 4 kinds of Inter-App Audio apps:
• Hosts
Music Studio is a host, it can record and utilize other IAA node apps.
• Generators
Generators produce audio can be recorded onto audio tracks. Many IAA instruments can also be recorded as if they were
generators. Examples are drum machines or apps that don't feature a keyboard.
To record an IAA generator app in Music Studio, add an audio track, tap the Record button and select "Inter-App Audio"
instead of "Mono" as input source. A second menu appears where you can select all recordable IAA apps that are installed on
your device.
• Instruments
IAA instruments receive MIDI from the host (Music Studio) and produce audio output. All installed instrument apps are listed in
the Inter-App folder in the Instruments screen. They can be assigned to MIDI tracks the same way as internal instruments.
• Effects
Effect apps process audio signals. All installed IAA effect apps can be selected as track, send or global effects.
• An IAA app can only be connected once. For example, it's impossible to assign an IAA effect app twice in the same project.
• Connection problems can occur if connected apps always remain in the background, due to a bug in iOS. To prevent this,
Music Studio automatically switches to any IAA app that you manually connect to. To prevent connection problems, manually
tap the icon of every IAA app used in a project after loading the project. This way, iOS displays every IAA app once and
connection issues won't occur.
• If the connection to an IAA app cannot be established, quit all audio apps (press the home button twice and swipe the apps
up), launch Music Studio and then connect the IAA app again. Don't launch other IAA apps manually before launching Music
Studio.
Music Studio 2! 7
Instruments
Instrument list
Change the selected track's instrument by tapping an instrument from the scrollable list. Tap a folder in the left list to filter the
instrument list by category, to view your “User” instruments (see the next chapter), to view installed Inter-App Audio instrument
apps (see the chapter about Inter-App Audio) or to access the in-app instrument shop.
User section
Tap the User folder to display all your custom instruments and the Create (+) button
in this section to add a new instrument with the sampler. A small edit icon sits in the right column next to the selected user
instrument. It displays a menu with four buttons:
• Edit: enters the sampler screen.
• Delete: removes the instrument from the list and from the Instruments folder. Be careful, this action cannot be undone.
• Duplicate: creates a copy of the selected instrument.
• Save parameters: saves the current positions of the offset, attack and release faders as defaults for this instrument.
Volume fader
The volume fader sets the current track's gain from 0% to 100%. It has the same function as the volume fader in the track
editor.
Offset fader
The attack offset is the point in the sample where playback begins when a note is triggered. Imagine how a piano would sound
without the loud attack at the beginning. Moving the offset fader to 10% cuts away the beginning (i.e. the first 10%) of the
sample and you will hear a very strange piano sound. This can be very useful for transforming a slow synth into a lead sound, or
cutting the attack of any instrument.
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Attack fader
The attack fader sets the attack time in seconds, which is the fade-in time, i.e. how long it takes for the instrument to reach its
maximum volume. Use longer attack times for soft sounds like strings and synth pads.
Release fader
Set the release time in seconds with the release fader. It’s the fade-out time, i.e. how long the sound fades out after a note is
released. Use longer release times to simulate legato or one-shot for drum kits and percussive instruments.
Default button
The default button resets the four faders to the instrument's default preset.
Note: If "Keep attack/release times" is disabled, this button is automatically pressed each time you select
an instrument.
Preview button
Tap the preview button multiple times to hear different notes played with the current instrument.
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Sampler
Workflow
The sampler’s purpose is to create custom instruments or kits from existing audio files or from audio recordings. A few usage
examples:
• Sample another iOS app that supports AudioCopy: record a few notes in the other app, AudioCopy them and AudioPaste
them into the sampler.
• Create a kit consisting of vocal samples or noises that you record directly in the sampler with a microphone. Your sounds can
be triggered with the drum pads.
• Sample your guitar or bass by recording a few notes with an audio interface for iOS (e.g. Apogee Jam or iRig) or a
microphone.
• If you already have audio files or an instrument or a kit, you can transfer them into Music Studio and load them into the
sampler. Many websites offer royalty-free samples. WAV, MP3, OGG, M4A and ZIP files can be directly opened from Safari or
Mail with Music Studio.
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5. Tap import or record to add a sample.
6. Repeat steps 4 and 5 for every sample that you want to add.
7. When you are finished adding the samples, tap the Auto Ranges button.
8. To test your instrument, switch to the Keyboard screen.
9. To edit a sample in the wave editor, double tap it.
10. Tap the Done button to exit the sampler and return to the instrument list.
Sharing instruments
All of your instruments are stored as .instr files in the Instruments folder. There are several options of sharing instruments with
other users:
• Select the instrument in the Projects screen, tap Share, select Dropbox or Email. It is recommended to enable the “Reduce
the file size (zip)” checkbox to reduce the amount of uploaded data.
• Or use iTunes File Sharing to save the whole Instruments folder to your computer.
• Or use the WiFi server to access the Instruments folder in a browser on another device in the same WiFi network. If it’s
another iOS device, you can open instrument files with Music Studio directly from within Safari.
To open an instrument file that you received via Email, tap and hold the attachment’s icon in the Mail app and select “open with
Music Studio”. If another user shared an instrument with you by giving you access to his Dropbox folder, install the Dropbox app
and tap the share button to open the .zip or .instr file with Music Studio.
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Sample list
The sample list is a vertical keyboard, where every row
represents a key that you can assign a sample to. Every
sample has the following parameters:
• Base key
This is the row that you tapped before loading or
recording the sample. When the base key is played on the
keyboard, the sample is played with its original pitch. The
base key can be moved by tapping and sliding the move
icon vertically.
• Key range
The key range defines the range of the keyboard where
the sample is triggered. It can be modified by moving the
key range buttons vertically. The key range is indicated by
the colored area in the right section of the sample list and
is written in the sample’s row. It is recommended to use the Auto Ranges button to automatically set all the key ranges. For
kits, the key ranges are not important unless you deliberately want to pitch a sample. Key ranges of two samples can overlap.
Let’s take for example a sample that has C3 as the base key and a key range from G2 to F#3. When a key within this range,
but other than the base key is played on the keyboard, the sample’s pitch is changed. In theory you could only add 1 sample
for the whole instrument. However, the sound quality suffers when you play a key that is far away from the base key on the
keyboard.
• Volume
Adjust every sample’s volume with the volume bar so that all samples have the same volume relative to each other. If the
range of the volume bar is insufficient, double tap the sample and use the wave editor to modify the volume.
• Loop range
See the section Looping samples.
Import button
Double tap an empty row in the sample list or tap the import button to bring up the import popup. It allows
you to select an audio file from the Audio folder or to AudioPaste a sample that was AudioCopied with
another app. This popup window is identical to the one in the wave editor, the only difference being that the
iPod library option is not available in the sampler.
Record button
Tap an empty row in the sample list and tap the record button to bring up the recording popup, which is identical to
the one in the wave editor. The recorded audio file will be placed in the Audio folder (as a backup) where it will
remain unchanged even if you edit it in the sampler or remove it from the instrument.
Edit button
Double tap an existing sample or tap the edit button to enter the wave editor. When you are done editing
the sample, tap the Sampler tab again and your edits will be applied to the sample in the instrument.
Note: If you loaded an audio file from the Audio folder as a sample, the original file will not be modified.
Delete button
Select a sample in the sample list and tap the delete button to delete it from the instrument.
Note: If you loaded an audio file from the Audio folder as a sample, the original file will be left in place.
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Settings button
Tap the settings button to bring up a popup window where you can edit the instrument’s name and icon.
The icon also defines the instrument’s type: chromatic instrument (e.g. a piano) or kit (e.g. a jazz drum kit or
a set of vocal samples). The type determines if the chord pads (chromatic instrument) or the drum pads (kit)
are displayed in the keyboard screen’s pad mode.
Looping samples
Tap the loop button in the wave editor to toggle the loop markers which define the range of the sample to be looped. A short
crossfade is automatically applied when a looped sample is played, to avoid crackling noises and ensure a smooth transition
from the loop-out to the loop-in point.
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Tracks
Track list
The track editor is designed to edit whole tracks and mix the song by setting the volume, pan and the effect bus.
Use the bar editor for quick, bar-wise editing of the song. Select a range of bars (measures) and move, duplicate, repeat,
transpose, quantize or delete it.
What is a track?
Think of a track as one instrumentalist in a band or an orchestra. It holds recorded notes, one instrument and some parameters.
There can be multiple tracks with the same instrument but different parameters (like volume, pan, attack and release time, effect
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bus, color).
Note: A recorded note places 2 events on a track: key-down and key-up (also called note-on and note-off). The position of an
event is stored with a resolution of 48 ticks per beat, which equals to 192 ticks per bar at a signature of 4/4, meaning that the
shortest note can be a 1/192th.
Zoom buttons
On the iPhone, the zoom button toggles the zoom mode, where the view can be scrolled and resized anywhere on
the screen. Tap or slide on the map at the bottom to quickly position the view. The map also displays the markers
as yellow lines.
On the iPad, there are 3 zoom buttons for zooming in, out and fully out with one tap.
Tempo button
The tempo button brings up the tempo popup where the song tempo and signature can be set.
Tap or hold the +/- buttons to change the tempo in the range of 40 to 240 bpm (beats per minute) with a precision of 0.1 bpm.
A faster way to set the tempo is to tap and slide the value on the display. An alternative tempo input method is to tap the Tap
Tempo button with the desired tempo at least two times. Hold down the Preview button to hear a metronome preview of the
current tempo and signature. The signature can be set to a value between 2/4 and 7/4. Most songs have a signature of 4/4,
meaning that 1 bar has 4 beats (i.e. the length of 4 quarter notes).
The tempo is also displayed to the left of the ruler. Double tap it to open the tempo popup.
Ruler
The numbers and the vertical lines on the ruler indicate the
measures (bars). The short vertical lines are the beats within each
bar. The ruler also holds the playhead (white vertical line) and the two markers. Slide anywhere on the ruler to position the
playhead. As you scroll the playhead left/right, a preview of the current position of the playhead is played back.
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Markers
The left and right song makers are located on the ruler and can be moved. The markers must always be
positioned at least 1 bar apart from each other. An alternative method for positioning the markers is via the playhead
mode.
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Track Editor
Tap the left side of the track view switch or the Tracks tab to display the track editor. It is designed to edit whole tracks and mix
the song by setting the volume, pan and the effect bus.
• Volume bars
The output gain sent to the left and right channels is indicated by the green volume bars, allowing you to see the volume and
pan for each track at one glance. If the pan is centered, both bars have the same height.
• Warning triangle
The yellow warning sign indicates that some notes on the track are outside the instrument's note range. Tap it to see more
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information. Notes outside the range will be played back but may sound atypical for this instrument, since every real
instrument has a limited range of playable notes.
Note area
Notes are displayed as white lines and dots in the note area of each track.
Tip: Double tap any region of a track to enter the piano roll editor.
Orange notes
Congruent notes, i.e. notes that are placed at the same position and have the same length, are drawn
orange in the track list. In most cases they are unwanted and should be deleted because they result in
the note being played back with increased volume.
Filter tracks
Filter tracks appear only if a filter effect is set as a track, send or global effect. To record filter automation, move the crosshair in
the filter effect window during recording. The 2 lines represent the cutoff frequency and the resonance. Muting a filter track
prohibits it from being played back, allowing you to experiment with new filter settings.
Mute button
The mute button mutes the selected track, thereby excluding it from playback. Muted tracks are darkened and are
indicated by the mute icon.
Solo button
If one or more tracks are soloed, all the other tracks will be excluded from playback.
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FX button
The FX button opens the effect panel for the selected track, where the track's effects, send effects and global
effects can be configured. See the Effects chapter for more details.
Edit button
Tap the edit button with a piano track selected to enter the piano roll editor, or with an audio track selected to enter
the wave editor.
Tip: Double tapping a track has the same effect as tapping the edit button. The piano roll editor will also zoom in on the area
you double tapped.
Duplicate button
The duplicate button places a copy of the selected track directly beneath it, thereby copying its parameters and
recorded notes. If an audio track is duplicated, the linked .wav file is also duplicated and renamed, e.g.
RobotVoice.wav to RobotVoice 2.wav, so you can edit one track’s wave form without affecting the other one.
Delete button
The delete button shows a popup with the options to delete or clear a track.
• Clear deletes all of the track’s content (notes or audio regions) but leave the track in the list.
Note: Since an audio track must always have at least one audio region, the first one will remain even if you clear the track.
• Delete removes the track from the list. If it contains pitch bended notes, a checkbox for clearing only the pitch bend data
appears.
Pan knob/fader
The pan knob (or pan fader on the iPad) controls the track's stereo pan. Touch it and move your finger left or right to change the
selected track's pan. The LCD displays the current value (left is -127, center is 0, right is +127). You can also inspect the
changes by looking at the volume bars to the left of the track icon.
Volume fader
The volume fader displays and sets the track's volume. Its function is identical to the Instruments screen's volume fader. The
LCD displays the current value, ranging from 0 to 100%.
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Bar Editor
Tap the right side of the track view switch to display the bar editor. It is designed for quick, bar-wise editing of the song. Select
any number of bars (measures) and move, duplicate, repeat, transpose, quantize or delete them.
Selecting
In contrast to the track editor, tracks cannot be selected in the bar editor and the currently selected track is not highlighted.
Tapping a track's instrument icon selects all bars of the track.
Move button
In the move mode, the selected bars can be dragged around. The song length will increase if you move bars past
the end of the song.
The snap button, located to the left of the OK button, aligns the selection to bars if enabled, and allows free
movement if disabled, which is especially handy for adjusting the position of audio regions.
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Duplicate button
Tapping the duplicate button copies the selected bars and selects the new ones which can be moved around
immediately. The copied notes will appear orange until they are moved, because they are congruent (identical) with
the originals.
Note: Not moving the new notes will cause them to be played back with increased volume.
Repeat button
The repeat button copies the selected bars and automatically moves them to the right so that they start where the
selection ended. The song length is automatically increased if the new notes reach past the song end.
Transpose button
The transposition menu contains semitone and octave buttons to de- and increase the selected note’s keys by one
semitone or octave. An octave equals 12 semitones. The LCD displays the number of semitones currently
transposed.
Quantization button
Tap the quantization button to bring up the quantization popup for aligning the selected notes on a grid.
Edit button
Tap the edit button with a piano track selected to enter the piano roll editor, or with an audio track selected to enter
the wave editor. This button is disabled if the selection encompasses more than one track.
Delete button
The delete button deletes the notes in the selected bars.
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Piano roll editor
Double tap on a piano track in the track editor, or tap the edit button in either the track or the bar editor to enter the piano roll
editor.
Vertical zoom
Slide and pinch on the mini keyboard to scroll and zoom vertically. Tap the zoom button (to the right of the LCD) to
bring up vertical zoom buttons on top of the mini keyboard.
Red notes
Congruent notes, i.e. notes that are placed at the same position and have the same length,
are displayed red in the piano roll editor. In most cases they are unwanted and should be
deleted because they result in the note being played back with increased volume.
Pitch bend
Pitch bend is indicated by a line for each note block. Pitch bend can be recorded with the
pitch bend wheel or the accelerometer. However, once recorded it cannot be edited. To re-
record pitch bend for existing notes, select the overwrite recording mode in the Pitch
section of the Setup screen.
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Change selection button
Tap the second selection button and draw a rectangle over the notes to adds or subtracts notes from the existing
selection.
Draw button
Tap the draw button to enter the draw mode where notes can be drawn by moving a crosshair and tapping OK.
Move button
In the move mode the selected notes can be dragged around horizontally and vertically.
The menu contains the following buttons:
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Duplicate button
The duplicate button copies the selected notes and selects the new ones which can be moved around immediately.
The copied notes will appear red until they are moved, because they are congruent (identical) with the originals.
Note: Not moving the new notes will cause them to be played back with increased volume.
Length button
The buttons in the note length menu have the same functions as in the draw mode. Either tap a note button to set
the length of all selected notes, or move your finger horizontally in the note area to de- or increase the length.
Volume button
Tap the volume button and move your finger vertically in the note area (or move the fader below) to change the
note’s velocity (meaning volume).
The menu contains buttons and faders for more precise velocity editing:
• The average button on the left averages the velocities of all the selected notes and applies it to them.
• The gradient button toggles the velocity gradient mode, in which the two faders set the first and the last note’s velocity.
The LCD displays the average velocity of the selected notes, or the velocity range in gradient mode, ranging from 0 to 127
(default is 100). The note color indicates the volume from violet (silent) to green (default) to orange (loudest).
Quantize button
Tap the quantization button to bring up the quantization popup for aligning the selected notes on a grid.
Delete button
Deletes the selected notes.
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Quantization popup
Quantization is the most important step after recording because it corrects the timing. If the quantization raster (resolution) is one
quarter note, every selected note is moved to the nearest raster point in a 1/4 note raster. Finding the right raster is crucial,
therefore you might want to try out different settings and tap undo in between.
For example, if you played a fast melody and quantized it to 1/4, the timing will be ruined - in this case, just tap the undo button
and try again with a higher resolution like 1/16. On the other hand, quantizing notes with a high resolution might not correct all
timing errors you made when recording them.
Note buttons
Set the quantization raster (or resolution) by selecting a note. In practice, low resolutions like 1/4 are the right choice
for slow notes. 1/16 fits most melodies, while at 1/32 you will only notice the difference if you recorded fast notes
(like a fast drum pattern) or if the song tempo is very low.
Dotted button
The dotted note button increases the quantization raster by 50%. For example if the 1/8 note button and the dotted
button are enabled, the quantization resolution is 1/6 of a bar.
Triplet button
The note triplet button treats the notes as triplets, meaning that the raster interval is multiplied by 2/3. This is good
for swing and Jazz style melodies. Naturally, dotted and triplet cannot be enabled at the same time.
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Effects
Both the Effects tab and the Tracks tab’s FX panel show all track, send and global effects.
The Effects tab has a track selector in the upper left corner. Swipe it horizontally to change the track. Track and Send FX always
refer to the selected track.
In addition to Music Studio's effects, all installed Inter-App Audio effect apps are listed in the effect selection menus. Read the
chapter about Inter-App Audio for more information.
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Effect routing
Effects (FX) can be configured in the Effects tab or by tapping the FX button in the Tracks tab. There are 3 kinds of effects:
• Track effects
Also called insert effects, track effects apply only to one track. There are 5 such effect slots per track.
• Send effects
The 5 send effect slots are on 1 send bus that is common for all tracks of a project. The send level can be set for each track
separately, but the level is for all send effects on the send bus (there are no separate send levels for each of the 5 slots).
Example: The send bus contains a reverb. A track’s send level is set to 50% which means that in addition to the normal track
output, 50% will be routed through the reverb. Note that this also makes the track louder (100% dry + 50% reverberated).
• Global effects
At the end of the signal chain, the 5 global effects and the global limiter are applied.
• Save CPU processing power by only using 1 reverb as a send effect that is shared by all tracks.
• A disabled effect doesn’t require any processing power.
• Use the global effects for mastering, for example with the equalizer, compressor, or StereoWidener.
• Delay, compressor, filter, phaser and BitCrusher are useful to change the sound of a specific track.
• The order of the effects has an influence of the resulting sound.
• Some effects (e.g. equalizer) are not useful as send effects for most songs, because the dry signal (without send effects
applied) is routed to the global effects anyway. Think of the send effects as a parallel signal chain which adds to the mix.
Adding an equalized signal to the non-equalized dry signal doesn’t make much sense in most cases, whereas adding a
reverberated signal to the dry signal is useful because reverb is a time dependent effect.
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Reverb
Reverb simulates a room of a certain type (hall / canyon / room) and size. Reverb is best used as a send effect. Each track has
its own send level, which in this case would set the amount of reverb for the track. Reverb is the most CPU intensive effect.
Having only 1 reverb send effect that is shared by all the tracks saves processing power compared to using multiple reverbs as
track effects. If reverb is assigned as a send effect, its mix is automatically set to 100% wet because the dry signal is routed to
the global effects anyway.
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Delay7
The delay effect repeats the original sound in a certain time interval set by the timing buttons/switch and the song tempo. The
result is then fed back into the delay, resulting in many repetitions.
• Delay timing: The selected note length will define the time interval of the delay, together with the song tempo. Dotted
timing is 50% longer, triplet timing is 33% shorter.
• Feedback: Low feedback limits the effect to just one audible repetition, high values increase the total delay duration.
• Mix: The mix fader controls the relation of the dry sound (the original, without the effect applied) and the wet sound (the
effect's result).
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Equalizer8
The 3-band equalizer has fixed frequencies at 800Hz and 5kHz. Tap or move anywhere in the 3 areas to set the gain of bass,
middle and treble tones. The range is -10dB to +10dB, the volume is automatically adapted to avoid clipping.
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Filter
The filter effect is a resonant low-, high-, or band-pass filter. The cutoff frequency and the resonance can be set by moving the
crosshair, or by tilting the device if the accelerometer is enabled. The filter track in the track list holds the recorded events, which
can be edited in the bar editor.
Snap back
If snap back is enabled and the crosshair is moved, it snaps back to its original location when you lift your finger from the screen.
Filter type
The filter type defines how the cutoff frequency influences the sound.
• Lowpass: All frequencies above the selected cutoff frequency are dampened (attenuated).
The sound remains unchanged if the crosshair is in the lower right corner.
• Highpass: The effect behaves inverse to the lowpass. All frequencies below the selected cutoff frequency are dampened.
The sound remains unchanged if the crosshair is in the lower left corner.
• Bandpass: Frequencies above and below the selected cutoff frequency are dampened.
The sound remains unchanged if the crosshair is at the bottom center.
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Phaser9
The phaser effect creates a peak in the frequency spectrum and modulates its position with a low frequency oscillator (LFO) to
create a sweeping effect. It is often applied to guitar, electric piano and synth pad sounds.
The phaser effect has the following parameters:
• Rate: The speed of the sweep, i.e. of the LFO.
• Depth: The amount of wet (effected) signal output.
• Feedback: The intensity of the effect, i.e. the height of the peaks.
• Frequency 1 & 2: The frequency range in which the peak moves.
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Amplifier10
The amplifier simulates overdrive by clipping the sound. It has 2 parameters:
• Overdrive: The overdrive fader controls the amount of distortion, i.e. the input gain for the amplifier.
• Style: The amplifier style defines the mathematical function, resulting in a different timbre.
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BitCrusher11
The BitCrusher effect produces a lo-fi distortion (i.e. a quantization noise) by reducing the resolution of the audio data. It
intentionally emulates early digital audio gear or the sound of vintage video games.
• Bits: Audio data is reduced from 32 bit (232 possible values) to 2-16 bit (value range of 22 to 216, respectively).
• Frequency: Controls the sample rate reduction which degrades the audio quality. High frequencies are lost at lower
frequencies.
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Compressor
The compressor effect reduces the dynamic range by quieting loud signals. The resulting signal’s amplitude is compressed to a
smaller value range. The result can be optionally amplified (with the output fader) to increase the perceived overall loudness.
• Threshold: The compression kicks in if the signal’s amplitude exceeds the threshold.
• Ratio: sets the amount of gain reduction. A ratio of 4:1 means that if the input level is 4dB over the threshold, the output
signal level will be 1dB over the threshold.
• Attack: sets how quickly the compressor acts, i.e. how fast it starts decreasing the volume when the threshold is reached.
• Release: sets how quickly the compressor stops reducing the volume when the input signal falls below the threshold.
• Output: Because the compressor is reducing the level of the signal, it is practical to amplify it again with the output fader.
High values might result in clipping (crackling noise).
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Limiter
Clipping occurs if after adding up all the track’s and effect’s signals results in an absolute value greater than 1.0. The limiter
prevents clipping by applying a smooth mathematical function to keep all numbers in the -1.0 to +1.0 range. The limiter’s fader
controls the slope of this function. High values may lead to unwanted distortion artifacts, low values may not produce the
desired volume. Set the master gain fader so that the decibel meters barely hit the red areas for the loudest part of your song.
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StereoWidener12
The stereo image of the mix can be enhanced or narrowed with the StereoWidener effect. Move the two microphone icons
farther apart to increase the separation between left and right panned signals. Be careful not to overdo the effect. Move the two
microphone icons closer together to narrow the field or even create mono output (= the same signal on the left and the right
channel). A factor of 1.0 means no change.
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Projects
File list
The file list displays the type, name and length (or size) of every file and folder. Select a file to view its details (date, size) in the
area below the list. Double tap a file or a folder to open it.
Beats
Beats contain one or more loop-able drum tracks which can be appended to a song. Tapping a beat immediately triggers a
preview, which simplifies the process of finding the beat you are looking for. Tap the save button in the Beats folder to save the
current song’s drum tracks as a beat.
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If the current song is empty, loading a beat applies its
tempo and reverb settings and enables loop playback and
recording. Otherwise, a popup lets you choose between
appending the beat tracks to the current song and
replacing all the current drum tracks with the beat’s tracks.
Load button
Select a file and tap the load button (or simply double tap the file) to open it:
• Loading an xms file dismisses your current project. If the project requires instruments which are not
present in your instrument list (i.e. not purchased), they are substituted by the closest matches from the available instruments
and a popup informs you about that.
• When a MIDI (.mid) file is loaded, it’s track’s General MIDI program numbers are matched with Music Studio’s instruments.
• Loading an audio file adds a new audio track to your song. The file is also moved into the Audio folder if it’s not already there.
• Loading an instr file adds the instrument to the User section in the Instrument screen and places a copy of the file in the
Instruments folder.
• Zip files are decompressed and any audio files contained in it are moved to the audio folder upon tapping the load button.
Save button13
To save the current project, tap the Save button and enter the desired file name.
Delete button
Tap the delete button to move the selected file into the Trash folder.
When the Trash folder is opened and a file is selected, the Delete button permanently removes the file. Tap
and hold it to empty the Trash folder.
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Export15
Select a project or a wav audio file and tap the Export button to convert it to a different file format.
Note: Not the current song but the selected file is exported! The selected file will be loaded, exported, and
your current project will be loaded again.
• MIDI
MIDI (.mid) files can be opened by most DAW and scoring applications on any platform. The MIDI format stores the notes and
track and song parameters. It is small because it doesn’t store any audio data, but that also means that it will sound different
on every device and software.
Exported MIDI files are format 1 files, i.e. each track is written into a MIDI track on a separate MIDI channel. Instruments are
translated to closely match the GM (General MIDI) standard voices. Pitch bend is always compressed to the default MIDI
range of +/- 2 semitones.
• WAV
The format of an exported wav file is 44kHz 16bit stereo. The polyphony is automatically set to 128 during export.
If the Apply markers checkbox is enabled, only the range between the left and the right marker is exported.
Enable Save tracks separately to create a separate file for each track.
Tip: Before exporting to WAV or AAC format, save the song with the reverb quality set to high.
• AAC
Choose AAC to create a compressed .m4a file which is best suited for sharing via email or SoundCloud due to its small file
size compared to wav files. Lower bit rates reduce the file size but also reduce the quality.
• ZIP
The selected .xms file and all the .wav audio files it uses are archived to a zip file. This simplifies the process of transferring a
song with audio tracks to your computer or another device.
For .wav audio files, only the AAC export option is available.
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Share16
Select a file and tap the Share button to send it by email, upload it to iCloud Drive, Dropbox, Google Drive,
AirDrop or to open it with another app. Audio files can also be shared with other apps on your device via
Sonoma AudioCopy or uploaded to SoundCloud.
Note: Email is limited to a file size of 20 MB (WiFi), or 5MB if you are connected to a cellular network.
Tip: Export your project or wav file to the compressed AAC format before emailing or uploading it to SoundCloud.
Tip: WiFi is recommended for emailing and uploading files.
AudioCopy
Audio files can be made available to other apps installed on your device which support Sonoma AudioPaste. AudioCopy acts as
a clipboard that can hold a number of audio files from different apps.
SoundCloud
SoundCloud is an online platform that allows musicians to upload and share their compositions. In order to upload a song to
SoundCloud, you will need to log in with your account or create a new one. To log in with a different account, log out first by
tapping the SoundCloud account name.
Music Studio 6! 1
Files
The iOS Files app provides import and export from and to iCloud Drive, local files, or other cloud services like Dropbox. In Music
Studio, Files is the only sharing option that allows import and export. When you select Files, a dialog window asks you if you
want to import a file, or export the selected file. If you are logged in to your iCloud account on your device, iCloud Drive is your
personal space for storing files in the cloud that are synced across all your devices.
Note: Dropbox can also be accessed from the Files window, if the Dropbox app is installed. Tap Locations, select More and
enable Dropbox.
Note: Importing Instruments (.instr files) from Files is not possible at this time, due to an iOS limitation.
Rename
The rename button in the bottom left corner allows you to change a file's name.
Be careful when renaming WAV files in the Audio folder, they might be used by songs and renaming (or deleting) might
result in empty audio tracks.
Note: Instruments can only be renamed in the Sampler under Settings.
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Server17
Music Studio features an integrated WiFi server for you to access your Music Studio files from the browser
of another device that is connected to the same WiFi network. The server is not on the internet, think of it as a port that is
opened on your mobile device for accessing your Music Studio files from another device’s web browser. The fact that a web
browser is used is due to the protocol, even though the internet is not accessed.
While iTunes file sharing is the recommended method for transferring files between your mobile device and your computer, a
WiFi server is also available. It is harder to set up but has the advantage that subfolders can be accessed.
Note: In order for the Bonjour URL to work (e.g. http://My-iPhones-Name.local:8080), Windows PCs need to have Bonjour
installed, which usually comes with iTunes. Otherwise, use the IP address (e.g. http://10.0.0.3:8080) to access the files.
Follow these steps if you experience any issues with the WiFi server:
• Try iTunes file sharing instead, it requires no setup and is more reliable.
• Make sure that your device is connected to the same WiFi network as your computer.
• Enter the IP address (numbers) instead of the Bonjour address (device name) in the browser's address bar on your computer,
followed by a colon and the number 8080.
• Try a different browser like FireFox or Chrome.
• Disable your PC's firewall.
• Only as a last resort: bypass your router by setting up an ad-hoc network on your computer.
Music Studio 6! 3
iTunes File Sharing18
iTunes file sharing is the easiest way to transfer file from and to your computer. It is recommended that you regularly backup your
files this way.
Follow these steps to access Music Studio’s files via iTunes file sharing:
• Connect your device with the USB cable to your computer and launch iTunes.
• In the Devices section of the left list, click your device and select the Apps section in the menu on the top.
• A list of apps that support file sharing is displayed below the “Sync Apps” list.
• Select Music Studio to display its files in the Documents list on the right.
• To copy a file into Music Studio, click the Add button or drag and drop it into the list.
• To copy a file from Music Studio to your computer, click the Save to button or drag and drop the file from the list into a Finder
(Mac) or Windows Explorer window.
Note: Folders cannot be opened in the file list in iTunes, but they can be saved to your hard disk as a whole.
Music Studio 6! 4
Setup
General setup
Polyphony
Polyphony defines the maximum number of notes that Music Studio can play simultaneously. High polyphony requires more
CPU and can lead to stuttering during playback, while low polyphony can result in notes stopping too soon.
If it is set to 16 and at one point during playback, the song would require 17 notes to be played simultaneously, the oldest note
will quickly be faded out to allow the new one to play. The required polyphony of a song depends on the number of
simultaneous notes on all tracks, and heavily on the release times. During export to wav or AAC, the polyphony is automatically
set to 128.
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Keep attack/release times (iPhone only)
If this setting is disabled, each time you select an instrument its default attack and release time are set. If enabled, the current
track's attack and release times are kept when you select another instrument.
On the iPad, this setting is located in the Instruments screen.
Bluetooth / AirPlay
This mode is required for output audio via Bluetooth or AirPlay. However, Bluetooth / AirPlay audio output and audio recording
are incompatible so this mode will be disabled if you enter recording mode.
Bluetooth: Remember to activate Bluetooth in the iOS settings and pair your device with the Bluetooth accessory (headphones
or speakers).
AirPlay: An AirPlay button appears next to the checkbox if an AirPlay audio device is in range.
Background audio
Background audio means that playback continues while the app is running in the background. Start the playback of a song,
click the home button and playback continues, even if you launch other music apps. In combination with MIDI, background
audio has several practical uses:
• Play your backing track in Music Studio in the background while performing with another music app on top of it.
• Use any app that sends Core MIDI (or virtual MIDI) data to trigger Music Studio’s sounds.
Tip: Set MIDI IN to TRACKS, create 16 empty tracks and assign different instruments to them. Then configure the other app
to send on a specific channel 1-16 to select the instrument.
• Use Music Studio as a sequencer for other background apps.
Tip: Set MIDI OUT to TRACKS to send each track’s notes to the MIDI channel corresponding to its track number. Configure
other apps to receive MIDI IN from a specific channel to select the track.
• Save battery by pressing the power button to switch the screen off during playback of a song.
Note: If background audio is enabled, Music Studio will drain your battery significantly even if the screen is turned off or if other
apps are running, even if Music Studio does not trigger any sounds. To quit Music Studio, double tap the home button, tap and
hold the Music Studio icon, then tap the red minus icon.
Music Studio 6! 6
Keyboard setup
Velocity control
Enable velocity to control the note volume while playing on the keyboard. There are 4 options:
• Mod wheel: on the iPhone, the “Mod wheel instead of pitch wheel” setting needs to be enabled for the mod wheel to be
visible and utilized for velocity control.
• Touch position: the volume depends on where a key is touched (upper end quiet, lower end forte).
• Accelerometer X/Y: Velocity can be control by tilting the device in the selected axis.
Auto quantization
To speed up your workflow, quantization can automatically be applied after each recording on the keyboard or drum pads. The
default setting is off. It is recommended for bass and drum recording.
Note: Automatic quantization can lead to undesirable results and is not undoable.
Transposition
If you tap a C on the keyboard with the transposition set to +2, a D will be played. The transposition range of -24 to +24
semitones allows you to play in a different key without having to learn the melody again.
Music Studio 6! 7
Pitch
Pitch bend can be applied when playing live or recording with the pitch bend wheel or the accelerometer. In the piano roll editor,
pitch bend is indicated with lines emerging from the notes.
Note: Unlike most MIDI sequencers, Music Studio stores pitch bend data per note, not just per track. This means that two
simultaneous notes on the same track can have different pitch bend data (events). The big advantage of this method is that
editing a note automatically affects the pitch bend data for this note, but does not affect any other notes on the track (other
software sequencers commonly ask if you want to move the pitch bend data too, this is obsolete with this method).
Music Studio 6! 8
Accelerometer setup
Pitch bend, the filter effect and the keyboard velocity can be controlled via the accelerometer. The global settings in this screen
might come in handy if you use the accelerometer a lot. The crosshair in the accelerometer panel indicates the current device tilt
as perceived by the app (after processing the calibration, threshold and reactivity settings).
Threshold
Device tilt is ignored until it reaches the angle set by the threshold fader. With a high threshold, the device can be tilted by about
15° until accelerometer vales are recorded.
Reactivity
High reactivity increases the effect of accelerometer sensor noise while low reactivity leads to sluggish behavior (which may be a
desirable effect in some cases).
Calibration
Tap the calibrate button to set the current device tilt as the center position. The Reset Calibration button restores the original
center setting.
Music Studio 6! 9
Metronome setup
Volume
The volume fader controls the gain of the metronome tick sound.
Pan
The pan fader controls the left/right output balance of the metronome tick sound.
Style
Choose between five metronome style. Each style consists of two sounds, one (the higher one) for the beginning of a bar, the
lower sound marks the other beats.
Count in
When the record button in the Keyboard screen is pressed, the metronome will count one or more bars before triggering the
song playback. This is called “count-in” and is handy for recording the first note at the very beginning of the song. Without count
in, there wouldn't be enough time to play the first note immediately after tapping the record button. Count-in also helps you to
get in line with the rhythm before you start playing (recording).
For example if count-in is set to 2 bars, the playhead position is at the beginning of the song (1.1) and you tap the record button,
the playhead will count 2 bars from -2.1, -1.1 until the recording starts at 1.1.
Music Studio 7! 0
MIDI setup
The MIDI section in the setup provides options for connected MIDI hardware and MIDI communication with other apps. The
black text box indicates if a MIDI port is detected. Tap it to show a list of all the detected external and internal MIDI devices. See
the quick start guide for a list of compatible hardware.
MIDI Thru
If MIDI Thru is enabled, all incoming MIDI events are routed through to MIDI OUT. If set to “MIDI Thru sel. track”, the channel of
the relayed MIDI events is changed to the selected track’s channel (track number).
Music Studio 7! 1
MIDI ports & channels popup
The MIDI configuration popup looks different depending on the kind of hardware connected:
• For the Akai SynthStation 25, it shows the battery level.
• For the Line 6 MIDI Mobilizer, it offers MIDI IN and OUT channel selection.
• With a CoreMIDI device or app connected, port selection is available in addition to the channel selection.
MIDI IN
Tip: Set MIDI IN to TRACKS, create 16 empty tracks and assign different instruments to them. Then configure your MIDI device
or another MIDI compatible app to send on a specific channel 1-16 to select the instrument.
Tip: To use Music Studio as a sequencer for other background apps or external devices, set MIDI OUT to TRACKS to send
each track’s notes to the MIDI channel corresponding to its track number. Configure other apps to receive MIDI IN from a
specific channel to select the track.
In addition to note on/off events, Music Studio responds to the following MIDI events:
• Note velocity
• Sustain pedal on/off (MIDI CC64)
• Pitch bend
• Mod wheel controls the filter effect (MIDI CC01)
• Volume and pan: the selected track’s volume and pan can be set with a hardware controller (MIDI CC07 and CC10)
• Start and stop events trigger playback
Music Studio 7! 2
MIDI OUT
Note on, note off and pitch bend MIDI events are sent to the connected device as you play on the Keyboard screen or play back
a song. The channel can be set to the following values:
• TRACKS: MIDI events from all tracks are sent to their respective channels. For example, a note from track 4 will be sent to
MIDI channel 4 during playback. Tracks above number 16 are mapped to channel 1.
• 1-16: Only the keys touched in the Keyboard screen are transmitted to the selected MIDI channel. When a song is played
back, the notes on the tracks will not be transmitted in this mode.
In addition to note on/off events, Music Studio responds to the following MIDI events:
• Note velocity
• Sustain pedal on/off (MIDI CC64)
• Pitch bend
• Mod wheel
• MIDI Clock (if enabled)
• Playback start and stop events
• Volume, pan and program events are sent only when the "Send params" button is tapped.
Port
If a CoreMIDI device is connected, the input and output ports can be selected. For example, most MIDI-USB adapter cable have
two plugs and thus two ports. The possible choices are:
• ALL: sends/receives to/from all ports. This might lead to playback stuttering on older devices.
• 1-16: MIDI events are only sent/received to/from the selected port.
Music Studio 7! 3
Troubleshooting Guide
For support-related discussions, visit the forum at the Music Studio website.
If this doesn't solve the issue, please contact iTunes support at http://www.apple.com/support/itunes/
In general, you can re-download a purchased app as often as you wish (with the same account of course). The App Store won’t
debit your credit card twice for the same product.
Music Studio 7! 4
Audio stuttering occurs
Decrease the reverb quality and the polyphony to reduce the CPU load. If the playback requires more CPU speed than your
device can provide, audio stuttering occurs. Read more on this topic in the quick start guide.
Music Studio 7! 5
Version history
Version 2.0
Released on October 5, 2011
Audio tracks
• Microphone recording
• AudioCopy & AudioPaste
• iPod library and wav/mp3/AAC/ogg file import
• Waveform and audio-region editing
Hardware support
• iRig, iRig Mic, Ampkit Link, Apogee Jam, Alesis IO Dock, iConnectMIDI and Line 6 MIDI Mobilizer II
• Keyboard split point setting
• MIDI Thru
• Muted tracks can now be sent to MIDI OUT
• CoreMIDI compatibility improved
Version 2.0.1
Released on October 18, 2011
• Stereo waveform display
• Bug fixes and performance improvements
Version 2.0.2
Released on October 31, 2011
• HDMI audio output supported
Music Studio 7! 6
• Blue Mikey supported
• Bug fixes: SynthStation 25 support, AudioPaste
Version 2.0.3
Released on December 16, 2011
• Input monitoring latency greatly improved
• 2 monitoring modes: direct (low latency) and FX (with effects)
• Colored input level indicators with clipping indicators
• WAV file import is no longer restricted to 16bit and 44kHz
• Minimum latency setting for current generation devices
• Bug fixes
Version 2.0.4
Released on February 1, 2012
• Stereo and up to 8 channel audio recording
• Setup option to normalize recorded audio files
• MIDI Thru can be locked to the current track
• SoundCloud: tap the username to logout
• Fix: the amp effect was not applied to input monitoring
• Fix: midi file import now reads the pitch bend range correctly
• Bug fixes
Version 2.0.5
Released on February 29, 2012
• Audio track playback performance increased
• Bug fixes
Version 2.0.6
Released on March 18, 2012
• Compatible with the new iPad
• Faster app launch
• Bug fixes
Version 2.0.7
Released on March 30, 2012
• Retina display support for the new iPad
• Graphical glitches on the new iPad fixed
Version 2.0.8
Released on April 27, 2012
• AudioPaste lets you choose the wav file name
• SynthStation and CoreMIDI (for background apps) can be used simultaneously
• Bug fixes regarding undo and saving
Music Studio 7! 7
Version 2.1
Released on November 8, 2012
• Sampler (tap the + button in the instrument list’s user section)
• Background audio
• New sharing options: Dropbox, open with other app
• New instrument: Harmony Pad
• Minimum required iOS version is now 4.2
• Virtual MIDI
• Instrument files created with FL Studio Mobile can be loaded
• Bug fix: AAC export of mono files did not work with bit rates above 160kbit/s
• Bug fix: count-in was always 4 beats, even if the signature was not 4/4
• Bug fix: rare graphics glitches in the drum/chord pad edit modes
• Many more bug fixes, especially regarding the wave editor
Version 2.2
Released on March 9, 2013
• Audiobus support
• iPhone 5 Retina Display graphics
• 24 audio inputs supported (requires a class-compliant audio interface)
• VirtualMIDI compatibility improved
• Minimum required iOS version is now 5.1
• Bug fixes
Version 2.2.1
Released on March 13, 2013
• Music Studio can now be used as an Audiobus input and output simultaneously
Version 2.3
Released in on October 11, 2013
Audio:
• Major performance improvements (play more tracks without audio dropouts!)
• Wave editor editing is up to 5x faster
• Reverb quality and performance improved
• Internal 32bit processing
• Polyphony: per-track limit lifted, now notes are counted regardless of the track
• Input gain slider in the recording window (only visible with external mic connected)
• Audio recordings are placed more accurately
MIDI:
• MIDI clock output setup option
• MIDI start/stop input & output
• Setup latency options removed, it's now always at minimum
• Setup polyphony options changed (8 removed, 48 added)
• Akai SynthStation support improved
Keys & pads:
Music Studio 7! 8
• Chord buttons can be cleared by tapping SET and holding the chord button
• Maximum number of drum pads increased to 70
Files:
• Filenames can now contain non-latin characters
• Inbox folder is no longer present, files are moved to the top level folder
• The file name entered in the recording popup is retained
• .beat files can be opened from other apps like Mail and Safari
• New AudioCopy 2.0 support (iOS 7 compatible)
Misc:
• Rate button added to the setup screen
• Overall stability greatly improved
Version 2.3.1
Released on October 16, 2013
• Bug fixes
Version 2.4
Released on December 11, 2013
• 52 new high quality orchestral instruments
based on the Sonatina Symphonic Orchestra, see http://sso.mattiaswestlund.net
• New instrument list folder layout
• Polyphony can be set to 128 (on iPhone 5S, iPad 4 and newer devices)
• MIDI CC2 (breath) input controls track volume
• Bug fixes
Version 2.4.1
Released on February 1, 2014
• Bluetooth mode setup option
• Bug fixes
Version 2.5
Released on July 29, 2014
• New effect routing: 5 track, 5 send and 6 global effects
• 4 new effects: Compressor, BitCrusher, Phaser, StereoWidener
• Polyphony during export increased to 256
• MIDI CC2 input is mapped to track volume
• Audiobus SDK 2.0 compatibility
• Bug fixes and performance improvements
Version 2.5.1
Released in September 2014
• Compatible with iOS 8 and Audiobus 2.1
• Music Studio is now an Inter-App Audio Node
• Bug fixes
Music Studio 7! 9
Version 2.5.2
Released in October 2014
• Bug fixes
Version 2.6
Released in June 2015
• Inter-App Audio audio recording, instruments and effects
• iCloud Drive support
• Music Studio is now a 64-bit app
• Akai SynthStation is no longer supported
• Minimum iOS requirement is now iOS 7.0
• Bug fixes and stability improvements
Version 2.6.1
Released in July 2015
• Bug fixes
Version 2.6.2
Released in August 2015
• Bug fixes
Version 2.6.3
Released in October 2015
• Bug fixes
Version 2.6.4
Released in April 2016
• Change the wave editor's ruler units to measures (beats) by tapping the LCD
• Bug fixes and performance improvements
Version 2.6.5
Released in May 2016
• Fixes a bug where the wave editor's ruler was empty
Version 2.7
Released in December 2016
• iOS 10 compatibility
• Minimum iOS requirement is now iOS 8.0
• Cancelling a wav export retains the partial file
• AudioCopy SDK updated
• Bug fixes and stability improvements
Music Studio 8! 0
Version 2.7.1
Released in December 2016
• Bug fixes
Version 2.8
Released in February 2017
• Audiobus 3 support
• Bug fixes
Version 2.9
Released in December 2017
• 5 new instruments: MC Drum Kit, Vintage Bass, Dulcimer, Music Box, Orchestra Hit
• Trash folder to prevent accidental deleting or overwriting
• File renaming
• Share option "Open with" changed to "Apps & more"
• Audiobus 3 SDK updated
• Bug fixes and stability improvements
Version 2.10
Released in June 2018
• iOS 11 Files app support enables you to create and manage custom folders
• Files app (iCloud) import now allows for multiple file selection
• Fixed a bug where touches on the screen edges were ignored
• Bug fixes and stability improvements
Music Studio 8! 1
Limitations of the Lite
version
• Saving, exporting and sharing is disabled, hence only one song can be created.
• Only 11 instruments are available. The full version features 123 free instruments and 60 more in the in-app shop.
Visit the Music Studio website for a complete list of instruments.
• The number of audio tracks is limited to 2. Up to 127 tracks (audio and MIDI) can be created in the full version.
• The keyboard is limited to 5 octaves instead of 7.
• 6 Effects are not available: Delay, EQ, Amp, Phaser, BitCrusher, StereoWidener
• Only 10 beats (instead of 100) are included.
• The full version features iTunes file sharing and a WiFi server for exchanging files with your computer.
• MIDI import and export is disabled.
• Audiobus and Inter-App Audio are only available in the full version.
• The full version features AudioCopy, SoundCloud, Dropbox and many other sharing and export options (wav, m4a)
Music Studio 8! 2