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Contemporary Philippine Arts From The Region: Quarter 2 - Module 1: Local Materials Used in Creating Art

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Contemporary Philippine

Arts from the Region


Quarter 2 – Module 1:
Local Materials used in Creating
Art
Contemporary Philippine Arts from the Region
Alternative Delivery Mode
Quarter 2 – Module 1: Title
First Edition, 2020

Republic Act 8293, section 176 states that: No copyright shall subsist in any work of
the Government of the Philippines. However, prior approval of the government agency or office
wherein the work is created shall be necessary for exploitation of such work for profit. Such
agency or office may, among other things, impose as a condition the payment of royalties.

Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names,
trademarks, etc.) included in this module are owned by their respective copyright holders.
Every effort has been exerted to locate and seek permission to use these materials from their
respective copyright owners. The publisher and authors do not represent nor claim ownership
over them.

Published by the Department of Education


Secretary: Leonor Magtolis Briones
Undersecretary: Diosdado M. San Antonio

Development Team of the Module


Writers: Jesabel B. Binamira
Editors: Kevin Kerbi A. Villamor/Anold Glenn Bolosan
Reviewers: Leylanie V. Adao
Illustrator:
Layout Artist: Elizalde L. Piol
Management Team: Wilfredo E. Cabral, Regional Director
Job S. Zape Jr., CLMD Chief
Elaine T. Balaogan, Regional ADM Coordinator
Fe M. Ong-ongowan, Regional Librarian
Gemma G. Cortez, CID Chief
Leylanie V. Adao, Division EPS In Charge of LRMS

Printed in the Philippines by ________________________

Department of Education – Region IV-A CALABARZON

Office Address: Gate 2 Karangalan Village, Barangay San Isidro


Cainta, Rizal 1800
Telefax: 02-8682-5773/8684-4914/8647-7487
E-mail Address: region4a@deped.gov.ph
Contemporary
Philippine Arts from
the Region
Quarter 2 – Module 1:
Local Materials used in
Philippine Contemporary Art
Introductory Message
For the facilitator:

Welcome to the Contemporary Philippine Arts from the Region-Grade 12 Alternative


Delivery Mode (ADM) Module on Local Materials used on Creating Art!

This module was collaboratively designed, developed and reviewed by educators both
from public and private institutions to assist you, the teacher or facilitator in helping
the learners meet the standards set by the K to 12 Curriculum while overcoming
their personal, social, and economic constraints in schooling.

This learning resource hopes to engage the learners into guided and independent
learning activities at their own pace and time. Furthermore, this also aims to help
learners acquire the needed 21st century skills while taking into consideration their
needs and circumstances.

In addition to the material in the main text, you will also see this box in the body of
the module:

Notes to the Teacher


This contains helpful tips or strategies that
will help you in guiding the learners.

As a facilitator you are expected to orient the learners on how to use this module.
You also need to keep track of the learners' progress while allowing them to manage
their own learning. Furthermore, you are expected to encourage and assist the
learners as they do the tasks included in the module.

ii
For the learner:

Welcome to the Contemporary Philippine Arts from the Region-Grade 12 Alternative


Delivery Mode (ADM) Module on Local Materials use in Creating Art!

The hand is one of the most symbolized part of the human body. It is often used to
depict skill, action and purpose. Through our hands we may learn, create and
accomplish. Hence, the hand in this learning resource signifies that you as a learner
is capable and empowered to successfully achieve the relevant competencies and
skills at your own pace and time. Your academic success lies in your own hands!

This module was designed to provide you with fun and meaningful opportunities for
guided and independent learning at your own pace and time. You will be enabled to
process the contents of the learning resource while being an active learner.

This module has the following parts and corresponding icons:

What I Need to Know This will give you an idea of the skills or
competencies you are expected to learn in the
module.

What I Know This part includes an activity that aims to


check what you already know about the
lesson to take. If you get all the answers
correct (100%), you may decide to skip this
module.

What’s In This is a brief drill or review to help you link


the current lesson with the previous one.

What’s New In this portion, the new lesson will be


introduced to you in various ways such as a
story, a song, a poem, a problem opener, an
activity or a situation.

What is It This section provides a brief discussion of the


lesson. This aims to help you discover and
understand new concepts and skills.

What’s More This comprises activities for independent


practice to solidify your understanding and
skills of the topic. You may check the
answers to the exercises using the Answer
Key at the end of the module.

What I Have Learned This includes questions or blank


sentence/paragraph to be filled in to process
what you learned from the lesson.

What I Can Do This section provides an activity which will


help you transfer your new knowledge or skill
into real life situations or concerns.

iii
Assessment This is a task which aims to evaluate your
level of mastery in achieving the learning
competency.

Additional Activities In this portion, another activity will be given


to you to enrich your knowledge or skill of the
lesson learned. This also tends retention of
learned concepts.

Answer Key This contains answers to all activities in the


module.

At the end of this module you will also find:

References This is a list of all sources used in developing


this module.

The following are some reminders in using this module:

1. Use the module with care. Do not put unnecessary mark/s on any part of the
module. Use a separate sheet of paper in answering the exercises.
2. Don’t forget to answer What I Know before moving on to the other activities
included in the module.
3. Read the instruction carefully before doing each task.
4. Observe honesty and integrity in doing the tasks and checking your answers.
5. Finish the task at hand before proceeding to the next.
6. Return this module to your teacher/facilitator once you are through with it.
If you encounter any difficulty in answering the tasks in this module, do not
hesitate to consult your teacher or facilitator. Always bear in mind that you are
not alone.

We hope that through this material, you will experience meaningful learning and
gain deep understanding of the relevant competencies. You can do it!

iv
What I Need to Know

Artworks is made from the different materials that is found in the environment. Each
artist becomes unique from other artist because of how they used and manipulate
the materials they have chosen in creating their art.

The materials used in creating the artwork is considered in choosing the technique
or the manner the artwork is to be made.

The module is divided into three lessons, namely:


 Lesson 1 – Local Materials Used in Philippine Contemporary Art
 Lesson 2 – Traditional Techniques Used in Philippine Contemporary Art
 Lesson 3 – Contemporary Materials and Techniques Used in Philippine Arts

After going through this module, you are expected to:


1. discuss the local materials in creating art
2. Identify the materials used by different artists
3. Recognize local materials found in your community that can be used in
creating art

1
What I Know

Compare and Contrast

Study the different types of houses below then answer the given questions.

Bahay Kubo

Ivatan coral house

2
Modern house

1. How do the following houses differ from each other?

___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________

2. Why do the structures of the three houses differ from each other?

___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________

3
Lesson
Local Materials Used in
1 Contemporary Arts
Material, or the substance are the things in which the art is made off. Through these
materials, the artists express and communicate feelings and ideas. Some
contemporary artists used found materials like old bottles, scraps, and unusual
materials in creating their artwork.
In Sculpture, the sculptor uses metal, wood, stone, clay and glass.
The architect uses wood, bamboo, bricks, stone, concrete and various building
materials.

The painter uses pigments (eg. watercolor, oil, tempera, textile paint, acrylic, ink,
etc.) on a usually flat ground (wood, canvas, paper, stone wall such as in a cave
painting.

The printmaker uses ink printed or transferred on a surface (wood, metal, plates, or
silk screen that is in keeping with a duplicating o reproducing process. While
paintings are unique and one of a kind, prints can be reproduced in several pre-
determined editions.

Musician uses sound and instruments (including the human voice) A T’boli chanter
sings creation stories in a way that is different from a classical singer or pop singer
influenced by the Western music scale.

The dancer uses body and its movements. Dance is often accompanied by music,
but there are dances that do not rely on musical accompaniment to be realized.
Dance can tell stories, but at other times, they convey abstract ideas that do not rely
on a narrative.
Theater artist integrates all the arts and uses stage, production design, performance
elements and script to enable the visual, musical, dance and other aspects to come
together as a whole work.
The photographer and film maker use the camera to record the outside world. The
film maker uses cinematographic camera to record and put together production
design, sound engineering, performance, and screenplay. In digital photography and
film, the images can be assimilated into the computer, thus eliminating the need for
celluloid or negatives, processing chemicals or print.

The writer of a novel, poetry, nonfiction and fiction uses words.


The Designer, the performance artist, and the installation artist combine use of
the range of different materials.

4
What’s In

Notes to the Teacher


The examples given in this module are some of the common
materials used in creating contemporary art. You may explore
more on other materials that are available in your locality or
community.

5
What’s New

4 Pictures 1 Word
You will be shown 4 photos in a grid, all of which share a word in common.
Your goal is to figure out the common word based on word length, which is provided
to you, and a selection of possible letters.

1. __ __ __ __ __ __ __ ___ __ 3. __ __ __ __ __ __ __
SCPCRETUWULOK NTABEPIRCE

2. __ __ __ __ __ __ __ __ 4. __ __ __ __ __ __
MLEICIUSANR DCEANUHRM

From the pictures and answer that you made, arrange the letters below to create a
word that describe our topic in this week.

LERATMAIS ESUD NI TAR


_______________ ______ ____ _____

6
What is It

Philippines is rich in natural resources. From the mountain to the sea, we have
unlimited materials that can be used to create different artworks.
Local Materials in the Philippines that is used for arts and craft

Abaca - belongs to banana family. Its fibers have a natural luster with colors
ranging from pure white to ivory and dark brown.

Bamboo – is used in creating many products. It is used in construction, textile,


musical instruments and many more.

Buri – is extracted from matured leaves of buri palm. The fiber is durable and
resistant to moisture.

7
Capiz shells- are translucent to allow light to pass through, but still allow privacy.
The capiz comes from the windowpane oyster (placuna placenta) found in the
coastal waters of the Philippines and are known for their beautiful mother of pearl
look.

Rattan – belongs to the palm family. There are different types of rattan palms, such
as high or low climbers, single stemmed or clustered rattan species.

8
Sea Shells - hard exoskeleton of marine mollusks such as snails, bivalves, and
chitons that serves to protect and support their bodies. This material is usually used
in making ornaments and house decorations.

9
What’s More

Activity 1: Match the following artworks/crafts to its materials where it is made of.

Artwork Materials
1. A. Buri

2. B. Shell

3. C. Bamboo

4. D. Capiz

5. E. Abaca

6. F. Rattan

10
What I Have Learned

Answer the short quiz below.


Part 1: Multiple Choice

Choose the best answer from the choices given


1. The material that is best used in making furniture
A. Rattan
B. Abaca
C. Capiz Shell
D. Buri grass
2. This material is used for making windowpane for it reflects the sunlight
through it.
A. Bamboo
B. Shell
C. Capiz
D. Abaca
3. The mattress or banig may be made by these materials except
A. Buri grass
B. Abaca fiber
C. Coconut leaves
D. Rattan
4. The material that is best used in making body ornaments and décor.
A. Abaca
B. Seashell
C. Bamboo
D. Capiz
5. The material that can be used in in making basket are the following except
A. Bamboo
B. Shell
C. Abaca fiber
D. Rattan

11
Part 2: Short Answer Test

Answer the question briefly and concisely

1. What is the importance of using locally available resources in creating art?


___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________

2. How do materials affect in the way the art is made?


___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________

3. What resources are available in your locality and what art product can you
make out of these available materials?
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________

12
What I Can Do

Word Puzzle:
Find the words about the different materials used in creating art.

Across Down

1. Used by the writer 5. used for making cloths


2. color pigments mix with water 2. can be used for carving
3. used by singers 6. a place for acting
4. used in photography 7. used for printing
8. used by dancer

13
Assessment

Write which artist is using the following materials on their artworks.

1. 6.

Clay Body
__________________ _________________

2. 7.

Piano Cement
__________________ _________________

3. 8.

Camera Typewriter
__________________ _________________

4. 9.

Fabric Printer
__________________ _________________

5. 10.

Props Canvass
__________________ _________________

14
Additional Activities

Look for other local materials that are available in your environment that you can
use in creating art. List it down and identify what art work can you make out of
that materials.

15
16
What is New?
1. Sculpture What I Have Assessment
2. Musician Learned 1. Sculptor
3. Painter 2. Musician
4. Dancer Part 1: Multiple
3. Photographer
Choice
4. Fashion designer
1. A 5. Stage actor
What is More: 2. C 6. Dancer
Activity 1 3. D 7. Architect
4. B 8. Writer
1. E 5. B 9. Printmaker
2. D 10.Painter
3. B Part 2: Short Answer
4. A
5. C (students’ answer may
vary)
Answer Key
References

Articles:
https://kulturedeco.com/blogs/news/types-of-rattan-material-used-in-furniture
https://kulturedeco.com/blogs/news/types-of-rattan-material-used-in-furniture

Images:
https://explorefilipino.com/2019/01/02/architecture-bahay-kubo/
https://www.thepinoyexplorer.com/2011/12/eureka-batanes-oldest-ivatan-
house.html
https://www.lakadpilipinas.com/2014/09/pagburnayan-vigan-ilocos-sur.html
https://medium.com/@jordangasparr/up-oblation-f54390639e10
https://paetecraft.wixsite.com/paetecraft?lightbox=dataItem-iljr2s0n
https://thecitemblog.wordpress.com/2013/10/20/a-closer-look-at-the-abaca-
through-the-craft-spots/
https://davesgarden.com/guides/pf/showimage/322943/#b
https://missmnativecrafts.com/large-buri-fans-wedding-favors/
https://www.grandinroad.com/blog/decorate/indoor-rattan-furniture-a-natural-
art-form/
https://missmnativecrafts.com/customized-umbrella-buri-hat/
http://missmnativecrafts.com/bamboo-candles-wholesale-different-sizes/
http://seashellscraftphilippines.weebly.com/#/
https://4pics1word-answers.com/level-3528/
https://www.chrisvenables.co.uk/venables-and-son-pianos/venables-and-son-
grand-pianos/venables-son-studio-152-baby-grand-piano/
https://www.pcmag.com/picks/the-best-digital-cameras
https://www.housebeautiful.com/shopping/g26813260/best-online-fabric-stores/
http://prophandbook.com
https://www.pinterest.ph/pin/484770347382253774/
https://www.azobuild.com/article.aspx?ArticleID=7959
https://yannerzzz.wordpress.com/2010/12/22/blank-canvass/

17
For inquiries or feedback, please write or call:

Department of Education - Bureau of Learning Resources (DepEd-BLR)

Ground Floor, Bonifacio Bldg., DepEd Complex


Meralco Avenue, Pasig City, Philippines 1600

Telefax: (632) 8634-1072; 8634-1054; 8631-4985

Email Address: blr.lrqad@deped.gov.ph * blr.lrpd@deped.gov.ph


Contemporary Philippine
Arts from the Region
Quarter 2 – Module 2:
Traditional Technique used in
Philippine Contemporary Art
Contemporary Philippine Arts from the Region
Alternative Delivery Mode
Quarter 2 – Module 2: Traditional Technique used in Creating Philippine Art
First Edition, 2020

Republic Act 8293, section 176 states that: No copyright shall subsist in any work of
the Government of the Philippines. However, prior approval of the government agency or office
wherein the work is created shall be necessary for exploitation of such work for profit. Such
agency or office may, among other things, impose as a condition the payment of royalties.

Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names,
trademarks, etc.) included in this module are owned by their respective copyright holders.
Every effort has been exerted to locate and seek permission to use these materials from their
respective copyright owners. The publisher and authors do not represent nor claim ownership
over them.

Published by the Department of Education


Secretary: Leonor Magtolis Briones
Undersecretary: Diosdado M. San Antonio

Development Team of the Module


Writers: Jesabel B. Binamira
Editors: Kevin Kerbi A. Villamor/Arnold Glenn Bolosan
Reviewers: Leylanie V. Adao
Illustrator:
Layout Artist: Elizalde L. Piol
Management Team: Wilfredo E. Cabral, Regional Director
Job S. Zape Jr., CLMD Chief
Elaine T. Balaogan, Regional ADM Coordinator
Fe M. Ong-ongowan, Regional Librarian
Gemma G. Cortez, CID Chief
Leylanie V. Adao, Division EPS In Charge of LRMS

Printed in the Philippines by ________________________

Department of Education – Region IV-A CALABARZON

Office Address: Gate 2 Karangalan Village, Barangay San Isidro


Cainta, Rizal 1800
Telefax: 02-8682-5773/8684-4914/8647-7487
E-mail Address: region4a@deped.gov.ph
Contemporary
Philippine Arts from
the Region
Quarter 2 – Module 2:
Traditional Technique used in
Philippine Contemporary Art
Introductory Message
For the facilitator:

Welcome to the Contemporary Philippine Arts from the Region-Grade 12 Alternative


Delivery Mode (ADM) Module on Traditional Technique used in Creating Philippine
Art!

This module was collaboratively designed, developed and reviewed by educators both
from public and private institutions to assist you, the teacher or facilitator in helping
the learners meet the standards set by the K to 12 Curriculum while overcoming
their personal, social, and economic constraints in schooling.

This learning resource hopes to engage the learners into guided and independent
learning activities at their own pace and time. Furthermore, this also aims to help
learners acquire the needed 21st century skills while taking into consideration their
needs and circumstances.

In addition to the material in the main text, you will also see this box in the body of
the module:

Notes to the Teacher


This contains helpful tips or strategies that
will help you in guiding the learners.

As a facilitator you are expected to orient the learners on how to use this module.
You also need to keep track of the learners' progress while allowing them to manage
their own learning. Furthermore, you are expected to encourage and assist the
learners as they do the tasks included in the module.

ii
For the learner:

Welcome to the Contemporary Philippine Arts from the Region-Grade 12 Alternative


Delivery Mode (ADM) Module on Traditional Technique used in Creating Philippine
Art!

The hand is one of the most symbolized part of the human body. It is often used to
depict skill, action and purpose. Through our hands we may learn, create and
accomplish. Hence, the hand in this learning resource signifies that you as a learner
is capable and empowered to successfully achieve the relevant competencies and
skills at your own pace and time. Your academic success lies in your own hands!

This module was designed to provide you with fun and meaningful opportunities for
guided and independent learning at your own pace and time. You will be enabled to
process the contents of the learning resource while being an active learner.

This module has the following parts and corresponding icons:

What I Need to Know This will give you an idea of the skills or
competencies you are expected to learn in the
module.

What I Know This part includes an activity that aims to


check what you already know about the
lesson to take. If you get all the answers
correct (100%), you may decide to skip this
module.

What’s In This is a brief drill or review to help you link


the current lesson with the previous one.

What’s New In this portion, the new lesson will be


introduced to you in various ways such as a
story, a song, a poem, a problem opener, an
activity or a situation.

What is It This section provides a brief discussion of the


lesson. This aims to help you discover and
understand new concepts and skills.

What’s More This comprises activities for independent


practice to solidify your understanding and
skills of the topic. You may check the
answers to the exercises using the Answer
Key at the end of the module.

What I Have Learned This includes questions or blank


sentence/paragraph to be filled in to process
what you learned from the lesson.

What I Can Do This section provides an activity which will


help you transfer your new knowledge or skill
into real life situations or concerns.

iii
Assessment This is a task which aims to evaluate your
level of mastery in achieving the learning
competency.

Additional Activities In this portion, another activity will be given


to you to enrich your knowledge or skill of the
lesson learned. This also tends retention of
learned concepts.

Answer Key This contains answers to all activities in the


module.

At the end of this module you will also find:

References This is a list of all sources used in developing


this module.

The following are some reminders in using this module:

1. Use the module with care. Do not put unnecessary mark/s on any part of the
module. Use a separate sheet of paper in answering the exercises.
2. Don’t forget to answer What I Know before moving on to the other activities
included in the module.
3. Read the instruction carefully before doing each task.
4. Observe honesty and integrity in doing the tasks and checking your answers.
5. Finish the task at hand before proceeding to the next.
6. Return this module to your teacher/facilitator once you are through with it.
If you encounter any difficulty in answering the tasks in this module, do not
hesitate to consult your teacher or facilitator. Always bear in mind that you are
not alone.

We hope that through this material, you will experience meaningful learning and
gain deep understanding of the relevant competencies. You can do it!

iv
What I Need to Know

Why do each artist unique from other artists? It is because of the technique being
used or practiced by the artist. Technique is the individual signature that makes
each artist different or identifiable from other artists.

Medium and technique in contemporary art have become more and more integrated,
such that the works have crossed boundaries between art and science, and between
mediums and techniques. The works are also using contemporary mediums and
techniques based on digital and electronic technology, as well as reformulated
traditional methods.

After going through this module, you are expected to:


1. research on techniques and performance practices applied to contemporary
art;
2. identify the different techniques used in contemporary art.

1
What I Know

Activity 1
Study and analyze the two pictures by answering the guide questions.

Guide Questions:
1. What materials was used in each artwork?
2. Describe how the artwork was made.

2
Lesson Traditional Technique used
1 in Philippine Contemporary
Art
What is Technique?
Technique is the manner in which artist use and manipulate materials to achieve
the desired formal effect, and communicate the desired concept or meaning,
according to his or her personal style (modern, Neoclassic, etc.)

The distinctive character or nature of the medium determines the technique. For
example, stone is chiseled, wood is carved; clay is modeled and shaped, metal is cast,
and thread is woven.

There are some places in the Philippines that became famous because of the unusual
or extraordinary products that they make. These products become their way for the
people to know about their places. These people used traditional technique in
creating a particular art that makes them famous.

Traditional techniques used by the Filipinos even from the past years are depicted in
our painting, sculpture, dance, architecture, music, and even textile. It only proves
that Filipinos like any other people in the world can be very proud of our Philippine
arts

Traditional Techniques Used in Philippine Arts


Wood Carving – a technique encompassing any form of working wood with a tool
into some sort of aesthetic object.

3
Molding – a technique of shaping liquid or pliable material such as clay. Traditional
pottery making in the Philippines involves the method of molding. Pottery making in
the Philippines is one of the longest traditions in Philippine art.

Incised designs also appeared in the posts of Masbate. Among the finest of early Philippine pottery
designs are footed dishes that were decorated with geometric cut-outs, molding, cording or finger
impressions, most of these were made in Batangas. Pottery traditions continued to develop in certain
locals, such as Burnay, unglazed clay pottery of Vigan.

Fabric Weaving - Weaving is a method of textile production in which two distinct sets
of yarns or threads are interlaced at right angles to form a fabric or cloth.
Textile hand-weaving is one of the most attractive and interesting traditional crafts
of the Philippines, imbued with romanticism and laden with cultural significance

The Ilocano still practice hand-weaving using the pedal loom. Their materials are
cotton and natural dyes, although now they use store-bought threads and synthetic
dyes. They know several weaving techniques and designs, passed down to many
generations.

“Abel” or “inabel” is a fabric customarily made of cotton fiber turned into spools of
beeswax-brushed yarn & woven in a handloom

4
Textiles in Mindanao are predominantly handwoven from abaca (musa textilis).
Among the Moslems of Mindanao, the Magindanaon, Maranaw and Yakan continue
the tradition of cotton and silk weaving.

T’nalak is a sacred cloth woven by the T'boli people in communities around Lake
Sebu, Mindanao island.

Basketry Technique - There are four different types of basketry methods: coiling,
plaiting, wickering, and twining. Some of the terms that are specific to basket
weaving include loops, twining, ribs, and spokes. The common raw materials used
in making baskets are rattan, abaca, nito, tikog, buri, bamboo, pandan, coconut
leaves and sticks, palm leaves, and beeswax. There are several baskets that use
combined raw materials.

5
Coiled basketry, using grasses, rushes and pine needles

Plaiting technique - interweaving or braiding two or more strands, fibers, etc.

Twining technique, using materials from roots and tree bark. This is a weaving
technique where two or more flexible weaving elements ("weavers") cross each other
as they weave through the stiffer radial spokes.

6
What’s In

Notes to the Teacher


The art techniques that will be discussed in this module are some
of the common techniques used in creating art. You may add
more techniques that is not indicated here.

7
What’s More

What arts or products can be made by using the given materials and what technique
will be used in the creation?

Material Artwork/product Technique


1.

Wood
2.

Fiber
3.

clay
4.

Stone
5.

Coconut leaves

8
What I Have Learned

Answer the short quiz.


Part 1: Multiple Choice: Choose the letter of the best answer for the questions.

1. It is the manner in which artist use and manipulate materials


A. Subject
B. Style
C. Technique
D. Theme

2. What is the importance of having a unique way of creating art in the local
area?
A. It makes their community beautiful
B. It is a way of drawing other people to their place
C. It brings solidarity to the people
D. It makes the community more productive

3. Which phrase is incorrect?


A. Stone – fabricated
B. Clay – molded
C. Wood – carved
D. Thread – woven

4. Which is not a traditional technique in creating art?


A. Painting
B. Weaving
C. Basketry
D. Woodcarving

5. What is the best material for making a mat using plaiting technique?
A. Abaca
B. Nito grass
C. Clay
D. Wood

6. Which material is not use carving technique?


A. Clay
B. Wood
C. Stone
D. Ice

7. What technique is used in making the Burnay?


A. Stone
B. Clay
C. Fabric
D. Grass

9
8. What weaving technique is used in making a banig?
A. Coiling
B. Plaiting
C. Wickering
D. Twining

9. What technique in weaving is illustrated here?


A. Coiling
B. Plaiting
C. Wickering
D. Twining

10. It is the fabric that is popular and made in Ilocos?


A. T’nalak
B. Inabel
C. Jusi Baron
D. Malong

Part 2: Short Answer: Answer the questions briefly and concisely. (5 points)

1. How materials affect the technique used in making Philippine art?


___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________

10
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What is More:
1. Sculpture – Carving What I Have Assessment
2. Fabric/Textile – Learned
Weaving
3. Pottery – Molding Part 1: Multiple
4. Sculptor – Choice
Carving/Chiseled
5. Mattress/Banig – 1. C
Weaving 2. B
3. A
4. A
5. B
6. A
7. B
8. B
9. D
10.B
Part 2: Short Answer
(students’ answer may
vary)
Answer Key
References

Article:

https://www.thefreedictionary.com
https://www.scribd.com/presentation/415284912/20-Traditional-Techniques-to-
Contemporary-Art-Creations
https://tribune.net.ph/index.php/2018/10/22/textile-hand-weaving-of-northern-
philippines/
https://thehinabiproject.org/
www.paradisefibers.com

Images:
https://www.scribd.com/presentation/415284912/20-Traditional-Techniques-to-
Contemporary-Art-Creations
http://www.traveltrilogy.com/2014/02/traditional-ilocano-handicrafts-weaving-
pottery.html
https://www.rappler.com/life-and-style/dreamweavers
https://neonbow.wordpress.com/2009/03/08/plaiting/
https://www.burkemuseum.org/static/baskets/idgame/aatwine.html

12
For inquiries or feedback, please write or call:

Department of Education - Bureau of Learning Resources (DepEd-BLR)

Ground Floor, Bonifacio Bldg., DepEd Complex


Meralco Avenue, Pasig City, Philippines 1600

Telefax: (632) 8634-1072; 8634-1054; 8631-4985

Email Address: blr.lrqad@deped.gov.ph * blr.lrpd@deped.gov.ph


Contemporary Philippine
Arts from the Region
Quarter 2 – Module 3:
Materials used in Philippine
Contemporary Art
Contemporary Philippine Arts from the Region
Alternative Delivery Mode
Quarter 2 – Module 3: Materials used in Philippine Contemporary Art
First Edition, 2020

Republic Act 8293, section 176 states that: No copyright shall subsist in any work of
the Government of the Philippines. However, prior approval of the government agency or office
wherein the work is created shall be necessary for exploitation of such work for profit. Such
agency or office may, among other things, impose as a condition the payment of royalties.

Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names,
trademarks, etc.) included in this module are owned by their respective copyright holders.
Every effort has been exerted to locate and seek permission to use these materials from their
respective copyright owners. The publisher and authors do not represent nor claim ownership
over them.

Published by the Department of Education


Secretary: Leonor Magtolis Briones
Undersecretary: Diosdado M. San Antonio

Development Team of the Module


Writers: Jesabel B. Binamira
Editors: Kevin Kerbi A. Villamor/Arnold Glen Bolosan
Reviewers: Leylanie V. Adao
Illustrator:
Layout Artist: Julie Anne V. Vertudes
Management Team: Wilfredo E. Cabral, Regional Director
Job S. Zape Jr., CLMD Chief
Elaine T. Balaogan, Regional ADM Coordinator
Fe M. Ong-ongowan, Regional Librarian
Gemma G. Cortez, CID Chief
Leylanie V. Adao, Division EPS In Charge of LRMS

Printed in the Philippines by ________________________

Department of Education – Region IV-A CALABARZON

Office Address: Gate 2 Karangalan Village, Barangay San Isidro


Cainta, Rizal 1800
Telefax: 02-8682-5773/8684-4914/8647-7487
E-mail Address: region4a@deped.gov.ph
Contemporary
Philippine Arts from
the Region
Quarter 2 – Module 3:
Contemporary Materials and
Techniques used in Philippine
Art
Introductory Message
For the facilitator:

Welcome to the Contemporary Philippine Arts from the Region-Grade 12 Alternative


Delivery Mode (ADM) Module on Materials used in Philippine Contemporary Art!

This module was collaboratively designed, developed and reviewed by educators both
from public and private institutions to assist you, the teacher or facilitator in helping
the learners meet the standards set by the K to 12 Curriculum while overcoming
their personal, social, and economic constraints in schooling.

This learning resource hopes to engage the learners into guided and independent
learning activities at their own pace and time. Furthermore, this also aims to help
learners acquire the needed 21st century skills while taking into consideration their
needs and circumstances.

In addition to the material in the main text, you will also see this box in the body of
the module:

Notes to the Teacher


This contains helpful tips or strategies that
will help you in guiding the learners.

As a facilitator you are expected to orient the learners on how to use this module.
You also need to keep track of the learners' progress while allowing them to manage
their own learning. Furthermore, you are expected to encourage and assist the
learners as they do the tasks included in the module.

ii
For the learner:

Welcome to the Contemporary Philippine Arts from the Region-Grade 12 Alternative


Delivery Mode (ADM) Module on Materials used in Philippine Contemporary Art!

The hand is one of the most symbolized part of the human body. It is often used to
depict skill, action and purpose. Through our hands we may learn, create and
accomplish. Hence, the hand in this learning resource signifies that you as a learner
is capable and empowered to successfully achieve the relevant competencies and
skills at your own pace and time. Your academic success lies in your own hands!

This module was designed to provide you with fun and meaningful opportunities for
guided and independent learning at your own pace and time. You will be enabled to
process the contents of the learning resource while being an active learner.

This module has the following parts and corresponding icons:

What I Need to Know This will give you an idea of the skills or
competencies you are expected to learn in the
module.

What I Know This part includes an activity that aims to


check what you already know about the
lesson to take. If you get all the answers
correct (100%), you may decide to skip this
module.

What’s In This is a brief drill or review to help you link


the current lesson with the previous one.

What’s New In this portion, the new lesson will be


introduced to you in various ways such as a
story, a song, a poem, a problem opener, an
activity or a situation.

What is It This section provides a brief discussion of the


lesson. This aims to help you discover and
understand new concepts and skills.

What’s More This comprises activities for independent


practice to solidify your understanding and
skills of the topic. You may check the
answers to the exercises using the Answer
Key at the end of the module.

What I Have Learned This includes questions or blank


sentence/paragraph to be filled in to process
what you learned from the lesson.

What I Can Do This section provides an activity which will


help you transfer your new knowledge or skill
into real life situations or concerns.

iii
Assessment This is a task which aims to evaluate your
level of mastery in achieving the learning
competency.

Additional Activities In this portion, another activity will be given


to you to enrich your knowledge or skill of the
lesson learned. This also tends retention of
learned concepts.

Answer Key This contains answers to all activities in the


module.

At the end of this module you will also find:

References This is a list of all sources used in developing


this module.

The following are some reminders in using this module:

1. Use the module with care. Do not put unnecessary mark/s on any part of the
module. Use a separate sheet of paper in answering the exercises.
2. Don’t forget to answer What I Know before moving on to the other activities
included in the module.
3. Read the instruction carefully before doing each task.
4. Observe honesty and integrity in doing the tasks and checking your answers.
5. Finish the task at hand before proceeding to the next.
6. Return this module to your teacher/facilitator once you are through with it.
If you encounter any difficulty in answering the tasks in this module, do not
hesitate to consult your teacher or facilitator. Always bear in mind that you are
not alone.

We hope that through this material, you will experience meaningful learning and
gain deep understanding of the relevant competencies. You can do it!

iv
What I Need to Know

Artworks is made from the different materials that is found in the environment. Each
artist becomes unique from other artist because of how they used and manipulate
the materials they have chosen in creating their art.

The materials used in creating the artwork is considered in choosing the technique
or the manner the artwork is to be made.

After going through this module, you are expected to:


1. Identify the contemporary technique in creating art
2. Compare traditional from contemporary in terms of technique and materials
used.
3. Create an art piece using found objects.

1
Lesson
Contemporary Materials and
1 Techniques Used in Art

Contemporary art is often looked at with a skeptical eye. The truth about
contemporary artis that it uses techniques that most people aren’t quite used to,
causing that skepticism to come into play. However, these techniques are actually
quite difficult, and all deserve our credit. It is an incredible feat to create a piece of
contemporary art, especially using these techniques. They challenge the mind and
offer unique perspectives in a way that art has never been able to do before. For that
reason, they’re some of the most valuable techniques that a person can experience
through artwork.

What’s In

Notes to the Teacher


This module is about the non-traditional materials used in
contemporary art. The examples given in this module are some of
the popular contemporary materials. You may add more materials
which is not indicated in this module

2
What’s New

Picture Study

Which picture shows Minimalism in Art.

Picture 1

Picture 2

3
What can you say about the materials and technique used in the work?

___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________

4
What is It

As an artist, the contemporary art techniques and performance practices are


just breaking the conservative's rules.

"Contemporary art is the art of today", that could be the best definition. This
kind of art produced by artists who are living in 21st century.

Here are three techniques that are among the most relevant in contemporary
art today

1. MINIMALISM

One of the artistic movements that has been most relevant throughout the
contemporary art movement is minimalism. Minimalism seeks to take away what is
unnecessary and leaving only what is essential.

Red Sky, 2007 5 Bottles, 1994


Arturo Luz Arturo Luz

Arturo Luz is a Filipino modern artist best known for his minimalist,
geometric, and abstract styles of art and his animated paintings of circus
performers and musicians as well as his revered cityscape series

5
2. FOUND OBJECTS

Taking something that people view as useless, and then using it in a unique
way to make artwork is one of the most important movements that currently exist in
contemporary. The idea is that things that we often view as junk are more valuable
than we think that they are. Everything you find can be used to tell a story, or to
create new diverse perspectives that we are looking for when we attend an art
exhibition.

Small PaddleFish by Stephen Palmer

The technique of putting different objects together to create three-dimensional


art is called Assemblage. It is similar to collage, a two-dimensional medium.

6
Other example of Found Objects Art:

Conglomerate Seahorse Found Object Art

3. LARGE-SCALE ART
Walter De Maria created an art piece in 1977 that included a four hundred
steel poles over one mile by one kilometer. That is incredible. Creating something
huge to express diverse perspectives in artwork is incredibly popular, even today.
Over the past forty years, largescale art, and art that includes the environment has
come into its own as one of the most important movements within contemporary art.
That is why you often see modern art pieces alongside buildings, or as huge
structures out in the open.

“The 2000 Sculpture” (1992), by Walter De Maria, an example of his groupings of ordered
elements using precise measurements. Credits: Museum Associates/LACMA
7
Pacita Abad working the Alkaff Bridge bridge in Singapore.

On October 5, 1946, Pacita Abad, a trapunto painter, a global Filipino artist, who
described herself as a painter who paints "from the guts" was born in Basco,
Batanes to politically active parents, Jorge Abad and Aurora Barsana.

8
What’s More

Activity 1: Compare traditional from contemporary in terms of technique and


materials used.

Technique Materials

Traditional
Art

Contemporary
Art

Activity 2: Paste a picture of an example of art using Contemporary Technique.


Describe how the artist use the materials and technique in his/her artwork.

9
What I Have Learned

Short Quiz
Part 1: Identify what is being described in the statements

_________________1. A contemporary technique in art that uses junk materials


in art production

_________________ 2. He is a Filipino artist who is fond of using geometrical


shapes in his artworks

_________________ 3. A technique in art that take away unimportant elements


in leaving only what is essential
_________________ 4. A technique of putting found objects together to create a
new composition or art
_________________ 5. The technique that uses big spaces and environment as
a venue of art creation.

Part 2: Identify what contemporary technique were used in the


following arts.

1. ____________________________________________________________________

10
2. ____________________________________________________________________

3. ____________________________________________________________________

11
What I Can Do

Found Object Art


Create a two-dimensional artwork with the use of any objects found in your
house. Three-dimensional artwork can be done by attaching or gluing different
objects to create one art piece.

3 Simple Tips for Making Collage using Found Objects

• Prepare your materials: found objects, adhesive, cutting tools


• Choose the best material for backing, it is the support that will hold your materials
together, e.g. cardboard, paper, wood

• Plan your composition or design before gluing it.

Rubrics to be used in grading your Found Object Art

12
Additional Activities

Have a visit in a virtual museum (or actual museum if possible) Look for some
artworks that uses contemporary materials and technique. Write a short
description of the art and indicate why the artwork become interesting.

13
14
What is New?
1. Picture 1
What I Have
2. The Learned
materials
Part 1:
used are
made from 1. Found object
trash. 2. Arturo Luz
3. Minimalism
4. Assemblage
5. Large scale art
6.
Part 2:
1. Large scale art
2. Minimalism
3. Found object
Answer Key
References

Articles:
https://www.scribd.com/document/373704066/Traditional-Techniques-Applied-
to-Contemporary-Creation

Images:
https://www.insider.com/minimalist-lifestyle-can-optimize-creativity-2019-2
https://www.youramazingplaces.com/victorian-house-style-an-architectural-and-
interior-design/
http://www.artnet.com/artists/arturo-luz/
https://events.umich.edu/event/27187
https://www.pinterest.ph/pin/118712140160226500/
https://www.tes.com/lessons/-ppr2eWglEcYOA/found-art-ii
https://art-sheep.com/art-sheep-features-the-large-scale-sculptures-of-jaume-
plensa/
https://journal.projectnord.com/blog/the-minimalist-art-movement-a-time-warp-
to-1960s-new-york
https://www.demilked.com/found-object-mashups-still-life-food-art-martin-roller/

Rubric
https://moshej.edublogs.org/files/2011/04/Collage-Rubric-2cfq0em.pdf

15
For inquiries or feedback, please write or call:

Department of Education - Bureau of Learning Resources (DepEd-BLR)

Ground Floor, Bonifacio Bldg., DepEd Complex


Meralco Avenue, Pasig City, Philippines 1600

Telefax: (632) 8634-1072; 8634-1054; 8631-4985

Email Address: blr.lrqad@deped.gov.ph * blr.lrpd@deped.gov.ph

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