Part Ii - Body (Introtophilo)
Part Ii - Body (Introtophilo)
Part Ii - Body (Introtophilo)
1. WHO IS DOUBTING?
In the First Meditation, Descartes delivers a concise yet impactful critique of beliefs,
progressively casting doubt on a widening array of convictions until virtually none seem beyond
skepticism. Following preliminary remarks, he outlines reasons for doubt, commencing with sensory
perceptions and highlighting seemingly incontrovertible beliefs. However, even these foundational
beliefs, such as existence and mathematical truths, are subjected to doubt regarding potential
deception by an omnipotent Creator or an uncertain original cause. The meditation concludes with
Descartes committing to suspend judgment on anything doubted. Four radical grounds for doubt
emerge: the lunacy, dream, deceiving God, and "fate or chance" arguments. The chapter clarifies that
the lunacy argument is less detailed than the dream argument, and the deceiving God argument often
aligns with the "fate or chance" argument. The term "radical skepticism" refers to considerations
raised in these four arguments. The study will explore why Descartes starts with these radical
skeptical arguments, taking a detour into ancient skepticism to identify parallels with Cartesian
doubt. Subsequent chapters will revisit the First Meditation to address questions about reasons for
suspending judgment, reasons for doubt, and the role of common sense. The chapter concludes with
The First Meditation resonates by inviting readers to connect with the meditator's encounter
with skepticism, suggesting universal applicability aligned with everyday belief standards. Despite
common interpretations, I argue that Descartes envisioned a distinct perspective for the meditator,
emphasizing progressive discovery over immediate acceptance of radical doubt. The 'I' in the
Meditations symbolizes a position accessible to any thoughtful person, guiding readers through a
methodical and a priori inquiry. Descartes intends to instruct attentive readers, urging against
premature attributions of later-stage ideas to the meditator. The challenge lies in grasping how
progressive discovery applies to the early stages, particularly before grounds for doubt are raised.
The opening sentence, addressing childhood falsehoods, prompts questions about their nature, the
meditator's recognition, and the necessity for reconstruction. A deeper exploration of the meditator's
At the onset of the First Meditation, the meditator lacks a distinct identity, with Descartes
projecting his own beliefs about distorted childhood perceptions. Descartes contends that sensory
experiences in infancy lead to false beliefs, persisting into adulthood and complicating the
eradication of these ingrained errors. The meditator's motivation to engage in a radical demolition of
beliefs arises from recognizing the pervasive influence of childhood falsehoods. However, the
meditator, retroactively endowed with Descartes's views, lacks fully rational grounds for this
undertaking until the Sixth Meditation. Descartes introduces an internal flaw in the method of doubt,
as the meditator needs a rational reason for the wholesale overthrow of beliefs to justify suspending
judgment. The fictional meditator's persona, shaped by Descartes, raises doubts about the natural
extension of radical skepticism from ordinary belief standards, prompting further exploration in
subsequent chapters.
The meditator initiates his quest to question his former beliefs, particularly focusing on the
reliability of his senses. Reflecting on instances where the senses can deceive, he revises his opinion,
now asserting that what the senses convey in favorable conditions is true. Examples, such as his
current state and physical surroundings, support this modified viewpoint. Despite initially claiming
doubt to be impossible regarding these sensory perceptions, the meditator introduces two reasons for
considerations, the meditator examines whether any of his prior convictions remain undoubted. He
identifies certain mathematical and geometric truths, like "Two plus three equals five," as resilient,
but acknowledges potential doubts, particularly concerning the existence of corporeal things. The
meditator introduces radical grounds for doubt involving God, fate, or chance, contending that these
uncertainties undermine even the seemingly unquestionable beliefs. These doubts, including lunacy,
dreaming, God, and chance, share a common structure that becomes the focus of the subsequent
exploration. Understanding this structure becomes pivotal in clarifying Descartes' perspective on the
artificial nature of radical doubt. Additionally, it serves as a foundation for explaining how Descartes
intended to employ doubt to unveil principles of First Philosophy in the later part of the book. The
individuals of common sense but subject to doubt when applying the radical grounds for skepticism.
The First Meditation unveils a structured presentation of radical doubts, initially prominent in
the lunacy and deceiving God arguments but extending to the dream and "fate or chance" arguments.
Descartes constructs skeptical scenarios as narratives explaining false beliefs, such as the lunatic
who misinterprets sensory input due to a diseased brain. Skeptical scenarios challenge our ability to
rule out false beliefs, as demonstrated by the meditator's struggle to refute a story suggesting he
falsely believes in shoes due to brain damage. Descartes associate’s madness and dreams with
similar causal glitches in sensory perception, acknowledging their shared mechanistic explanation.
The deceiving God argument proposes a skeptical scenario for agnostics or atheists, suggesting the
possibility of being inherently deceived due to fate, chance, or a continuous chain of events.
Descartes emphasizes the difficulty of dispelling such scenarios, challenging the meditator to find a
Descartes examines four skeptical arguments, identifying a shared structure presenting causal
scenarios questioning the validity of beliefs, where ruling out the correctness of these scenarios
becomes impossible. This structure differs from ancient skepticism, notably the Pyrrhonian approach
of conflicting impressions. Descartes emphasizes the causal or explanatory component and the
required to overcome doubt. The importance of the causal element, as opposed to mere falsity, is
underscored, preventing the scenarios from resembling neurotic worries. Barbara Winters argues that
the deviance of the causal account is crucial, proposing that the skepticism's impact lies in presenting
a causal history incompatible with knowledge. Edwin Curley's perspective aligns with the necessity
tendency to believe true propositions without considering potential errors. Descartes rejects the
Pyrrhonian modes and insists that conflicting impressions, such as "I see that I have shoes on" versus
"I am dreaming that I have shoes on," do not lead to suspension of judgment. He acknowledges the
legitimacy of preferring the impressions of waking life, further challenging Curley's interpretation.
Descartes contends that the meditator's inability to rule out skeptical scenarios doesn't necessitate
suspending judgment but rather sets the stage for choosing between skepticism and common sense
beliefs. Returning to the method of doubt, Descartes sees it not just as a means of establishing
principles but also as a tool for discovering fundamental truths in First Philosophy. The meditator's
strong maxim ("Withhold assent from opinions when you find any ground for doubting them")
suggests challenges in finding a basis for assent amid wide-ranging skeptical scenarios. The
method's efficacy, according to Descartes, lies in discovering relatively fundamental and inclusive
propositions that underlie a broad class of specific propositions. The meditator's confidence in
revealing fundamental truths stems from the skepticism's focus on the causal connections between
sensory experiences, the body, the world, and the creator of the intellectual constitution. Successfully
employing the method of doubt is expected to yield discoveries about God, mind, and body,