PSR 730

SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO battery is approximately five years. When replacement becomes nec-
NOT connect this product to any power supply or adapter other than essary, contact a qualified service representative to perform the re-
one described in the manual, on the name plate, or specifically recom- placement.
mended by Yamaha. This product may also use “household” type batteries. Some of these
This product should be used only with the components supplied or; a may be rechargeable. Make sure that the battery being charged is a
cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is rechargeable type and that the charger is intended for the battery
used, please observe all safety markings and instructions that accom- being charged.
pany the accessory product. When installing batteries, do not mix batteries with new, or with batter-
ies of a different type. Batteries MUST be installed correctly. Mis-
SPECIFICATIONS SUBJECT TO CHANGE: matches or incorrect installation may result in overheating and battery
The information contained in this manual is believed to be correct at the case rupture.
time of printing. However, Yamaha reserves the right to change or
modify any of the specifications without notice or obligation to update Warning:
existing units. Do not attempt to disassemble, or incinerate any battery. Keep all
This product, either alone or in combination with an amplifier and head- batteries away from children. Dispose of used batteries promptly and
phones or speaker/s, may be capable of producing sound levels that as regulated by the laws in your area. Note: Check with any retailer of
could cause permanent hearing loss. DO NOT operate for long periods household type batteries in your area for battery disposal information.
of time at a high volume level or at a level that is uncomfortable. If you
experience any hearing loss or ringing in the ears, you should consult Disposal Notice:
Should this product become damaged beyond repair, or for some
an audiologist. reason its useful life is considered to be at an end, please observe all
IMPORTANT: The louder the sound, the shorter the time period before local, state, and federal regulations that relate to the disposal of prod-
damage occurs. ucts that contain lead, batteries, plastics, etc. If your dealer is unable
to assist you, please contact Yamaha directly.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a
function or effect works (when the unit is operating as designed) are not NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model
covered by the manufacturer’s warranty, and are therefore the owners number, serial number, power requirements, etc., are located on this
responsibility. Please study this manual carefully and consult your plate. You should record the model number, serial number, and the
dealer before requesting service. date of purchase in the spaces provided below and retain this manual
as a permanent record of your purchase.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and envi-
ronmentally friendly. We sincerely believe that our products and the
production methods used to produce them, meet these goals. In keep- Model
ing with both the letter and the spirit of the law, we want you to be
aware of the following:
Serial No.
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of Purchase Date
92-BP
PLEASE KEEP THIS MANUAL
FCC INFORMATION (U.S.A.)

IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! the instructions found in the users manual, may cause interference
This product, when installed as indicated in the instructions contained in harmful to the operation of other electronic devices. Compliance with
this manual, meets FCC requirements. Modifications not expressly ap- FCC regulations does not guarantee that interference will not occur in
proved by Yamaha may void your authority, granted by the FCC, to use all installations. If this product is found to be the source of interference,
the product. which can be determined by turning the unit “OFF” and “ON”, please try
to eliminate the problem by using one of the following measures:
IMPORTANT: • Relocate either this product or the device that is being affected by the
When connecting this product to accessories and/or another product use
only high quality shielded cables. Cable/s supplied with this product interference.
MUST be used. Follow all installation instructions. Failure to follow in- • Utilize power outlets that are on different branch (circuit breaker or
structions could void your FCC authorization to use this product in the fuse) circuits or install AC line filter/s.
USA.
• In the case of radio or TV interference, relocate/reorient the antenna.
If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to
NOTE: co-axial type cable.
This product has been tested and found to comply with the requirements
listed in FCC Regulations, Part 15 for Class “B” digital devices. Compli- If these corrective measures do not produce satisfactory results, please
ance with these requirements provides a reasonable level of assurance contact the local retailer authorized to distribute this type of product. If
that your use of this product in a residential environment will not result in you can not locate the appropriate retailer, please contact Yamaha
harmful interference with other electronic devices. This equipment gener- Corporation of America, Electronic Service Division, 6600
ates/uses radio frequencies and, if not installed and used according to Orangethorpe Ave, Buena Park, CA90620
• This applies only to products distributed by Yamaha Corporation of America.

PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,
short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not open the instrument or attempt to disassemble the internal parts the power switch, disconnect the adaptor plug from the outlet, and
or modify them in any way. The instrument contains no user-serviceable have the instrument inspected by qualified Yamaha service personnel.
parts. If it should appear to be malfunctioning, discontinue use immedi-
• Use the specified adaptor (PA-6 or an equivalent recommended by
ately and have it inspected by qualified Yamaha service personnel.
Yamaha) only. Using the wrong adaptor can result in damage to the
• Do not expose the instrument to rain, use it near water or in damp or instrument or overheating.
wet conditions, or place containers on it containing liquids which might • Before cleaning the instrument, always remove the electric plug from
spill into any openings. the outlet. Never insert or remove an electric plug with wet hands.
• If the AC adaptor cord or plug becomes frayed or damaged, or if there is
• Check the electric plug periodically and remove any dirt or dust which
a sudden loss of sound during use of the instrument, or if any unusual
may have accumulated on it.
smells or smoke should appear to be caused by it, immediately turn off
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the
instrument or other property. These precautions include, but are not limited to, the following:
• Do not place the AC adaptor cord near heat sources such as heaters or • Do not use the instrument near other electrical products such as televi-
radiators, and do not excessively bend or otherwise damage the cord, sions, radios, or speakers, since this might cause interference which can
place heavy objects on it, or place it in a position where anyone could affect proper operation of the other products.
walk on, trip over, or roll anything over it. • Do not place the instrument in an unstable position where it might acci-
• When removing the electric plug from the instrument or an outlet, al- dentally fall over.
ways hold the plug itself and not the cord. • Before moving the instrument, remove all connected adaptor and other
• Do not connect the instrument to an electrical outlet using a multiple- cables.
connector. Doing so can result in lower sound quality, or possibly cause • When cleaning the instrument, use a soft, dry cloth. Do not use paint
overheating in the outlet. thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
• Unplug the AC power adaptor when not using the instrument, or during Also, do not place vinyl or plastic objects on the instrument, since this
electrical storms. might discolor the panel or keyboard.
• Always make sure all batteries are inserted in conformity with the +/– • Do not rest your weight on, or place heavy objects on the instrument,
polarity markings. Failure to do so might result in overheating, fire, or and do not use excessive force on the buttons, switches or connectors.
battery fluid leakage. • Use only the stand specified for the instrument. When attaching the
• Always replace all batteries at the same time. Do not use new batteries stand, use the provided screws only. Failure to do so could cause dam-
together with old ones. Also, do not mix battery types, such as alkaline age to the internal components or result in the instrument falling over.
batteries with manganese batteries, or batteries from different makers, • Do not operate the instrument for a long period of time at a high or
or different types of batteries from the same maker, since this can uncomfortable volume level, since this can cause permanent hearing
cause overheating, fire, or battery fluid leakage. loss. If you experience any hearing loss or ringing in the ears, consult a
• Do not dispose of batteries in fire. physician.
• Do not attempt to recharge batteries that are not intended to be charged.
• If the instrument is not to be in use for a long time, remove the batteries
from it, in order to prevent possible fluid leakage from the battery.
■ SAVING USER DATA
• Keep batteries away from children.
• Always save data to a floppy disk frequently, in order to help prevent
• Before connecting the instrument to other electronic components, turn the loss of important data due to a malfunction or user operating error.
off the power for all components. Before turning the power on or off for
all components, set all volume levels to minimum. Yamaha cannot be held responsible for damage caused by improper use or
• Do not expose the instrument to excessive dust or vibrations, or ex- modifications to the instrument, or data that is lost or destroyed.
treme cold or heat (such as in direct sunlight, near a heater, or in a car
during the day) to prevent the possibility of panel disfiguration or dam- Always turn the power off when the instrument is not in use.
age to the internal components.
Make sure to discard used batteries according to local regulations.
(4)
1
Congratulations!
You are the proud owner of a fine electronic keyboard. The Yamaha PSR-730/630 PortaTone
combines the most advanced tone generation technology with state-of-the-art digital electronics
and features to give you stunning sound quality with maximum musical enjoyment. A large graphic
display and easy-to-use interface also greatly enhance the operability of this advanced instrument.
In order to make the most of your PortaTone’s features and extensive performance potential, we
urge you to read the manual thoroughly while trying out the various features described. Keep the
manual in a safe place for later reference.
● The LCD displays as illustrated in this owner’s manual are for instructional purposes only, and may appear somewhat
different from those on your instrument. The displays from the PSR-730 are used for the instructions and descriptions
in this manual.
Important Features
PSR-730
Touch-sensitive 61-key keyboard for a wide The Groove & Dynamics function lets you
range of dynamic musical expression (page 115). individualize your arrangement of any style of
music (page 35).
A variety of voices, 215 panel voices (200 o

Pian
panel voices for PSR-630), 12 drum kits and 480 001 Large multi-function LCD display panel
XG voices, with the maximum polyphony of 64 makes it easy to select and edit parameters.
voices (32 voices for PSR-630).
The functional layout of the track buttons

Voice set feature automaticaly selects the below the panel display makes operation easy.
appropriate voice parameter settings for the panel
voices (page 116). EZE
FRE
4 RY
3 EMO
N M
STRATIO Registration Memory saves your favorite
panel settings for instant recall when needed
(page 57).
Advanced auto-accompaniment technol-
ogy gives you 100 fully-orchestrated accompani-
ment “styles” to back up what you play on the
keyboard (page 22).
Minus-one and Repeat functions are ideal
for learning new songs and polishing your key-
board technique (page 79).
Virtual Arranger feature lets you add chord
progressions to any of the auto-accompaniment
styles for more musical, refined accompaniment
(page 29). Digital effects (reverb, chorus, DSP and
harmony) add depth and ambiance to your sound
(page 42).
One Touch Setting feature automatically PSR-730

selects appropriate voice, effect, and other set-
tings for the selected accompaniment style — all The Multi Effect function lets you combine
you have to do is select a style and play (page 40). two digital effects (page 48).
2
PSR-730
AD
TI P
With the Digital Equalizer you can fine MUL Multi Pads record and play short rhythmic
tune the sound of your performance on five differ- and melodic sequences that can be used to add
ent frequency bands (page 51). impact and variety to your performances (page
106).
User Song recording feature makes it easy

K
to record and playback four melody tracks with an DIS The floppy disk drive plays XG disks and
accompaniment track (page 83). lets you easily manage User Song, User Style,
User Pad and Registration data (page 64).
16
15 A total of sixteen tracks can be recorded
with the Multi recording function, including key- A range of MIDI functions for expanded
board, harmony and accompaniment (page 88). musical enjoyment (XG format compatible), and a
TO HOST terminal for easy connection to a per-
sonal computer (page 121)
Create original accompaniment styles with
the User Style feature (you can also establish
your own rules for changing pitch based on chord MIDI templates for easy MIDI settings
changes (page 98). (page 129).
GM System Level 1 XG
“GM System Level 1” is an addition to the MIDI XG is a new MIDI format created by Yamaha which
standard which ensures that any GM-compatible music significantly improves and expands upon the “GM Sys-
data can be accurately played by any GM-compatible tem Level 1” standard by providing a greater variety of
tone generator, regardless of manufacturer. The GM high-quality voices plus considerably enhanced effect
mark is affixed to all software and hardware products that operation while being fully compatible with GM.
support the “GM System Level 1”. PSR-730/630 supports the XG format.
PSR-730/630 supports GM System Level 1.
◆ Packing List
Please check that these items are packed with your PSR-730/630.
• PSR-730/630 • Music Stand (page 7)
• Sample Disk • Owner’s manual
3
Contents
Panel Controls 6 Digital Effects 42
The Music Stand ........................................................ 7 Reverb ...........................................................................43
Selecting a Reverb Type .............................................. 43
Reverb Return Level ....................................................43
Basic Display Operation 8
Chorus ...........................................................................44
The Display Icons ............................................................ 8 Selecting a Chorus Type ............................................. 44
The Menus ..................................................................... 10 Chorus Return Level ...................................................44
Shortcuts ................................................................. 11 DSP ...........................................................................45
Select the DSP Type ...................................................45
Setting Up 12 DSP Return Level ........................................................46
Harmony .........................................................................47
Power Supply ................................................................. 12 Selecting a Harmony Type .......................................... 47
Using An Optional AC Power Adaptor ......................... 12 Adjusting the Harmony Volume ................................... 48
Using Batteries ............................................................ 12 Multi Effect (PSR-730) ...................................................48
Connections .................................................................. 13 How Multi Effect Works ............................................... 48
PHONES Jack ............................................................. 13 Applying Multi Effect (PSR-730) .................................. 49
SUSTAIN Pedal Jack ................................................... 13 Setting Parts for Effect 1/2 .......................................... 49
FOOT VOLUME Jack .................................................. 13 Select the Effect Type for Effect 1/2 ............................. 50
AUX OUT R and L/L+R Jacks ..................................... 13 Adjust the Dry/Wet Settings for Effect 1/2 ................... 50
MIDI IN/OUT and TO HOST Connectors .................... 13 The Digital Equalizer (PSR-730) ................................... 51
Using the Digital Equalizer (PSR-730) ......................... 51
The Demonstration 14 Selecting a Digital EQ Type. ........................................ 52
Setting the Gain (User Setting) ................................... 53
Playing the PSR-730/630 16 The Pitch Bend Wheel 54

A Word About the “R1”, “R2”, and “L” Voices ............. 16 Setting the Pitch Bend Range ...................................... 54
Selecting & Playing R1 Voices ..................................... 17
Keyboard Percussion ................................................ 19
The Dual Voice Mode ..................................................... 19 The Modulation Wheel (PSR-730) 55
The Split Voice Mode ..................................................... 20 Changing the Modulation Wheel Function ................. 55
Changing the SPLIT VOICE Split Point ....................... 21
Transpose 56
Auto Accompaniment 22
Setting Transposition ....................................................56
What is Auto Accompaniment? ................................... 22
Using Auto Accompaniment ........................................ 22
Changing Tempo ...................................................... 26 Registration Memory 57
The Beat Indicator .................................................... 26 Registering the Panel Settings .................................... 57
Accompaniment Sections .......................................... 27 Naming the Registration Banks ................................... 58
Accompaniment Track Muting .................................. 28 Recall the Registered Panel Settings .......................... 60
The Synchro Stop Function ....................................... 28 The Accompanient Freeze Function ........................... 60
Using Virtual Arranger .................................................. 29
Accompaniment Volume Control ................................. 29
Changing the Accompaniment Split Point .................. 30
The Multi Pads 61
Interaction Between the AUTO ACCOMPANIMENT Selecting a MULTI PAD Set ........................................... 61
and SPLIT VOICE Split Points .............................. 31 Playing the MULTI PADs ............................................... 62
The Auto Accompaniment Fingering Modes .............. 31 Turning the CHORD MATCH Function On/Off ............ 63
The Stop Accompaniment Function ........................... 35
Groove and Dynamics (PSR-730) ................................ 35
Applying Groove & Dynamics ...................................... 36 Disk Operations 64
Arranging the Groove & Dynamics Effect Floppy Disk Handling Precautions ............................. 64
(User Settings) ....................................................... 36
User Song Data ...........................................................65
One Touch Setting ......................................................... 40
User Style/User Pad/Registration Memory Data ......... 65
Data that Can be Saved or Loaded with the
PSR-730/630 ........................................................65
4
Using Commercially Available Music Collections Overall Functions 114
(Sold Separately) ................................................... 66
The Sample Disk ........................................................... 66 Touch Sensitivity ........................................................ 115
Format ........................................................................... 67 Pitch Bend Range ..................................................... 115
Save ........................................................................... 68 Modulation Wheel ...................................................... 115
Load ........................................................................... 70 Master Tuning ............................................................ 115
Disk Copy ....................................................................... 72 Scale Tuning .............................................................. 115
Song Copy ..................................................................... 73 Song Transpose ......................................................... 116
Delete File ...................................................................... 75 Metronome ................................................................ 116
Split Voice Split Point ................................................. 116
Accompaniment Split Point ....................................... 116
Song Playback 76
Fingering Mode ......................................................... 116
Song Playback Procedure ............................................ 76 Voice Set ................................................................... 116
Song Volume Control ................................................... 78 Pedal ......................................................................... 117
Play from a Specified Measure ................................... 78
Minus-one Practice ....................................................... 79
Repeat Play .................................................................... 80
MIDI Functions 119
Song Repeat .................................................................. 81 What’s MIDI? ................................................................ 119
Next Song ...................................................................... 82 MIDI Terminal/TO HOST Terminal ......................... 121
What You Can Do with MIDI ........................................ 121
Connecting to a Personal Computer
Song Recording 83 (TO HOST Terminal/HOST SELECT Switch) .................... 122
Quick Recording Procedure ......................................... 84 Connect using the PSR-730/630 MIDI terminals ...... 122
Rehearsal Mode ....................................................... 86 Connect using the TO HOST terminal ....................... 124
Multi Recording Procedure .......................................... 88 The PSR-730/630 MIDI Functions .............................. 125
About the Recording with the Digital Effects Applied . 90 Transmit Channel & Transmit Track ........................... 125
Punch In/Punch Out .................................................... 92 Receive Channel & Receive Mode ........................... 126
Quantize ...................................................................... 93 Local Control ............................................................. 127
Naming User Songs .................................................... 94 Clock ......................................................................... 128
Clearing Song Data ..................................................... 94 Initial Data Send ........................................................ 128
Song Edit ..................................................................... 96 MIDI Template ........................................................... 129
Style Recording 98
Style Recording Procedure .......................................... 98 Appendix 130
Rehearsal Mode ..................................................... 101
Drum Cancel ............................................................. 103 PSR-730/630 Display MENU/SUB MENU Structure .. 130
Quantize .................................................................... 103 Voice List ..................................................................... 133
Naming Styles ........................................................... 104 Maximum Polyphony ................................................. 133
Clearing User Style Data ........................................... 105 Drum Kit List ................................................................ 140
Style List ...................................................................... 142
About Digital Effects (Reverb/Chorus/DSP) ............. 143
Multi Pad Recording 106 When DSP type Is Selected as a System Effect ....... 143
Multi Pad Recording Procedure ................................. 106 When DSP type Is Selected as a Insertion Effect ..... 144
Naming Pads ............................................................. 109 Harmony Type List ...................................................... 147
Clearing User Pad Data ............................................ 109 Refining User Styles with Style File Format ............. 148
Style File (Auto Accompaniment) Format .................. 148
About the Source Chord Type ................................... 150
Revoicing 110
Troubleshooting .......................................................... 151
Revoicing the R1, R2, and L Voices ........................... 110 Data Backup & Initialization ....................................... 152
Revoicing a Style ......................................................... 112 Data Backup .............................................................. 152
Data Initialization ....................................................... 152
MIDI Data Format ......................................................... 153
MIDI Implementation Chart ........................................ 168
Specifications .............................................................. 171
Index ............................................................................. 172
5
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Panel Controls
PSR-730
STYLE PANEL VOICE XG VOICE

001 ~ 011 8BEAT 042 ~ 047 RHYTHM&BLUES 082 ~ 083 CARIBBEAN 001 ~ 019 PIANO 082 ~ 096 BASS 169 ~ 176 PIPE 228 ~ 266 PIANO 394 ~ 405 STRINGS 529 ~ 557 SYNTH PAD
012 ~ 019 16BEAT 048 ~ 051 ROCK&ROLL 084 ~ 087 BALLROOM LATIN 020 ~ 031 CHROMATIC 097 ~ 108 SOLO STRINGS 177 ~ 194 SYNTH LEAD 267 ~ 286 CHROMATIC 406 ~ 439 ENSEMBLE 558 ~ 613 SYNTH EFFECTS
020 ~ 022 6/8 BALLAD 052 ~ 060 COUNTRY&WESTERN 088 ~ 091 BALLROOM STANDARD PERCUSSION 109 ~ 128 ENSEMBLE 195 ~ 215 SYNTH PAD PERCUSSION 440 ~ 471 BRASS 614 ~ 634 ETHNIC
023 ~ 030 DANCE 061 ~ 065 TRADITIONAL JAZZ 092 ~ 095 MARCH 032 ~ 054 ORGAN 129 ~ 137 SOLO BRASS 216 ~ 227 DRUM KITS 287 ~ 322 ORGAN 472 ~ 484 REED 635 ~ 657 PERCUSSIVE
031 ~ 034 DISCO 066 ~ 070 CONTEMPORARY JAZZ 096 ~ 100 WALTZ 055 ~ 061 ACCORDION 138 ~ 153 BRASS ENSEMBLE 323 ~ 351 GUITAR 485 ~ 492 PIPE 658 ~ 665 SOUND EFFECTS
035 ~ 041 ROCK 071 ~ 081 LATIN 062 ~ 081 GUITAR 154 ~ 168 REED 352 ~ 393 BASS 493 ~ 528 SYNTH LEAD 666 ~ 707 SFX
0
STAND BY
ON
DIGITAL MULTI EFFECT
DIGITAL EQ MULTI EFFECT SUB MENU
8Beat Po p1 Gra nd Piano % PSR-730
1
MENU
RESET
DISK
MULTI PAD
001 116
TEMPO 100
A
REPEAT
B ONE TOUCH
SETTING
001
MEASURE BEAT
001 VOICE
VOICE 1 2 3
STYLE DISK 000 ACMP/SONG 1 2 3 4 FREEZE 1 2 3 4 VOICE
TEMPO REVERB HARMONY SONG TRANSPOSE VOLUME REGISTRATION MEMORY MULTI PAD
4 !
REGIST MEMORY 119
dim 6 513
MASTER DIGITAL EQ
MULTI
EFFECT REVERB CHORUS
VARIATION
DSP HARMONY SYNC STOP FINGERING m M 7aug sus 4 GROOVE & DYNAMICS 4 5 6
VOLUME MENU STYLE
&
MIDI
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 STYLE
TRANSPOSE CHORUS DIGITAL EFFECT 001 001 001 001 001 001 001 001 001 001 001 001 001 001 001 001
2 5 OVERALL RHYTHM RHYTHM

1 2
BASS CHORD
1
CHORD
2
PAD PHRASE PHRASE MELODY MELODY MELODY MELODY
1 2 1 2 3 4
ACMP VOICE
L
VOICE
R2 R1
VOICE
SONG
7 8 9
89 ^
ACMP / SONG GROOVE&DYNAMICS
SPLIT DUAL SONG
VOLUME DSP
6
MIN MAX ACCOMPANIMENT TRACK SONG TRACK L R2 R1
– / NO 0 + / YES
RECORD START / STOP
KEYBOARD
DEMO ACCOMPANIMENT SPLIT VOICE DUAL VOICE
VARIATION
3
ON / OFF
MAIN / AUTO FILL

REVOICE 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
ONE TOUCH SETTING
$ *
SYNC STOP START INTRO A B ENDING BANK MEMORY REGISTRATION MEMORY
AUTO ACCOMPANIMENT MULTI PAD
A B 1 2 3 4 FREEZE STOP 1 2 3 4
#
7 @ (
PITCH BEND MODULATION
MAX
MIN
q w )
e
PHONES
C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5
CLICK 36 T 37 38 S 39 40 R 41 42 1 43 44 1 45 46 2 47 3 48 49 2 50 51 3 52 L 53 54 H 55 56 L 57 58 M 59 M 60 C 61 H 62 R 63 64 R 65 66 S 67 68 C 69 70 R 71 H 72 L 73 74 H 75 L 76 H 77 L 78 H 79 L 80 81 82 H 83 L 84 S 85 L 86 87 H 88 L 89 M 90 O 91 92 93 94 95
L H 1 1 2 2
PSR-630
STYLE PANEL VOICE XG VOICE

001 ~ 011 8BEAT 042 ~ 047 RHYTHM&BLUES 082 ~ 083 CARIBBEAN 001 ~ 018 PIANO 074 ~ 088 BASS 156 ~ 163 PIPE 213 ~ 251 PIANO 379 ~ 390 STRINGS 514 ~ 542 SYNTH PAD
012 ~ 019 16BEAT 048 ~ 051 ROCK&ROLL 084 ~ 087 BALLROOM LATIN 019 ~ 030 CHROMATIC 089 ~ 100 SOLO STRINGS 164 ~ 181 SYNTH LEAD 252 ~ 271 CHROMATIC 391 ~ 424 ENSEMBLE 543 ~ 598 SYNTH EFFECTS
020 ~ 022 6/8 BALLAD 052 ~ 060 COUNTRY&WESTERN 088 ~ 091 BALLROOM STANDARD PERCUSSION 101 ~ 118 ENSEMBLE 182 ~ 200 SYNTH PAD PERCUSSION 425 ~ 456 BRASS 599 ~ 619 ETHNIC
023 ~ 030 DANCE 061 ~ 065 TRADITIONAL JAZZ 092 ~ 095 MARCH 031 ~ 051 ORGAN 119 ~ 126 SOLO BRASS 201 ~ 212 DRUM KITS 272 ~ 307 ORGAN 457 ~ 469 REED 620 ~ 642 PERCUSSIVE
031 ~ 034 DISCO 066 ~ 070 CONTEMPORARY JAZZ 096 ~ 100 WALTZ 052 ~ 057 ACCORDION 127 ~ 140 BRASS ENSEMBLE 308 ~ 336 GUITAR 470 ~ 477 PIPE 643 ~ 650 SOUND EFFECTS
035 ~ 041 ROCK 071 ~ 081 LATIN 058 ~ 073 GUITAR 141 ~ 155 REED 337 ~ 378 BASS 478 ~ 513 SYNTH LEAD 651 ~ 692 SFX
STAND BY
% PSR-630
ON
0 SUB MENU
8Beat Po p1 Gra nd Piano
1
MENU
RESET DIGITAL EFFECT

DISK
001 116
TEMPO 100
A
REPEAT
B ONE TOUCH
SETTING
001
MEASURE BEAT
001 VOICE
VOICE 1 2 3
MULTI PAD STYLE DISK 000 ACMP/SONG 1 2 3 4 FREEZE 1 2 3 4 VOICE
TEMPO REVERB HARMONY SONG TRANSPOSE VOLUME REGISTRATION MEMORY MULTI PAD
4 !
REGIST MEMORY 119
VARIATION dim 6 513
MASTER REVERB CHORUS DSP HARMONY SYNC STOP FINGERING m M 7aug sus 4 4 5 6
VOLUME MENU STYLE
&
MIDI
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 STYLE
TRANSPOSE CHORUS DIGITAL EFFECT 001 001 001 001 001 001 001 001 001 001 001 001 001 001 001 001
2 5 OVERALL RHYTHM RHYTHM

1 2
BASS CHORD
1
CHORD
2
PAD PHRASE PHRASE MELODY MELODY MELODY MELODY
1 2 1 2 3 4
ACMP
L
VOICE VOICE
R2
VOICE
R1
SONG
7 8 9
89 ^
ACMP / SONG
SPLIT DUAL
SONG
VOLUME DSP
6
MIN MAX ACCOMPANIMENT TRACK SONG TRACK L R2 R1
– / NO 0 + / YES
RECORD START / STOP
KEYBOARD
DEMO ACCOMPANIMENT SPLIT VOICE DUAL VOICE
VARIATION
3
ON / OFF
MAIN / AUTO FILL

REVOICE 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
ONE TOUCH SETTING
*
SYNC STOP START INTRO A B ENDING MEMORY
AUTO ACCOMPANIMENT REGISTRATION MEMORY MULTI PAD
A B 1 2 3 4 FREEZE STOP 1 2 3 4
#
7 @ (
PITCH BEND
q )
e
PHONES
C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5
CLICK 36 T 37 38 S 39 40 R 41 42 1 43 44 1 45 46 2 47 3 48 49 2 50 51 3 52 L 53 54 H 55 56 L 57 58 M 59 M 60 C 61 H 62 R 63 64 R 65 66 S 67 68 C 69 70 R 71 H 72 L 73 74 H 75 L 76 H 77 L 78 H 79 L 80 81 82 H 83 L 84 S 85 L 86 87 H 88 L 89 M 90 O 91 92 93 94 95
L H 1 1 2 2
PSR-730/630
MAC PC1 PC2 MIDI MIDI AUX OUT DC IN 10-12V

FOOT VOL TO HOST IN OUT SUSTAIN R L / L+ R
t y u i o p Q
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¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢ Panel Controls
■ Top Panel Controls !4 GROOVE & DYNAMICS Button

(PSR-730) ......................................... page 36
q STAND BY/ON Switch ......................... page 14
!5 NUMBER Buttons ................................ page 10
w MASTER VOLUME Control.................. page 14
!6 + and – Buttons .................................... page 10
e DEMO Button ....................................... page 14 !7 Data Dial .............................................. page 10
r TEMPO Buttons ................................... page 26 !8 KEYBOARD SECTION
• DUAL VOICE Button ......................... page 19
t TRANSPOSE Buttons .......................... page 56
• SPLIT VOICE Button ......................... page 20
y ACCOMPANIMENT/SONG VOLUME
Buttons .......................................... pages 29,78 !9 MULTI PAD SECTION
• STOP Button ..................................... page 62
u AUTO ACCOMPANIMENT SECTION • 1, 2, 3, 4 Buttons ............................... page 62
• AUTO ACCOMPANIMENT
ON/OFF Button ................................. page 23 @0 Keyboard .............................................. page 18
• SYNC STOP Button .......................... page 28 @1 PITCH BEND Wheel ............................ page 54
• SYNC START Button ........................ page 24 @2 MODULATION Wheel (PSR-730) ........ page 55
• INTRO Button ................................... page 24
@3 PHONES Jack...................................... page 13
C6
96
• MAIN/AUTO FILL A & B Buttons ....... page 24

• ENDING Button ................................. page 25 @4 Disk Drive ............................................. page 64
i RECORD Button .................... pagse 84,99,106

o START/STOP Button ................ pages 15,23,25
■ Rear Panel Controls
!0 DIGITAL MULTI EFFECT SECTION (PSR-730) @5 FOOT VOL Jack ................................... page 13
DIGITAL EFFECT SECTION (PSR-630)
@6 TO HOST Connector .......................... page 121
• DIGITAL EQ Button (PSR-730) ......... page 51
• REVERB Button ................................ page 43 @7 HOST SELECT Switch ...................... page 122
• CHORUS Button ............................... page 44
@8 MIDI IN and OUT Connectors ............ page 121
• DSP Button ....................................... page 45
• VARIATION Button ............................ page 46 @9 SUSTAIN Jack ...................................... page 13
• MULTI EFFECT Button (PSR-730) ... page 49
#0 AUX OUT R, L/L+R Jacks .................... page 13
• HARMONY Button ............................ page 47
#1 DC IN 10-12V Jack .............................. page 12
!1 DISPLAY & RELATED CONTROLS
• DISPLAY ............................................. page 8
• MENU Buttons .................................. page 10
• SUB MENU Buttons .......................... page 10 ◆ The Music Stand
• VOICE Button.................................... page 10
C6
• STYLE Button ................................... page 10
96
• SONG Button .................................... page 10

• REVOICE Button............................. page 110
• TRACK Buttons ......... pages 19,20,28,86,111
!2 REGISTRATION MEMORY SECTION

• BANK [+], [ –] Buttons (PSR-730) ..... page 58
• MEMORY Button ............................... page 58
• 1, 2, 3, 4 Buttons ............................... page 58 The PSR-730/630 is supplied with a music
• FREEZE Button ................................ page 60 stand that can be attached to the instrument
by inserting it into the slot at the rear of the
!3 ONE TOUCH SETTING Button ............ page 41
control panel.
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Basic Display Operation
The PSR-730/630 LCD panel is a large multi-function type that simultaneously displays and
provides access to a number of important parameters. Basic operation of the display as well
as the MENU and SUB MENU buttons, and the meaning of the icons which appear in the
display, are summarized briefly below.
The Display Icons
Style/Song Number Voice Number (R1 Voice)
001 The style number or song number is dis-

played here when in the Song/Style Mode.
001 The currently selected R1 voice num-
ber (page 17) appears here.
Disk XG
DISK Appears when a floppy disk song is selected Appears when one of the PSR-730/
(page 76). 630’s XG voices is selected (page
16).
XG
Appears when XG voices are used in a
floppy disk song.

001 116
TEMPO 100
A
REPEAT
B ONE TOUCH
SETTING
001
MEASURE BEAT
001
SONG TRANSPOSE VOLUME REGISTRATION MEMORY MULTI PAD
119
MULTI VARIATION dim 6 513
DIGITAL EQ EFFECT REVERB CHORUS DSP HARMONY SYNC STOP FINGERING m M 7aug sus 4 GROOVE & DYNAMICS
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
001 001 001 001 001 001 001 001 001 001 001 001 001 001 001 001
RHYTHM RHYTHM BASS CHORD CHORD PAD PHRASE PHRASE MELODY MELODY MELODY MELODY ACMP VOICE VOICE VOICE
1 2 1 2 1 2 1 2 3 4 L R2 R1
SPLIT DUAL
ACCOMPANIMENT TRACK SONG TRACK L R2 R1
ACCOMPANIMENT TRACKS
1 2 3 4 5 6 7 8
These icons display the on/off status and volume/velocity settings
219 219 340 322 324 407 324 347
for each of the 8 accompaniment tracks. They are also used to
RHYTHM RHYTHM BASS CHORD CHORD PAD PHRASE PHRASE specify tracks when using the REVOICE function (page 110). When
1 2 1 2 1 2
doing Multi recording/playback of songs, the on/off status and
volume settings are shown for tracks 1-8 (page 89).
9 10 11 12 13
471 201 252 213 213 MELODY TRACKS 1 … 4, ACCOMPANIMENT TRACK
In Song Quick Record mode, the recording track is indicated(page
MELODY MELODY MELODY MELODY
1 2 3 4
ACMP 86). When doing Multi recording/playback of songs, the on/off
status and volume settings are shown for tracks 9-13 (page 89).
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¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢ Basic Display Operation
TEMPO DIGITAL EQ (PSR-730)

116 Shows the current tempo of accompani- Appears when the DIGITAL EQUALIZER is
turned on (page 51).
ment/song playback (page 26).
TRANSPOSE
0 The current transpose value (page 56).
MULTI EFFECT (PSR-730)
Appears when the MULTI EFFECT is turned
ACMP/SONG VOLUME on (page 49).
100 In Song/Style Mode (page 11), the ac-
REVERB
companiment or song volume is displayed
(pagse 29,78). Appears when the PSR-730/630 REVERB
effect is turned on (page 43).
REPEAT
A B Indicates the “A” and “B” repeat points CHORUS
when programming a repeat section, and Appears when the CHORUS effect is turned
whether REPEAT PLAY is on or off (page on (page 44).
80).
DSP
ONE TOUCH SETTING
ONE TOUCH Appears when the DSP effect is turned on
Appears when the ONE TOUCH SET-
SETTING (page 45).
TING feature is engaged (page 41).
REGISTRATION 1 … 4 DSP VARIATION

1 2 3 4 (Registration Memory) VARIATION Appears when the DSP VARIATION effect
Indicates the currently selected REGIS- is turned on (page 46).
TRATION MEMORY or ONE TOUCH
SETTING number (page 57). HARMONY
Appears when the HARMONY effect is
FREEZE turned on (page 47).
FREEZE Appears when the REGISTRATION
MEMORY “FREEZE” function is on (page SYNC STOP
60). Appears when AUTO ACCOMPANIMENT
MEASURE SYNC STOP function is engaged (page
1 Indicates the current measure number

during song recording and playback (page
28).
78). FINGERING
Shows the currently selected fingering
BEAT mode (page 32).
Flashes at the current tempo and indi-
cates the current beat during accompa- CHORD
niment and song playback. (page 26) Displays the current chord name during
mM 7 AUTO ACCOMPANIMENT playback or
MULTI PAD 1 … 4
1 2 3 4
SONG recording/playback (page 25).
Indicates the currently playing MULTI PAD
numbers (page 62).
GROOVE & DYNAMICS (PSR-730)
Appears when the GROOVE & DYNAMICS
function is engaged (page 36).
Keyboard Settings (VOICE R1/VOICE R2/VOICE L)

14 15 16 These icons indicate the on/off status and volume settings for the L, R2, and
064 048 001 R1 voices when the DUAL VOICE and/or SPLIT VOICE functions are used
(pages 19,20). They are also used to specify tracks when using the REVOICE
VOICE VOICE VOICE function (page 110).
L R2 R1
SPLIT DUAL During Multi recording/playback of songs, they indicate the on/off status,
volume/velocity and voice settings for tracks 14-16 (page 86).
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Basic Display Operation
The Menus
MENU
Main Menu Selection (VOICE/STYLE/SONG Buttons)
You can select one of the three main VOICE/STYLE/SONG menus by pressing the appropriate
button to the right of the display. The menu icon will move to indicate the menu you have
selected.
Selecting Other Menus (MENU [▲], [▼] Buttons)
You can select one of the seven “DISK” “MULTI PAD” “REGIST MEMORY” “MIDI” “DIGITAL
EFFECT” “OVERALL” “GROOVE & DYNAMICS” menus on the left of the display by pressing
the [▲], [▼] MENU buttons at the lower left. The menu icon will move to indicate the menu
you have selected.
SUB MENU MENU

DISK
MULTI PAD
001 116
TEMPO 100
A
REPEAT
B ONE TOUCH
SETTING
001
MEASURE BEAT
001 VOICE
VOICE
REGIST MEMORY 119
MENU MIDI STYLE
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 STYLE
DIGITAL EFFECT 001 001 001 001 001 001 001 001 001 001 001 001 001 001 001 001
OVERALL RHYTHM RHYTHM BASS CHORD CHORD PAD PHRASE PHRASE MELODY MELODY MELODY MELODY ACMP VOICE VOICE VOICE
1 2 1 2 1 2 1 2 3 4 L R2 R1
SONG
GROOVE&DYNAMICS
SPLIT DUAL SONG
SUB MENU Selection (SUB MENU [▲], [▼] Buttons)

You can select one of the sub menus within the selected menu by pressing the [▲], [▼] SUB
MENU buttons at the upper left of the display. At the top of the display, the MENU/SUB MENU
you selected will displayed on the left and the current setting or value for that item on the right.
1 2 3
Number Buttons [1]-[0], [+] (YES), [–] (NO) Buttons
4 5 6 The number buttons [1] – [0], [+],[–], are used to change
settings (values). Pressing the [+] button increases the dis-
7 8 9 played value by 1. Pressing the [–] button decreases it by 1.
Pressing and holding either button causes a continuous in-
– / NO 0 + / YES
crease or decrease. Pressing the [+] (YES) or [–] (NO) buttons
also switches between on and off settings. For items that have
initial default values, pressing the [+] and [–] buttons together
at the same time will return the setting to the initial value.
Dial
Like the number buttons [1]-[0], [+],[–], the
dial is used to change settings and values.
• When the value displayed is a number like a style number, press-
Rotating it to the right (clockwise) increases ing and holding either the [+] or [–] button will cause the number to
the value, while rotating it to the left (counter- continue to the lowest value after the highest is reached or vice-
clockwise) decreases it. The dial can also be versa (...99m100 m1 m2..., ...2m1 m100m 99...). If the number dis-
played is a value like a transpose value, it will stop changing when
used to toggle on/off settings.
the maximum or minimum value is reached.
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¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢ Basic Display Operation
There are two modes in the PSR-730/630: Style Mode and Song Mode, and normally one of them is selected. Pressing
the STYLE button selects Style Mode, lighting the STYLE icon, while pressing the Song button selects Song Mode and
lights the SONG icon, displaying the current mode.
STYLE Style Mode * Pressing the START/STOP button will start accompaniment playback.
Currently selected
style name and style 8Beat Po p1 Gra nd Piano
number
001 116
TEMPO 100
A
REPEAT
B ONE TOUCH
SETTING
001
MEASURE BEAT
001
Accompaniment MULTI VARIATION dim 6

119
513
volume
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
219 219 355 337 339 407 324 362 888 888 888 888 888 084 109 001
1 2 1 2 1 2 1 2 3 4 L R2 R1
SPLIT DUAL
Information for accompaniment tracks 1-8
SONG Song Mode * Pressing the START/STOP button will start song playback.
Currently selected
song name and song
London B rid Gra nd Piano
number 001 116
TEMPO 100
A
REPEAT
B ONE TOUCH
SETTING
001
MEASURE BEAT
001
119
Song volume 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
213 213 337 391 259 434 468 442 471 219 252 213 213 213 213 213
1 2 1 2 1 2 1 2 3 4 L R2 R1
SPLIT DUAL
Information for song tracks 1-16
• When in Song Mode, AUTO ACCOM-

PANIMENT ON/OFF , SYNC START,
SYNC STOP and other buttons con-
nected with accompaniment will not
function.
Shortcuts
To make operation as easy and as efficient as possible, the PSR-730/630 features a number of
“shortcuts” which allow you to jump directly to certain functions without having to use the MENU
and SUB MENU buttons. All of these shortcuts work in the same way: press and hold a panel
button for a few seconds to go to the related function. For example, if you press and hold the
[REVERB] button for a few seconds, you will go directly to the REVERB type selection function.
The shorcuts will also be described where appropriate throughout this manual.
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Setting Up
This section contains information about setting up your PSR-730/630 and preparing to play.
Be sure to go through this section carefully before using your PSR-730/630.
Power Supply • Never interrupt the power

supply (e.g. remove the
batteries or unplug the
Although the PSR-730/630 will run either from an optional AC adaptor or AC adaptor) during any
batteries, Yamaha recommends use of the more environmentally safe AC adaptor. PSR-730/630 record op-
eration! Doing so can re-
Follow the instructions below according to the power source you intend to use. sult in a loss of data.
■ Using An Optional AC Power Adaptor

z Plug an optional Yamaha PA-6 Power Adaptor into a wall AC outlet. • Use ONLY a Yamaha PA-6 AC
Power Adaptor (or other
x Then plug the DC output cable from the PA-6 into the DC IN 10-12V jack on adaptor specifically recom-
the rear panel of the PSR-730/630. The internal batteries are automatically mended by Yamaha) to power
your instrument from the AC
disconnected when an AC Power Adaptor is used. mains. The use of other adap-
DC IN 10-12V tors may result in irreparable
damage to both the adaptor
PA-6 and the PSR-730/630.
• Unplug the AC Power Adap-
tor when not using the PSR-
When turning the power OFF, simply reverse the procedure. 730/630, or during electrical
storms.
■ Using Batteries
For battery operation the PSR-730/630 requires six 1.5V SUM-1, “D” size, R- • When the batteries run
20 or equivalent batteries. down, replace them with a
complete set of six new
When the batteries need to be replaced “Lo Battery!!” may appear on top of the batteries. NEVER mix old
display, the volume may be reduced, the sound may be distorted, and other problems and new batteries.
may occur. When this happens, turn the power off and replace the batteries. • Do not use different kinds
of batteries (e.g. alkaline
Replace the batteries as follows: and manganese) at the
z Open the battery compartment cover located on the instrument’s bottom panel. same time.
• If the instrument is not to
x Insert the six new batteries, being careful to follow the polarity markings on be in use for a long time,
the inside of the compartment. remove the batteries from
it, in order to prevent pos-
c Replace the compartment cover, making sure that it locks firmly in place. sible fluid leakage from
the battery.
• Plugging or unplugging
the AC power adaptor
while the batteries are in-
stalled will reset the PSR-
730/630 to the defaults.
◆ Important Notes on Battery Use

• Since the PSR-730 and PSR-630 consume a considerable other data in internal memory including user styles, user pads,
amount of power, Yamaha recommends the use of an AC power registration memory, etc.
adaptor rather than batteries. The batteries should be consid- • Taking the above precautions into consideration, always use an
ered an auxiliary power source for data backup. AC power adaptor when using the PSR-630/730 for an impor-
• The floppy disk drive, in particular, uses a large amount of tant performance or when creating important data.
power, so it is important to always use an AC power adaptor • When using batteries and the “Lo Battery!!” warning initially
when performing disk-intensive operations such as song re- appears on the display, the volume will drop a little but you will
cording/playback or data load/save. If you attempt to use be able to use the instrument for a while longer. When the “Lo
battery power for these operations and the batteries do fail, you Battery!!” warning begins to appear every few seconds, re-
will lose not only the data you’re recording or saving, but also place the batteries as soon as possible.
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¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢ Setting Up
Connections
■ PHONES Jack
A standard pair of stereo headphones can be
plugged in here for private practice or late-night
playing. The internal stereo speaker system is
automatically shut off when a pair of head-
phones is plugged into the PHONES jack.
Do not listen with the headphones at high vol-
ume for long periods of time. Doing so may
cause hearing loss.
■ SUSTAIN Pedal Jack

The sustain function causes the sound from a
depressed key to continue, even after the key is
• Be sure that you do not
SUSTAIN released. Plug an optional Yamaha FC4 or FC5 press the footswitch while
footswitch into the sustain jack and use it to turning the power on. If
you do, the ON/OFF sta-
switch sustain on and off. The footswitch con- tus of the footswitch will
nected to this jack can also be set to replicate the be reversed.
functions of some panel buttons, doing things • When the sustain or
sostenuto pedal func-
like starting and stopping accompaniment (page tions are being used
117). (page 117), some
voices may sound con-
■ FOOT VOLUME Jack tinuously or have a long
decay after the notes
Connecting an optional Yamaha FC7 foot con- have been released
troller lets you use your foot to change the while the pedal is held.
FOOT VOL volume as you play the PSR-730/630 (expres-
sion function). The foot controller connected to
this jack can also be set to replicate the functions
of the main volume controls, such as accompani-
ment or song volume (page 117).
■ AUX OUT R and L/L+R Jacks

••••••••• AUX OUT • • • • • • • • •
R L/L+R The rear-panel AUX OUT R and L/L+R jacks
deliver the output of the PSR-730/630 for con- • Connecting PSR-
730/630 to external
nection to a keyboard amplifier, stereo sound equipment only after
system, a mixing console, or tape recorder. If turning off power for
all devices. To pre-
you will be connecting the PSR-730/630 to a vent damage to the
monaural sound system, use only the L/L+R speakers, set the
volume of the exter-
jack. When a plug is inserted into the L/L+R jack nal devices at the
only, the left- and right-channel signals are com- minimum setting be-
Stereo fore connecting
System bined and delivered via the L/L+R jack so you them. Failure to ob-
don’t lose any of the PSR-730/630 sound. (Use serve these cautions
may result in elec-
phone plugs). tric shock or equip-
ment damage.
■ MIDI IN/OUT and TO HOST Connectors

See page 121.
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The Demonstration
Once you’ve set up your PSR-730/630, try listening to the pre-programmed demonstration
songs. A total of 15 demo songs are provided.
1 Switch ON
Turn the power ON by pressing the [STAND BY/ON] switch.
• Even when the switch is in
STAND BY the “STAND BY” position,
ON
electricity is still flowing to
the instrument at the mini-
mum level. When you are
not using the PSR-730/630
for a long time, make sure
you unplug the AC power
adoptor from the wall AC
outlet, and/or remove the
batteries from the instru-
ment.
2 Set an Initial Volume Level

Turn the [MASTER VOLUME] control up (clockwise) about a quarter-turn
from its minimum position. You can re-adjust the [MASTER VOLUME] • If you play the PSR-730/630
control for the most comfortable overall volume level after playback begins. with the volume at its maxi-
mum level when the batteries
are used, the life of the bat-
MASTER teries will be shorter.
VOLUME
MIN MAX
3 Press the [DEMO] Button

Press the [DEMO] button to start demo playback. The PSR-730/630 SONG
menu will automatically be selected and the number and name of the first demo
• You can either have all the
song will appear on the top line of the display. The demo will begin playing demo songs played continu-
automatically. The demo songs will play in sequence, and the sequence will ously, or have only one song
play (page 77).
repeat until stopped.
DEMO
Trumpet t
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¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢ The Demonstration
4 Skip to the Beginning Of a Different Demo Song

While the demonstration is playing you can select any of the demo songs by
using the [–] and [+] buttons. Playback will skip to the beginning of the selected
song.
1 2 3
4 5 6
R&B d 7 8 9
– / NO 0 + / YES
5 Stop When Done

Press the [DEMO] button or the [START/STOP] button to stop demo playback.
• Stopping demo song
playback, then start-
DEMO START / STOP ing it again by press-
ing the [START/
STOP] button will
cause demo song
playback to automati-
cally stop at the end
of that song.
• If the [DEMO] button
is pressed in Style
Mode (page 11), the
instrument will auto-
matically switch to
Song Mode (page 11).
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Playing the PSR-730/630
The PSR-730/630 actually includes two voice sets: the “panel” voices and percussion kits,
and the XG voices. The panel voices include 215 “pitched” voices (200 “pitched” voices for
PSR-630) and 12 drum kits, while the XG voice set includes 480 voices.
When an XG voice is selected, an XG icon is displayed under the voice number at the top
of the display.
PSR-730 PSR-630
Panel Voices Voice numbers 1-215 Voice numbers 1-200
Drum Kits Voice numbers 216-227 Voice numbers 201-212
XG Voices Voice numbers 228-707 Voice numbers 213-692
Choose a voice you like, and try it out!
• Refer to the panel voice list or XG voice list when selecting voices (page 133).
• See page 3 for information about XG.
A Word About the “R1”, “R2”, and “L” Voices

The PSR-730/630 allows up to three voices to be selected at the same time: “R1”
(Right-hand 1), “R2”, (Right-hand 2) and “L” (Left-hand). The “R1” voice is the basic
voice of the PSR-730/630 and it’s used when you’re playing a single voice over the
entire range of the keyboard as with an acoustic piano. You can also have two voices
play together at the same time (R1 voice and R2 voice) or play different voices with
the right and left hands (R1 voice and L voice) (pages 19, 20). The numbers of the
currently selected R1, R2, and L voices are all shown at the lower right of on the
display panel. Normally, the R1 voice number is also shown at the upper right of the
display panel.
084 109 001 The R1 (Right-hand 1), the R2 (Right-hand 2) and the L
VOICE
L
VOICE
R2
VOICE
R1 (Left hand) voices are shown.
SPLIT DUAL
● Playing with a Single Voice

VOICE VOICE VOICE
L R2 R1
SPLIT DUAL
R1 Voice
● Playing with Two Voices (Dual Voice Mode m page 19).
VOICE VOICE VOICE
L R2 R1
SPLIT DUAL
R1 Voice + R2 Voice
● Playing Separate Voices with the Right and Left Hands (Split Voice Mode m page 20)
VOICE VOICE VOICE
L R2 R1
SPLIT DUAL
L Voice R1 Voice
VOICE VOICE VOICE
L R2 R1
SPLIT DUAL
L Voice R1 Voice + R2 Voice

(Split Voice Mode + Dual Voice Mode)
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¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢ Playing the PSR-730/630
Selecting & Playing R1 Voices
1 Select the VOICE Menu

Press the [VOICE] button so that the triangular indicator appears in the display next
to “VOICE” to the right of the display. The number and name of the currently selected
“R1” voice appears on the top right of the display panel when the VOICE menu is
selected.
p1 Gra nd Piano
001 VOICE
VOICE
VOICE
2 Select a Panel Voice

The PSR-730/630 voices can be selected by using the [–] and [+] buttons, the
number buttons, the data dial, or the [VOICE] button.
● The [–] and [+] Buttons

When the VOICE menu is selected these buttons step up or down through the PSR-
730/630’s voices. Press either button briefly to step to the next voice in the
corresponding direction, or hold the button to scroll rapidly through the voices in
the corresponding direction.
7 8 9
p1 Bri ghtPiano
002 – / NO 0 + / YES
● The Number Buttons

The number buttons can be used to directly enter the number of the desired voice,
thereby immediately selecting that voice without having to step through a number
of other voices. To select voice number 109, for example, press the [1], [0], and [9]
number buttons in sequence.
1 2 3
p1 Str ings 4 5 6
109 7 8 9
– / NO 0 + / YES
* The above illustration shows the display of the PSR-730.
17
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One- or two-digit voice numbers can be entered without leading zeros. To select
voice number “23”, for example, simply press the [2] button and then the [3] button.
The bars below the voice number on the display will flash for a few seconds, and
then disappear when the selected voice number has been recognized by the PSR-
730/630.
1 2 3
p1 Xyl ophone 4 5 6
023 7 8 9
* The above illustration shows the display of – / NO 0 + / YES

the PSR-730.
One- or two-digit voice numbers can also be entered with leading zeroes: e.g. “23”
can be entered as “023” by pressing the [0], [2], and [3] buttons. In this case the
specified voice number will be immediately recognized by the PSR-730/630.
● The Data Dial

Simply rotate the dial clockwise to increment the voice number, or counter-
clockwise to decrement the voice number.
● The [VOICE] Button

Pressing the [VOICE] button increments the voice number. Press briefly to
increment by one, or hold for continuous incrementing.
VOICE
3 Play & Adjust Volume

You can now play the selected voice on the PSR-730/630 keyboard. Use the
[MASTER VOLUME] control to adjust the overall volume level. • When a XG voice is
If the Voice Set function (page 116) is turned “on”, whenever a panel voice is selected the XG icon
will appear below the
selected appropriate “R2” and “L” voices (i.e. DUAL VOICE and SPLIT VOICE voice number.
modes) as well as digital effects, etc., will be automatically selected at the same time. • Refer to page 133 for
a complete list of the
MASTER
VOLUME panel and XG voices.
MIN MAX
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◆ Keyboard Percussion
When one of the 12 panel DRUM KIT voices are selected you can play different
drums and percussion instruments on the keyboard. The drums and percussion • The HARMONY effect
instruments played by the various keys are marked by symbols below the keys. (page 47) cannot be
turned on while a
drum kit is selected
for the “R1” voice, and
p1 Std .Kit1 will automatically be
turned off if a drum kit
216 VOICE
is selected while
HARMONY is on.
• The TRANSPOSE pa-
* The above illustration shows the display of the PSR-730. rameter (page 56) has
no effect on the drum
● The Drum Kits kit voices.
PSR-730 PSR-630 Kit Name PSR-730 PSR-630 Kit Name • See page 140 for a
complete listing of the
216 201 Standard Kit1 222 207 Dance Kit keyboard percussion
217 202 Standard Kit2 223 208 Jazz Kit drum instrument as-
signments.
218 203 Room Kit 224 209 Brush Kit
219 204 Rock Kit 225 210 Classic Kit
220 205 Electronic Kit 226 211 SFX Kit 1
221 206 Analog Kit 227 212 SFX Kit 2
The Dual Voice Mode

When the DUAL VOICE mode is engaged you can play two voices (the R1 and R2
voices) simultaneously across the entire keyboard. • The R1/R2 voice set-
The DUAL VOICE mode is turned on and off by pressing the [DUAL VOICE] tings (voice param-
eters) can be changed
button. When the DUAL VOICE mode is turned on both R1 and R2 icons in the display as required by using
will light. Press the [DUAL VOICE] button a second time to turn the DUAL VOICE the REVOICE function,
described on page
mode off: the R2 icon in the display will go out leaving only the R1 icon lit. 110.
• The R1 voice cannot
DUAL VOICE
084 109 001 be turned off.
VOICE VOICE VOICE • The DUAL VOICE
L R2 R1
SPLIT DUAL mode can be used at
the same time as the
SPLIT VOICE mode,
described below. In
In the Syle mode, the R2 TRACK button below the display (second from the right) this case the L voice is
played on the left-hand
can also be used to turn the R2 voice on or off as required. section of the key-
board while both the
084 109 001 R1 and R2 voices are
VOICE VOICE VOICE
played on the right-
L R2 R1 hand section of the
SPLIT DUAL
keyboard. See the
L R2 R1 “The Split Voice Mode”
section, below, for
more information.
14 15 16
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The Split Voice Mode

The SPLIT VOICE mode lets you play different voices with the left and right hands.
The “split point” forms a boundary on the keyboard with the R voice playing on the • The L voice settings
right side, and the L voice on the left. (voice parameters)
can be changed as
required by using the
REVOICE function,
described on page
110.
• The split point can be
Split Point changed as required
as described below.
The SPLIT VOICE mode is engaged by pressing the [SPLIT VOICE] button.
When turned on, the L icon in the display will light in addition to the R1 or R1 and R2
icons. Press the [SPLIT VOICE] button a second time to disengage the SPLIT VOICE
mode: the L icon will go out leaving only the R voice.
SPLIT VOICE
084 109 001
VOICE VOICE VOICE
L R2 R1
SPLIT DUAL
In the Syle mode, the L TRACK button below the display (third from the right) can
also be used to turn the L voice on or off as required.
084 109 001

VOICE VOICE VOICE
L R2 R1
SPLIT DUAL
L R2 R1
14 15 16
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Changing the SPLIT VOICE Split Point

The SPLIT VOICE split point can be set to any key on the PSR-730/630 keyboard
to match your individual playing requirements.
1 Select the SPLIT VOICE Split Point Function

Use the MENU [▲] and [▼] buttons to the left of the display to move the triangular
indicator next to “OVERALL” on the left side of the display.
MENU MIDI
DIGITAL EFFECT
OVERALL
GROOVE&DYNAMICS
Then use the SUB MENU [▲] and [▼] buttons to select the “Split Point” function
from within the OVERALL menu . The MIDI note number (see the bottom of the
keyboard) corresponding to the current split point will appear to the right of “Split
Point” on the top line of the display.
SplitPoi nt: 59 [ B2 ]
2 Set As Required
Simply press the key you want to assign as the split point. The key number of the
key you press will appear to the right of “SplitPoint” on the top line of the display. You • The split point key be-
comes the highest
can also use the [–] and [+] buttons, number buttons, or data dial to enter the split point key in the left-hand
key number. The lowest key on the keyboard (C1) is key number “36”, middle C (C3) section of the key-
board.
is “60”, and the highest key (C5) is 96. The split point can be set at any key number
• The default split point
from 0 through 127, allowing the split point to be set outside the range of the PSR-730/ (54 for PSR-730 and
630 keyboard for MIDI applications. 59 for PSR-630) can
be instantly recalled
by pressing the [–]
and [+] buttons at the
1 2 3
same time.
• For the relationship
4 5 6
between the SPLIT
VOICE split point and
the AUTO ACCOM-
7 8 9 PANIMENT split
point, see page 31.
– / NO 0 + / YES • When setting the split
point, that is, the sub
menu “SplitPoint” is
shown on the display,
pressing the key on
the keyboard doesn’t
either produce notes
or detect chords in the
accompaniment sec-
tion, but only desig-
nates the split point.
21
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Auto Accompaniment
The PSR-730/630 has 100 different accompaniment “styles” from every musical type that can
be used to provide fully-orchestrated or rhythm-only accompaniment. Just select one of the
many styles available and play along.
What is Auto Accompaniment?

With the Auto Accompaniment feature, all you have to do is play the chords in your
song and the accompaniment style that matches your music will automatically play
along following the same chord progression. Using Auto Accompaniment, even a
solo performer can enjoy playing with an entire band or orchestra backing them up.
● When Auto Accompaniment is turned on...

The specified left-hand section of the keyboard becomes the “Auto Accompa-
• The default setting for
niment” section, and chords played in this section are automatically detected the Auto Accompani-
and used as a basis for fully automatic accompaniment with the selected style. ment split point is [54]
(the Auto Accompani-
AUTO ACCOMPANIMENT ment sections ex-
split point (54) tends to the left of key
[54]). To change the
Auto Accompaniment
split point, see page
30.
“auto accompaniment”
section
Using Auto Accompaniment
1 Select a Style
Press the [STYLE] button to select the STYLE menu (the triangular indicator will
appear next to “STYLE” to the right of the display). The number and name of the
currently selected style will appear on the top left of the display, and the STYLE
icon will light, indicating that the PSR-730/630 is in Style Mode.

001 116
TEMPO 100
A
REPEAT
B ONE TOUCH
SETTING
001
MEASURE BEAT
001 VOICE
VOICE
119
STYLE
STYLE
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
219 219 355 337 339 407 324 362 888 888 888 888 888 084 109 001
1 2 1 2 1 2 1 2 3 4 L R2 R1
SPLIT DUAL SONG SONG
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Find the style you want by referring to the style list (page 142), then pressing the [1]–
[0] number buttons, enter the 1-3 digits of its style number.
• Just like the voice

numbers, when se-
1 2 3 lecting 1 or 2 digit
Example: Select style number “24” (Dance Pop 2)
style numbers, if you
Press number buttons [2], [4] in sequence. add [0] at the begin-
4 5 6
ning and enter a 3
digit number, it will be
Dance Po p2 7 8 9
immediately recog-
nized. For example, to
024 – / NO 0 + / YES
select style number
“95” (Polka) press
buttons [0], [9], [5] in
sequence.
You can also change style numbers using the [+], [–] buttons or the Data Dial. Also you
can increment the style number by pressing the [STYLE] button. Press briefly to
increment by one, or hold for continuous incrementing.
7 8 9
STYLE
– / NO 0 + / YES
2 Turn AUTO ACCOMPANIMENT On

Press the AUTO ACCOMPANIMENT [ON/OFF] so that its indicator lights.
• If AUTO ACCOMPA-
NIMENT is off (not lit),
ACCOMPANIMENT
ON / OFF only rhythm (drums
and percussion) ac-
companiment will be
produced.
• For information about
the accompaniment
tracks, see page 28.
3 Start the Accompaniment

There are several ways to start the accompaniment:
● Straight start
Press the [START/STOP] button. The rhythm will begin playing immediately
without bass and chord accompaniment. The currently selected MAIN [A] or [B]
• It is possible to select
section will play. the MAIN A or B sec-
tion prior to a straight
start — refer to “7.
START / STOP MAIN / AUTO FILL Select the MAIN A
SYNC STOP START INTRO A B ENDING
and B Sections as
AUTO ACCOMPANIMENT Required,” below.
A B
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Auto Accompaniment
● Start with an introduction followed by the MAIN A section

Press the [INTRO] button so that its indicator lights, press the MAIN/AUTO
FILL [A] button (not necessary if its indicator is already flashing), then press
[START/STOP].
MAIN / AUTO FILL START / STOP

IMENT
A B
● Start with an introduction followed by the MAIN B section

Press the [INTRO] button so that its indicator lights, press the MAIN/AUTO
FILL [B] button (not necessary if its indicator is already flashing), then press
[START/STOP].
MAIN / AUTO FILL START / STOP
IMENT
A B
● Synchronized start
Any of the above start types can be synchronized to the first note or chord • If you press the [SYNC
played on the left-hand section of the keyboard (i.e. keys to the left of and START] button while the
accompaniment is playing,
including the split-point key — normally 54) by first pressing the [SYNC the accompaniment will
START] button. stop and the synchro start
mode will be engaged.
• The [INTRO] button can be
MAIN / AUTO FILL used to select the INTRO
section even while the ac-
IMENT
A B companiment is playing.
• The accompaniment split
point can be changed via
the “Accompaniment Split
Point” function in the
OVERALL menu — see
page 30.
Pressing the [SYNC START] button alone causes a straight start to occur
when the first note or chord is played. Press the [SYNC START] button and • When the AUTO ACCOM-
PANIMENT split point and
then the appropriate [INTRO] and [MAIN/AUTO FILL] buttons for a SPLIT VOICE split point are
synchronized introduction start. The BEAT indicator will flash at the current set at different keys, the L
voice can be played be-
tempo when a synchronized start mode has been selected. The synchro start tween the AUTO ACCOM-
mode can be disengaged prior to actually starting the accompaniment by PANIMENT split point and
SPLIT VOICE split point
pressing the [SYNC START] button a second time. when the AUTO ACCOM-
PANIMENT function is on.
MAIN / AUTO FILL • When the AUTO ACCOM-
PANIMENT split point and
NIMENT SPLIT VOICE split point are
A B
set to the same key, the L
voice can be played any-
where to the left of the
AUTO ACCOMPANIMENT
split point and SPLIT
VOICE split point while
AUTO ACCOMPANIMENT
is not playing.
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4 Play the Melody with the Accompaniment

As soon as you play any chord that the PSR-730/630 can “recognize” on the left-
hand section of the keyboard, the PSR-730/630 will automatically begin to play the • When the Fingering Mode
is set for “Single Finger,”
chord along with the selected rhythm and an appropriate bass line. The name of the “Fingered 1,” “Fingered 2,”
current chord will appear on the display. or “Multi-Finger,” playing a
chord in the auto accom-
paniment section while
the rhythm is stopped will
1 2 3 4 VOICE cause Bass + Chord to be
MULTI PAD
dim 6
119 played (for all styles).
513
m M 7aug sus 4
FINGERING GROOVE & DYNAMICS
However, when the Auto
Accompaniment split point
and the Split Voice split
point are the same key,
The chord will be recognized according to the rules set in the Fingering Mode. playing a chord in the ac-
companiment section with
the rhythm stopped will
• For the method for entering chords, see page 32 “Auto Accompaniment Fingering Modes.”
cause Bass + L voice to
be played.
The Auto Accompaniment will continue playing even if the left hand releases the
keys. As you press each chord in the song, you can play the melody along with the
accompaniment.
5 Changing Accompaniment Sections

You can vary the song by pressing [INTRO], MAIN/AUTO FILL [A]/[B] or
[ENDING] buttons and changing to a different accompaniment section (page 27).
Try pressing the different buttons and see what happens.
MAIN / AUTO FILL
INTRO A B ENDING
A B
• The ending will begin
playing immediately when
you press the ENDING
6 Stop the Accompaniment button while the accompa-

niment is playing the first
beat of the measure.
The ending will begin
Press the [START/STOP] button to stop the accompaniment. playing from the next
measure when you press
START / STOP
the button while the ac-
companiment is playing
the second or larger num-
bered beat.
• If you press the INTRO
button while the ending is
playing, the intro section
If you want to stop after playing the ending, press the [ENDING] button.
will begin playing after the
The accompaniment will stop after playing the ending . ending is finished.
• If you press a MAIN/
ENDING
AUTO FILL (A,B) button
while the ending is play-
ing, fill-in accompaniment
will immediately start play-
ing, continuing with the
main section.
• If you press the SYNC
START while an accom-
paniment is playing, the
accompaniment will stop
and the PSR-730/630 will
enter Synchronized Start
standby status.
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Auto Accompaniment
◆ Changing Tempo
You can change the tempo for accompaniment or song playback.
When you select a different style while the accompaniment is not playing, the
“default” tempo for that style is also selected, and the tempo is displayed immediately
above “TEMPO” in the display in quarter-note beats per minute. If the accompaniment
is playing, the same tempo is maintained even if you select a different style.
You can change the tempo to any value between 32 and 280 beats per minute,
however, by using the TEMPO [▼] and [▲] buttons. Press either button briefly to
decrement or increment the tempo value by one, or hold the button for continuous
decrementing or incrementing.
TEMPO
Tempo: 116
001 116
TEMPO 100
A B
REPEAT
ONE TOUCH
SETTING
When either of the TEMPO buttons is pressed the current tempo value will appear
on the top line of the display for a few seconds — during this time the [–] and [+]
buttons, number buttons, or data dial can also be used to set the tempo. The default
tempo for the selected style can be recalled at any time by pressing both the TEMPO
[▼] and [▲] buttons simultaneously (or by pressing the [–] and [+] buttons simulta-
neously while the tempo value is showing on the top line of the display).
◆ The Beat Indicator

When Auto Accompaniment or song playback is started, the four dots of the BEAT
indicator provide a visual indication of the selected tempo as shown below.
4/4 time 3/4 time

1st beat
2nd beat
3rd beat
4th beat
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◆ Accompaniment Sections
There are 8 types of Auto Accompaniment sections that allow you to vary the
arrangement of the accompaniment to match the song you are playing. They are: • The MAIN A section is
automatically selected
Intro, Main A and B, Fill-in (AA, AB, BA, BB) and Ending. By switching between whenever the PSR-730/
them while playing you can put together a single song. 630 power is initially
turned on.
MAIN / AUTO FILL • The indicator of the desti-

INTRO A B ENDING nation section (MAIN A
or B) will flash while the
A B corresponding fill-in is
playing. During this time
you can change the des-
tination section by press-
ing the appropriate
● INTRO Section MAIN/AUTO FILL [A] or
[B] button.
This is the beginning of the song. When the intro finishes playing, accompa-
• You can use the intro
niment shifts to the main section. section even in the
middle of the song by
pressing the INTRO but-
● MAIN Section ton during the song.
There are two variations that can play in the main section of the song: A and • If the MAIN/AUTO FILL
B. The Auto Accompaniment will automatically play following along with the A/B button is pressed af-
ter the final half beat
chords that you play. (eighth note) of the mea-
sure, fill-in will begin from
the next measure.
● FILL-IN Section
• You can begin the ac-
Fill-in livens up pauses in the song. Whenever you press the MAIN/AUTO companiment by using
FILL [A] or [B] button during accompaniment, the PSR-730/630 will generate the ending instead of the
intro section.
an appropriate “fill-in” (one of four types: AA, AB, BA, and BB) which will
smoothly connect the current section to the selected section — even if it is the
same section.
● ENDING Section
This is the ending portion of the song. When the ending is finished, Auto
Accompaniment will stop.
27
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Auto Accompaniment
◆ Accompaniment Track Muting

The PSR-730/630 has eight accompaniment tracks — RHYTHM 1, RHYTHM 2,
BASS, CHORD 1, CHORD 2, PAD, PHRASE 1, and PHRASE 2 — that you can • Individual track voic-
control to modify the “orchestration” and therefore the overall sound of the accompa- es, volume, and
other parameters
niment. When a style is selected the icons corresponding to the tracks which contain can be changed by
data for any section of that style will light. using the REVOICE
function — page
Individual accompaniment tracks can be turned OFF (muted) or ON by pressing the 112.
TRACK buttons corresponding to the target tracks. The track icon will disappear
when a track is muted. By turning the tracks OFF and ON in different combinations,
you can create various arrangements from a single accompaniment style.
● What’s in the Tracks

RHYTHM 1 & 2 These are the main rhythm tracks. The RHYTHM
1 2 3 4 5 6 7 8 tracks produce the drum and percussion sounds.
219 219 340 322 324 407 324 347
BASS The BASS track always plays a bass line, but the
RHYTHM RHYTHM
1 2
BASS CHORD
1
CHORD
2
PAD PHRASE PHRASE
1 2 voice will change to fit the selected style … acoustic
bass, synth bass, tuba, etc.
ACCOMPANIMENT TRACK
CHORD 1 & 2 These tracks provide the rhythmic chordal accom-
paniment required by each style. You’ll find guitar,
piano, and other chordal instruments here.
PAD This track plays long chords where necessary, using
1 2 3 4 5 6 7 8
sustained instruments such as strings, organ, choir.
PHRASE 1 & 2 This is where the musical embellishments reside.
The PHRASE tracks are used for punchy brass
stabs, arpeggiated chords, and other extras that
make the accompaniment more interesting.
◆ The Synchro Stop Function

When the Synchro Stop function is engaged, accompaniment playback will stop
• The Synchro Stop
completely when all keys in the auto-accompaniment section of the keyboard are function can not be
released. Accompaniment playback will start again as soon as a chord is played. turned on when the
FULL KEYBOARD
The BEAT indicators in the display will flash while the accompaneiment is AUTO ACCOMPANI-
stopped. MENT fingering mode
is selected. The Syn-
The Synchro Stop function is engaged by pressing the [SYNC STOP] button chro Stop function will
so that the SYNC STOP icon in the display appears. Press the [SYNC STOP] be automatically
turned off if the FULL
button again so that the icon disappears to turn the Synchro Stop function off.
KEYBOARD fingering
mode is selected while
the Synchro Stop func-
SYNC STOP
p1
START
Gra nd Piano tion is on.
AUTO ACCOMPANIMENT ONE TOUCH
SETTING
001
MEASURE BEAT
001
FREEZE 1 2 3 4 VOICE
MEMORY MULTI PAD
119
dim 6 513
SYNC STOP FINGERING m M 7aug sus 4 GROOVE & DYNAMICS
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Using Virtual Arranger

When the Virtual Arranger function is turned on while Auto Accompaniment is
active, simply pressing chords in the auto accompaniment section causes the Auto
Accompaniment to automatically play slightly different chord variations, which
creates a livelier and more melodic accompaniment. Turning the Virtual Arranger
function off returns to normal Auto Accompaniment.
Press the [STYLE] button to select the STYLE menu. The triangular indicator will
appear next to “STYLE” to the right of the display, and the PSR-730/630 will enter • Simultaneously press-
ing the [SYNC STOP]
Style Mode (the STYLE icon will light). and [SYNC START]
buttons causes the
Virtual Arranger to
STYLE switch between off
STYLE and on. The current
on/off status will be
shown at the top right
of the display. (The
on/off display will re-
When Style Mode is selected with the Style Menu (the STYLE icon is lit), the turn to its original con-
on/off setting of the Virtual Arranger can be changed with the Sub Menu. Select the dition after a few sec-
onds.)
“V.Arranger” sub menu using the SUB MENU [▼], [▲] keys. The current on/off
status will be shown at the top right of the display.
SUB MENU
V.Arrang er: Off
Change the on/off status using the [+], [–] buttons or the Data Dial.
Accompaniment Volume Control

The volume of the accompaniment in relation to the keyboard can be adjusted for
the best overall balance by using the ACMP/SONG VOLUME [▼] and [▲] buttons. • While the accompani-
When either button is pressed the current accompaniment volume setting will appear ment volume setting
appears on the top
on the top line of the display for a few seconds. line of the display the
The accompaniment volume range is from “0” (no sound) to “127” (maximum [–] and [+] buttons,
number buttons, or
volume). The default setting is “100”. Press the ACMP/SONG VOLUME [▼] button Data Dial can also be
to decrease the volume or the [▲] button to increase the volume. Press the button used to set the ac-
companiment volume.
briefly to single step, or hold to continuously decrement or increment.
ACMP / SONG
VOLUME
AcmpVolu me: 100
001 116
TEMPO 100
A B
REPEAT
ONE TOUCH
SETTING
STYLE 000
TRANSPOSE
ACMP/SONG
VOLUME
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Auto Accompaniment
Changing the Accompaniment Split Point

The AUTO ACCOMPANIMENT split point (the boundary point between the
melody section and accompaniment section) can be set to any key on the PSR-730/630
keyboard to match your individual playing requirements.
1 Select the Accompaniment Split Point Function

MENU MIDI
DIGITAL EFFECT
OVERALL
GROOVE&DYNAMICS
Then use the SUB MENU [▲] and [▼] buttons to select the “AcmpSplit” function
from within the OVERALL menu . The MIDI note number corresponding to the
current split point will appear to the right of “AcmpSplit” on the top line of the display.
AcmpSpli t: 54 [F#2 ]
2 Set As Required
Simply press the key you want to assign as the split point. The key number of the
key you press will appear to the right of “AcmpSplit” on the top line of the display. You
• The split point key be-
can also use the [–] and [+] buttons, number buttons, or Data Dial to enter the split point comes the highest
key number. The split point can be set at any key number from 0 through 127. key in the Auto Ac-
companiment section
of the keyboard.
• When setting the split
1 2 3
point, that is, the sub
menu “AcmpSplit” is
4 5 6 shown on the display,
pressing the key on
the keyboard doesn’t
7 8 9
either produce notes
or detect chords in the
– / NO 0 + / YES accompaniment sec-
tion, but only desig-
nates the split point.
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◆ Interaction Between the AUTO ACCOMPANIMENT and

SPLIT VOICE Split Points
The SPLIT VOICE split point (page 21) and AUTO ACCOMPANIMENT split point
can be independently specified, with the following limitations. The SPLIT VOICE
split point cannot be set at a lower key than the AUTO ACCOMPANIMENT split point
(if you attempt to do this the AUTO ACCOMPANIMENT split point will be set to the
same key as the SPLIT VOICE split point). Conversely, the AUTO ACCOMPANI-
MENT split point cannot be set at a higher key than the SPLIT VOICE split point (if
you attempt to do this the SPLIT VOICE split point will be set to the same key as the
AUTO ACCOMPANIMENT split point).
AUTO ACCOMPANIMENT SPLIT VOICE

split point split point
L Voice R Voice
Accompaniment
AUTO ACCOMPANIMENT split point/

SPLIT VOICE split point
R Voice
Accompaniment/
L Voice
The Auto Accompaniment Fingering Modes

The PSR-730/630 AUTO ACCOMPANIMENT feature has five different fingering
modes which can be selected as follows.
1 Select the Fingering Mode Function

• You can jump directly
to the “FingerMode”
MENU MIDI function by pressing
and holding the AUTO
DIGITAL EFFECT
ACCOMPANIMENT
OVERALL [ON/OFF] button for a
few seconds.
GROOVE&DYNAMICS
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Auto Accompaniment
Then use the SUB MENU [▲] and [▼] buttons to select the “FingerMode” function
from within the OVERALL menu. The abbreviated name of the current fingering • The default Fingering
mode will appear to the right of “FingerMode” on the top line of the display. Mode is “Multi”.
FingerMo de: Mul ti
2 Select the Required Fingering Mode

Use the [–] and [+] buttons or Data Dial to select the desired fingering mode:
● Single (Single Finger)

● Fingered 1
● Fingered 2
● Full Key (Full Keyboard)
● Multi (Multi-finger)
● The SINGLE FINGER Mode
FingerMo de: Sin gle

Single-finger accompaniment makes it simple to produce beautifully orchestrated
accompaniment using major, seventh, minor and minor-seventh chords by pressing
a minimum number of keys on the AUTO ACCOMPANIMENT section of the
keyboard. The abbreviated chord fingerings described below are used:
C
■ For a major chord, press the root key only.
Root Key Diagram
Cm Auto Accompaniment
■ For a minor chord, simultaneously press the root key Split Point [54]
and a black key to its left.
C7 C# E b F# A b Bb C# E b F#
■ For a seventh chord, simultaneously press the root
C D E F G A B C D E F
key and a white key to its left. Accompaniment
Section
Cm 7
■ For a minor-seventh chord, simultaneously press the
root key and both a white and black key to its left.
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● The FINGERED 1 Mode
FingerMo de: Fin gered 1
The Fingered 1 mode lets you finger your own chords on the AUTO ACCOMPA-
NIMENT section of the keyboard (i.e. all keys to the left of and including the split-
point key — normally 54) while the PSR-730/630 supplies appropriately orches-
trated rhythm, bass, and chord accompaniment in the selected style.
The FINGERED 1 mode recognizes the following chords:
Chord Name/[Abbreviation] Normal Voicing Chord (C) Display

Major [M] 1-3-5 C C • Notes in parentheses
Add ninth [(9)] 1-2-3-5 C(9) C(9) can be omitted.
Sixth [6] 1 - (3) - 5 - 6 C6 C6 • If you play any three
adjacent keys (includ-
Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6 C6(9) C6(9)
ing black keys), the
Major seventh [M7] 1 - 3 - (5) - 7 or CM7 CM7 chord sound will be
1 - (3) - 5 - 7 canceled and only the
Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7 CM7(9) CM7(9) rhythm instruments
will continue playing
Major seventh add sharp eleventh [M7(#11)] 1 - (2) - 3 - #4 - 5 - 7 or CM7(#11) CM7(#11) (CHORD CANCEL
1 - 2 - 3 - #4 - (5) - 7
function).
Flatted fifth [(b5)] 1 - 3 - b5 C(b5) C(b5)
• Playing a single key
Major seventh flatted fifth [M7b5] 1 - 3 - b5 - 7 CM7b5 CM7(b5) or two same root keys
in the adjacent oc-
Suspended fourth [sus4] 1-4-5 Csus4 Csus4
taves produces ac-
Augmented [aug] 1 - 3 - #5 Caug Caug companiment based
Major seventh augmented [M7aug] 1 - (3) - #5 - 7 CM7aug CM7aug only on the root.
Minor [m] 1 - b3 - 5 Cm Cm • A perfect fifth (1 + 5)

produces accompani-
Minor add ninth [m(9)] 1 - 2 - b3 - 5 Cm(9) Cm(9) ment based only on
Minor sixth [m6] 1 - b3 - 5 - 6 Cm6 Cm6 the root and fifth
which can be used
Minor seventh [m7] 1 - b3 - (5) - b7 Cm7 Cm7
with both major and
Minor seventh ninth [m7(9)] 1 - 2 - b3 - (5) - b7 Cm7(9) Cm7(9) minor chords.
Minor seventh eleventh [m7(11)] 1 - (2) - b3 - 4 - 5 - (b7) Cm7(11) Cm7(11) • The chord fingerings
listed are all in “root”
Minor major seventh [mM7] 1 - b3 - (5) - 7 CmM7 CmM7
position, but other in-
Minor major seventh ninth [mM7(9)] 1 - 2 - b3 - (5) - 7 CmM7(9) CmM7(9) versions can be used
Minor seventh flatted fifth [m7b5] 1 - b3 - b5 - b7 Cm7b5 Cm7(b5) — with the following
exceptions:
Minor major seventh flatted fifth [mM7b5] 1 - b3 - b5 - 7 CmM7b5 CmM7(b5)
m7, m7b 5, 6, m6,
Diminished [dim] 1 - b3 - b5 Cdim Cdim sus4, aug, dim7,
Diminished seventh [dim7] 1 - b3 - b5 - 6 Cdim7 Cdim7 7b 5, 6(9), m7(11),
1+2+5.
Seventh [7] 1 - 3 - (5) - b7 or C7 C7
1 - (3) - 5 - b7 • Inversion of the 7sus4
chord is not recog-
Seventh flatted ninth [7(b9)] 1 - b2 - 3 - (5) - b7 C7(b9) C7(b9)
nized if the 5th is
Seventh add flatted thirteenth [7(b13)] 1 - 3 - 5 - b6 - b7 C7(b13) C7(b13) omitted.
Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b7 C7(9) C7(9) • The AUTO ACCOM-
Seventh add sharp eleventh [7(#11)] 1 - (2) - 3 - #4 - 5 - b7 or C7(#11) C7(#11) PANIMENT will some-
1 - 2 - 3 - #4 - (5) - b7 times not change
when related chords
Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b7 C7(13) C7(13)
are played in se-
Seventh sharp ninth [7(#9)] 1 - #2 - 3 - (5) - b7 C7(#9) C7(#9) quence (e.g. some
Seventh flatted fifth [7b5] 1 - 3 - b5 - b7 C7b5 C7b5 minor chords followed
by the minor seventh).
Seventh augmented [7aug] 1 - 3 - #5 - b7 C7aug C7aug
• Two-note fingerings
Seventh suspended fourth [7sus4] 1 - 4 - (5) - b7 C7sus4 C7sus4 will produce a chord
One plus two plus five [1+2+5] 1-2-5 C1+2+5 C based on the previ-
ously played chord.
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Auto Accompaniment
Example for “C” chords

C C (9) C6 C 6 (9) CM 7 CM 7 (9) CM7 (#11) C (b5) CM7 b5
)
)
)
)
(
(
(
(
Csus 4 Caug CM 7 aug Cm Cm (9) Cm 6 Cm 7 Cm 7 (9) Cm 7 (11)
)
(
)
)
(
(
CmM 7 CmM 7 (9) Cm 7 b5 CmM 7 b5 Cdim Cdim 7 C7 C 7 (b9) C 7 (b13)
)
)
(
(
(
C 7 (9) C 7 (#11) C 7 (13) C 7 (#9) C 7 b5 C 7 aug C 7 sus4 C 1+2+5
)
)
)
)
(
(
(
(
● The FINGERED 2 Mode
FingerMo de: Fin gered 2
This is essentially the same as the FINGERED 1 mode, described above, except
that the FINGERED 2 mode additionally allows you to specify the lowest note
of each chord — simply, the lowest note played in the AUTO ACCOMPANI-
MENT section of the keyboard is used as the accompaniment bass note. This
means you can specify “on-bass” chords in which the main bass note for the
chord is not the root of the chord. For a C major chord, for example, you could
use E (the third) or G (the fifth) as the bass note rather than C.
C C on E C on G
● The FULL KEYBOARD Mode (Full Key)
FingerMo de: Ful l Key
When the FULL KEYBOARD Mode is selected, the PSR-730/630 will auto-
matically create appropriate accompaniment while you play just about anything • When the FULL KEY-
using both hands, anywhere on the keyboard. You do not have to worry about BOARD mode is se-
lected, the split point set-
specifying the accompaniment chords. The name of the detected chord will ting (see page 30) for the
appear in the display. auto accompaniment will
be ignored.
• Chord detection occurs
at approximately 8th-note
intervals. Extremely short
chords — less than an
8th note in length — may
not be detected.
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● The MULTI-FINGER Mode (Multi)
FingerMo de: Mul ti
This is the default accompaniment mode. The MULTI-FINGER mode auto-

matically detects SINGLE FINGER or FINGERED 1 chord fingerings, so you • If you want to play minor,
can use either type of fingering without having to switch fingering modes. seventh or minor seventh
chords using the SINGLE
FINGER operation in the
MULTI-FINGER Mode, al-
ways press the closest
white/black key(s) to the
root of the chord.
◆ The Stop Accompaniment Function

While the SINGLE FINGER, FINGERED 1, FINGERED 2, or MULTI-FIN-
GER mode is selected chords played in the AUTO ACCOMPNIMENT section of • When the AUTO AC-
the keyboard are also detected and played by the PSR-730/630 Auto Accompani- COMPANIMENT split
point and SPLIT
ment system when the accompaniment is stopped (except when the FULL KEY- VOICE split point are
BOARD mode is engaged). In this case the bass note and chord voices are selected set to the same key,
the L voice and the
automatically. automatically selected
bass note will sound.
Groove and Dynamics (PSR-730)

The PSR-730 Groove & Dynamics function lets you temporarily change the
timing, velocity and gate time of notes during playback of any of the preset
accompaniment styles (style numbers 1-100).
● Groove .......... Lets you play the music with some swing or put a little groove
in the beat by making subtle shifts in the timing (clock) of the
accompaniment.
● Dynamics ...... Changes the impression of the accompaniment by varying the
velocity of the notes in relation to the timing.
The Groove & Dynamics function is composed of the four items below. When you
choose an accompaniment style, the most appropriate template or value for each
item will be automatically set.
• Beat Groove Template (Automatically selected from 49 types)
• Measure Groove Template (Automatically selected from 25 types)
• Dynamics Template (Automatically selected from 17 types)
• Dynamics Rate (Automatically set within a range of 0-100%)
• Expand Rate (Automatically set within a range of 0-400%)
• Boost Rate (Automatically set within a range of 0-400%)
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Auto Accompaniment
■ Applying Groove & Dynamics

When you press the [GROOVE & DYNAMICS] button, the GROOVE & DYNAM-
ICS icon will light, and the Groove & Dynamics effect will be applied to the
accompaniment.
p1 Gra nd Piano
001
VOICE
GROOVE & DYNAMICS
■ Arranging the Groove & Dynamics Effect (User Settings)

You can arrange any of the Groove & Dynamics settings (Beat Groove Template,
Measure Groove Template, Dynamics Template, Dynamics Rate, Expand Rate or
Boost Rate) that have been preset for each accompaniment style, and apply any kind
of effect you want.
Use the MENU [s] and [t] buttons to the left of the display to move the triangular
indicator next to “GROOVE & DYNAMICS” on the left side of the display.
MENU MIDI
DIGITAL EFFECT
OVERALL
GROOVE&DYNAMICS
● Select the Beat Groove Template

Use the SUB MENU [s] and [t] buttons to select the “BeatGroove” function from
within the GROOVE & DYNAMICS menu. The name of the currently selected
Beat Groove Template will appear on the right of the top line of the display.
SUB MENU
BeatGroo ve: Thru
Referring to the “Beat Groove Template List” below, use the [+], [–] buttons or the
Data Dial to select one of the 49 template types.
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Beat Groove Template List

The templates in this list shift the timing of the accompaniments by beats.
These templates add lifelike effect to your accompaniments by converting a specific beat to
another and slightly shifting the converted beat.
Name: Indicates each template name.

No.1"Thru” (No.1) adds no effect as its name implies.
Targeted Beat: Beats to be converted.
8 = Eighth note
12 = Eighth note triplet
16 = 16th note
24 = 16th note triplet
Converted Beat: Converted results.
For example, selecting one of the templates, 12-17 (16 as Targeted Beat and 8 as Converted
Beat), indicates every 16th note will be converted to eighth notes.
Swing: Delays the timing of the converted beat. There are six types: A
(Min.), B, C, D, E (Max.) and off (no effect).
No. Name Targeted Converted Swing No. Name Targeted Converted Swing
Beat Beat Beat Beat
1 Thru 8 off off 26 12_12to16A_A 12 16A A
2 8_off_A 8 off A 27 12_12to16A_B 12 16A B
3 8_off_B 8 off B 28 12_12to16A_C 12 16A C
4 8_off_C 8 off C 29 12_12to16A_D 12 16A D
5 8_off_D 8 off D 30 12_12to16A_E 12 16A E
6 8_off_E 8 off E 31 12_12to16B_off 12 16B off
7 16_off_A 16 off A 32 12_12to16B_A 12 16B A
8 16_off_B 16 off B 33 12_12to16B_B 12 16B B
9 16_off_C 16 off C 34 12_12to16B_C 12 16B C
10 16_off_D 16 off D 35 12_12to16B_D 12 16B D
11 16_off_E 16 off E 36 12_12to16B_E 12 16B E
12 16_16to8_off 16 8 off 37 24_24to8_off 24 8 off
13 16_16to8_A 16 8 A 38 24_24to8_A 24 8 A
14 16_16to8_B 16 8 B 39 24_24to8_B 24 8 B
15 16_16to8_C 16 8 C 40 24_24to8_C 24 8 C
16 16_16to8_D 16 8 D 41 24_24to8_D 24 8 D
17 16_16to8_E 16 8 E 42 24_24to8_E 24 8 E
18 16_16to12_off 16 12 off 43 24_24to16_off 24 16 off
19 12_12to8_off 12 8 off 44 24_24to16_A 24 16 A
20 12_12to8_A 12 8 A 45 24_24to16_B 24 16 B
21 12_12to8_B 12 8 B 46 24_24to16_C 24 16 C
22 12_12to8_C 12 8 C 47 24_24to16_D 24 16 D
23 12_12to8_D 12 8 D 48 24_24to16_E 24 16 E
24 12_12to8_E 12 8 E 49 24_24to12_off 24 12 off
25 12_12to16A_off 12 16A off
● Select the Measure Groove Template

Use the SUB MENU [s] and [t] buttons to select the “MeasGroove” function
from within the GROOVE & DYNAMICS menu. The name of the currently
selected Measure Groove Template will appear on the right of the top line of the
display.
MeasGroo ve: Thru

Referring to the “Measure Groove Template List” below, use the [+], [–] buttons
or the Data Dial to select one of the 25 template types.
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Auto Accompaniment
Measure Groove Template List

The templates in this list shift the timing of the accompaniments by measures. These
templates add lifelike effect to your accompaniments by hastening or delaying the timing of
the first beat of every measure.
Name: Indicates each template name and content.

“Push” in the template names indicates those templates hasten the timing.
“Heavy” indicates the templates delay the timing. The suffixes “A”, “B” and
“C” indicate min., med. and max., respectively.
Time Signature: Indicates the appropriate time signatures for you to use.
Be sure to match the time signature here to your song.
No. Name Time Signature No. Name Time Signature No. Name Time Signature
1 Thru - 10 3_PushC 3 18 4_HeavyB 4
2 2_PushA 2 11 3_HeavyA 3 19 4_HeavyC 4
3 2_PushB 2 12 3_HeavyB 3 20 5_PushA 5
4 2_PushC 2 13 3_HeavyC 3 21 5_PushB 5
5 2_HeavyA 2 14 4_PushA 4 22 5_PushC 5
6 2_HeavyB 2 15 4_PushB 4 23 5_HeavyA 5
7 2_HeavyC 2 16 4_PushC 4 24 5_HeavyB 5
8 3_PushA 3 17 4_HeavyA 4 25 5_HeavyC 5
9 3_PushB 3
● Select the Dynamics Template

Use the SUB MENU [s] and [t] buttons to select the “Dynamics” function from
within the GROOVE & DYNAMICS menu. The name of the currently selected
Dynamics Template will appear on the right of the top line of the display.
Dynamics : Thru
Referring to the “Dynamics Template List” below, use the [+], [–] buttons or the
Data Dial to select one of the 17 template types.
Dynamics Template List

The templates in this list strengthen or weaken the notes on a specific timing. The stress
degree can be determined by changing the Dynamics Rate.
Name: Indicates each template name.

The templates from No.7 to No.17 are programmed to put an emphasis on a specific timing.
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No. Name
1 Thru
2 8beat_on
3 8beat_off
4 16beat_on
5 16beat_off
6 2nd Beat_Off
7 Dance
8 Disco
9 Techno
10 Fusion
11 Reggae
12 BossaNova
13 Tango
14 Rhumba Bass
15 Rhumba Chord
16 Latin
17 Samba
● Set the Dynamics Rate

The Dynamics Rate sets the amount of the Dynamics template applied to the PSR-
730/630 within the range, 0-100%.
Use the SUB MENU [s] and [t] buttons to select the “DynamcsRate” function
from within the GROOVE & DYNAMICS menu. The currently set Dynamics Rate
value will appear on the right of the top line of the display.
DynamcsR ate:100%
Use the [1]–[0] number buttons, the [+], [–] buttons or the Data Dial to set the
Dynamics Rate value within a range of 0-100%.
● Set the Expand Rate

The Expand Rate widens or narrows the dynamic range of the Accompaniment
• Though Expand Rate
within the range, 0-100 (original)-400%. can be adjusted by a
rate of 1 in 100, the
rate actually applied
Use the SUB MENU [s] and [t] buttons to select the “ExpandRate” function will be rounded down
from within the GROOVE & DYNAMICS menu. The currently set Expand Rate to nearest 10. For ex-
ample, the rates 1
value will appear on the right of the top line of the display. through 9 result in 0,
no effect. The rates
29 and 53 result in 20
ExpandRa te: 100% and 50, respectively.
When using the Reg-
istration Memory func-
Use the [1]–[0] number buttons, the [+], [–] buttons or the Data Dial to set the tion, the result rate
will be memorized.
Expand Rate value within a range of 0-400%.
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Auto Accompaniment
● Set the Boost Rate

The Boost Rate strengthens or weakens the Accompaniment by offsetting the velocity • You can jump directly
value of the Style data, within the range, 0-100 (original)-400%. to the “BeatGroove”
sub menu of the
Use the SUB MENU [s] and [t] buttons to select the “BoostRate” function from GROOVE & DYNAM-
ICS menu (Beat
within the GROOVE & DYNAMICS menu. The currently set Boost Rate value will
Groove Template se-
appear on the right of the top line of the display. lection screen) by
pressing and holding
the GROOVE & DY-
NAMICS button for a
BoostRat e: 100% few seconds.
Use the [1]–[0] number buttons, the [+], [–] buttons or the Data Dial to set the Boost
• User settings will be
Rate value within a range of 0-400%. lost when another ac-
companiment style is
selected. To be able
to recall your original
settings anytime, save
them using the Regis-
tration Memory func-
tion (page 57).
• Though Boost Rate
can be adjusted by a
rate of 1 in 100, the
rate actually applied
will be rounded down
to nearest 10. For ex-
ample, the rates 1
through 9 result in 0,
no effect. The rates
29 and 53 result in 20
and 50, respectively.
When using the Reg-
istration Memory func-
One Touch Setting tion, the result rate
will be memorized.
The PSR-730/630’s 100 internal styles each have four recommended “panel setups”
that can be instantly selected via the [ONE TOUCH SETTING] and REGISTRA-
TION MEMORY [1] … [4] buttons. The One Touch Setting feature automatically sets
the following parameters:
● One Touch Setting Parameter List

• R1 Voice • Auto Accompaniment=ON
(Voice number, volume, octave, pan, reverb depth, • Main A/B section
chorus depth, DSP depth)
• Accompaniment Track=ON
• Dual Voice ON/OFF
• Synchro start=ON
• R2 Voice
(Voice number, volume, octave, pan, reverb depth, • Accompaniment volume=100
chorus depth, DSP depth) • Harmony ON/OFF, type, volume
• Split Voice ON/OFF • Reverb ON/OFF
• L Voice • Chorus ON/OFF
(Voice number, volume, octave, pan, reverb depth,
chorus depth, DSP depth) • DSP ON/OFF, type, variation ON/OFF
• Split Point : Split Voice=54 • Multi Pad Set number
: Auto Accompaniment=54 • Chord Match ON/OFF=Default (Multi Pad1…4)
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1 Select a Style
Select the STYLE menu and select an accompaniment style as described on page
22.
2 Press the [ONE TOUCH SETTING] Button

Press the [ONE TOUCH SETTING] button. The ONE TOUCH SETTING and
REGIST [1] icons will appear in the display, and the One Touch Setting type 1 panel
settings will be recalled. At the same, Auto Accompaniment will automatically be
turned on if it was off, and the Sync Start mode will be engaged.
ONE TOUCH SETTING

A B ONE TOUCH
SETTING
REPEAT
1 2 3 4 FREEZE
REGISTRATION MEMORY
3 Select a ONE TOUCH SETTING Type, as Required

If you want to select a different REGISTRATION MEMORY, use the REGISTRA-
TION MEMORY buttons to select the desired ONE TOUCH SETTING type. The
corresponding number will appear in the display, and all setting will change according
to the recalled data.
REGISTRATION MEMORY
A B ONE TOUCH
SETTING
1 2 3 4 REPEAT
1 2 3 4 FREEZE
REGISTRATION MEMORY
• If the style is changed

when One Touch Set-
4 Turn ONE TOUCH SETTING Off When Done ting is on, the panel
settings appropriate to
the selected style that
Press the [ONE TOUCH SETTING] button again and the ONE TOUCH SET- have the same One
TING icon in the display will disappear and the One Touch Setting feature will turn Touch Setting number
will immediately be
off. set.
• You can also try
changing the estab-
lished One Touch
Setting data, making
your own original set-
tings. To be able to
recall your original
settings anytime, save
them using the Regis-
tration Memory func-
tion (page 57).
• If you press ONE
TOUCH SETTING
buttons [1]–[4] when a
user style is selected,
the voice data won’t
be changed, but the
style data will change
to the user style set-
tings (values).
41
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Digital Effects
With the digital effects built into the PSR-730/630 you can add ambiance and depth to your
music in a variety of ways—such as adding reverb that makes you sound like you are playing
in a concert hall or adding harmony notes for a full, rich sound
With the PSR-730, you can take advantage of even more sophisticated features like the Multi
Effect function that lets apply several effects together or the Digital Equalizer that lets you
adjust volume for each of 5 frequency bands.
Digital Effects
REVERB Button You can create a reverb effect that makes you sound like
REVERB you are playing in places like a concert hall, or live in a
club.
CHORUS Button You can add a chorus effect that makes your playing
CHORUS sound as though multiple parts were being played to-
gether at the same time.
DSP Button In addition to the reverb and chorus types, the effects
DSP usually used to a specific part, such as the distortion and
tremolo, can be selected.
VARIATION
PSR-730
MULTI-EFFECT Button You can apply reverb, chorus or DSP effects to particular
MULTI EFFECT parts, or combine them together.
PSR-730
DIGITAL EQ Button You can apply volume adjustments to the output of the
DIGITAL EQ
PSR-730, to five different frequency bands, enhancing
the impression your music gives.
HARMONY Button You can add a variety of harmony notes to the R1 voice,
HARMONY or to your playing in the right-hand section, as well as
adding an tremolo or other effect.
• For details about using Digital Effects (Reverb, Chorus, DSP, Multi-Effect, Digital Equalizer) see page 143.
42
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¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢ Digital Effects
Reverb
If you press the [REVERB] button, the REVERB icon will light up, and the
Reverb effect will be turned on. After setting the Reverb type, the effect will be • The REVERB ON/OFF
applied to the R1 voice from the keyboard. status will be set auto-
matically according to the
selected R1 panel voice.
REVERB
VARIATION
REVERB CHORUS DSP
■ Selecting a Reverb Type

Select one of the 13 Reverb types.
• You can also jump directly
Use the MENU [▲] and [▼] buttons to move the triangular indicator in the to the DIGITAL EFFECT
display next to “DIGITAL EFFECT”. REVERB TYPE function
by pressing and holding
MENU MIDI the [REVERB] button for a
few seconds.
DIGITAL EFFECT
OVERALL
GROOVE&DYNAMICS
• When you select a differ-

ent Style, the appropriate
Then use the SUB MENU [▲] and [▼] buttons to select “Reverb”. The name of Reverb type will be se-
lected accordingly. Some
the currently selected Reverb type will appear on the right of the top line of the of the Styles contain Re-
display. verb types which cannot
be selected on the PSR-
Referring to the Reverb Type List on page 145, use the [–] and [+] buttons, [1]–[0] 730/630. In this case “XG
number buttons, or Data Dial to select the desired Reverb effect from 1-13. Reverb” will be displayed
when you select the SUB
MENU Reverb of the
SUB MENU DIGITAL EFFECT.
• If you don’t want to apply
Reverb: 8 Roo m 4 the Reverb effect to Styles
or Songs, select “13:
OFF” from the Reverb
types, or set the Reverb
Return Level to [0]. In ei-
■ Reverb Return Level ther case no Reverb will

be applied to the entire
system. If you use the
The Rev.Return (Reverb Return Level) parameter sets the amount of reverb Revoice function, you can
set the Reverb Depth for
effect returned from the reverb effect stage, thus making it possible to adjust the
each track of the Style in-
degree of reverb effect applied to the overall sound. dependently (see page
110).
Use the MENU [▲] and [▼] buttons to move the triangular indicator in the
display next to “DIGITAL EFFECT”, then use the SUB MENU [▲] and [▼]
buttons to select “Rev.Return”. The currently set return level will be displayed on
the right of the top line of the display.
Rev.Retu rn: 64
Use the [–] and [+] buttons, the [1]–[0] number buttons, or Data Dial to set the
desired reverb return level (the current return level value appears to the right of
“Rev.Return” on the display). The range is from “0” to “127”. The higher the value
the greater the return level.
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Digital Effects
Chorus
If you press the [CHORUS] button, the CHORUS icon will light up, and
the Chorus effect will be turned on. After setting the Chorus type, the effect • The CHORUS ON/OFF status
will be set automatically accord-
will be applied to the R1 voice from the keyboard. ing to the selected R1 panel
voice.
CHORUS
VARIATION
REVERB CHORUS DSP
■ Selecting a Chorus Type

• You can also jump directly to the
Select one of the 10 Chorus types. DIGITAL EFFECT Chorus func-
tion by pressing and holding the
Use the MENU [▲] and [▼] buttons to move the triangular indicator in the [CHORUS] button for a few sec-
onds.
display next to “DIGITAL EFFECT”.
MENU MIDI
DIGITAL EFFECT • When you select a different

OVERALL
Style, the appropriate Chorus
type will be selected accordingly.
GROOVE&DYNAMICS Some of the Styles contain Cho-
rus types which cannot be se-
lected on the PSR-730/630. In
Then use the SUB MENU [▲] and [▼] buttons to select “Chorus”. The this case “XG Chorus” will be
displayed when you select the
name of the currently selected Chorus type will appear on the right of the top SUB MENU Chorus of the DIGI-
line of the display. TAL EFFECT.
Referring to the Chorus Type List on page 145, use the [–] and [+] buttons, the • If you don’t want to apply the
Chorus effect to Styles or Songs,
[1]–[0] number buttons, or Data Dial to select the desired Chorus effect from select “10: OFF” from the Chorus
1-10. types, or set the Chorus Return
Level to [0]. In either case no
SUB MENU Chorus will be applied to the en-
tire system. If you use the
Chorus: 1 Cho rus 1 Revoice function, you can set
the Chorus Depth for each track
of the Style independently (see
page 110).
■ Chorus Return Level

The Cho.Return (Chorus Return Level) parameter sets the amount of
chorus effect returned from the chorus effect stage, thus making it possible to
adjust the degree of chorus effect applied to the overall sound.
display next to “DIGITAL EFFECT”, then use the SUB MENU [▲] and [▼]
buttons to select “Cho.Return”.
Cho.Retu rn: 64
Use the [–] and [+] buttons, the [1]–[0] number buttons, or Data Dial to set
the desired chorus return level (the current return level value appears to the
right of “Cho.Return” on the display). The range is from “0” to “127”. The
higher the value the greater the return level.
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DSP
If you press the [DSP] button, the DSP icon will light up, and the DSP effect will
be turned on. After setting the DSP type, the effect will be applied when you play the
R1, R2 and L voice from the keyboard.
DSP
VARIATION
REVERB CHORUS DSP
VARIATION
■ Select the DSP Type

The PSR-730/630 features an extensive range of 46 DSP (Digital Signal Processor)
effects. There are two types of digital effects, system effects and insertion effects. The • The DSP effect and
illustration below will give you an idea of how DSP effects work, centering on the variation settings may
change according to
mixer. the selected R1 panel
voice.
Insertion Effect System Effect

• You can also jump di-
rectly to the DIGITAL
EFFECT DSP func-
tion by pressing and
holding the [DSP] but-
SEND RETURN ton for a few seconds.
(Depth)
Amp
Mixer
Speaker
● System Effect:
Applies to all of the parts input to the mixer. You can set the DSP Depth and DSP
Return Level. The System Effect includes Reverb and Chorus types. • DSP Depth cannot be
modified for some In-
sertion effects. In this
● Insertion Effect: case the display
shows “- - -”, indicat-
Applies only to a designated part before inputting the signal to the mixer. You can ing that it’s not acces-
effectively use the digital effects by applying the effect to the specific part. With sible.
the Insertion Effect, you can only designate the DSP Depth. The Insertion Effect
includes Distortion and Tremolo.
(See page 143, “About Digital Effects” and the Type List)
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Digital Effects
Use the MENU [▲] and [▼] buttons to move the triangular indicator in the display
next to “DIGITAL EFFECT”.
Then use the SUB MENU [▲] and [▼] buttons to select “DSP”. After a few seconds
the name of the currently selected DSP effect will appear on the right of the top line
of the display.
SUB MENU
DSP: 10 Sta ge 2
Referring to the DSP Type List on page 145, use the [–] and [+] buttons, the [1]–
[0] number buttons, or Data Dial to select the desired DSP effect from 1-46
For each DSP type, there is a variation. Pressing the DSP VARIATION button will
cause the VARIATION icon to display, and the variation type will be applied.
DSP
VARIATION
REVERB CHORUS DSP
VARIATION
■ DSP Return Level

The DSP Return (DSP Return Level) parameter sets the amount of DSP effect
returned from the DSP effect stage, thus making it possible to adjust the degree of DSP
• If DSP Insertion Effect
effect applied to the overall sound. is selected (page
145), you won’t be
able to set the DSP
Use the MENU [▲] and [▼] buttons to move the triangular indicator in the display Return Level. In this
next to “DIGITAL EFFECT”, then use the SUB MENU [▲] and [▼] buttons to select case, “- - -” will be
shown on the display.
“DSP Return” (the current return level value appears to the right of “DSP Return” on
• When the Voice Set
the display). function is ON (page
116), selecting the
panel voice for the R1
DSP Retu rn: 64 voice will reset the
DSP Return level to
64 (fixed at 64).
Use the [–] and [+] buttons, the [1]–[0]number buttons, or Data Dial to set the
desired DSP return level. The range is from “0” to “127”. The higher the value the
greater the return level.
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Harmony
• Harmony can not be
turned on when a drum kit
If you press the [HARMONY] button, the HARMONY icon will light up, and is selected for the R1
the Harmony effect will be turned on. After setting the Harmony type, it will be voice.
applied to the R1 voice. • Harmony can not be

turned on when the Full
Keyboard Auto accompa-
niment fingering mode is
HARMONY selected even if Auto Ac-
VARIATION
companiment is on. Har-
CHORUS DSP HARMONY
mony will be automatically
turned off if the Full Key-
board fingering mode is
selected while the Har-
The Harmonies except for the types 6, 7 and 9 are applied to the R1 voice mony effect is on.
according to the chords detected in the Accompaniment section. • If a drum kit voice is se-
lected for R1 when Har-
mony is turned on, Har-
mony will be automatically
be turned off.
■ Selecting a Harmony Type

Select one of the 16 Harmony types. There are various harmony effects,
depending on the Harmony type, with some adding a number of higher notes to the
note of the pressed key, and some adding a number of lower notes.
display next to “DIGITAL EFFECT”.
• You can also jump directly
to the DIGITAL EFFECT
MENU MIDI HARMONY TYPE function
by pressing and holding
DIGITAL EFFECT
the [HARMONY] button
OVERALL for a few seconds.
GROOVE&DYNAMICS
Then use the SUB MENU [▲] and [▼] buttons to select “Harmony”. The name
• When the Voice Set func-
of the currently selected Harmony type will appear on the right of the top line of tion is ON (see page 116),
the display. the HARMONY type may
change according to the
selected R1 panel voice.
SUB MENU
Harmony: 1 Due t
Referring to the Harmony Type List on page 147, use the [–] and [+] buttons, the
[1]–[0] number buttons, or Data Dial to select the desired Harmony effect from 1-
16.
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Digital Effects
■ Adjusting the Harmony Volume

The volume of the harmony sound in relation to the keyboard sound can be adjusted
for Harmony types 1 through 16 as follows:
function is ON (see
Use the MENU [▲] and [▼] buttons to move the triangular indicator in the display page 116), the Har-
mony Volume may
next to “DIGITAL EFFECT”, then use the SUB MENU [▲] and [▼] buttons to select change according to
“Harm.Vol”. The current harmony volume setting will appear to the right of “Harm.Vol” the selected R1 panel
voice.
on the display.
• Changing the volume
of the harmony sound
Harm.Vol : 127 may not produce au-
dible effect for some
R1 voices (ex. organ
sounds) when you se-
Use the [–] and [+] buttons, the [1]–[0] number buttons, or Data Dial to adjust the lect Harmony types 1
harmony volume as required. The range is from “0” to “127”. through 6.
Multi Effect (PSR-730)

Multi Effect allows you to apply three types of effects (reverb, chorus and DSP) more
powerfully and effectively.
■ How Multi Effect Works

With Multi Effect, you can combine 2 effects (Effect 1/2) and apply them to the output
from the keyboard (R1/R2/L parts). • By adding Multi-Effect
to Reverb, Chorus
There are 2 ways to combine the effects; in series or in parallel. and DSP, the PSR-
730 can have up to 5
system effects.
Example 1) Applying Effects 1 and 2 to separate parts (parallel) • Since Multi-Effect is

installed closer to the
tone generator than
Part Effect1
Reverb, Chorus or
Right1 Dist. Hard DSP, it can function
as an insertion effect.
Effect1 In Effect1
See page 143, “About
Digital Effects.”
Part Effect 2
Left Rotary SP.4
Effect2 In Effect2
Example 2) Applying Effects 1 and 2 to a single part (series)
Part Effect1
Right1 Auto Pan
Effect1 In Effect1
Effect 2
Effect1 Auto Wah
Effect2 In Effect2
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Applying Multi Effect (PSR-730)

Pressing the [MULTI EFFECT] button will cause the Multi Effect icon to light on the
display. After making part settings for Effect 1/2 and type settings, the Multi Effect • The MULTI EFFECT
will be applied. ON/OFF status will be
set automatically ac-
cording to the se-
MULTI EFFECT lected R1 panel voice.
DIGITAL EQ
MULTI
EFFECT
• Some of the song files
may contain Multi Ef-
fect settings. When
you play back such
songs, Multi Effect
button on the panel
will automatically be
turned off.
■ Setting Parts for Effect 1/2

Select a part each for Effect 1 and Effect 2
● Effect 1 ...... Select Right 1 (R1 part), Right 2 (R2 part), Left (L part) .
● Effect 2 ...... Right 1 (R1 part), Right 2 (R2 part), Left (L part) or Effect 1
(Effect 1 in series).
Use the MENU [▲] and [▼] buttons to move the triangular indicator in the display
next to “DIGITAL EFFECT”. • You can jump directly
to the “Effect1 IN” sub
MENU MIDI menu of the DIGITAL
EFFECTS menu by
DIGITAL EFFECT
OVERALL the MULTI-EFFECT
button for a few sec-
GROOVE&DYNAMICS
onds.
• The Effect 1/2 part

Then use the SUB MENU [▲] and [▼] buttons to select “Effect1 In” or “Effect2 settings may auto-
In”. The name of the currently selected part will appear on the right of the top line of matically change ac-
cording to the se-
the display. lected R1 panel voice.
Use the [–] and [+] buttons or Data Dial to select the part you want to apply the effect • “- - -” may appear on
to. the display if you play
back the songs con-
taining Multi Effect
Effect1 In; Rig ht 1 settings.
Effect2 In; Lef t
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Digital Effects
■ Select the Effect Type for Effect 1/2

Select one of the 42 effect types for Effect 1 and Effect 2
• The Effect 1/2 type
Use the MENU [▼] and [▲] buttons to move the triangular indicator in the display settings may automati-
cally change when a
next to “DIGITAL EFFECT”. The icon for “DIGITAL EFFECT” will light. panel voice is selected
for R1.
Then use the SUB MENU [▼] and [▲] buttons to select “Effect1” or “Effect2”. The • “** XG Ins Eff” may ap-
name of the currently selected type will appear on the right of the top line of the pear on the display if
you play back the
display. songs containing Multi
Effect settings.
Referring to the Multi-Effect Type List on page 146, use the [–] and [+] buttons, [1]–
[0] number buttons, or Data Dial to select the desired effect type.
Effect1: 01 Hal l 1
Effect2: 18 Fla nger 1
■ Adjust the Dry/Wet Settings for Effect 1/2

Set the Dry/Wet settings for Effect 1 and Effect 2
Dry refers to an original sound that has no effects applied to it, while Wet means that
effects are applied to a sound. Dry/Wet is a setting value that regulates the level of • The dry/wet settings
effects that are applied. cannot be done for
some of the Effect 1/2
types. In that case, “-
● Dry/Wet [0] ............ Only dry sound is output. - -” will be displayed.
• The Dry/Wet settings
● Dry/Wet [64] ......... Output with the same amount of the dry/wet sounds. for Effect 1/2 may au-
tomatically change
● Dry/Wet [127] ....... Only wet sound is output. when a panel voice is
selected for R1.
Use the MENU [▼] and [▲] buttons to move the triangular indicator in the display
next to “DIGITAL EFFECT”. The icon for “DIGITAL EFFECT” will light.
Then use the SUB MENU [▼] and [▲] buttons to select “Eff1 Dry/Wet” or “Eff2
Dry/Wet”. The currently set Dry/Wet value will appear on the right of the top line of
the display.
Use the [–] and [+] buttons, the [1]–[0] number buttons, or Data Dial to select the
Dry/Wet value within a range of 0-127.
Eff1Dry/ Wet: 64
Eff2Dry/ Wet: 48
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The Digital Equalizer (PSR-730)

Usually an equalizer is used to correct the sound output from amps or speakers to
match the special character of the room. The sound is divided into several frequency
bands, then by raising or lowering the level for each band, the correction is made.
Adjusting the sound you play according to the genre—classical music more refined,
pops music more crisp, and rock music more dynamic—can also serve to draw out the
special characteristics of the music and make your performance more enjoyable.
The PSR-730 possesses a high grade 5 band digital equalizer function. With this
function, a final effect—tone control—can be added to the output of your instrument.
Example) 04 (Bright)
+12
-12 +7 -2 0 +2 +7
LowGain LowMidGain MidGain HighMidGain HighGain
Frequency Bands (5 bands)

• The range of each fre-
LowGain 80 Hz quency band can be
changed by transmit-
LowMidGain 500 Hz ting the system exclu-
sive message from an
MidGain 1.0 kHz external MIDI device
to the PSR-730/630
HighMidGain 4.0 kHz
(see page 156).
HighGain 8.0 kHz
The digital equalizer adjusts the gain (amplitude change) in each of the 5 frequency
bands within a range of -12 to 0 to +12 decibels [dB]. Try listening to each of the five
preset equalizer settings and compare them.
Using the Digital Equalizer (PSR-730)

If you press the [DIGITAL EQ] button, the DIGITAL EQ icon will light up, and
the Digital EQ effect will be turned on. After setting the Digital EQ type, the equalizer
effect will be applied to the overall output of the PSR-730.
DIGITAL EQ
MULTI
DIGITAL EQ EFFECT
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Digital Effects
■ Selecting a Digital EQ Type.

Select one of the 5 Digital EQ types.
• You can jump directly
Use the MENU [▼] and [▲] buttons to move the triangular indicator in the display to the “Digital EQ” sub
next to “DIGITAL EFFECT”. menu of the DIGITAL
EFFECTS menu by
MENU MIDI
the DIGITAL EQ but-
DIGITAL EFFECT ton for a few seconds.
OVERALL
GROOVE&DYNAMICS
Then use the SUB MENU [▼] and [▲] buttons to select “EQ Type”. The name of
the currently selected Digital EQ type will appear on the right of the top line of the
display.
Referring to the Equalizer Type List below, use the [–] and [+] buttons, the [1]–[5]
number buttons, or Data Dial to select the desired equalizer type.
SUB MENU
EQ Type: 04 Bri ght
● Equalizer Type List

01 Standard
+12
-12 +3 0 -1 0 +5
02 Disco
+12
-12 +7 -2 -1 +2 +7
03 Mild
+12
-12 +2 +2 -2 -5 0
04 Bright
+12
-12 +7 -2 0 +2 +7
05 Lo Fi
+12
0
-12 -10
-12 -3 +10 -2
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■ Setting the Gain (User Setting)

You can change the settings for any of the 5 preset equalizer types, adjusting the output
to meet your own needs.
Select the equalizer type you wish to use as a base for your settings, then use the
SUB MENU [▼] and [▲] buttons to select “LowGain”.The current LowGain value for
the type you selected will be shown on the right of the upper line of the display.
LowGain: + 4
Use the [–] and [+] buttons, the [1]–[0] number buttons, or Data Dial to set the
LowGain amplitude change within a range of -12 to 0 to +12 decibels [dB].
Switch to each of the other bands: “LowMidGain,” “MidGain,” “HighMidGain,”

and “HighGain”, and set them in the same way as the “LowGain.”
After finishing the gain settings, use the SUB MENU [▼] and [▲] buttons to select
“EQ Type”. “** User” will appear on the right of the top line of the display.
EQ Type: ** Use r
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The Pitch Bend Wheel
Use the PSR-730/630 pitch bend wheel to bend notes up (roll the wheel away from you) or
down (roll the wheel toward you) while playing the keyboard. The pitch bend wheel is self-
centering and will automatically return to nornal pitch when released.
PITCH BEND
Setting the Pitch Bend Range

The maximum pitch bend range can be set via the PITCH BEND RANGE function
in the OVERALL function group. Use the MENU [▼] and [▲] buttons to move the
triangular indicator in the display next to “OVERALL”.
MENU MIDI
DIGITAL EFFECT
OVERALL
GROOVE&DYNAMICS
Then use the SUB MENU [▼] and [▲] buttons to select “PB Range”. The current
pitch bend range setting will appear to the right of the function name on the top line function is ON (page
of the display. Use the [–] and [+] buttons, the [1]–[0] number buttons, or Data Dial 116), the Pitch Bend
Range will be
to set the pitch bend range from “01” to “12” as required. Each increment corresponds changed according to
to one semitone. the selected R1 panel
voice.
• The default pitch bend
range can be instantly
PB Range : 2 recalled by pressing
the [+] and [–] buttons
simultaneously.
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The Modulation Wheel (PSR-730)
The Modulation function applies a vibrato effect to notes played on the keyboard (R1, R2, L
voices). Rolling the MODULATION wheel all the way towards yourself minimizes the depth
of the effect, while rotating it away from yourself increases it.
MODULATION
• In order to avoid acci-

MAX
dentally applying
modulation when you
don’t intend to, set the
depth at its minimum
setting.
• You can also assign
other functions to the
MIN
MODULATION Wheel
(see below).
Changing the Modulation Wheel Function

It’s possible to change the effect that is applied when you rotate the MODULA-
TION Wheel. You can select from 3 types: modulation, brightness or resonance
● Modulation ........... Applies vibrato effects to the voices from the keyboard.
● Brightness ........... Adjusts the brightness of the R1 voice played on the keyboard.
Increasing the depth makes the sound brighter, while decreas-
ing it makes it softer.
● Resonance ........... Adds resonance to the R1 voices played on the keyboard.
Use the MENU [▼] and [▲] buttons to move the triangular indicator in the display
next to “OVERALL”.
Then use the SUB MENU [▼] and [▲] buttons to select “ModWheel”. The effect
currently set for the modulation wheel will appear to the right of the top line of the
display.
ModWheel : Modulation
Referring to the information above, use the [–] and [+] buttons or the Data Dial to
select one of the 3 effects.
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Transpose
This functions allow the overall pitch of the PSR-730/630 to be transposed up or down by a
maximum of one octave in semitone increments.
Setting Transposition
Use the TRANSPOSE [▼] and [▲] buttons to set the desired degree of transposi-
tion. Press either button briefly to decrement or increment by one, or hold for • The Transpose func-
continuous decrementing or incrementing. The current transpose value will appear on tion cannot be applied
when a drum kit is the
the top line of the display for a few seconds whenever one of the TRANSPOSE buttons selected voice (page
is pressed — during this time the [–] and [+] buttons, number buttons, or data dial can 19).
also be used to set the transpose value (the transpose value also appears continuously • Press the TRANS-
POSE [▼ ] and [▲]
above “TRANSPOSE” in the display). buttons simulta-
neously to instantly
reset the transpose
value to “0”.
TRANSPOSE Transpos e: 0 • The new TRANS-
POSE value will take
001 116
TEMPO 100
A B
REPEAT
ONE TOUCH
SETTING effect from the next
STYLE 000 ACMP/SONG
key played.
TRANSPOSE VOLUME
• When the Transpose
value is shown at the
top of the display, you
can use the [1]–[0]
The transpose range is from –12 to +12. Each step corresponds to one semitone,
number keys, the
allowing a maximum upward or downward transposition of 1-octave. A setting of “0” [+],[–] buttons or the
produces the normal pitch. Data Dial to change it.
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Registration Memory
The PSR-730/630 Registration Memory feature can be used to memorize 128 complete
control-panel setups (32 banks, 4 setups each) that you can recall whenever needed.
• The PSR-730/630’s initial Registration Memory [1]–[4] settings (when it shipped from the
factory) are the same panel settings as when the power switch is first turned on.
Registering the Panel Settings
1 Set Up the Controls as Required

Make the desired control settings. The following settings are memorized by the
Registration Memory function:
● Data Stored By the Registration Memory

VOICE PARAMETERS ACCOMPANIMENT PARAMETERS
• R1 Voice (Voice number, • Split Point (Split Voice) • Auto Accompaniment ON/OFF • Transpose
volume, octave, pan, reverb • Touch Sensitivity • Fingering mode • Reverb type
depth, chorus depth, DSP
• Reverb ON/OFF • Tempo • Chorus type
depth)
• Chorus ON/OFF • Split point • Groove & Dynamics (ON/
• Dual Voice ON/OFF
• DSP ON/OFF, variation (Auto Accompaniment) OFF, templates, rates)
• R2 Voice (Voice number,
ON/OFF • Accompaniment volume • Style number (Style
volume, octave, pan, reverb
• DSP type • Track data (Track ON/OFF, names [page 104] for the
depth, chorus depth, DSP
voice, volume, pan, reverb user styles)
depth) • Multi Effect (ON/OFF,
Effect 1/2: part, type, dry/ depth, chorus depth)
• Split Voice ON/OFF
wet) • Accompaniment section (Main
• L Voice (Voice number,
• Harmony ON/OFF, type, A/B)
volume, octave, pan, reverb
depth, chorus depth, DSP volume • Multi Pad Set number
depth) • Pitch bend range • Chord Match ON/OFF (Multi
• Pedal 1 function • Modulation wheel Pad1…4)
• Pedal 2 function function
• Scale Tuning
2 Select a Registration Bank (if necessary)

Use the MENU [▲] and [▼] buttons to move the triangular indicator next to
“REGIST MEMORY “ in the menu list to the left of the display — the currently
• Press and hold the
selected registration bank number and name will appear on the top line of the display. REGISTRATION
Then use the [–] and [+] buttons, [1]–[0] number buttons, or Data Dial to select the MEMORY [MEMORY]
button for a few sec-
desired bank (1 through 32). onds to go directly to
the REGIST
MEMORY display.
Bank 01: Reg ist1
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Registration Memory
On the PSR-730, there are BANK [▼] and [▲] buttons. Pressing these buttons will
directly bring up the registration bank sub menu (example: Bank 1) of the “Regist
Memory”, main menu item, and all you have to do is add the correct number.
BANK MEMORY REGISTRATION MEMORY
3 Register the Settings

While holding the [MEMORY] button, press one of the REGISTRATION
MEMORY buttons — [1] through [4]. The corresponding REGISTRATION MEMORY • Any data that was
number will appear below “REGISTRATION” in the display. previously recorded in
the Registration
Memory location you
MEMORY REGISTRATION MEMORY selected will be
erased and replaced
1 2 3 4 by the new settings.
• The Registration
Memory contents will
be retained even after
turning the power off.
See page 152 for the
Bank 01: Reg ist1 details.
A B ONE TOUCH
SETTING
REPEAT
1 2 3 4 FREEZE
REGISTRATION MEMORY
Naming the Registration Banks

You can give your own names (up to 8 characters) to the registration banks where
you have stored settings.
After recalling the registration settings you wish to name, use the MENU [▲] and
[▼] buttons to move the triangular indicator next to “REGIST MEMORY“ in the menu
list to the left of the display.
Then use the SUB MENU [▲] and [▼] buttons to select “Reg Naming”. The current
name will appear on the top right of the display.
Reg Nami ng: -

Reg ist1
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Referring to the information below, use the [1]–[0] number buttons, the [+], [–]
buttons or the Data Dial to enter the name.
[+].................. Select letter (cursor moves right)

[–] .................. Select letter (cursor moves left)
Dial ............... Change Character
[1]–[0] ........... ”Jump” entry
[Character List]
• When entering letters with the Dial • Lower case letters
can’t be entered with
0 1 2 3 4 5 6 7 8 9 the naming function.
A B C D E F G H I J K L M N O P Q R S T U V
W X Y Z - –
• When doing “jump” entry with the [1]–[0] number buttons
[1] .......... 1 A B C
[2] .......... 2 D E F
[3] .......... 3 G H I
[4] .......... 4 J K L
[5] .......... 5 M N O
[6] .......... 6 P Q R
[7] .......... 7 S T U
[8] .......... 8 V W X
[9] .......... 9 Y Z @
[0] .......... 0 - –
R e g N a m i n g : L I V E 0-
1
The same method can be used to give your own names to user songs (page 94), user
pads (page 109), or user styles (page 104).
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Registration Memory
Recall the Registered Panel Settings

Simply select the appropriate bank as described above, then press the desired
REGISTRATION MEMORY button at any time to recall the memorized settings. The • Registration data can-
corresponding Registration Memory number will appear above “REGISTRATION” not be recalled when
the One Touch Set-
in the display, and the appropriate setting changes will appear in the display. ting function is on.
• When power is turned
on, or the bank is
changed, all of the
REGISTRATION MEMORY
numbers in the REG-
1 2 3 4 ISTRATION
MEMORY section of
the display will be
blank.
Bank 03: Reg ist3

A B ONE TOUCH
SETTING
REPEAT
1 2 3 4 FREEZE
REGISTRATION MEMORY
The Accompanient Freeze Function

When the FREEZE function is engaged, the accompaniment parameters listed
above will not be changed when a REGISTRATION MEMORY is recalled. This • FREEZE remains on
allows you to recall different REGISTRATION MEMORY settings while using Auto even if a different reg-
istration bank is se-
Accompaniment, without suddenly disturbing the flow of the accompaniment. The lected.
FREEZE function is turned on and off by pressing the [FREEZE] button. The • The Freeze function
“FREEZE” icon appears in the display when it is turned on. will automatically be
turned on when one
of the following
EMORY modes, Song, Record
A B ONE TOUCH
SETTING or Style Revoice, is
3 4 FREEZE REPEAT
engaged.
1 2 3 4 FREEZE
REGISTRATION MEMORY
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The Multi Pads
The PSR-730/630 MULTI PADS can be used to play a number of short pre-recorded rhythmic
and melodic sequences that can be used to add impact and variety to your keyboard
performances.You can also record your own MULTI PAD phrases as described in “MULTI PAD
Recording” on page 106.
Some pad phrases simply play back as programmed, while others are “chord match” types
which, if the CHORD MATCH function is turned on, are automatically transposed to match
chords played using the PSR-730/630 Auto Accompaniment feature.
Selecting a MULTI PAD Set

The PSR-730/630 has 36 multi pad sets, each containing a complete set of 4 MULTI
PAD phrases — 144 phrases in all. Before using the MULTI PADS, select the MULTI
PAD set containing the phrases you want to use as follows:
1 Select the Multi Pad Function

To select a multi pad set first use the MENU [▲] and [▼] buttons to select the
MULTI PAD function so that the triangular indicator in the display appears next to
“MULTI PAD” to the left of the display.
SUB MENU MENU

DISK
MULTI PAD
REGIST MEMORY
MENU MIDI
DIGITAL EFFECT
OVERALL
GROOVE&DYNAMICS
2 Select a Multi Pad Set Number

If necessary use the SUB MENU [▲] and [▼] buttons so that the name of the
currently selected MULTI PAD set appears on the display (see list on page 62), then
• Press and hold the
use the [–] and [+], number buttons, or data dial to select the MULTI PAD set you want MULTI PAD [STOP]
to use. button for a few sec-
onds to go directly to
the MULTI PAD SET
display.
Bank 01: Fan fare1
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The Multi Pads
Playing the MULTI PADs

Simply tap any of the MULTI PADs at any time to play back the corresponding
phrase at the currently set tempo. MULTI PAD playback begins as soon as the button • Pressing the pad dur-
is pressed. You can even play two, three, or four MULTI PADs at the same time. Also, ing its playback will
you can create “retriggered sample” effects by repeatedly pressing a pad before its stop playing and be-
gin playing from the
contents are completely played back. top again.
MULTI PAD
STOP 1 2 3 4
BEAT
1 2 3 4
MULTI PAD
The MULTI PAD voices are indepedent from the voices you have currently selected
for keyboard performance. You could, for example, play piano on the keyboard while
a MULTI PAD plays a brass chord stab.
When the CHORD MATCH function (page 63) for a pad is turned on, the
corresponding phrase will be automatically transposed to match chords played using
the PSR-730/630 Auto-accompaniment feature.
MULTI PAD playback can be terminated by pressing the MULTI PAD [STOP]
button.
MULTI PAD
STOP 1 2 3 4
● The Multi Pad Sets

Chord Match Chord Match
Set Pad 1 Pad 2 Pad 3 Pad 4 Set Pad 1 Pad 2 Pad 3 Pad 4
1 Fanfare1 O O O – 19 Classic O O O O
2 Fanfare2 O O O – 20 Jingle O O O O
3 Brassy1 O O O O 21 Horror SE – – – –
4 Brassy2 O O O O 22 Racing SE – – – –
5 Synth Brass O O O O 23 Stormy SE – – – –
6 Guitar Play1 O O O O 24 Water SE – – – –
7 Guitar Play2 O O O O 25 Animal SE – – – –
8 Guitar Play3 O O O O 26 Haha SE – – – –
9 Guitar Play4 O O O O 27 Rock Kit – – – –
10 Techno Synth1 O O O O 28 Techno Kit – – – –
11 Techno Synth2 O O O O 29 Analog Kit – – – –
12 Arpeggio O O O O 30 Tom Flam – – – –
13 Crystal O O O O 31 Latin Percusion1 – – – –
14 Twinkle O O O O 32 Latin Percussion2 – – – –
15 Magical O O O O 33 Timbales – – – –
16 Piano Sequence O O O O 34 Analog Sequence – – – –
17 Banjo Sequence O O O O 35 Conga Sequence – – – –
18 Gothic O O O O 36 Techno Sequence – – – –
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¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢ The Multi Pads
Turning the CHORD MATCH Function On/Off

The CHORD MATCH function can be individually turned on or off for each of the
MULTI PADs, as described below. • The chord match
function has no effect
with pads that contain
percussion phrases.
1 Select the MULTI PAD Function

Use the MENU [▲] and [▼] buttons to select the MULTI PAD function so that the
triangular indicator in the display appears next to “MULTI PAD” to the left of the
display.
SUB MENU MENU
DISK
MULTI PAD
REGIST MEMORY
MENU MIDI
DIGITAL EFFECT
OVERALL
GROOVE&DYNAMICS
2 Select a CHORD MATCH Function

Use the SUB MENU [▲] and [▼] buttons to select “P1ChdMatch”, “P2ChdMatch”,
“P3ChdMatch”, or “P4ChdMatch”, depending on the pad for which you want to turn • The chord match on/
the CHORD MATCH function on or off. off status depends on
the selected Multi
Pad.
P1ChdMat ch: On
3 Turn the CHORD MATCH Function On or Off

Use the [–] and [+] buttons or data dial to turn the CHORD MATCH function for
the selected pad “on” or “off” as required. • The CHORD MATCH
ON/OFF setting is re-
stored to its original
status whenever a
1 2 3
preset MULTI PAD
set is selected.
4 5 6 • When the CHORD
MATCH ON/OFF sta-
tus of a user MULTI
7 8 9
PAD (see page 107)
set is changed, the
– / NO 0 + / YES new status is re-
corded with the
MULTI PAD data.
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Disk Operations
There is a disk drive installed in the PSR-730/630. By inserting a floppy disk into it, you can
do many things: record and playback user songs, save and load user styles (page 98), user
pads (page 106), or registration memory data (page 57).
You can save any number of user styles and registration data on floppy disks, make song
libraries or find many other ways to make playing the PSR-730/630 more efficient.
There is a sample disk packed with the PSR-730/630. It contains 20 XG songs and 8 style
files. To play back the songs see page 76. To load the styles see page 70.
◆ Floppy Disk Handling Precautions

Floppy disks are an inexpensive, convenient, and reliable way to • Do not store disks in places exposed to direct sunlight or other
store your music data. They are not indestructable, however, and sources of heat. The acceptable storage temperature range is
should be handled with care. Observe the following points to approximately 4° to 53° C (39° to 127° F).
ensure the long-term safety of your disks and data.
• Do not store disks in areas subject to extreme dryness or
humidity. The acceptable relative humidity range is approxi-
Type of Disk
mately 8 to 90%.
• Use the 3.5-inch 2DD or 2HD floppy disks with the PSR-730/
630. • Do not store disks in areas contaminated with dust, sand, smoke,
etc.
Taking Care of Your Floppy Disks • Do not place heavy objects such as books on top of a disk.
• Never attempt to eject a disk during a read or write operation (i.e.
while the disk drive is operating). Doing so can damage both the • Avoid getting floppy disks wet, particularly with oily or sticky
disk and the drive. fluids. A disk that has been wet with water should be allowed to
dry naturally before use. Disks contaminated by other fluids can
• Never turn the power ON or OFF while a disk is in the drive. cause damage to the disk drive and should be discarded.
Always eject the disk before turning the power OFF.
• Be sure to apply the disk label at the proper position. When
• To eject a floppy disk from the disk drive press the eject button changing the label never cover the old label with a new label;
slowly as far as it will go. Then when the disk is fully ejected, always remove the old label first.
remove it by hand. The disk may not be ejected properly if the
eject button is pressed too quickly or if it is not pressed in far Head Cleaning
enough (the eject button may become stuck halfway with the • With extended use the read/write head of the disk drive will pick
disk extending from the slot by only a few millimeters). If this is up dust and other particles that will eventually cause data errors.
the case, do not attempt to pull out the partially ejected disk. If this occurs, clean the head with a 3.5 inch head cleaning disk
Doing so may damage the disk drive mechanism and/or the available from most computer supply stores.
floppy disk. To remove a partially ejected disk, try pressing the
eject button once again or push the disk back into the slot, then Data Backup
repeat the eject procedure carefully. • For maximum data security we strongly recommended that you
keep two copies of important data on separate floppy disks.
These disks should ideally be stored in separate locations. This
gives you a backup if one disk is lost or damaged.
This lamp is always on when the
power is on, regardless of Disk Protecting Your Data (Write Protect Tab)
operation. • To prevent accidental erasure of important data, slide the disk’s
write-protect tab to the “protect” position (tab open). If you
• Do not insert anything but floppy disks into the disk drive. Other
attempt to modify the disk when the write-protect tab is set to ON
objects can damage the disk drive or floppy disk.
position, “Disk Write Protected!!” will appear on the display
indicating that the operation is not possible.
• Never open the disk shutter by hand or touch the internal surface
of the disk. Dirt, dust, or grease on the disk’s magnetic surface
can cause data errors.
• Never leave disks near a speaker, TV, or other device that emits
a strong magnetic field. Strong magnetic fields can partially
erase the data on the disk.
Write protect tab ON Write protect tab OFF

(locked-write protected) (unlocked- write enabled)
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■ User Song Data

User song data is saved directly to the disk without saving it in the PSR-730/630 itself.
• It may not be possible
to record the full 60
files to a disk, de-
pending on the legnth
Record Floppy of the recorded files.
(Direct save) Disk
User Song
Playback
(Direct read)
Maximum of 60 files can
be saved.
■ User Style/User Pad/Registration Memory Data

The PSR-730/630 has User Style, User Pad and Registration Memory functions
installed. The data recorded with these functions can also be saved individually or • The maximum num-
gathered together to floppy disks and also the data (files) saved on disks can be loaded ber of files may vary
according to the type
individually or gathered together into the PSR-730/630. and volume of the
saved files (page 68).
User Style
Save Floppy
Save or load individually Disk
User Pad or gathered together
Load
Registration Memory
Up to 43 “All” type files (page 68)
can be recorded on a 2HD disk.
Up to 21 “All” type files can be
recorded on a 2DD disk.
■ Data that Can be Saved or Loaded with the PSR-730/630
Data Type Extension Save Load • When saving data,

use a floppy disk for-
User Style (101-104) .USR O O
matted on the PSR-
[Style File Format] 730/630.
User Pad (bank 37-40) .USR O O • The three letters after
the file name (after
Registration Memory (bank 01-32) .USR O O the period) are called
the extension. The ex-
User Style + Registration Memory .USR O O
tension shows the
User Pad + Registration Memory .USR O O type of file.
• Since the user songs
User Style + User Pad .USR O O
are directly recorded
User Song .MID — — to the disk as you play
during recording and
read from the disk
during playback, the
Save/Load functions
are not available. The
Disk Copy, Song
Copy and Delete File
operations related to
the user songs can be
executed.
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Disk Operations
■ Using Commercially Available Music Collections

(Sold Separately)
The PSR-730/630 can playback commercially available XG/GM music collection or

YAMAHA DOC collection (Disk Orchestra Collection) disk files. It can also load
• With song data soft-
styles collected on YAMAHA style file disks. ware that includes lyr-
ics, you can view the
The PSR-730/630 can handle music disks (floppy disks) that bear the following lyrics in the display
marks: during playback. Con-
sult your Yamaha
dealer for information
You can playback song files collected on these disks using the voices defined on song data that is
in the GM standard. compatible with the
Lyrics Display func-
You can playback songs using the XG format, an extension of the GM standard tion of the PSR-730/
630.
that allows for much higher sound quality.
You can playback song files collected on these disks using the voices defined
in Yamaha’s DOC format.
You can load and play with the style files collected on these disks.
The Sample Disk

Try playing some of the songs on the included Sample Disk.
1 Insert the Sample Disk into the Disk Drive.

Once the disk is inserted, the menu icon on the display will automatically switch to
the song menu, and the currently selected song name and song number will appear at
the upper left of the display. The PSR-730/630 will switch into Song Mode. The
SONG icon will light along with the DISK (floppy disk) icon and the XG icon.
PSR-730X G
001 116
TEMPO 100
A
REPEAT
B ONE T
SET
STYLE DISK 000 ACMP/SONG 1 2 3 4

SONG TRANSPOSE VOLUME REGISTRATION ME
2 Start and Stop the Song

Press the [START/STOP] button, and playback of the Sample Disk song will begin.
START / STOP
For details, see page 76 “Song Playback.”
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Format
Setting up commercially available floppy disks (3.5 inch, 2HD/2DD
type) for use with the PSR-730/630 is called formatting • After formatting, the capacity of a
2HD disk will be 1 Mbyte, and of
Follow the steps below to format a disk. a 2DD disk will be 720 Kbyte.
1 Insert the Disk into the Disk Drive

Insert a commercially available 3.5 inch floppy disk (unformatted) into
the disk drive, with the shutter on the disk towards the drive, and with the • If you insert an unformatted disk
label side facing upward. with the write protect tab in the
ON position into the drive, “For-
mat Disk? NO/YES” will appear,
The “DISK” menu will be automatically selected, and the Sub Menu but when you try to format it,
item “Format Disk? NO/YES” will appear on the top line of the display. “Disk Write Protected!!” will be
displayed. Eject the disk, move
the protect tab to the OFF posi-
Format D isk? NO/YES tion, and reinsert it in the drive.
• The “DISK” menu won’t be se-
lected automatically when you in-
sert the formatted disk. If you
want to format the formatted disk
to record from scratch, first insert
the disk you want to format, then
press the Menu button, next
press the Sub Menu button to
show the “Format Disk? YES” on
the display.
2 Press the [+] (YES) Button • If data is already saved on the

When the [+] button is pressed, “Execute? NO/YES” will appear on the disk, be careful not to format it. If
display. you format the disk, all the previ-
ously recorded data will be de-
leted.
Execute? isk? NO/YES • While formatting is in progress

(while “Now Formatting” is dis-
played) , never eject the disk or
turn off the power to the PSR-
730/630.
3 Start Formatting • If a disk that cannot be read by

Press the [+] (YES) button and disk formatting will begin. Once started, the PSR-730/630 is inserted into
formatting cannot be canceled. During formatting, the display will read “Now the disk drive, it will be treated
the same as an unformatted
Formatting... xx%.” floppy disk. Take care not to
erase important data by acciden-
tally formatting a disk.
Now Form atting. .. 20% • If you want to reformat a disk

that already has been formatted
for the PSR-730/630, insert the
disk in the drive, select the “For-
When formatting is finished, the display will return to the one which was mat Disk? YES” item from the
sub menu of the “DISK” menu,
selected before inserting the disk. then proceed as for a normal for-
mat.
If you don’t want to format, press the [–] (NO) button before the step 3 or • If you insert the formatted disk
simply eject the disk. The display will return to the one which was selected and you press the [-] (NO) button
or eject the disk in the step 2, the
before inserting the disk. display will return to the “Format
Disk?”.
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Disk Operations
Save
You can save PSR-730/630 user styles, user pad (banks 37-40) and registration • After formatting, the
memory data (banks 01-32) on floppy disks. capacity of a 2HD
disk will be 1 Mbyte,
and of a 2DD disk will
be 720 Kbyte.
1 Insert a Formatted Floppy Disk.

If a disk has not been already inserted in the drive, insert a formatted floppy disk.
2 Select a Save Function

SUB MENU MENU Use the MENU [▲] and [▼] buttons to select
DISK
the Disk function so that the triangular indicator
MULTI PAD
in the display appears next to “DISK” to the left
REGIST MEMORY of the display.
MENU MIDI
DIGITAL EFFECT
OVERALL
Use the SUB MENU [▲] and [▼] buttons so
GROOVE&DYNAMICS
that “Save To Disk? YES” appears on the display.
SUB MENU
Save To Disk? YES
3 Select the File Type

Press the [+] (YES) button, and the file type select screen “File Type: All” will
appear on the display.
File Typ e: All

Use the [–] and [+] buttons or the Data Dial to select the file type for the data you
• If the DISK menu is
want to save. Refer to the file type list below: selected when there
is no floppy disk in-
All Save all User Style (101-104), User Pad (bank 37-40), and Registration serted into the disk
drive, “- - -” will be
Memory (bank 01-32) data into one single file. displayed at the top of
Style Save all User Style (101-104) data gathered together into one single file. the display, and disk
operations won’t be
Pad Save all User Pad (bank 37-40) data gathered together into one single file. possible.
Regist Save all Registration Memory (bank 01-32) data gathered together into • Although all User
Style (101-104), User
one single file.
Pad (bank 37-40),
Style + Reg. Save all User Style (101-104) and Registration Memory (bank 01-32) and Registration
Memory (bank 01-32)
data gathered together into one single file.
data can be saved
Pad + Regist Save all User Pad (bank 37-40), and Registration Memory (bank 01-32) gathered into one
single file, the data
data gathered together into one single file.
can be recalled indi-
Style + Pad Save all User Style (101-104) and User Pad (bank 37-40) data gathered vidually when loaded
together into one single file. back into the PSR-
730/630.
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4 Save File Confirmation

Use the SUB MENU [▼] button so that “Save File....” appears on the display,
showing the new file the data will be saved to.
Save Fil e: UF–0 0001.USR
To overwrite the data already saved to an existing file, use the [–] and [+] buttons
or the Data Dial to select the file you want to overwrite.
5 If Necessary Change the File Name

Use the SUB MENU [▼] button so that “Rename:.....” appears on the display, and
you can change the name of the file (the 8 characters before the extension). • Even if you chose a
file where data is al-
ready saved because
you want to overwrite
Rename: LIVE -001.USR the data, renaming
the file will cause the
new data to be saved
in a different file, and
the old data won’t be
overwritten.
• While data is being
saved (“Now Saving”
is displayed), never
eject the floppy disk
or turn off power to
the PSR-730/630.
6 Execute the File Save

Use the SUB MENU [▼] button so that “Execute: NO/YES” appears on the display.
• If you press the SUB
MENU [s ] button the
Execute? isk? NO/YES sub menu display will
return to “Save To
Disk? YES.”
• If there isn’t enough
Press the [+] (YES) button and the save operation will begin. While it is in progress, space on the disk,
“Disk Full” will be dis-
“Now Saving...” will appear at the top of the display. played, and you won’t
be able to save any
data. You can delete
Now Savi ng...E -001.USR unneeded files on the
disk (page 75), or ex-
change the disk for a
new one and repeat
the save operation.
When the save operation is finished, the sub menu will return to “Save To Disk? • If a write error occurs
YES.” during a save opera-
tion, “Disk Error” will
be displayed. If the er-
ror reoccurs after re-
peating the save op-
eration, there could
be something wrong
with the disk. Insert a
different disk in the
drive and repeat the
save operation.
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Disk Operations
Load
After saving User Style (101-104), User Pad (bank 37-40), and Registration
Memory (bank 01-32) data onto a floppy disk, you can reload them into the PSR-730/
630.
You can also load style data from the included Sample Disk or commercially
available Yamaha Style File disks.
1 Insert the Floppy Disk into the Disk Drive.

Insert the floppy disk that has the data you want to load into the floppy disk drive.
2 Select a Load Function

Use the MENU [▲] and [▼] buttons to select the Disk function so that the triangular
indicator in the display appears next to “DISK” to the left of the display. • If the DISK menu is
selected when there
Use the SUB MENU [▲] and [▼] buttons so that “Load To Disk? YES” appears is no floppy disk in-
serted into the disk
on the display.
SUB MENU displayed at the top of
the display, and disk
Load Fro m Disk? YES possible.
3 Select the File to Load

Press the [+] (YES) button, and “Load File.....” file select screen will appear on the
display. • If the disk contains no
file, the display shows
Load Fil e: UF–0 0001.USR “File Not Found!!” in-
dicating that the Load
Use the [–] and [+] buttons or the Data Dial to select the file to load. function is not pos-
sible.
4 Select the File Type (Data Type) to Load

Press the SUB MENU [▼] button and the sub menu “File Type:....” will be
displayed.
File Typ e: All

Use the [–] and [+] buttons or the Data Dial to select the file type (data type) to load.
The file types that you can load at this point will depend on the types of files that
were originally saved to this file.
File types that were saved File types that can be loaded
All All, Style, Pad, Regist
Style Style
Pad Pad
Regist Regist
Style+Reg. Style, Regist, Style+Reg.
Pad+Regist Pad, Regist, Pad+Regist
Style+Pad Style, Pad , Style+Pad
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5 Select the Data to Be Loaded If Necessary

If the file type selected in step 4 was “Style,” “Pad,” or “Regist,” press the SUB
MENU [▼] button so that the sub menu “Source:....” (load data selection screen) is • When the selected file
displayed. type is “All,” “Style +
Reg,” “Pad + Regist,”
“Style + Pad,” step 5
Source: All le 1 is not necessary. Pro-
ceed from step 6.
By setting the “source” and “destination,” the data can be individually loaded (or
loaded as a group).
Style ....... A single Style can be extracted from the file 4 Styles saved together on the
disk and loaded into one of the PSR-730/630 User Style 101-104.
Pad ......... A single bank can be extracted from the file 4 banks saved together on the
disk and loaded into one of the PSR-730/630 User Pad banks 37-40.
Regist .... A single bank can be extracted from the file 32 banks saved together on the
disk and loaded into one of the PSR-730/630 Registration banks 1-32.
File Type Source Destination

Style Style 1-4, All Style 1-4 (User Style 101-104)
Pad Pad bank 1-4, All Pad bank 1-4 (User Pad 37-40)
Regist Regist bank 1-32 All Reg. bank 1-32
● Source Selection
Use the [–] and [+] buttons or the Data Dial to select the load source.
If “All” is selected, all the data will be loaded.
Source: Sty le 2
● Select the Destination

Press the SUB MENU [▼] button so that “Destination:....” appears on the display.
Destinat ion:Sty le 4
Use the [–] and [+] buttons, [1]–[0] number buttons, or the Data Dial to select the
destination for the data.
Press the SUB MENU [▼] button so that “Execute NO/YES” (load execution
screen) appears on the display.
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Disk Operations
6 Execute the Load Operation

Execute? isk? NO/YES • When data is loaded
from a floppy disk to
the PSR-730/630, the
Press the [+] (YES) button, and the load operation will start. Once started, the data already in the
memory of the instru-
operation can’t be canceled. ment will be replaced
by the data on the disk.
As the file is loading, “Now Loading” will appear on the top line of the display. Save important data
into a disk file before
doing the load opera-
Now Load ing...E -001.USR tion.
• While data is loading
(“Now Loading” is dis-
played), never eject
the floppy disk or turn
When the load operation is finished, the display will return to the “Load From Disk? the power off.
YES” sub menu. • “Not Enough Memory!!”
may appear on the dis-
play, if a problem oc-
If you aren’t going to load, press the [–] (NO) button instead of the [+] (YES) button, curs that prevents the
or eject the disk. The display will return back to the previous “Load From Disk? YES”. data from being loaded
(the capacity of the
PSR-730/630 [RAM] is
exceeded, something
is wrong with the
floppy disk, or the data
from the disk is cor-
rupted, etc.).
Disk Copy
You can copy the entire data saved on a floppy disk onto another one using the disk
copy feature. It’s a good idea to use disk copy to create backup disks of your important
data.
1 Insert
Drive
the Disk to Copy From (Source Disk) into the Disk
Insert the disk that you want to copy from (source disk) into the disk drive.
2 Select a Disk Copy Function

selected when there
Use the SUB MENU [▲] and [▼] buttons so that “Disk Copy? YES” appears on is no floppy disk in-
the display. drive, “- - -” will be
displayed at the top of
SUB MENU the display, and disk
Disk Cop y? Gra nd PiYES possible.
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3 Press the [+] (YES) Button

Make sure that the disk you wish to copy from (source disk) is inserted in the disk
drive, then press the [+] (YES) button. “Now Reading” will appear on the display. • While data is copying
(“Now Copying” or
“Now Reading” is dis-
Now Read ing... nd PiYES played), never eject
the floppy disk or turn
the power off.
The contents of the disk will be copied to the PSR-730/630, and when reading is
finished, “Insert Copy Disk” will be displayed.
• If you want to cancel
the Disk Copy func-
Insert C opy Dis kd PiYES tion in this step, press
the [–] (NO) button to
cancel the operation,
returning to “Disk
Copy? YES” display.
4 Insert the Destination Disk into the Floppy Drive

Insert the destination disk for the copy operation into the disk drive. “Now
Copying” will appear on the display. • The disk type of both
source disk and desti-
nation disk must be
Now Copy ing... nd PiYES the same (2DD or
2HD). If the source
disk is 2HD type, use
Data will be copied from the PSR-730/630 to the destination disk, and when 2HD blank disk for the
destination. If you in-
copying is finished, the display will return to the “Disk Copy? YES”.
sert a wrong type,
“Disk Media Type Er-
If the quantity of data is large, it may be necessary for the data to be copied in parts. ror!!” will be shown on
the display.
In such a case, “Insert Source Disk” will appear again on the display.
• If you insert a wrong
disk, different from the
source or destination
Insert S ource D iskPiYES disk, during the disk
copy operation, “Disk
Type Error!!” will be
Eject the copy (destination) disk and insert the source disk. Follow the messages on shown on the display.
the display and repeat to change the disks. The number of times you repeat the disk
changes depend on the size of the data to be copied. Once all the data has been copied,
the display will return to the “Disk Copy? YES” .
Song Copy
The songs recorded on a floppy disk can be copied in file units to another location
on the same disk.
1 Insert the Floppy Disk into the Disk Drive

Insert the disk with the songs you want to copy into the disk drive.
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Disk Operations
2 Select a Song Copy Function

selected when there
Use the SUB MENU [▲] and [▼] buttons so that “Song Copy? YES” appears on is no floppy disk in-
the display. drive, “- - -” will be
Song Cop y? Gra nd PiYES possible.
3 Select the (Source) Song File to Be Copied

Press the [+] (YES) button, and the file select screen “File Name:.....” will appear
on the display.
File Nam e: SONG _001
Use the [–] and [+] buttons or the Data Dial to select the song file you wish to copy.
4 Confirm the Name of the (Destination) Song File to Copy

Use the SUB MENU [▼] button so that “Copy File....” appears on the display,
showing the name that will be given to the new song file being made. • When the floppy
disk’s write-protect
tab is set to ON (see
Copy Fil e: SONG _002 page 64) or the disk is
a “purposely copy-
protected” disk, the
To overwrite an already recorded song, use the [–] and [+] buttons or the Data Dial display shows “Disk
Write Protected!!” in-
to select the file you want to overwrite. dicating that the Song
Copy function is not
Use the SUB MENU [▼] button so that “Rename:.....” appears on the display, and possible.
you can change the name of the file (8 characters before the extension).
Rename: COPY _002YES
5 Execute the Copy Operation

After changing the file name, or when you don’t want to change the name, use the
SUB MENU [▼] button so that “Execute: NO/YES” appears on the display. • While the song is
copying (“Now Copy-
ing” is displayed),
Execute? isk? NO/YES never eject the floppy
disk or turn the power
off.
Press the [+] (YES) button and the save operation will begin. While it is in progress,
“Now Copying...” will appear at the top of the display.
When the copy operation is finished, the sub menu will return to “Song Copy?
YES.”
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Delete File
You can delete saved data (User Songs, User Styles, User Pads, or Registration
Memory) from the floppy disk in file units.
1 Insert the Floppy Disk into the Disk Drive

Insert the disk with the files you want to delete into the disk drive.
2 Select a Delete File Function

selected when there
Use the SUB MENU [▲] and [▼] buttons so that “Delete File? YES” appears on is no floppy disk in-
the display. serted into the disk
Delete F ile? nd PiYES operations won’t be
possible.
3 Select the File to Be Deleted

Press the [+] (YES) button, and the file select screen “File Name:.....” will appear
on the display. • When the floppy disk’s
write-protect tab is set
to ON (see page 64) or
File Nam e: UF_0 0001.USR the disk is a “purposely
copy-protected” disk,
the display shows
Use the [–] and [+] buttons or the Data Dial to select the file you wish to delete. “Disk Write Pro-
tected!!” indicating that
the Delete File function
is not possible.
4 Execute the Delete Operation

Press the SUB MENU [▼] button so that “Execute: NO/YES” appears on the
display. • While the file is being
deleted (“Now Delet-
ing” is displayed),
Execute? isk? NO/YES never eject the floppy
disk or turn the power
off.
Press the [+] (YES) button and the delete operation will begin. While it is in
progress, “Now Deleting...” will appear at the top of the display.
Now Dele ting... _002
When the delete operation is finished, the sub menu will return to “Delete File?
YES.”
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Song Playback
You can playback a wonderful variety of songs on the PSR-730/630, including the preset
demo songs, the songs on the included Sample Disk, the User Songs you record on a floppy
disk and the songs on commercially available XG/GM song collection disks. Except for the
preset demo songs, a floppy disk must be inserted in the disk drive to playback a song.
Song Playback Procedure
1 Select the Song Menu

Press the [SONG] button to select the SONG menu (the triangular indicator will
appear next to “SONG” to the right of the display). The name and number of the • Entering the Song
currently selected song will appear on the left of the top line of the display, and the Mode automatically
selects the following
PSR-730/630 will switch to Song Mode, lighting the SONG icon on the display. settings: Auto Accom-
paniment Off, Syn-
chro Start Off, Syn-
chro Stop Off, and
Trumpet t Registration Memory
Freeze On. These
001 116
TEMPO 100
A
REPEAT
B ONE TOUCH
SETTING settings cannot be al-
tered in Song Mode.
STYLE DISK 000 ACMP/SONG 1 2 3 4 FREEZE
SONG TRANSPOSE VOLUME REGISTRATION MEMORY
SONG
SONG
When playing back a song recorded on a floppy disk, insert the disk into the disk
drive.
PSR-730X G
001 116
TEMPO 100
A
REPEAT
B ONE T
SET
STYLE DISK 000 ACMP/SONG 1 2 3 4

SONG TRANSPOSE VOLUME REGISTRATION ME
Inserting the disk will cause the PSR-730/630 to automatically change to the
• Inserting the disk con-
“SONG” menu, and the name and number of the currently selected song will appear taining no song data
on the left of the top line of the display. The PSR-730/630 will switch to Song Mode, won’t automatically
lighting the SONG icon on the display, and the (floppy disk icon) will be shown. select the “SONG”
DISK
menu.
2 Enter the Song Number

song to be played back. The SONG button can also be pushed to increment the song
number, and holding it down will cause the number to increment continuously.
1 2 3
Always d
4 5 6
002 116
TEMPO 100
A
REPEAT
B ONE TOUCH
SETTING
STYLE DISK 000 ACMP/SONG 1 2 3 4 FREEZE 7 8 9

– / NO 0 + / YES
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The songs will be displayed in sequence, as follows:

Demo Song (001) m Disk Song (001) m Demo Song (001)....
● Selecting a Disk Song Quickly

When selecting a Demo Song, hold the [3] button down until the icon lights, then DISK
enter the Disk Song number using the [1]–[0] number buttons. • Song data of a certain
commercially avail-
able song disk may
Example) Selecting Disk Song number 2 use the voices which
Press [3] and hold until the DISK icon lights are not built in the
PSR-730/630. In this
Press [2]
case nothing will be
1 2 3
shown on the voice
number display of the
Always d appropriate track.
4 5 6
002 116
TEMPO 100
A
REPEAT
B ONE TOUCH
SETTING
STYLE DISK 000 ACMP/SONG 1 2 3 4 FREEZE 7 8 9

– / NO 0 + / YES
3 Select Play Mode

Press the SUB MENU [▲] and [▼] buttons so that “Play Mode” appears on the
display. On the right of the top line of the display, the current play mode will be • Selecting “All” here
displayed. Use the [–] and [+] buttons, or the Data Dial to select the play mode for cancels the Next song
setting (see page 82).
playback.
Play Mod e: Sin gle
Single............... Play through the selected song, then stop.

All ...................... Continue playback through all the songs on the floppy disk. If there
is no floppy disk inserted in the drive, this setting will be ignored.
4 Start/Stop the Song

Press the [START/STOP] button, and start playback of the song. To stop playback
part way through the song, press the [START/STOP] button one more time.
START / STOP
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Song Playback
■ Song Volume Control

The volume of song playback can be adjusted for the best balance in relation to notes
from the keyboard. While in Song Mode (the SONG icon is lit) press the ACMP/
SONG VOLUME [▲] and [▼] buttons. When either button is pressed the current song
volume setting will appear on the top line of the display for a few seconds. The song
volume is also shown on the display when in the Song Mode (the SONG icon is lit).
ACMP / SONG
VOLUME
SongVolu me 100
001 116
TEMPO 100
A
REPEAT
B ONE TOUCH
SETTING

Press the ACMP/SONG VOLUME [▲] or [▼] buttons to button to decrease or

increase the volume within a range of 0-127. Press briefly to single step, or hold for • While the song vol-
ume setting appears
continuous decrementing/incrementing. on the top line of the
display the [–] and [+]
buttons, number but-
tons, or data dial can
also be used to set
the song volume.
■ Play from a Specified Measure

Press the [SONG] button to select the SONG menu (the triangular indicator will
appear next to “SONG” to the right of the display). Use the SUB MENU [▲] and [▼] • You can move the
buttons to select the “Measure” parameter in the display. The current measure number measure number for
playback back and
will appear to the right of “Measure” on the top line of the display (the current measure forth even during the
number is also continuously displayed next to “MEASURE” in the display). song playback.
Measure: 001
001 116
TEMPO 100
A
REPEAT
B ONE TOUCH
SETTING
001
MEASURE

Use the [–] and [+] buttons, [1]–[0] number buttons, or the Data Dial to specify the
measure from which to begin playback, then press the [START/STOP] button to start
from that measure.
1 2 3
Measure: 009 4 5 6
001 116
TEMPO 100
A
REPEAT
B ONE TOUCH
SETTING
009
MEASURE
7 8 9
– / NO 0 + / YES
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Minus-one Practice
You can turn-off (mute) any of the parts of a song while it is playing, then practice
playing that part yourself along with the other tracks of the song. This is called Minus-
one playback.
Choose any one of the demo or sample disk songs, press one of the TRACK buttons
1-16 below the display, muting the part you want to play, and then try playing yourself.
1 Selecting the Song for Minus-one Playback

To select the song, see (page 76).
2 Select the track for Minus-one playback

Press one of the TRACK buttons below the display, and its number 1 – 16 will
disappear from the display. The track you selected will go OFF and the part will be
muted.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
213 213 337 391 259 434 468 442 471 219 252 213 213 213 213 213
1 2 1 2 1 2 1 2 3 4 L R2 R1
SPLIT DUAL
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
3 Select the R1 Voice

When you are going to play in place of the muted part, set the voice for the part you
muted (listed under the TRACK Number 1 – 16 ) as the R1 voice.
To select the R1 voice, see page (page 17).
4 START/STOP Minus-one Playback

Just like starting regular song playback, press the [START/STOP] button to start
and stop Minus-one playback. You can play the muted part yourself.
START / STOP
Pressing one of the TRACK buttons corresponding to the muted parts during song
playback turns on that track/part again.
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Song Playback
Repeat Play
This function allows you to specify any section of a Demo or Sample disk song for
continuous repeat playback.
1 Select the A-B Repeat Parameter

While the SONG menu is selected, but no recording is in progress, use the SUB
MENU [▲] and [▼] buttons to select the “A-B Repeat” parameter in the display. The
MAIN/AUTO FILL [A] and [B] button indicators will flash.
MAIN / AUTO FILL
A B
A-B Repe at A B
2 Start Playback
Press the [START/STOP] button to start song playback.
START / STOP
3 Specify the Repeat “A” and “B” Points

While the song is playing, press the MAIN/AUTO FILL [A] button at the beginning
of the section to be repeated (the [A] button indicator will light continuously, and the • If only the “A” repeat
“A” repeat icon will appear in the display), then press the MAIN/AUTO FILL [B] point is specified, re-
peat playback will oc-
button at the end of the section to be repeated (the [B] button indicator will light cur between the “A”
continuously, and the “B” repeat icon will appear in the display). Repeat playback will point and the end of
the song.
begin automatically from the A point as soon as the B point has been specified, and
• If the MAIN/AUTO
will continue until either the MAIN/AUTO FILL [A] button is pressed again to cancel FILL [B] button is
the repeat function, or until song playback is stopped. pressed during repeat
playback, the previ-
ously specified “B”
MAIN / AUTO FILL point will be cancelled
A B and a new “B” point
A B ONE TOUCH
SETTING
can be specified as
A B REPEAT
required.
1 2 3 4 FREEZE
REGISTRATION MEMORY
• Repeat playback will
continue even if a dif-
ferent menu is se-
MAIN / AUTO FILL lected during repeat
A B
A B
playback.
ONE TOUCH
SETTING
A B REPEAT • Repeat playback will
1 2 3 4 FREEZE be cancelled if a dif-
REGISTRATION MEMORY
ferent SONG number
selected or the record
mode is engaged.
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Song Repeat
The Song Repeat feature is handy when you want to repeat playback of a particular
song.
1 Select a Song Number

2 Turn on the Song Repeat

After making sure that the “SONG” menu is selected, use the SUB MENU [▲] and
[▼] buttons so that “SongRepeat” appears on the display. The current SongRepeat
setting will be shown on the top line of the display.
SongRepe at: Off
Use the [–] and [+] buttons or the Data Dial to set the on/off state to the Song Repeat
function.
SongRepe at: On
3 Start Playback
Playback will begin as soon as the [START/STOP] button is pressed. Until you
press the [START/STOP] button once again, Song Repeat playback will continue. • If the Song Repeat
feature is ON, the
song will replay re-
START / STOP
peatedly regardless of
whether the play
mode is set for Single
or All.
• Doing any of the fol-
lowing operations will
automatically cause
the song repeat func-
tion to turn off.
• Changing the song
number.
• Specifying the Next
Song function (page
82).
• Setting the Play
Mode to “All” (page
77).
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Song Playback
Next Song
The Next Song feature is handy when the next song you want to play isn’t the one
with the next song number.
1 Select the first song you want to play

2 Select the next song

After making sure that the “SONG” menu is selected, use the SUB MENU [▲] and
[▼] buttons so that “NextSong” appears on the display. The current NextSong setting • When “All” is selected
will be shown on the top line of the display. in the Play mode (see
page 77), setting the
Next song will auto-
matically change the
NextSong :01 Tru mpet Play mode from “All”
to “Single”
next song.
NextSong :04 E.P iano
3 Start Playback
Playback will begin as soon as the [START/STOP] button is pressed. When the first
song is finished, playback will continue with the next song. • If the Song Repeat
feature is ON, the
If the [START/STOP] button is pressed once again, or when the next song finishes, next song will play af-
playback will automatically stop. ter the first song re-
gardless of whether
the play mode is set
START / STOP for Single or All.
• While the selected
next song is playing,
the song to play after
it finishes can be se-
lected in the same
way using the Next
Song function.
• If the first song and
the next song are the
same, the Next Song
feature won’t work.
• Doing any of the fol-
lowing operations will
automatically cause
the song repeat func-
tion to turn off.
• Changing the song
number.
• Turning on the Song
Repeat function
(page 81).
• Setting the Play
Mode to “All” (page
77).
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Song Recording
You can record your own music performance on a floppy disk as a user song.
• User Songs are recorded on floppy disks. They can’t be recorded unless a floppy disk is in-
serted into the disk drive.
• The Shortcut functions are not available when one of the Record modes is engaged.
● Quick Recording
You can easily record four tracks from the PSR-730/630 keyboard together with on
track of Auto Accompaniment. • The quick recording
method is different
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 from the multi record-
213 213 337 391 259 434 468 442 001 124 133 064 204 084 109 001 ing method but for
both of them, the re-
1 2 1 2 1 2 1 2 3 4 L R2 R1 corded data is re-
SPLIT DUAL
corded on tracks 1–
16.
● Multi Recording
In Multi Recording, the different parts of the some are divided among tracks 1–16,
with keyboard playing on tracks 1–5, harmony notes on tracks 6–8, and auto
accompaniment (RHYTHM1-PHRASE2) on tracks 9–16. This lets you fine tune
the recording settings for each track, then carefully edit.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
001 213 337 391 259 434 468 442 471 216 252 213 213 213 213 213
1 2 1 2 1 2 1 2 3 4 L R2 R1
SPLIT DUAL
After finishing your recording of a user song, you can play it back in the same way
as one of the preset demo songs.
The data you can record in user songs using Quick Recording or Multi Recording are
as follows: • Being able to record
note on/off and velocity
The accompaniment tracks record the following and data: means being able to
• Accompaniment style number* • Chord changes and their timing. record forte or piano,
crescendo or diminu-
• Accompaniment track changes* • Accompaniment volume endo, and other subtle
(8 tracks: track on/off, voice number, volume, pan, • Reverb type. elements of expression
reverb depth, chorus depth) • Chorus type. from the keyboard as
you play them.
• Section changes and their timing • Tempo and time signature*
• Note ON (key press),
note OFF (key release),
The keyboard (R1/R2/L) tracks record the following and data: and velocity (strength of
• Note on/off (key press and release) • Multi effect on/off, type and set- key press) are MIDI
data events (playing
• Velocity (strength of key press) tings (PSR-730)
information)(page 119).
• R1/R2/L voice number, volume, octave*, pan, reverb • Harmony on/off, type
• Be careful to avoid the
depth, chorus depth, DSP depth. • Sustain pedal on/off song data loss that will
• Reverb on/off and type • Pitch bend, pitch bend range. occur during recording
• Chorus on/off and type • Tempo if the power is turned
• DSP (including variation) on/off and type off, the AC adaptor is
unplugged from the out-
The maximum amount of song memory is 65,000 notes for 2DD disks and 130,000 notes for 2HD disks. let, or the batteries lose
* Recorded only at the beginning of a song; changes cannot be made during recording. power.
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Song Recording
Quick Recording Procedure

With quick recording, you can use 5 tracks for recording each song.
● ACMP track ....................... Used to record auto accompaniment notes (such

as chord change and section change data).
● MELODY 1–4 track ......... Used to record keyboard melody notes.
1 Insert Floppy Disk and Change to Record Mode

Insert the floppy disk you will use to record the user song into the floppy disk
drive.
Press the [RECORD] button to engage the Record Ready Mode. The [RECORD]
button indicator will light, and the SONG, STYLE, and MULTI PAD [1] … [4]
icons will flash, indicating that you must select one of the corresponding record
modes.
and Piano
RECORD
001
BEAT
001
1 2 3 4 VOICE
MULTI PAD
119
dim 6 513
FINGERING m M 7aug sus 4 GROOVE & DYNAMICS
11 12 13 14 15 16 STYLE
252 213 213 213 213 213
MELODY MELODY ACMP VOICE VOICE VOICE
2 3 4 L R2 R1
SPLIT DUAL SONG
The SONG icon will be lit on the display indicating that the Song mode is
engaged and the User song number will be shown above the icon.

001
DISK
SONG
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2 Select the SONG Record Mode
Press the [SONG] button to select the SONG record mode. The SONG menu
icon will light. • In Song Record Ready Mode,
the track numbers (9-13) for
The beat indicator dots will flash at the currently set tempo, indicating that corresponding to tracks where
the record ready (Synchro Start) mode is engaged. data is already recorded will
light.
The track bars for MELODY 1–4 and ACMP tracks will flash at the bottom • If the [RECORD] button is
of the display (Record Ready Mode). pressed, the lowest-numbered
user song which does not con-
tain any recorded data will au-
tomatically be selected.
• The following panel setting
changes will occur when the
record ready mode is engaged:
• The measure number will be re-
set to “1”.
• If the Metronome function is on
(page 116), the metronome will
sound at the current tempo.
• The Registration Memory Freeze
function will be turned on (it
cannot be turned off while the
record mode is engaged).
• The SYNCHRO STOP function
wil be turned off.
3 If Necessary, Select a User Song Number

When you want to change the user song number selected in step two, use the
[–] and [+] buttons, [1]–[0] number buttons, or Data Dial to change it as
required.
4 Select the Track to be Recorded

● When recording a melody track.
Use the TRACK buttons to select a MELODY 1–4 track to record.
For example, if you press the track button below the MELODY 1 track, the
MELODY 1 track bar will stop flashing, and the track bars for the other tracks
will go out. This shows that you have selected the MELODY 1 track as the
track for recording.
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Song Recording
7 8 9 10 11 12 13 14 15 16
468 442 471 201 252 213 213 084 109 001
PHRASE PHRASE MELODY MELODY MELODY MELODY ACMP VOICE VOICE VOICE
• If you start recording
1 2 1 2 3 4 L R2 R1 without selecting a spe-
SPLIT DUAL
cific track while the
SONG TRACK L R2 R1 panel AUTO ACCOM-
PANIMENT button is
ON, the MELODY 1 and
ACMP tracks will auto-
matically be selected for
recording.
7 8 9 10 11 12 13 14 15 16
● Recording the ACMP track

If you press the TRACK button below the ACMP track, the ACMP track bar will • The ACMP track and
light and the ACMP track will be selected as the recording track. (If you do this one MELODY track can
be recorded together at
when AUTO ACCOMPANIMENT is off, AUTO ACCOMPANIMENT will the same time.
automatically be turned on.) • If the ACMP track is
turned off, AUTO AC-
7 8 9 10 11 12 13 14 15 16 COMPANIMENT on the
468 442 471 201 252 213 213 084 109 001 panel will also be turned
off.
1 2 1 2 3 4 L R2 R1
SPLIT DUAL
• If AUTO ACCOMPANI-
MENT is turned on, the
SONG TRACK L R2 R1 ACMP track will be auto-
matically selected for re-
cording.
• AUTO ACCOMPANI-
MENT cannot be turned
on or off during record-
7 8 9 10 11 12 13 14 15 16 ing.
5 Record
Recording will begin as soon as you play a note on the keyboard or press the
[START/STOP] button, and the BEAT indicator dots will begin to indicate the
current beat as in the Auto Accompaniment mode. The MEASURE parameter will
also show the current measure number during recording.
START / STOP
009
MEASURE BEAT
1 2 3 4
MULTI PAD
◆ Rehearsal Mode
If the SYNC START button is pressed while in Record Ready Mode, it will be SYNC STOP START
canceled (the beat indicator dots will go out) and the PSR-730/630 will enter NIMENT
Rehearsal Mode. In this mode, you can try playing your song before actually
recording it. Pressing the SYNC START button will return to Record Ready Mode.
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• Before actually starting to record you can try playing the • Recording is carried out in 1-measure increments. If you stop
PSR-730/630 the way it is set up by using the “Rehearsal recording in the middle of a measure, rests will automatically
Mode”: press the [SYNC START] button to temporarily disen- be recorded until the end of that measure.
gage the record ready mode, rehearse as necessary, then
• If you start recording by pressing the [START/STOP] button,
press the [SYNC START] button again to return to the record
nothing will be recording on a MELODY track until you begin
ready mode.
playing on the keyboard. Only rhythm accompaniment will be
• Whenever you record using a SONG, any previously re- recorded on the ACCOMPANIMENT track until you play a
corded material in the same track will be erased. chord in the auto accompaniment section of the keyboard.
• If the SONG memory becomes full while recording, “Disk • During recording you can use the TRACK buttons to turn
FULL!!” will appear on the display and recording will stop (the playback of previously-recorded MELODY tracks or the AC-
“Rehearsal Mode” will be engaged). COMPANIMENT track on or off as required.
6 Stop Recording
Stop recording by pressing the [START/STOP] button. If you press the [ENDING]
button while recording the ACCOMPANIMENT track, recording will stop automati- • You can also press
cally after the ending section has finished. When recording is stopped the MEASURE the [SYNC START]
button to stop record-
number on the display will return to “1” and the record-ready mode will be engaged. ing and return to the
record ready mode.
START / STOP
ENDING
• While the record

ready mode is en-
gaged you can press
the [VOICE] button to
go to the VOICE
menu and change the
R1 voice as required.
The R2 voice, how-
ever, cannot be
7 Record Additional Tracks as Required changed (If the Voice

Set function is on —
page 116 — the R2
By repeating steps 4 through 6, above, you can select and record additional tracks voice will automati-
as required. cally be changed
when an R1 panel
voice is selected).
● Recording from the Middle of the Song The record-ready
mode must be disen-
It is possible to initiate recording from the middle of the song. If you want to change gaged in order to
the latter half of the song (track), select the Measure number from which you want change the R2 voice
and other settings.
to record and start recording. When the AUTO ACCOMPANIMENT is on, this
• You can rerecord a
method is not available for the quick recording procedure. part of an already re-
corded track if de-
sired, using the Punch
In/Punch Out feature
(page 92)
8 Exit From the Record Mode

When you’re finished recording a song, press the [RECORD] button so that its
indicator goes out, to exit from the record mode. The recorded user song can now be • You can edit the data
recorded in user
played back in the same way as the demonstration songs. songs (page 96).
• You can edit the re-
RECORD corded accompani-
ment data recorded
on accompaniment
tracks (page 96).
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Song Recording
Multi Recording Procedure

With Multi Recording, you can record up to 16 tracks for a single song.
• Even though three tracks,
The default settings for the tracks are as follows: track 1, 4 and 5, are pre-
pared for R1 part as the
default, the R1 part perfor-
Track 1 ............... For recording keyboard playing (R1 part).
mance cannot be re-
Track 2 ............... For recording keyboard playing (R2 part). corded to the multiple
Track 3 ............... For recording keyboard playing (L part). tracks at the same time. In
such cases, the last track
Tracks 4,5 ......... For recording keyboard playing (R1 part). you select is designated
Tracks 6–8 ........ For recording harmony notes (Harmony type 7–16). for the R1 part recording.
Tracks 9–16 ...... For recording Auto Accompaniment notes (RHYTHM 1–

PHRASE 2)
1 Engage the Song Record Mode and Select the User Song • When you insert an com-
In the same way as steps 1–3 for Quick Recording, engage the Song Recording mercially available song
disk and try to record and
Mode and select the user song number. overwrite one of the song
files which is not write-
protected, “Convert NO/
YES” will appear and the
recording will not be initi-
ated. If you select “YES”
to execute recording,
“Don’t remove the disk”
appears and the PSR-
730/630 starts converting
the selected song’s format
to the PortaTone’s. After
completing the conver-
sion, Record-ready mode
is engaged to indicate re-
cording becomes pos-
sible.
2 Select the Record Method

Use the SUB MENU [▲] and [▼] buttons so that “Quick Record” or “Multi
Record” (record method selection screen) appears on the display. • If you begin recording
without selecting the
record method, Quick
Multi Re cord Record Mode will auto-
matically be selected.
Use the [–] and [+] buttons or the Data Dial to select Multi Record as the record
method.
3 Select the Track and Part to Record

Select the track and the part to be recorded on that track.. Default parts are
already set for recording, but you can change them as needed.
Use the SUB MENU [▲] and [▼] buttons so that “Part Select” (record part
selection screen) appears on the display.
Part Sel ect:Voi ce R1
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Press the TRACK button to select one of the tracks 1–16 for recording. For
example, if you press the Track button below the track 1, the track 1 bar will light,
showing that the track 1 is selected for recording. If you press the same TRACK button
once again, the track bar will go out and that track will not be recorded.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
001 213 337 391 259 434 468 442 471 216 252 213 213 213 213 213
1 2 1 2 1 2 1 2 3 4 L R2 R1
SPLIT DUAL
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
At this time, the part to be recorded for that track will be shown at the top of the
display. As needed, use the [–] and [+] buttons or the Data Dial to change the part.
Track Default Part Other Parts that Can Be Set

1 R1 R2, L
2 R2 R1,L
3 L R1, R2
4 R1 R2, L
5 R1 R2, L
6 Harmony 1 R1, R2, L
9 ACMP 1ch (RHYTHM2) R1, R2, L
10 ACMP 2ch (RHYTHM1) —
11 ACMP 3ch (BASS) R1, R2, L
12 ACMP 4ch (CHORD1) R1, R2, L
13 ACMP 5ch (CHORD2) R1, R2, L
14 ACMP 6ch (PAD) R1, R2, L
15 ACMP 7ch (PHRASE1) R1, R2, L
16 ACMP 8ch (PHRASE2) R1, R2, L
When recording accompaniment tracks (9–16), first turn Auto Accompaniment on

and then press the TRACK buttons numbered 9–16 to select 9–16 tracks for recording. • If the part selected for
a track is the same
Pressing any of the TRACK buttons under the tracks will let you select any tracks one as that being re-
(such as RHYTHM 1 track and BASS track only) for recording. corded, that track
cannot be set for re-
cording at the same
7 8 9 10 11 12 13 14 15 16
time. Only one track
468 442 471 216 252 213 213 213 213 213 can be selected, with
the last chosen hav-
1 2 1 2 3 4 L R2 R1 ing priority.
ACCOMPANIMENT SPLIT DUAL
ON / OFF
• Auto Accompaniment
SONG TRACK L R2 R1 cannot be turned on
or off once recording
has started.
7 8 9 10 11 12 13 14 15 16
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Song Recording
The harmony notes (type 7–16) can be recorded to the tracks 6–8. To record
harmony notes, first turn Harmony on and then press the TRACK buttons numbered
6–8 to select 6–8 tracks for recording.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
HARMONY 001 213 337 391 259 434 468 442 471 216 252 213 213 213 213 213
1 2 1 2 1 2 1 2 3 4 L R2 R1
SPLIT DUAL

ACCOMPANIMENT
ON / OFF
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
4 Start/Stop Recording
Record the track(s) in the same way as steps 5-7 for Quick Recording.
Since the recorded accompaniment data is recorded on each accompaniment • You can also use Re-
track, it can be edited using the Song Edit function (page 97). hearsal Mode to prac-
tice before recording
when doing Multi Re-
cording.
■ About the Recording with the Digital Effects Applied

Only one type of each of the Digital Effects, Reverb, Chorus, DSP and Multi Effect
(PSR-730) can be set at one time. Be aware of the following facts, especially when
recording a song with different effects applied to the different tracks.
A Reverb type and Chorus type effects can be set and recorded independently for
each of the 16 tracks. However, only the latest settings made (one each) will be
effective if several effects are used in a song (the latest setting priority).
[EX.] While the panel REVERB button is turned on:

1. Select the Hall 1 (Reverb) for the Accompaniment track, and record the Accompa-
niment track for ten measures from the beginning.
2. Start recording the keyboard (R1) track with the Hall 1 (Reverb) selected from the
beginning and then change the effect type to Room 1 (Reverb) respectively from
the fifth measure through the end.
When you play back the song recorded as above, the first four measures will be
played back with the Hall 1 applied to both the Accompaniment track and
keyboard (R1) track, and the remaining six measures, from fifth through the end,
with the Room 1 applied to both tracks. The effect types set for the Accompani-
ment track are replaced with the latest settings. Only the Depth for each track
remains the same.
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B DSP type effects can be set and recorded for R1/R2/L part(s) when used as System
effect and for R1 part when used as Insertion effect. They can’t be recorded for the
track used as the Accompaniment and/or Harmony part. During playback, only the
latest setting will be effective if several types are used for the tracks in a song (the
latest setting priority).
[EX.]
1. Turn on the panel DSP button, and start recording on the track 1 with the Distortion
(DSP type: No.42 Dist.Hard) selected for ten measures from the beginning.
2. Turn off the panel DSP button, and start recording on the track 2 without any effect
from the beginning. Then turn on the panel DSP button again at the fifth measure,
and continue recording to the end with the Rotary Speaker (DSP type: No.28 Rotary
SP.1) selected.
When you play back the song recorded with the above condition, the first four
measures will be played back with the Distortion applied only to track 1, and the
remaining six measures, from the fifth through the end, with the Rotary Speaker
applied only to track 2. The DSP type set for track 1 is replaced by the one set for
the track 2.
C (PSR-730)
Multi effects can be set and recorded for R1/R2/L part(s). They can’t be recorded
for the track used as the Accompaniment and/or Harmony part. During playback,
only the latest setting will be effective if several types are used for the tracks in a
song (the latest setting priority).
[EX.] Two Multi Effect types set in series for R1

1. Multi Effect is turned on and 10 measures are recorded for R1 on track 1.
2. Recording is started for R1 on track 2 with Multi effect off, and then it is turned on
at the fifth measure.
When you play back the song recorded with the above conditions, the first four
measures will be played back with the Multi Effect applied only to track 1, and the
remaining six measures, from the fifth through the end, with Multi Effect applied
only to track 2.
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Song Recording
Punch In/Punch Out

The data recorded on tracks for keyboard playing (R1/R2/L) can be re-recorded in
parts with the Punch In/Punch Out feature.
• Punch In/Punch Out
recording is available
only when Multi
● Before re-recording record mode is en-
gaged. When in the
1 2 3 4 5 6 7 8 Quick record-ready
Recording start Recording stop mode, “Punch In: - - -”
(Punch In) (Punch Out) or “Punch Out: - - -”
appears on the dis-
play and Punch In/
● After Re-recording Punch Out recording
is not accessible.
1 2 3 4 5 6 7 8
• If you select the
Previously Newly played data Previously played tracks set as the Ac-
played data data companiment or Har-
mony, “Punch In: - - -”
or “Punch Out: - - -”
appears on the dis-
1 In the Record Ready Mode (page 88) for the track you will re-record or in the play and Punch In/
Punch Out recording
Rehearsal Mode, use the SUB MENU [▲] and [▼] buttons so that “Punch In:Off” is not accessible.
appears on the display.
Punch In : 3
• You can use Punch
Use the [–] and [+] buttons, [1]–[0] number buttons, or the Data Dial to enter the In/Punch Out to re-
record multiple tracks
measure number for using the Punch In feature. at the same time.
cannot be used for
2 Use the SUB MENU [▼] button so that “Punch Out:Off” appears on the display. songs that have no
data recorded in
them. “Punch In: - - -”
Punch Ou t: 5 will be shown on the
display.
Use the [–] and [+] buttons, [1]–[0] number buttons, or the Data Dial to enter the
measure number for using the Punch Out feature. • The Punch Out mea-
sure number cannot
be set lower than the
Punch In measure
number.
3 Start and Stop Recording
Start recording as usual. Even though you start playing from the beginning, only the
data played within the Punch In/Punch Out range will be re-recorded.
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Quantize
With the Quantize feature, the timing of data recorded in a user songs can be
adjusted.
• Quantize setting is
available only when
1 In the Record Ready Mode for the track you want to quantize (page 88) or in the Multi record-ready
mode is engaged.
Rehearsal Mode, use the SUB MENU [▲] and [▼] buttons so that “Quantize: YES” When in the Quick
appears on the display. record-ready mode,
“Quantize? - - -” ap-
pears on the display
and Quantize setting
Quantize ? YES is not accessible.
2 Press the [+] YES button and “Quantize” will be displayed, with the value at the
upper right of the display.
Quantize : 32 2
Use the [–] and [+] buttons, or the Data Dial to select the Quantize value (4, 6, 8,
12, 16, 24, 32).
Set the Quantize value to correspond to the smallest notes in the track you are
working with. For example, if the data was recorded with quarter notes and eighth
notes, use 1/8 for the quantize value. If the quantize function is applied in this case
with the value set to 1/4, the eighth notes would be moved on top of the quarter notes.
One measure of 8th notes before quantization

Quantize Value Note
4 Quarter note
6 Quarter note triplet
8 Eighth note After quantization
12 Eighth note triplet
16 Sixteenth note
24 Sixteenth note triplet
32 Thirty-second note
3 After making the setting in step 2, use the SUB MENU [▼] button so that “Execute?
No/Yes” appears on the display.
Execute? : 1/3 NO/YES

Pressing the [+] YES button to execute the quantize function.
Press the [–] (NO) button, and the quantize function won’t execute. The display will
return to “Quantize?”.
4 When Quantize is finished, the display will return to “Quantize? YES”
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Song Recording
Naming User Songs

You can give your own name (8 characters or less) to user songs.
In the Record Ready Mode (pages 84, 88) for the song you want to name, or in the
Rehearsal Mode, use the SUB MENU [▲] and [▼] buttons so that “Song Name”
appears on the display. The current name for the song will be displayed at the upper
right of the display.
SongName SON G _001

_
The method of setting the characters is the same as for Registration Naming (page
58).
SongName _
LES SON01
Clearing Song Data

You can clear unneeded song data in two different ways: Clearing Selected Tracks
or Clearing an Entire Song. In either Quick Record or Multi Record Mode, this
operation is done in Record Ready Mode or in Rehearsal Mode. • When in Quick
Record Mode, Clear
Selected Track will
● Clearing Selected Tracks clear data as follows:
• If the ACMP track is
While the Song record ready or rehearsal mode is engaged use the SUB MENU [▲] cleared, data that
and [▼] buttons to select the “Track Clear?” function. The track bars for tracks which would be in tracks 9-
16 in the Multi Record
contain data will flash, showing that those tracks can be cleared. mode will be cleared
at the same time.
• If Melody tracks that
Track Cl ear? YES were recorded with
Dual Voice are
cleared, tracks re-
● Quick Record corded with Multi
Record Mode R1/R2
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
001 213 337 391 259 434 468 442 001 016 252 213 219 213 213 213 parts will be cleared at
the same time.
1 2 1 2 1 2 1 2 3 4 L R2 R1 • The tracks recorded
SPLIT DUAL
by Quick recording
can be cleared using
the Multi recording
● Multi Record
Track Clear function,
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
and vice versa.
001 213 337 391 259 434 468 442 471 216 252 213 213 213 213 213
1 2 1 2 1 2 1 2 3 4 L R2 R1
SPLIT DUAL
• Demo song tracks

cannot be cleared.
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Use the TRACK buttons to select the track you want to clear. The track bar for the
track you selected will light steadily and the track bars for the other tracks will be
turned off.
● Quick Record
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
001 213 337 391 259 434 468 442 001 016 252 213 219 213 213 213
1 2 1 2 1 2 1 2 3 4 L R2 R1
SPLIT DUAL
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
● Multi Record
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
001 213 337 391 259 434 468 442 471 216 252 213 213 213 213 213
1 2 1 2 1 2 1 2 3 4 L R2 R1
SPLIT DUAL
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
Once the desired track has been selected, “Are You Sure?” will appear on the
display.
Are You Sure? NO/YES
Press the [+] (YES) button to actually clear the currently selected track.
While the track is being cleared, “Now Deleting” will appear in the top of the
display.
• While the track is
being cleared, (“Now
Deleting” is dis-
played) never eject
Now Dele ting... NO/YES the floppy disk or
turn off the power to
the PSR-730/630.
When track clear is finished, the display will return to “Track Clear?”
If you press the [–] (NO) button, track clear will not be executed and the display will
return to “Track Clear?”
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Song Recording
● Clearing an Entire Song

Use the song selection sub menu (pages 85, 88) to be sure that you have selected the
song that you want to clear.
While the SONG record-ready or rehearsal mode (page 87) is engaged use the SUB
MENU [▲] and [▼] buttons to select the “Song Clear? YES” function.
Song Cle ar? NO/YES
Press the [+] (YES) button and “Are You Sure? NO/YES” will appear on the display.
Press the [+] (YES) button a second time to actually clear the currently selected user
• While the track is
song. being cleared, (“Now
Deleting” is dis-
played) never eject
Are You Sure? NO/YES the floppy disk or
turn off power to the
PSR-730/630.
While the song is being cleared, “Now Deleting” will appear at the top of the
display.
When the operation is finished, the display will show “Song Clear? - - -”
• Demo Songs cannot
be cleared.
Press [–] (NO) if you want to abort the clear operation. The display will return to
“Song Clear? YES”
Song Edit
The data in user songs can be edited in a way similar to using the Revoice function
for Voices and Styles (page 110). The edited data can be written into the user song data.
1 While the SONG record-ready or rehearsal mode (page 87) is engaged use the SUB
MENU [▲] and [▼] buttons to select the “Song Edit? YES” function.
Song Edi t? NO/YES
2 When the [+] YES button is pressed, the track bar will flash under the lowest
numbered track that has data in it. This shows that this is the track that is selected
for editing. On the top line of the display, the current voice parameter and value for
the track will be displayed.
Voice:00 1 Gra nd Piano

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
001 213 337 391 259 434 468 442 471 216 252 213 213 213 213 213
1 2 1 2 1 2 1 2 3 4 L R2 R1
SPLIT DUAL
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3 Press the TRACK button to select the track you will edit. The track bar for the
selected track will light.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
001 213 337 391 259 434 468 442 471 216 252 213 213 213 213 213
1 2 1 2 1 2 1 2 3 4 L R2 R1
SPLIT DUAL
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
4 Use the SUB MENU [▼] button so that the voice parameter you wish to change
appears on the display. The parameter and value will appear at the top of the display. • When in Quick
Record Mode, if both
R1 and R2 voices are
Voice:00 1 Gra nd Piano recorded on one

track, only the R1
voice can be edited.
Volume: 127 nd Piano • When in Quick
Record Mode, you
cannot edit the ACMP
Pan; 0 track.
• If a track with no data
ReverbDe pth: 0 nd Piano is selected, [- - -] will
appear at the top of
the display and you
ChorusDe pth: 0 nd Piano won’t be able to edit.
• Each parameter can
DSPDepth : 26 nd Piano be recorded for one
track (one each for a
track). The parameter
Octave: 0 nd Piano changes done in the
middle of the song will
be lost.
In the same way as for the revoice function (page 111), use the [–] and [+] buttons,
[1]–[0] number buttons, or the Data Dial to change the setting.
See page 110 for information about each value.
5 Repeat steps 3–4 as needed.
6 When editing is finished, press the SUB MENU [▲] button so that “Disk Save?
YES” is shown on the display. Press the [+] YES button and the song data will be
replaced.
Disk Sav e? NO/YES
7 Exit the Record Mode and try playing the song.
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Style Recording
The PSR-730/630 lets you record up to three original “user styles” which can be used for auto-
accompaniment in the same way as the preset styles. The user styles are recorded as style
numbers 101, 102, 103, and 104, and each style can be recorded with the full complement
of 8 tracks (RHYTHM 1, RHYTHM 2, BASS, CHORD 1, CHORD 2, PAD, PHRASE 1,
PHRASE 2) and 5 sections (INTRO, MAIN A, MAIN B, ENDING, FILL).
• Material recorded on the STYLE tracks will be retained even after turning the power
off. See page 152 for the details.
• The recorded data will be lost if the power is turned off, the AC adaptor is unplugged,
or the batteries fail during recording.
• The REGISTRATION MEMORY cannot be recalled during style recording.
● The STYLE tracks record the following operations and data:

• Note on/off.
• Up to approximately
• Velocity. 1,980 notes for a section
(totally ca. 5,940 notes)
• Voice number (drum kit number).* can be recorded in the
• Pitch bend. PSR-730/630 STYLE
tracks.
Only one event of the item marked with * can be recorded for each track of the sections.
Style Recording Procedure
1 Select a Style To Begin With

Select the style from one of the 100 presets that is closest to the type of style
you want to create. You will use this style as a starting point for the user style you • If none of the preset styles
will create. is appropriate, select one
that has the same time sig-
nature and number of mea-
Example 1) When you want to create a user style with 8 sures as the one you want
beats in 4/4 time, select style number 001 “8 Beat Pop.” to create, then use the “All
Clear” function (page 105)
to clear all preset data be-
8Beat Po p1 fore entering your own.
001 • If you select a blank user

style to begin with (101 …
104), the style will be in 4/4
Example 2) When you want to create a user style with 3/4 waltz time and all sections except
FILL will be 2 measures
time, select user style 099 “Vien. Waltz.” long. FILL will be 1 mea-
sure long.
Vien. Wa ltz
099
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2 Engage the Record Ready Mode

Press the [RECORD] button to engage the record ready mode. The [RECORD]
button indicator will light, and the SONG, STYLE, and MULTI PAD [1] … [4]
icons will flash, indicating that you must select one of the corresponding record
modes.
and Piano
RECORD
001
BEAT
001
1 2 3 4 VOICE
MULTI PAD
119
dim 6 513
11 12 13 14 15 16 STYLE
252 213 213 213 213 213
2 3 4 L R2 R1
SPLIT DUAL SONG
3 Select the Style Record Mode

Press the [STYLE] button to select the Style record mode. The STYLE menu
will automatically be selected and a user style number will appear on the top line • The icons of tracks which
of the display. The beat indicator dots will flash at the currently set tempo, already contain data will
appear continuously
indicating that the record ready (synchro start) mode is engaged. Also, the rather than flashing when
indicators for the auto-accompaniment section buttons (INTRO, MAIN A, MAIN the style record mode is
selected.
B, and ENDING) will flash, indicating that a section and track must be selected
• If the style record mode is
before recording can begin. selected while a preset
style is selected, a user
style which does not con-
tain any recorded data will
STYLE automatically be selected.
1 2 3 4 5 6 7 8 9 15 16 STYLE If all user styles already
219 219 340 322 324 434 468 442 471 213 213 contain data, however,
RHYTHM RHYTHM BASS CHORD CHORD PAD PHRASE PHRASE MELODY VOICE VOICE user style number 101
1 2 1 2 1 2 1 R2 R1
DUAL
(user style number 1) will
be selected.
• If the style record mode is
engaged when a user
MAIN / AUTO FILL style has already been se-
INTRO A B ENDING
lected, that user style
number will be used for
A B recording.
• The following panel set-
ting changes will occur
when the style record
mode is engaged:
• The measure number will
be reset to “1”.
• If the Metronome function
is on (page 116), the met-
ronome will sound at the
current tempo.
• The Synchro Stop function
will be turned off.
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Style Recording
4 If Necessary, Select a User Style Number

If the desired user style is not already selected, use the [–] and [+] buttons, [1]–[0]
number buttons, or the Data Dial to select it.
5 Select a Section to Record

Press the [INTRO], MAIN [A]/[B], [ENDING], or [FILL] button to select a
section for recording. • Multiple sections can-
not be recorded at the
same time.
To select the INTRO section • If you don’t specifi-
Press the INTRO button ....................... the INTRO lamp will light cally select a section,
the MAIN A section
To select the MAIN A section will automatically be
Press the MAIN A button ...................... the MAIN A lamp will light selected for recording.
To select the MAIN B section • Although the preset

FILL sections have 4
Press the MAIN B button ...................... the MAIN B lamp will light
variations (refer to
To select the ENDING section page 27), user-style
FILL sections can
Press the ENDING button .................... the ENDING lamp will light
have only 1. When
To select the FILL section using a preset style
Press the MAIN A/B button twice ......... the MAIN A /B lamp will light as a basis for a user
style, the AA FILL
variation is used.
For example, press the [INTRO] button, lighting the INTRO indicator. The
indicators for the other sections will go out. This shows that the INTRO section has
been selected as the section for recording.
MAIN / AUTO FILL
INTRO A B ENDING
A B
At the bottom of the display, the RHYTHM1 track bar will appear (not flashing).
This shows that RHYTHM1 has been selected as the recording track.
1 2 3 4 5 6 7 8 9
219 219 340 322 324 434 468 442 471
RHYTHM RHYTHM BASS CHORD CHORD PAD PHRASE PHRASE MELODY
1 2 1 2 1 2 1
6 Select a Track to Record

When using a preset style as a basis for a user style, the BASS, CHORD 1, CHORD
2, PAD, PHRASE 1, and PHRASE 2 tracks must be cleared before they can be selected • Only one track can be
for recording (see page 105). The RHYTHM 1 and RHYTHM 2 tracks can be recorded at a time.
“overdubbed” — i.e. new notes can be added without erasing the original data. • If you don’t specifi-
cally select a track,
the RHYTHM 1 track
Use the TRACK buttons to select RHYTHM 1, BASS, CHORD 1/2, PAD, or selected when you
PHRASE 1/2 as the style track you want to record. start recording.
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219 219 340 322 324 434 468 442 471
1 2 1 2 1 2 1
ACCOMPANIMENT TRACK
1 2 3 4 5 6 7 8 9
◆ Rehearsal Mode
If the [SYNC START] button is pressed while in Record Ready Mode, it SYNC STOP START
will be canceled (the beat lamps will go out) and the PSR-730/630 will enter NIMENT
Rehearsal Mode. In this mode, you can try playing your song before actually
recording it. Pressing the [SYNC START] button will return to Record
Ready Mode.
7 Select a Voice, If Necessary

If necessary, select a voice for the track to be recorded by pressing the
[VOICE] button and selecting in the normal way. • The Registration Memory
buttons will be disabled in
the Style record mode.
8 Record
Recording will begin as soon as you play a note on the keyboard or press the
[START/STOP] button. The BEAT indicator dots will begin to indicate the • Before actually starting to
current beat, and the MEASURE parameter will show the current measure record you can try playing
the PSR-730/630 the way it
number during recording. is set up by using the “Re-
START / STOP hearsal Mode”: press the
[SYNC START] button to
temporarily disengage the
record ready mode, re-
hearse as necessary, then
press the [SYNC START]
button again to return to the
record ready mode.
009 • If the memory becomes full
MEASURE BEAT
while recording, “Full” will
1 2 3 4 appear on the display and
MULTI PAD
recording will stop (the re-
hearsal mode will be en-
The style will repeat continuously when recording is started, so you can gaged).
continue to add (“overdub”) notes until the current track is complete. The style • Even though you can start
recording with the user style
should be recorded based on a CM7 chord (C Major Seven) in order for it to memory space thoroughly
function properly when used for auto-accompaniment. consumed, “Full” will be
shown on the display and
the recording will forcibly be
stopped. In this case, first
exit from the record mode,
next select the unnecessary
C = chord tone user style, and then enter
C S C C S C C, S = scale tones the record mode again and
execute the Clear function
(see page 105) to secure the
free space to record.
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Style Recording
Observe the following rules when recording the MAIN and FILL sections:
• Use only the CM7 scale tones when recording the BASS and PHRASE tracks (i.e. • During recording you
can use the TRACK
C, D, E, G, A, and B).
buttons to turn play-
• Use only the chord tones when recording the CHORD and PAD tracks (i.e. C, E, back of previously-re-
corded tracks on or
G, and B).
off as required.
• For recording the
Any appropriate chord or chord progression can be used for the INTRO and RHYTHM 1/2 tracks,
ENDING sections. the instrument sym-
bols printed on the
front edge of the
The basic chord for the accompaniment is called the source chord. The default panel show you the
instrument assign-
source chord is set as CM7, but you can change it to whatever chord is easy for you ments to each key.
to play. For details, see “Refining User Styles with Style File Format” (page 148). See Keyboard Per-
cussion on page 140
for playing each drum/
percussion sound.
9 Stop Recording
Stop recording by pressing the [START/STOP] button. The PSR-730/630 will
return to Record Ready Mode. • You can also press
When recording is stopped the MEASURE number on the display will return to “1”. the [SYNC START]
button to stop record-
ing and return to the
START / STOP Record Ready Mode.
10 Record Additional Sections & Tracks as Required

By repeating steps 5 through 9, above, you can select and record additional sections
and tracks as required.

When you’re finished recording a style, press the [RECORD] button so that its
indicator goes out to exit from the record mode. The recorded user style can now be • The voice data in spe-
used in the same way as the preset styles (page 22). cific user style tracks
can be “revoiced” in
the same way as the
RECORD preset styles, as de-
scribed on page 112.
This, however, does
not actually rewrite
the user style data. In
order to actually
change the user style
data first use the
revoice function, then
immediately engage
and disengage the
style record mode
without recording any
data.
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Drum Cancel
This function makes it possible to erase specific drum instruments from the
RHYTHM 1 and RHYTHM 2 tracks. It’s handy, for example, when you want to erase
• Drum Cancel cannot
just the bass drum recorded on the RHYTHM 1 track. be used for the BASS,
While recording either the RHYTHM 1 or RHYTHM 2 track, use the SUB MENU CHORD 1/2, PAD, or
PHRASE 1/2 tracks.
[▲] and [▼] buttons to select “Drum Cancel”.
Drum Can cel
Then, press the key on the key board corresponding to the instrument you want to
cancel.
Quantize
Quantize can be used to align notes to the nearest specified beat to tighten up loose
timing.
1 With the style Record Ready Mode (or Rehearsal Mode) engaged and the target
style and its section selected, use the SUB MENU [▲] and [▼] buttons to select
“Quantize? YES”.
Quantize ? YES
2 Press the [+] (YES) button to engage the quantize function (or [–] to abort) . The
current quantize value will appear to the left of “Quantize:” on the top line of the
display. Use the [–] and [+] buttons, or the Data Dial to select the desired quantize
value (4, 6, 8, 12, 16, 24, 32). When the quantize function is executed, all notes in
the target track will be aligned with the nearest note of the corresponding value.
Quantize : 32 2
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Style Recording
One measure of 8th notes before quantization

Quantize Value Note
4 Quarter note
6 Quarter note triplet
8 Eighth note After quantization
12 Eighth note triplet
16 Sixteenth note
24 Sixteenth note triplet
32 Thirty-second note
3 Press the SUB MENU [▼] button once so that “Execute? NO/YES” appears on the
display. Then press the [+] (YES) button to execute the quantize function, or the
[–] (NO) button to cancel (the display will return to “Quantize? YES”).
4 After the quantize operation is completed, “Undo” will appear on the top line of the
display. Undo lets you undo the effect of applying the quantize function. • After exiting from the
“Undo” screen, the
undo function cannot
Undo? nd PiYES be applied.
Pressing the [START/STOP] button will cause the quantized style to replay so that
you can check it.
Press the [+] (YES) button to undo the quantize operation.
Press the [–] (NO) button and the undo won’t be executed. The display will return
to “Quantize? YES.”
Naming Styles
You can give your own name (8 characters or less) to user styles.
With the Style Record Ready Mode (or Rehearsal Mode) engaged and the target
style selected, use the SUB MENU [▲] and [▼] buttons so that “UserStyle...” appears
on the display. The current name for the style will be displayed at the upper right of
the display.
UserStyl e: Use rSty1
58).
UserStyl e: ORI GINAL
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Clearing User Style Data

This function makes it possible to clear unneeded data from the PSR-730/630 User
Style tracks.
● Clearing an Entire Style

While the STYLE record-ready or rehearsal mode is engaged use the SUB MENU
[▲] and [▼] buttons to select the “All Clear? YES” function, then press the [+] (YES)
button: “Are You Sure? NO/YES” will appear on the display. Press the [+] (YES)
button a second time to actually clear the currently selected user style (the preset styles
cannot be cleared). Press [–] (NO) if you want to abort the clear operation.
All Clea r? Gra nd PiYES
Are You Sure? NO/YES
● Clearing Selected Style Tracks

While the STYLE record-ready or rehearsal mode is engaged and a section is
selected, use the SUB MENU [▲] and [▼] buttons to select the “Track Clear?”
function. The style track icons corresponding to tracks which contain data will flash.
Use the TRACK buttons to select track(s) you want to clear (the selected tracks will
be bracketed by two horizontal bars).
Track Cl ear? nd PiYES
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
219 219 340 322 324 434 468 442 471 201 252 213 213 213 213 213
1 2 1 2 1 2 1 2 3 4 L R2 R1
SPLIT DUAL
1 2 3 4 5 6 7 8 9
219 219 340 322 324 434 468 442 471
1 2 1 2 1 2 1
ACCOMPANIMENT TRACK
1 2 3 4 5 6 7 8 9
Once the desired tracks have been selected, “Are You Sure? NO/YES” will appear
on the display. Press the [+] (YES) button to actually clear the currently selected
track(s). Press [–] (NO) if you want to abort the clear operation.
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Multi Pad Recording
In addition to the preset MULTI PAD sets, the PSR-730/630 has 16 user-recordable sets that
you can use to store your own creations.
• Material recorded in the MULTI PADs will be retained even after turning the power
off. See page 152 for the details.
• The recorded data will be lost if the power is turned off, the AC adaptor is unplugged,
or the batteries fail during recording.
● The MULTI PADs record the following operations and data:

• Note on/off.
• Up to approximately
• Velocity. 100 notes for each pad
• R1 voice (voice number, volume, reverb depth, chorus depth, pan). can be recorded in the
PSR-730/630 MULTI
• Chord match on/off. PADs.
• Pitch bend, pitch bend range.
• Modulation.
• Sustain on/off.
• Expression ( with Pedal2 ).
• Brightness ( with Pedal2 ).
• Resonance ( with Pedal2 ).
Multi Pad Recording Procedure
1 Engage the Record Ready Mode

Press the [RECORD] button to engage the record-ready mode. The [RECORD]
button indicator will light, and the SONG, STYLE, and MULTI PAD [1] … [4] icons
will flash, indicating that you must select one of the corresponding record modes.
and Piano
RECORD
001
BEAT
001
1 2 3 4 VOICE
MULTI PAD
119
dim 6 513
11 12 13 14 15 16 STYLE
252 213 213 213 213 213
2 3 4 L R2 R1
SPLIT DUAL SONG
106
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2 Select the MULTI PAD Record Mode

Press any MULTI PAD button ([1] … [4]) to select the MULTI PAD record mode
(the MULTI PAD button you press will be selected for recording). The MULTI PAD • If the [RECORD] but-
menu will automatically be selected and a user pad set number will appear on the top ton is pressed while a
preset pad set is se-
line of the display. The beat indicator dots will flash at the currently set tempo, lected, the lowest-
indicating that the record ready (synchro-start) mode is engaged. numbered user pad
set which does not
contain any recorded
data will automatically
be selected. If other
MULTI PAD user pad sets already
STOP 1 2 3 4 contain data, how-
ever, user pad num-
ber 1 will be selected.
• The DSP effect can-
not be turned on dur-
ing MULTI PAD re-
MENU
Bank 37: Use rPad1 cording or the MULTI
PAD record standby
DISK
MULTI PAD
007 116
TEMPO 100
A
REPEAT
B ONE TOUCH
SETTING
001
MEASURE BEAT
001 mode. If the DSP ef-
STYLE DISK 000 ACMP/SONG 1 2 3 4 FREEZE 1 2 3 4 VOICE fect is on when the
REGIST MEMORY MULTI PAD record
mode is engaged, it
turned off.
• If the Metronome
function is on (page
116), the metronome
will sound at the cur-
rent tempo.
3 If Necessary, Select a User Pad Set Number

If the desired user pad set is not already selected, use the [–] and [+] buttons, [1]–
[0] number buttons, or the Data Dial to select as required.
4 If Necessary, Select a MULTI PAD to Record

If the MULTI PAD you pressed in step 2, above, is not the one you want to record,
you can select any other pad at this point simply pressing the appropriate MULTI PAD
button. The selected MULTI PAD icon will appear in the display.
MULTI PAD
1 2 3 4 BEAT
1 2 3 4
MULTI PAD
5 Specify Chord Match if Required

If you record a MULTI PAD with a pitched voice, the Chord Match function (see
page 63) can be specified for that pad by using the SUB MENU buttons to select the • The Chord Match on/
Chord Match function for the corresponding pad (“P1ChdMatch” … “P4ChdMatch”) off status can be
changed in the SUB
while in the record standby or rehearsal mode, and then using the [+] button to turn MENU “MULTI PAD”
it “On” or “Off” as you like. even after exiting the
recording mode.
P1ChdMat ch: On eggio
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Multi Pad Recording
6 Record
Recording will begin as soon as you play a note on the keyboard (synchro
start) or press the [START/STOP] button, and the BEAT indicator dots will • Before actually starting to
begin to indicate the current beat as in the Auto Accompaniment mode. If you record you can try playing the
PSR-730/630 the way it is set
are recording a Chord Match phrase, be sure to base your phrase on a CM7 chord up by using the “Rehearsal
to ensure proper Chord Match operation. See page 101 for more details on Mode”: press the [SYNC
START] button to temporarily
recording around a CM7 chord. disengage the record ready
mode, rehearse as necessary,
START / STOP then press the [SYNC START]
button again to return to the
record ready mode.
• Whenever you record a
MULTI PAD, any previously
recorded material in the same
MULTI PAD will be erased.
009 • If the memory becomes full
MEASURE BEAT
while recording, “Full” will ap-
1 2 3 4 pear on the display and re-
MULTI PAD
cording will stop (the record-
ready mode will be engaged).
7 Stop Recording
Stop recording by pressing the [START/STOP] button. When recording is
stopped, the record-ready mode will be engaged.
START / STOP
8 Record Additional Pads as Required

By repeating steps 3 through 7, above, you can select and record additional
pads as required.

When you’re finished recording pads, press the [RECORD] button so that its
indicator goes out to exit from the record mode. The recorded user pad can now
be played back in the same way as the preset pads (page 61).
RECORD
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Naming Pads
You can give your own name (8 characters or less) to user pad sets.
With the Pad Record Ready Mode (or Rehearsal Mode) engaged and the target Pad
set selected, use the SUB MENU [▲] and [▼] buttons so that “Pad Naming...” appears
on the display. The current name for the Pad set will be displayed at the upper right
of the display.
_se rPad1
Pad Nami ng: U
58).
Pad Nami ng: LIV EPAD1
Clearing User Pad Data

This function makes it possible to clear unneeded data from the PSR-730/630
MULTI PADs.
● Clearing an Entire Pad Set

While the MULTI PAD record-ready or rehearsal mode is engaged use the SUB
MENU [▲] and [▼] buttons to select the “Bank Clear? YES” function, then press the • If the pad you se-
[+] (YES) button: “Are You Sure? NO/YES” will appear on the display. Press the [+] lected has already
been cleared, “Bank
(YES) button a second time to actually clear the currently selected pad set (the preset Clear? - - -” will ap-
pad sets cannot be cleared). Press [–] (NO) if you want to abort the clear operation. pear on the display.
Bank Cle ar? YES
● Clearing Selected MULTI PADs

While the MULTI PAD record-ready or rehearsal mode is engaged use the SUB
MENU [▲] and [▼] buttons to select the “Pad Clear?” function. The MULTI PAD
icons corresponding to pads which contain data will flash (preset pad set data cannot
be cleared).
Pad Clea r? YES
Use the MULTI PAD buttons to select the pad you want to clear (the icon • If the pad you se-
lected has already
corresponding to the selected pad will appear continuously on the display). “Are You been cleared, “Pad
Sure? NO/YES” will appear on the display. Press the [+] (YES) button to actually clear Clear? - - -” will ap-
pear on the display.
the currently selected pad. Press [–] (NO) if you want to abort the clear operation.
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Revoicing
The PSR-730/630 REVOICE function lets you change the following parameters for the R1,
R2 and L voices and the AUTO ACCOMPANIMENT tracks.
● Revoice Parameters
Parameter Display Range Comments
Voice Voice Name Assigns a voice number to the specified • You cannot enter
PSR-730:
1 … 707 Revoice Mode when
PSR-730/630 voice or track. one of the Record
PSR-630: Modes is engaged.
1 … 692 • With Style Revoice,
Volume Volume 0 … 127 Sets the volume of the specified PSR-730/ the octave and the
DSP depth cannot be
630 voice or track.
changed.
Octave Octave –2 … 2 Shifts the pitch of the specified voice or track • When using Style
up or down by one or two octaves. A setting of Revoice for the
“0” produces normal pitch. RHYTHM1 track, only
drum kit voices (see
Pan Pan –7 … 7 Positions the sound of the specified voice or page 19) can be se-
track from left to right in the stereo sound field. lected.
“–7” is full left, “7” is full right, “0” is center, and • When using Style
all other settings are corresponding positions Revoice for the
in between. RHYTHM2 track, any
of the voices can be
Reverb Depth RevDepth 0 … 127 Sets the reverb depth for the specified voice selected but no chord
or track, and thus the amount of reverb effect changes will occur
applied to that voice or track. when using Auto Ac-
companiment.
Chorus Depth ChoDepth 0 … 127 Sets the chorus depth for the specified voice
or track, and thus the amount of chorus effect
applied to that voice or track.
DSP Depth DspDepth 0 … 127 Sets the DSP depth for the specified voice or
track, and thus the amount of DSP effect
applied to that voice or track.
Revoicing the R1, R2, and L Voices
1 Select the VOICE REVOICE Mode

While the VOICE menu is selected, press the [REVOICE] button (actually, the
order here is not important: you can also press the [VOICE] button after pressing the • The VOICE REVOICE
[REVOICE] button). The [REVOICE] button indicator will light and the R1 voice mode will automati-
cally be selected if the
track will be bracketed by two horizontal bars (i.e. the R1 voice is initially selected for [REVOICE] button is
revoicing). pressed while any
menu other than
STYLE or SONG is
Gra nd Piano selected.
• The VOICE REVOICE
001 VOICE
VOICE mode cannot be se-
VOICE lected while one of
the record modes is
GROOVE & DYNAMICS
engaged.
STYLE
14 15 16 STYLE
084 109 001 REVOICE
VOICE VOICE VOICE

L R2 R1
SPLIT DUAL SONG
SONG
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2 If Necessary Select a Voice to Revoice

Use the three rightmost TRACK buttons to select the voice you want to
revoice: L, R2, or R1. The selected tracks will be bracketed by two horizontal bars. • The TRACK button below
the selected voice can be
used to turn the voice on or
14 15 16
084 109 001 off. Make sure that the
voice is turned on if you
VOICE
L
VOICE
R2
VOICE
R1
want to monitor the sound
SPLIT DUAL while revoicing (the R1
L R2 R1
voice cannot be turned off).
14 15 16
3 Select and Edit the Revoice Parameters

Use the SUB MENU [▲] and [▼] buttons to select the desired parameter. The
name of the selected parameter will appear on the top line of the display to the
• You can jump directly to the
right of the parameter’s current value. Use the [–] and [+] buttons, the number REVOICE R2 VOICE dis-
buttons, or the data dial to set the parameter’s value as required. Refer to the play by pressing and hold-
ing the [DUAL VOICE] but-
“Revoice Parameters” chart on page 111. ton for a few seconds.
• You can jump directly to the
REVOICE L VOICE display
R1Voice: 001 Gra nd Piano by pressing and holding the
[SPLIT VOICE] button for a
few seconds.
R1Volume : 100
R1Octave : 0
• Minus settings for the Oc-
R1Pan: : 0 tave and Pan parameters
can be directly entered by
pressing the appropriate
R1RevDep th: 28 number button while hold-
ing the [–] button.
R1ChoDep th: 70 • When the DSP type is set
as insertion, the DSP depth
parameter cannot be
R1DspDep th: 26 changed.
• The REVOICE mode will
automatically be exited if
the MENU [▲ ] and [▼ ] but-
4 Repeat as Required and Exit When Done tons are used to select any
of the menus to the left of
the display.
Repeat steps 2 and 3, above, to revoice the voices as required, then press the
• Save any revoice settings
[REVOICE] button so that its indicator goes out to exit from the REVOICE you want to keep to the
mode. PSR-730/630 REGISTRA-
TION MEMORY (page 57).
The revoice setting are tem-
porary and will be lost if the
power is turned off, a differ-
REVOICE ent R1 panel voice is se-
lected while the Voice Set
function is on, or a REGIS-
TRATION MEMORY is re-
called.
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Revoicing
Revoicing a Style
1 Select the STYLE REVOICE Mode

While the STYLE menu and the style you want to revoice are selected, press the
[REVOICE] button (actually, the order here is not important: you can also press • The STYLE REVOICE
the [STYLE] button after pressing the [REVOICE] button). The [REVOICE] mode can even be se-
lected by pressing the
button indicator will light and the RHYTHM 1 track will be bracketed by two [REVOICE] button while
horizontal bars (i.e. the RHYTHM 1 track is initially selected for revoicing). an accompaniment is
playing.
• The STYLE REVOICE
mode cannot be selected
8Beat Po p1 Sra while one of the record
modes is engaged.
001 116
TEMPO 100
A
REPEAT
B ONE TOUCH
SETTING
VOICE
VOICE • The STYLE REVOICE
STYLE DISK 000 ACMP/SONG 1 2 3 4 FREEZE mode cannot be selected
while a voice is being
MULTI VARIATION
DIGITAL EQ EFFECT REVERB CHORUS DSP HARMONY SYNC STOP revoiced during song play-
STYLE
1 2 3 4 5 6 7 8 9 STYLE back.
219 219 355 337 339 406 228 362 888 REVOICE • The Registration Memory
RHYTHM RHYTHM BASS CHORD CHORD PAD PHRASE PHRASE MELODY Freeze function will auto-
1 2 1 2 1 2 1
SONG
SONG matically be turned on
when entering the Style
Revoice Mode.
2 Select the Section(s) to be Revoiced

Press INTRO, MAIN A/B or ENDING button(s) to select the section(s).
• Style revoicing affects all
sections of the selected
style.
3 If Necessary Select a Track to Revoice

Use the TRACK buttons to select the accompaniment track you want to revoice:
RHYTHM 1, RHYTHM 2, BASS, CHORD 1, CHORD 2, PAD, PHRASE 1, or • The TRACK button below
PHRASE 2. The selected tracks will be bracketed by two horizontal bars. the selected track can be
used to turn the track on
or off. Make sure that the
track is turned on if you
want to monitor the sound
1 2 3 4 5 6 7 8 9 while revoicing.
219 219 355 337 339 406 228 362 888
• Only drum kits (see page
RHYTHM RHYTHM
1 2
BASS CHORD
1
CHORD
2
PAD PHRASE PHRASE MELODY
1 2 1 19) can be selected for
the RHYTHM 1 track.
ACCOMPANIMENT TRACK • Any voice can be selected
for the RHYTHM 2 track,
but please note that the
RHYTHM 2 track is not af-
fected by the AUTO AC-
COMPANIMENT feature.
1 2 3 4 5 6 7 8 • The OCTAVE parameter
and the DSP depth cannot
be edited in the STYLE
REVOICE mode.
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4 Select and Edit the Revoice Parameters

Use the SUB MENU [▲] and [▼] buttons to select the desired parameter. The
name of the selected parameter will appear on the top line of the display to the right • “- - -” will appear on the
of the parameter’s current value. Use the [–] and [+] buttons, the number buttons, top line of the display if
you select an accompani-
or the data dial to set the parameter’s value as required. Refer to the “Revoice ment track which contains
Parameters” chart on page 110. no data for revoicing, and
revoicing will not be pos-
sible.
• Minus settings for the Oc-
tave and Pan parameters
can be directly entered by
pressing the appropriate
number button while hold-
ing the [–] button.
• When a voice (especially
bass voices) used for a
Style is changed from the
XG Voice to the Panel
Voice using the Revoice
function, the octave
played for the voice may
change.
5 Repeat as Required and Exit When Done

Repeat steps 2 and 4, above, to revoice the tracks as required, then press the
[REVOICE] button so that its indicator goes out to exit from the REVOICE mode. • The REVOICE mode will
automatically be exited if
the MENU [ ▲] and [ ▼]
buttons are used to select
any of the menus to the
left of the display.
• Save any revoice settings
REVOICE you want to keep to the
PSR-730/630 REGISTRA-
TION MEMORY (page
57). The revoice setting
are temporary and will be
lost if the power is turned
off, a different style is se-
lected, or a REGISTRA-
TION MEMORY is re-
called.
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Overall Functions
Some of the functions in the OVERALL function group have already been described in
appropriate sections of this manual. Others will be introduced for the first time in this section.
Refer to the chart below for the page numbers on which each function is described. The chart
also lists the full name of each function, the abbreviated name which appears on the display,
and the available settings or range of settings. Ranges are indicated by two or more values
separated by ellipsis (…).
Function Display Settings Page

Touch Sensitivity TouchSense 0 … 127 115
Pitch Bend Range PB Range 01 … 12 54
Master Tuning Tuning –50 … +50 115
Scale Tuning Note S.TuneNote C…B 115
Scale Tuning S.TuneValue –64 … 63 115
Song Transpose SongTrans –12 … +12 116
Metronome Metronome Off, On 116
Split Voice Split Point SplitPoint 0 … 127 21
Accompaniment Split Point AcmpSplit 0 … 127 30
Fingering Mode FingerMode Multi,Single, 31
Fingered1, Fingered2,
Full Key, Multi
Voice Set VoiceSet Off, On 116
Pedal1 Pedal1 Sustain … 117
Groove&Dyn.
Pedal2 Pedal2 Expression … 117
Groove&Dyn.
Pedal1 Polarity P1 Polarity Normal, Revers 118
Pedal2 Polarity P2 Polarity Normal, Revers 118
Modulation Wheel ModWheel Modulation, 55
Brightness,
Resonance
To access an OVERALL function first use the MENU [▲] and [▼] buttons to move
the triangular indicator in the display next to “OVERALL”.
MENU MIDI
DIGITAL EFFECT
OVERALL
GROOVE&DYNAMICS
Then use the SUB MENU [▲] and [▼] buttons to select the desired function from
within the OVERALL menu. When a function is selected the current setting will
appear to the right of the function name on the top line of the display. Once the function
has been selected, use the [–] and [+] buttons or data dial (or number buttons, where
applicable) to set the function as required.
SUB MENU
TouchSen se: 100
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■ Touch Sensitivity
This function sets the keyboard touch sensitivity. The range is from “0” to “127”.
The higher the value the higher the sensitivity. When the touch sensitivity value is set
to “0”, “Off” appears in the display and the same volume is produced no matter how
hard you play the keys. — this setting can produce a more realistic effect with voices
that normally do not have touch response: e.g. organ and harpsichord.
TouchSen se: 100
■ Pitch Bend Range

See page 54.
■ Modulation Wheel
See page 55.
■ Master Tuning
The Tuning function sets the overall pitch of the PSR-730/630 over a ±100 cent
range (from –100 to +100) in 1-cent increments. Since 1 cent is 1/100th of a semitone, • The “normal” tuning
the total tuning range is from a semitone below normal pitch to a semitone above value (“0”) can be re-
called by simulta-
normal pitch. neously pressing the
[–] and [+] buttons.
Tuning: 0 • Minus values can be
entered by using the
number buttons while
holding the [–] button.
■ Scale Tuning
Scale tuning allows each individual note of the octave to be tuned over range from
• The scale tuning set-
–64 to +63 cents in 1-cent increments (1 cent = 1/100th of a semitone). This makes it tings are common to
possible to produce subtle tuning variations, or tune the instrument to totally different each octave on the
keyboard.
scales (e.g. classic or Arabic scales).
• The Accompaniment
First use the S.TuneNote function to select the note to be tuned. The range is from and Multi Pad sound
C to B: C, C#, D, D#, E, F, F#, G, G#, A, A#, B. is affected by Scale
Tuning.
• The “normal” tuning

S.TuneNo te: C value (“0”) can be re-
called by simulta-
neously pressing the
[–] and [+] buttons.
note C# D# F# G# A# • Minus values can be
Db Eb Gb Ab Bb
C# D# F# G# A# holding the [–] button.
C D E F G A B
note C D E F G A B
Then use the S.TuneValue function to tune the selected note as required.
S.TuneVa lue:-50
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Overall Functions
■ Song Transpose
This function allows you to transpose only the song to be played back. That means
you can play along with your desired song (Minus-one function) in the desired key • Since the Transpose
without affecting your performance. function (page 56)
sets the overall trans-
pose value, if it is
changed, the Song
Transpose value will
SongTran s.: 0 be changed by the
same amount at the
same time.
• The “normal” trans-
pose value (“00”) can
■ Metronome be recalled by simul-

taneously pressing
the [–] and [+] but-
When turned “on” the PSR-730/630 metronome will sound during AUTO ACCOM- tons.
PANIMENT playback as well as SONG playback and recording. • Minus values can be
Metronom e: Off holding the [–] button.
• The Song Transpose
value is automatically
set to “00” when the
user song record
■ Split Voice Split Point mode is engaged.
See page 21.
■ Accompaniment Split Point

See page 30.
■ Fingering Mode
See page 31.
■ Voice Set
The VOICE SET feature brings out the best in each individual voice by automati-
cally setting a range of important voice-related parameters whenever an R1 panel • The Voice Set func-
tion is on by default
voice is selected. The parameters that may be set by the VOICE SET feature are listed when the power is ini-
below. This function lets you turn VOICE SET on or off, as required. tially turned on.
VoiceSet : On
● Voice Set parameter list
• R1 Voice (Volume, pan) The parameter below is set whether or not
• R2 Voice (Voice number, volume, octave, the voice set function is on or off.
pan, reverb depth, chorus depth, DSP depth) • R1 Voice (Octave, reverb depth, chorus
• Harmony type, volume depth, DSP depth)
• Pitch Bend Range • Reverb ON/OFF
• DSP Return Level • Chorus ON/OFF
• DSP ON/OFF, variation ON/OFF
• DSP type
• Multi Effect ON/OFF
• Multi Effect Part setting
• Multi Effect 1 type, Dry/Wet
• Multi Effect 2 type, Dry/Wet
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■ Pedal
The various functions can be assigned to the Pedals 1/2: the footswitch connected
to the SUSTAIN jack (Pedal 1) and the foot controller connected to the FOOT VOL.
jack (Pedal 2) on the rear panel.
● Select the Functions to Be Controlled by the Pedals

Select one of the 16 functions that can be controlled by Pedal 1, and one of the 24
functions that can be controlled by Pedal 2.
Pedal1: Sus tain
Pedal2: Exp ression
Pedal Function List

Pedal 1/2 Functions
SUSTAIN When you step on the foot switch, sustain is applied to the keyboard notes.
SOSTENUTO When you step on the foot switch, the sostenuto effect is applied to the keyboard notes.
SOFT When you step on the foot switch, the soft effect is applied to the keyboard notes.
REGIST.+ When you step on the foot switch, a register with one number higher is recalled. For
example, if you step on the foot switch with bank 1-3 recalled, 1-4 will be recalled, then
next 1-1 will be recalled.
REGIST. - When you step on the foot switch, a register with one number lower is recalled. For
example, if you step on the foot switch with bank 3-2 recalled, 3-1 will be recalled, then
next 3-4 will be recalled.
TAP TEMPO When the accompaniment is stopped (including synchro start standby), stepping on
the switch the number of beats in a measure will cause the tempo value to be set at
the actual speed at which you tapped the switch, and the accompaniment will start.
For 3/4 time, tap three times, and for 4/4 time, tap 4 times. The tempo can be set in a
range from 32-280.
START/STOP Stepping on the foot switch has the same effect as pressing the START/STOP button
on the panel.
BREAK When you step on the foot switch, accompaniment will stop. Releasing the switch with
the foot will cause it to play again from the next measure.
BASS HOLD When one of the Fingering Modes other than Full Keyboard is selected, the bass root
note will be held as long as you step on the footswitch.
INTRO Stepping on the foot switch has the same effect as pressing the INTRO button on the
panel.
MAIN A/AUTO FILL Stepping on the foot switch has the same effect as pressing the MAIN A/AUTO FILL
button on the panel.
MAIN B/AUTO FILL Stepping on the foot switch has the same effect as pressing the MAIN B/AUTO FILL
ENDING Stepping on the foot switch has the same effect as pressing the ENDING button on
the panel.
DSP VARIATION Stepping on the foot switch has the same effect as pressing the DSP VARIATION
HARMONY Stepping on the foot switch has the same effect as pressing the HARMONY button on
the panel.
GROOVE & DYNAMICS Stepping on the foot switch has the same effect as pressing the GROOVE &
DYNAMICS button on the panel.
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Overall Functions
Only Pedal 2 Functions
EXPRESSION Simultaneously controls the volume of the R1, R2 and L voices

(your performance).
R1 VOLUME Controls the R1 voice volume.
R2 VOLUME Controls the R2 voice volume.
L VOLUME Controls the L voice volume.
ACMP/SONG VOLUME Controls the accompaniment/song volume in the same way as the
ACMP/SONG VOLUME [▼] and [▲] buttons.
HARMONY VOLUME Controls the harmony volume.
BRIGHTNESS Controls the brightness of the R1 voice.
RESONANCE Controls the resonance of the R1 voice.
● Polarity Change (Normal/Reverse)

You can change the polarity of PEDAL 1/2 (foot switch/foot controller).
For example, when you are controlling volume with the foot controller, you can set
whether it increases or decreases when you step on the pedal.
P1 Polar ity:Nor mal
P2 Polar ity:Rev ers
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MIDI Functions
In the rear panel of your PSR-730/630, there are MIDI terminals (MIDI IN, MIDI OUT), a TO
HOST terminal, and a HOST SELECT switch. By using the MIDI functions you can expand
your musical possibilities. This section explains what MIDI is, and what it can do, as well as
how you can use MIDI on your PSR-730/630.
What’s MIDI?
No doubt you have heard the terms “acoustic instrument” and “digital instrument.”
In the world today, these are the two main categories of instruments. Let’s consider an
acoustic piano and a classical guitar as representative acoustic instruments. They are
easy to understand. With the piano, you strike a key, and a hammer inside hits some
strings and plays a note. With the guitar, you directly pluck a string and the note
sounds. But how does a digital instrument go about playing a note?
● Acoustic guitar note production ● Digital instrument note production
Tone Generator
L (Electronic circuit) R
Sampling Sampling
Note Note
Playing the keyboard
Pluck a string and the body resonates the Based on playing information from the keyboard, a
sound. sampling note stored in the tone generator is played
through the speakers.
As shown in the illustration above, in an electronic instrument the sampling note

(previously recorded note) stored in the tone generator section (electronic circuit) is
played based on information received from the keyboard. So then what is the
information from the keyboard that becomes the basis for note production?
For example, let’s say you play a “C” quarter note using the grand piano sound on
the PSR-730/630 keyboard. Unlike an acoustic instrument that puts out a resonated
note, the electronic instrument puts out information from the keyboard such as “with
what voice,” “with which key,” “about how strong,” “when was it pressed,” and “when
was it released.” Then each piece of information is changed into a number value and
sent to the tone generator. Using these numbers as a basis, the tone generator plays the
stored sampling note.
Example of Keyboard Information

Voice number (with what voice) 01 (grand piano)
Note number (with which key) 60 (C3)
Note on (when was it pressed) and Timing expressed numerically (quarter note)
note off (when was it released)
Velocity (about how strong) 120 (strong)
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MIDI Functions
MIDI is an acronym that stands for Musical Instrument Digital Interface, which
allows electronic musical instruments to communicate with each other, by sending
and receiving compatible Note, Control Change, Program Change and various other
types of MIDI data, or messages.
The PSR-730/630 can control a MIDI device by transmitting note related data and
various types of controller data. The PSR-730/630 can be controlled by the incoming
MIDI messages which automatically determine tone generator mode, select MIDI
channels, voices and effects, change parameter values and of course play the voices
specified for the various parts.
MIDI messages can be divided into two groups: Channel messages and System
messages. Below is an explanation of the various types of MIDI messages which the
PSR-730/630 can receive/transmit.
● Channel Messages
The PSR-730/630 is an electronic instrument that can handle 16 channels. This is
usually expressed as “it can play 16 instruments at the same time.” Channel
messages transmit information such as Note ON/OFF, Program Change, for each
of the 16 channels.
Message Name PSR-730/630 Operation/Panel Setting

Note ON/OFF Messages which are generated when the keyboard is played.
Each message includes a specific note number which corre-
sponds to the key which is pressed, plus a velocity value based
on how hard the key is stuck.
Program Change Voice setting (control change bank select MSB/LSB setting)
Control Change Revoice setting(volume, pan pot, etc.)
● System Messages
This is data that is used in common by the entire MIDI system. System messages
include messages like Exclusive Messages that transmit data unique to each
instrument manufacturer and Realtime Messages that control the MIDI device.
Message Name PSR-730/630 Operation/Panel Setting

Exclusive Message Reverb/chorus/DSP settings, etc.
Realtime Messages Clock setting
Start/stop operation
The messages transmitted/received by the PSR-730/630 are shown in the MIDI

Data Format and MIDI Implementation Chart on pages 168 and 169.
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◆ MIDI Terminal/TO HOST Terminal

In order to exchange MIDI data between multiple devices, each device must
be connected by a cable. • When using the TO HOST
terminal to connect to a
There are two ways to connect: from the MIDI terminals of the PSR-730/630 personal computer using
to the MIDI terminals of an external device using a MIDI cable, or from the TO Windows, a Yamaha MIDI
driver must be installed in
HOST port of the PSR-730/630 to the serial port of a personal computer using the personal computer.
a special cable. The Yamaha MIDI driver
can be obtained at
If you connect from the PSR-730/630 TO HOST terminal to a personal
Yamaha’s home page on
computer, the PSR-730/630 will be used as a MIDI interface device, meaning the World Wide Web,
that a specialized MIDI interface device is not necessary. <http://www.yamaha.co.jp/
english/xg/>.
In the rear panel of the PSR-730/630, there are two kinds of terminals, the • Special MIDI cables (sold
separately) must be used
MIDI terminals and the TO HOST terminal. for connecting to MIDI de-
vices. They can be bought
at music stores, etc.
• MIDI IN ......... Receives MIDI data from another MIDI device.
• Never use MIDI cables
• MIDI OUT ..... Transmits the PSR-730/630’s keyboard information as MIDI data to longer than about 15
another MIDI device. meters. Cables longer
than this can pick up
• TO HOST ...... Transmits and receives MIDI data to and from a personal computer. noise which can cause
data errors.
•••••••••••••••• MIDI • • • • • • • • • • • • • • • •
TO HOST IN OUT
What You Can Do with MIDI

● Remotely play another PSR-730/630
MIDI transmit
MIDI OUT MIDI IN
PSR-730/630 PSR-730/630
MIDI IN MIDI OUT

MIDI receive
Initial send transmit/receive (page 128).
● Use the PSR-730/630 as a multi tone generator (playing 16 channels at one time).
Receive mode for all channels
set to “normal.”
PSR-730/630
MIDI IN MIDI OUT

MIDI Receive
Personal computer,
MIDI receive settings (page 126). QY700, etc.
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MIDI Functions
● Play music from another keyboard (no tone generator) using the PSR-730/630 XG
tone generator.
MIDI receive
MIDI keyboard with
PSR-730/630 MIDI IN MIDI OUT no tone generator
MIDI receive settings (page 126).
● Record performance data (1-16 channels) using the PSR-730/630 Auto Accompa-
niment and Multi Pad features on a external sequencer (such as a personal • When using a per-
computer). After recording, edit the data with the sequencer, then play it again on sonal computer, spe-
cial software (se-
the PSR-730/630 (playback). quencer software) is
Can be used to edit and arrange needed.
after recording
MIDI transmit
MIDI OUT MIDI IN
PSR-730/630
PSR-530
MIDI IN MIDI OUT

MIDI receive (playback)
Personal computer,
QY700, etc.
MIDI transmit setting (page 125).
Initial send (page 128).
Connecting to a Personal Computer

(TO HOST Terminal/HOST SELECT Switch)
You can enjoy using personal computer music software when you connect your
PSR-730/630’s TO HOST terminal or MIDI terminals to a personal computer.
There are two ways to connect.
● Connect using the PSR-730/630 MIDI terminals.
● Connect using the TO HOST terminal.
■ Connect using the PSR-730/630 MIDI terminals

Using a MIDI interface device installed in the personal computer, connect the MIDI
terminals of the personal computer and the PSR-730/630.
For the connection cable, use a special MIDI cable.
● When the computer has a MIDI interface installed, connect the MIDI OUT terminal
of the personal computer to the MIDI IN terminal of the PSR-730/630. Set the
HOST SELECT switch to “MIDI.”
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Computer (sequencer software)

MAC PC1 PC2 MIDI
MIDI OUT MIDI IN

PSR-730/630
MIDI IN MIDI OUT
● When using a MIDI interface with a Macintosh series computer, connect the RS-
422 terminal of the computer (modem or printer terminal) to the MIDI interface,
then connect the MIDI OUT terminal on the MIDI interface to the MIDI IN terminal
of the PSR-730/630, as show in the diagram below.
Set the HOST SELECT switch on the PSR-730/630 to “MIDI.”
Computer (sequencer software) MAC PC1 PC2 MIDI
MIDI interface
MIDI IN
RS-422 PSR-730/630
MIDI OUT
• When the HOST SELECT switch is set in the “MIDI” position, input and output in the TO HOST
switch is ignored.
• When using a Macintosh series computer, set the MIDI interface clock setting in the
application software to match the setting of the MIDI interface you are using. For details,
carefully read the owner’s manual for the software you are using.
Macintosh is a registered trademark of Apple Computer, Inc.

IBM PC/AT is a trademark of International Business Machines Corp.
Other company names and product names, etc. in this manual are registered trademarks or trademarks
of those companies.
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MIDI Functions
■ Connect using the TO HOST terminal

Connect the serial port of the personal computer (RS-232C terminal or RS-422
terminal) to the TO HOST terminal of the PSR-730/630. • If you connect from
the PSR-730/630 TO
For the connection cable, use the cable below (sold separately) that matches the HOST terminal to a
personal computer type. personal computer,
the PSR-730/630 will
be used as a MIDI in-
terface device, mean-
Macintosh Series ing that a specialized
Connect the RS-422 terminal (modem or printer terminal) on the computer to the TO HOST terminal MIDI interface device
on the PSR-730/630 using a serial cable (system peripheral cable, 8 bit). Set the PSR-730/630 is not necessary.
HOST SELECT switch in the “MAC” position. • When the HOST SE-
LECT switch is set to
“MAC,” “PC-1,” or
“PC-2,” don’t use the
MAC PC1 PC2 MIDI MIDI IN/OUT termi-
mini DIN 8-pin mini DIN 8-pin nals. (MIDI data can-
not be sent or re-
ceived through the
MIDI terminals).
• Set the MIDI interface clock in the sequencer software you are using to 1 MHz. For details, carefully read • “Host is Offline!!” will
the owner’s manual for the software you are using. be shown on the dis-
play, when the Host
Select switch is set
appropriately and the
IBM-PC/AT Series serial cable is con-
Connect the RS-232C terminal on the computer to the TO HOST terminal on the PSR-730/630 nected to the PSR-
730/630 TO HOST
using a serial cable (D-SUB 9P—>MINI DIN 8P cross cable). Set the PSR-730/630 HOST SELECT but not to the PC’s se-
switch in the “PC-2” position. rial port (or the cable
is properly connected
to the PC which is
MAC PC1 PC2 MIDI currently turned off).
mini DIN 8-pin
D-SUB 9-pin
• When using a D-SUB 25P—>MINI DIN 8P cross cable, connect using a D-SUB 9P plug adaptor on the
computer side of the cable.
mini DIN 8-pin

D-SUB 25-pin D-SUB 9-pin
For details about the necessary MIDI settings for computer and sequence software
you are using, see the owner’s manuals for each of them.
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The PSR-730/630 MIDI Functions

The PSR-730/630 has the following MIDI functions.
Function Display Settings Page

Transmit Channel TransmitCh~ 1 ... 16 125
Transmit Track TransmitTr Right1 ... Off 126
Receive Channel Receive Ch 1 ... 16 126
Receive Mode ReceiveMode Normal, Off, Remote, Bass, Chord 127
Local Control Local~~~ Off, On 127
External Clock Ext.Clock Off, On 128
Initial Data Send Init.Send None 128
Template Template User ... Song Out 129
To access a MIDI function first use the MENU [▲] and [▼] buttons to move the
triangular indicator in the display next to “MIDI”, then use the SUB MENU [▲] and
[▼] buttons to select the desired function from within the MIDI menu. When a
function is selected the current setting will appear on the top line of the display. Once
the function has been selected, use the [–] and [+] buttons or data dial (or number
buttons, where applicable) to set the function as required.
SUB MENU MENU

DISK Transmit Ch: 1
MULTI PAD
REGIST MEMORY
MENU MIDI
DIGITAL EFFECT
OVERALL
GROOVE&DYNAMICS
■ Transmit Channel & Transmit Track

The PSR-730/630 can simultaneously transmit data on all 16 MIDI channels. The
Transmit Channel and Transmit Track functions determine what PSR-730/630 data is
transmitted via which MIDI channels.
● Transmit Channel
The “TransmitCh” function selects a MIDI channel to which a PSR-730/630 track
can be assigned via the Transmit Track function, below. First select a transmit
channel, then the transmit track for that channel. Different tracks can be assigned
to each of the 16 MIDI channels. Any of the standard MIDI channels - 1 through 16
— can be specified.
Transmit Ch: 1 ht1
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MIDI Functions
● Transmit Track
The “Transmit Tr” function selects the track to be transmitted via the transmit
channel specified by the Transmit Channel function, above. The available settings • When a track is as-
signed to more than
are as follows: one MIDI channel, the
data from that track is
transmitted via the
Transmit Tr: Rig ht1 lowest-numbered
channel.
• To avoid MIDI loops
Right1 Right-hand keyboard playing (R1 voice) which can cause op-
erational errors, check
Right2 Right-hand keyboard playing (R2 voice) the PSR-730/630 Lo-
Left Left-hand keyboard playing (L voice) cal Control setting
(page 127), and the
Harmony1 Harmony notes 1 MIDI THRU settings
of any external MIDI
Harmony2 Harmony notes 2
devices.
Harmony3 Harmony notes 3
• MIDI transmit track
Rhythm2/Tr2 Auto Accompaniment RHYTHM2 track/Track 2 settings will be re-
tained even after turn-
Rhythm1/Tr1 Auto Accompaniment RHYTHM1 track/Track 1 ing the power off. See
Bass/Tr3 Auto Accompaniment BASS track/Track 3 page 152 for the de-
tails.
Chord1/Tr4 Auto Accompaniment CHORD1 track/Track 4
• The channels set for
Chord2/Tr5 Auto Accompaniment CHORD2 track/Track 5 Rhythm1/Tr1-
Pad/Tr6 Auto Accompaniment PAD track/Track 6 Phrase2/Tr8 will be
used to transmit ac-
Phrase1/Tr7 Auto Accompaniment PHRASE1 track/Track 7 companiment data
Phrase2/Tr8 Auto Accompaniment PHRASE2 track/Track 8 when the PSR-730/
630 is in Style Mode,
Track 9-16 Track 9-16 and to transmit song
track data when the
Off Off (nothing is transmitted)
PSR-730/630 is in
Song Mode.
• The initial default channel/track settings are:
Channel 1 = R1 voice Channel 9 = Rhythm1 / Track1
Channel 2 = L voice Channel 10 = Rhythm2 / Track2
Channel 3 = Bass / Track3 Channel 11 = R2 voice
Channel 4 = Chord1 / Track4 Channel 12 = Harmony1
Channel 5 = Chord2 / Track5 Channel 13 = Harmony2
Channel 6 = Pad / Track6 Channel 14 = Harmony3
Channel 7 = Phrase1 / Track7 Channel 15 = Off
Channel 8 = Phrase2 / Track8 Channel 16 = Off
■ Receive Channel & Receive Mode

The PSR-730/630 can simultaneously receive data on all 16 MIDI channels,
allowing it to function as a 16-channel multi-timbral tone generator. The Receive
Channel and Receive Mode functions determine how each channel will respond to
received MIDI data.
● Receive Channel
The “Receive Ch” function selects a MIDI channel to which a receive mode is to
be assigned via the Receive Mode function, below. First select a receive channel,
then the receive mode for that channel. Any of the standard MIDI channels — 1
through 16 — can be specified.
Receivee Ch: 1 nd Piano
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● Receive Mode
The “ReceiveMode” function specifies the receive mode for the channel selected
via the Receive Channel function, above. The receive mode settings are as follows: • MIDI receive mode
settings will be re-
tained even after turn-
ing the power off. See
R e c e i v e M o d e : N o r mnadl P i a n o page 152 for the de-
tails.
• The initial default set-
ting for all channels is
Normal Received MIDI data is sent directly to the PSR-730/630 tone generator. If all “Normal.”
channels are set to “Normal”, the PSR-730/630 functions as a 16-channel • In the Record mode,
multi-timbral tone generator. the Receive mode
cannot be set.
Off No MIDI data is received on channels set to “Off”.
Remote Received MIDI data is handled in the same way as data generated by the
PSR-730/630’s own keyboard. In other words, a remote keyboard could be
used to control the PSR-730/630 AUTO ACCOMPANIMENT functions, etc.
Bass The note on/off messages received at the channel(s) set to “Bass” are
recognized as the bass notes in the accompaniment section. The bass notes
will be detected regardless of the accompaniment on/off and split point
settings on the PSR-730/630 panel.
Chord The note on/off messages received at the channel(s) set to “Chord” are
recognized as the fingerings in the accompaniment section. The chords to
be detected depend on the fingering mode on the PSR-730/630. The chords
will be detected regardless of the accompaniment on/off and split point
settings on the PSR-730/630 panel.
■ Local Control
“Local Control” refers to the fact that, normally, the PSR-730/630 keyboard
controls the internal tone generator, allowing the internal voices to be played directly
from the keyboard. This situation is “Local Control on” since the internal tone
generator is controlled locally by its own keyboard. Local control can be turned off,
however, so that the keyboard does not play the internal voices, but the appropriate
MIDI information is still transmitted via the MIDI OUT connector when notes are
played on the keyboard. At the same time, the internal tone generator can respond to
MIDI information received on channels set to the “Normal” mode via the MIDI IN
connector. This means that while an external MIDI sequencer, for example, plays the
PSR-730/630 internal voices, an external tone generator can be played from the PSR-
730/630 keyboard. The default Local Control setting is “On”.
Local::: Ch; On nd Piano
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MIDI Functions
■ Clock
Reception of an external MIDI clock signal can be enabled or disabled as required.
When disabled (“Off”), all of the time-based functions (Auto Accompaniment, SONG • External Clock is “Off”
recording and playback, etc.) are controlled by its own internal clock. When MIDI be default when the
power is initially turnd
clock reception is enabled (“On”), however, all timing is controlled by an external on.
MIDI clock signal received via the MIDI IN terminal (in this case the PSR-730/630 • When External Clock
TEMPO setting has no effect). The default setting is “Off”. is turned “On”, AUTO
ACCOMPANIMENT
playback cannot be
started via the panel
[START/STOP] but-
Ext.Cloc k: Off nd Piano ton, or started via the
synchro start function.
Also, the MULTI PAD
playback cannot be
initiated by pressing
the MULT PADs.
• When External Clock
is turned “On”, “EC”
will appear on the
TEMPO display, and
tempo cannot be
changed with the
panel button.
■ Initial Data Send

Transmits all current panel settings to a second PSR-730/630 or a MIDI data storage
device. To send the initial data select the “Init.Send Sure?”. Then press the [+] (YES) • During Style/Song/
to begin transmission of the initial data. Multi Pad playback, in
the synchro start
mode and in one of
the Record modes,
the display shows
Init.Sen d Sure? nd PiYES “Init.Send Sure? - - -”
indicating that you
cannot execute the
initial data send op-
If you want to have the song play back with the panel settings used for recording, eration.
execute the Initial Data Send function before recording the performance on the PSR-
730/630 to an external sequencer.
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■ MIDI Template
The MIDI settings can be collected into a template (pattern). Just by selecting the
template that fits your purpose, you can set all the MIDI settings in one operation.
• When you change the
transmit/receive chan-
Use the MENU [▲] and [▼] buttons to select the MIDI menu so that the triangular nel settings after se-
indicator in the display appears next to “MIDI” to the left of the display. lecting one of the tem-
plates other than the
Use the SUB MENU [▲] and [▼] buttons so that “Template” appears on the display. “User”, the “User”
Referring to the template list below, use the [–] and [+] buttons or the Data Dial to Template will auto-
matically be selected.
select a template.
Template : XG Module
MIDI Template list

1. XG Module All receive channels are set to “Normal.”
When using the PSR-730/630 as the multi-timbral XG tone
generator.
2. Accordion The receive channels are set as follows:
1ch: Remote, 2ch: Chord, 3ch: Bass, 4-16ch: Off
When playing the PSR-730/630 by an external MIDI Accordion.
The connected MIDI accordion can play the PSR-730/630 and
detect chords and basses in the auto accompaniment section.
3. MIDI Pedal All receive channels are set to “Bass.”
When playing the PSR-730/630 using a connected (optional) MIDI
pedal. The connected MIDI pedal detects chords and basses in the
auto accompaniment section, allowing you to play on-bass chords.
4. Keyboard Out The transmit channels are set as follows:
1ch: Right1, 2ch: Right2, 4ch: Left, 3ch, 5-16ch: Off
When outputting the performance data (note on/off messages).
Used to play the PSR-730/630 note on/off data with an external
tone generator and to record the PSR-730/630 note on/off data to
an external sequencer.
5. Acmp.Out The transmit channels 9-16 are set with the Accompaniment
tracks.
9-10ch: Rhythms, 11ch: Bass, 12-13ch: Chords, 14ch: Pad, 15-
16ch: Phrases
When outputting the style data. Used to play the PSR-730/630
auto accompaniment data with an external tone generator and to
record the PSR-730/630 auto accompaniment data to an external
sequencer.
6. Song Out All transmit channels are set with the Song tracks 1-16.
When outputting the song data. Used to play the PSR-730/630
song data with an external tone generator and to record your entire
performance on the PSR-730/630 to an external sequencer.
7. User Other than the above settings 1-6.
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Appendix PSR-730/630 Display MENU/SUB MENU Structure
MENU SUB MENU FUNCTION PAGE
ex
VOICE Grand Piano (R1 voice name) ............................... R1 voice selection .......................................... 17
ex
STYLE 8Beat Pop1 (Style name) ........................................ Accompaniment style selection ...................... 22
V.Arranger ............................................................. Virtual Arranger on/off .................................... 29
ex
STYLE REC UserSty1 ................................................................... User style selection ...................................... 100
S.ChordRoot ........................................................... Source chord root setting ............................. 148
S.ChordType ........................................................... Source chord type setting ............................. 148
NTR ........................................................................... Note transposition rule setting ...................... 148
NTT ........................................................................... Note transposition table setting .................... 149
HighestKey ............................................................. Highest key setting ....................................... 149
LowLimit ................................................................... Note range (Low limit) setting ....................... 149
HighLimit ................................................................ Note range (high limit) setting ...................... 149
RTR ........................................................................... Retrigger rule setting .................................... 149
Quantize? ................................................................ Quantize ....................................................... 103
UserStyle ................................................................ User style name ........................................... 104
All Clear? ............................................................. User style clear ............................................. 105
Track Clear? ........................................................ Track clear .................................................... 105
Drum Cancel ........................................................... Drum cancel ................................................. 103
ex
SONG Trumpet (Song name) ............................................... Song selection ................................................ 76
Play Mode ................................................................ Play mode selection ....................................... 77
Measure ..................................................................... Measure from which to start playback ............ 78
A-B Repeat ............................................................. Repeat playback setting ................................. 80
SongRepeat ............................................................. Song repeat setting ........................................ 81
NextSong ................................................................... Next song setting ............................................ 82
ex
SONG REC SONG–001 ................................................................... User Song selection ................................. 85, 88
QuickRecord ........................................................... Record mode (Quick/Multi) selection ............. 88
Part Select ........................................................... Part selection (Multi record) ........................... 88
Punch In ................................................................... Measure selection (Multi record) .................... 92
Punch Out ................................................................ Measure selection (Multi record) ................... 92
Quantize? ................................................................ Quantize ......................................................... 93
SongName ................................................................... User song name ............................................. 94
Song Clear? ........................................................... Song clear ...................................................... 96
Track Clear? ........................................................ Track clear ...................................................... 94
Measure ..................................................................... Measure from which to start playback ............ 78
Song Edit? ............................................................. Song edit ........................................................ 96
Voice ........................................................................... Voice selection (Song edit) ............................. 97
Volume ........................................................................ Volume setting (Song edit) ............................. 97
Pan ........................................................................... Pan setting (Song edit) ................................... 97
ReverbDepth ........................................................... Reverb depth setting (Song edit) .................... 97
ChorusDepth ........................................................... Chorus depth setting (Song edit) .................... 97
DSPDepth ................................................................... DSP depth setting (Song edit) ........................ 97
Octave ........................................................................ Octave setting (Song edit) .............................. 97
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DISK Load From Disk? ................................................ Loading data from a disk ................................ 70
Save To Disk? ..................................................... Saving data to a disk ...................................... 68
Format Disk? ........................................................ Formatting a disk ............................................ 67
Disk Copy? ............................................................. Copying disk ................................................... 72
Song Copy? ............................................................. Copying a song in a disk ................................ 73
Delete File? ........................................................ Deleting a file in a disk ................................... 75
REGISTRATION Bank 01 (Bank name) ................................................ Registration bank selection ............................ 57

REGISTRATION MEMORY Button
Reg Naming ............................................................. Registration bank name ................................. 58
MULTI PAD Bank 01 (Multi Pad set name) ................................... Multi pad set selection .................................... 61
MULTI PAD STOP Button
P1ChdMatch ............................................................. Chord match on/off (pad 1) ............................ 63
MULTI PAD REC Bank 37 (Multi Pad set name) ................................... User pad set selection .................................. 107
P1ChdMatch ............................................................. Chord match on/off (user pad 1) .................. 107
Bank Clear? ........................................................... Bank clear .................................................... 109
Pad Clear? ............................................................. Pad clear ...................................................... 109
Pad Naming ............................................................. User pad name ............................................. 109
MIDI TransmitCh ............................................................. Transmit channel setting .............................. 125

TransmitTr ............................................................. Transmit track setting ................................... 126
Receive Ch ............................................................. Receive channel setting ............................... 126
ReceiveMode ........................................................... Receive mode setting ................................... 127
Local ........................................................................... Local on/off ................................................... 127
Ext.Clock ................................................................ External/internal clock selection ................... 128
Init.Send ................................................................ Initial data send ............................................ 128
Template ................................................................... MIDI template selection ................................ 129
ex
DIGITAL EFFECT Reverb: 1 Hall 1 .............................................. Reverb type selection ..................................... 43
REVERB Button
Rev.Return ............................................................. Reverb return level setting ............................. 43
Chorus: 1 Chorus1 ........................................... Chorus type selection ..................................... 44
CHORUS Button
Cho.Return ............................................................. Chorus return level setting ............................. 44
ex
DSP: 1 Hall 1 ..................................................... DSP type selection ......................................... 46
DSP Button
DSP Return ............................................................. DSP return level setting .................................. 46
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PSR-730/630 Display MENU/SUB MENU Structure

ex
Harmony: 1 Duet ................................................ Harmony type selection .................................. 47
HARMONY Button
Harm.Vol ................................................................... Harmony volume setting ................................. 48
Effect1 In (PSR-730) ........................................... Effect1 part setting ......................................... 49
MULTI EFFECT Button
Effect2 In (PSR-730) ........................................... Effect2 part setting ......................................... 49
Effect1 (PSR-730) ................................................... Effect1 type selection ..................................... 50
Effect2 (PSR-730) ................................................... Effect2 type selection ..................................... 50
Eff1Dry/Wet (PSR-730) ......................................... Effect1 dry/wet setting .................................... 50
Eff2Dry/Wet (PSR-730) ......................................... Effect2 dry/wet setting .................................... 50
EQ Type (PSR-730) ................................................... Equalizer type selection ................................. 52
DIGITAL EQ Button
LowGain (PSR-730) ................................................... Low Gain setting (Equalizer) .......................... 53
LowMidGain (PSR-730) ........................................... LowMidGain setting (Equalizer) ..................... 53
MidGain (PSR-730) ................................................... MidGain setting (Equalizer) ............................ 53
HighMidGain (PSR-730) ......................................... HighMidGain setting (Equalizer) ..................... 53
HighGain (PSR-730) ................................................. HighGain setting (Equalizer) .......................... 53
OVERALL TouchSense ............................................................. Touch sensitivity setting ............................... 115

PB Range ................................................................... Pitch bend range setting ................................. 54
Tuning ........................................................................ Overall tuning ............................................... 115
S.TuneNote ............................................................. Scale tuning (note) setting ............................ 115
S.TuneValue ........................................................... Scale tuning (value) setting .......................... 115
SongTrans. ............................................................. Song transposition setting ............................ 116
Metronome ................................................................ Metronome on/off ......................................... 116
SplitPoint ............................................................. Split point setting (Split voice) ........................ 21
AcmpSplit ................................................................ Split point setting (Auto accompaniment) ....... 30
FingerMode ............................................................. Fingering mode selection ............................... 31
AUTO ACCOMPANIMENT ON/OFF Button
VoiceSet ................................................................... Voice set on/off ............................................. 116
Pedal1 ........................................................................ Selecting Pedal1 function ............................. 117
Pedal2 ........................................................................ Selecting Pedal2 function ............................. 117
P1 Polarity ........................................................... Pedal1 polarity setting .................................. 118
P2 Polarity ........................................................... Pedal2 polarity setting .................................. 118
ModWheel (PSR-730) ................................................. Selecting modulation wheel function .............. 55
GROOVE & DYNAMICS BeatGroove ............................................................. Beat groove template selection ...................... 36
(PSR-730)
GROOVE & DYNAMICS Button
MeasGroove ............................................................. Measure groove template selection ............... 37
Dynamics ................................................................... Dynamics template selection .......................... 38
DynamcsRate ........................................................... Dynamics rate setting ..................................... 39
ExpandRate ............................................................. Expand rate setting ........................................ 39
BoostRate ................................................................ Boost rate setting ........................................... 40
• Sub-menu items with “ ” have shortcut access (press and hold the specified button for a few seconds to
jump directly to the associated sub-menu function). In addition to the shortuts listed above, the [DUAL VOICE]
button can be held to jump to the R2 voice revoice function, and the [SPLIT VOICE] button can be held to jump
to the L voice revoice function.
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Voice List
■ Maximum Polyphony
The PSR-730 has 64-note maximum polyphony and the PSR-630 has 32.
Auto Accompaniment uses a number of the available notes, so when Auto • The Voice List includes MIDI program
change numbers for each voice. Use
Accompaniment is used the total number of notes that can be played on the these program change numbers when
keyboard is correspondingly reduced. The same applies to the Dual Voice, playing the PSR-730/630 via MIDI from an
external device.
Split Voice, Multi Pad, and Song functions.
• When the sustain or sostenuto pedal
When the maximum polyphony is exceeded, notes are played using last- functions are being used (page 117),
note priority. some voices may sound continuously or
have a long decay after the notes have
been released while the pedal is held.
[PSR-730] Panel Voice List
Bank Select MIDI Bank Select MIDI
Voice Program Voice Program
Voice Name Voice Name
Number MSB LSB Change Number MSB LSB Change
Number Number
Piano 52 0 112 19 Pipe Organ
1 0 112 0 Grand Piano 53 0 113 19 ChapelOrgan
2 0 112 1 BrightPiano 54 0 112 20 Reed Organ
3 0 112 3 Honky Tonk Accordion
4 0 112 2 Midi Grand 55 0 112 21 Musette
5 0 113 2 CP 80 56 0 115 21 Accordion
6 0 114 4 Galaxy EP 57 0 113 21 Trad. Accrd
7 0 117 5 Super DX 58 0 112 23 Tango Accrd
8 0 112 5 DX Modern 59 0 113 23 Bandoneon
9 0 112 4 Funk EP 60 0 114 21 Soft Accrd
10 0 115 5 Modern EP 61 0 112 22 Harmonica
11 0 113 5 Hyper Tines Guitar
12 0 116 5 New Tines 62 0 112 24 Classic Gtr
13 0 114 5 Venus EP 63 0 113 24 Spanish Gtr
14 0 113 4 Tremolo EP 64 0 112 25 Folk Guitar
15 0 114 2 Rock Piano 65 0 113 25 12StrGuitar
16 0 112 7 Clavi 66 0 112 26 Jazz Guitar
17 0 113 7 Wah Clavi 67 0 113 26 Octave Gtr
18 0 112 6 Harpsichord 68 0 114 26 HawaiianGtr
19 0 113 6 GrandHarpsi 69 0 116 27 BrightClean
Chromatic Percussion 70 0 118 27 SolidGuitar
20 0 112 11 Vibraphone 71 0 112 27 CleanGuitar
21 0 113 11 Jazz Vibes 72 0 119 27 Elec.12Str
22 0 112 12 Marimba 73 0 113 27 Tremolo Gtr
23 0 112 13 Xylophone 74 0 114 27 Slap Guitar
24 0 112 114 Steel Drums 75 0 113 28 Funk Guitar
25 0 112 8 Celesta 76 0 112 28 MutedGuitar
26 0 112 9 Glocken 77 0 113 29 FeedbackGtr
27 0 112 10 Music Box 78 0 112 29 Overdrive
28 0 112 14 TubularBells 79 0 112 30 Distortion
29 0 112 108 Kalimba 80 0 115 27 PedalSteel
30 0 112 47 Timpani 81 0 114 25 Mandolin
31 0 112 15 Dulcimer Bass
Organ 82 0 112 32 Aco.Bass
32 0 112 16 Jazz Organ1 83 0 114 32 Bass&Cymbal
33 0 113 16 Jazz Organ2 84 0 112 33 FingerBass
34 0 112 17 Click Organ 85 0 112 34 Pick Bass
35 0 113 17 Dance Organ 86 0 112 35 Fretless
36 0 115 16 Drawbar Org 87 0 113 35 Jaco Bass
37 0 115 17 Mellow Draw 88 0 119 17 Organ Bass
38 0 116 16 Bright Draw 89 0 112 36 Slap Bass
39 0 112 18 Rock Organ1 90 0 112 37 Funk Bass
40 0 113 18 Rock Organ2 91 0 113 36 Fusion Bass
41 0 114 18 Purple Org 92 0 112 38 Synth Bass
42 0 116 17 60’s Organ 93 0 112 39 Analog Bass
43 0 117 17 Blues Organ 94 0 113 39 Dance Bass
44 0 120 16 Mellow Org 95 0 113 38 Hi Q Bass
45 0 120 17 Perc.Organ 96 0 114 38 Rave Bass
46 0 117 16 16+1 Organ Solo Strings
47 0 118 16 16+2 Organ 97 0 112 40 Solo Violin
48 0 119 16 16+4 Organ 98 0 113 40 Soft Violin
49 0 118 17 Elec.Organ 99 0 112 110 Fiddle
50 0 114 16 TheatreOrg1 100 0 112 41 Viola
51 0 114 17 TheatreOrg2 101 0 112 42 Cello
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Voice List

Number Number
102 0 112 43 Contrabass 165 0 112 68 Oboe
103 0 112 46 Harp 166 0 112 69 EnglishHorn
104 0 113 46 Hackbrett 167 0 112 70 Bassoon
105 0 112 106 Shamisen 168 0 112 109 Bagpipe
106 0 112 107 Koto Pipe
107 0 112 104 Sitar 169 0 112 73 Flute
108 0 112 105 Banjo 170 0 112 75 Pan Flute
Ensemble 171 0 112 72 Piccolo
109 0 112 48 Strings 172 0 113 73 EthnicFlute
110 0 113 48 OrchStrings 173 0 112 77 Shakuhachi
111 0 114 48 Symphon. Str 174 0 112 78 Whistle
112 0 113 49 SlowStrings 175 0 112 74 Recorder
113 0 114 49 Str.Quartet 176 0 112 79 Ocarina
114 0 115 48 ConcertoStr Synth Lead
115 0 115 49 MarcatoStrs 177 0 112 80 Square Lead
116 0 112 49 ChamberStrs 178 0 112 81 Saw.Lead
117 0 116 48 Mellow Orch 179 0 113 81 Big Lead
118 0 112 44 TremoloStrs 180 0 112 98 Stardust
119 0 112 45 PizzStrings 181 0 114 81 Blaster
120 0 112 50 Syn Strings 182 0 115 81 Analogon
121 0 112 51 Analog Strs 183 0 113 80 Vintage Ld
122 0 112 52 Choir 184 0 113 98 Sun Bell
123 0 112 54 Air Choir 185 0 112 83 Aero Lead
124 0 113 52 Vocal Ensbl 186 0 116 81 Fire Wire
125 0 112 53 Vox Humana 187 0 114 80 Mini Lead
126 0 113 53 Gothic Vox 188 0 115 80 Vinylead
127 0 113 54 Voices 189 0 117 81 Warp
128 0 112 55 Orch.Hit 190 0 116 80 Hi Bias
Solo Brass 191 0 117 80 Meta Wood
129 0 115 56 Sweet Trp 192 0 118 80 Tiny Lead
130 0 112 56 SoloTrumpet 193 0 118 81 Sub Aqua
131 0 114 56 SoftTrumpet 194 0 119 81 Fargo
132 0 113 56 Flugel Horn Synth Pad
133 0 112 59 Muted Trp 195 0 113 94 Insomnia
134 0 112 57 Trombone 196 0 112 90 Krypton
135 0 114 57 MelTrombone 197 0 113 99 Cyber Pad
136 0 112 60 French Horn 198 0 112 95 Wave 2001
137 0 112 58 Tuba 199 0 112 94 Equinox
Brass Ensemble 200 0 114 88 Stargate
138 0 112 61 BrasSection 201 0 112 92 DX Pad
139 0 113 61 BigBandBrs 202 0 112 93 Loch Ness
140 0 116 61 MellowBrass 203 0 112 88 Fantasia
141 0 117 61 Small Brass 204 0 115 88 Golden Age
142 0 118 61 Pop Brass 205 0 112 91 Xenon Pad
143 0 119 61 MellowHorns 206 0 112 89 Area 51
144 0 113 59 BallroomBrs 207 0 112 99 Atmosphere
145 0 114 61 Full Horns 208 0 113 89 Dark Moon
146 0 115 61 High Brass 209 0 115 94 Ionosphere
147 0 120 61 BrightBrass 210 0 113 93 Phase IV
148 0 121 61 Big Brass 211 0 113 88 Symbiont
149 0 113 57 Trb.Section 212 0 114 94 Solaris
150 0 112 62 Synth Brass 213 0 116 88 Time Travel
151 0 112 63 Analog Brs 214 0 117 88 Millenium
152 0 113 62 Jump Brass 215 0 113 95 Transform
153 0 114 62 TechnoBrass Drum Kits
Reed 216 127 0 0 Std.Kit1
154 0 112 64 Soprano Sax 217 127 0 1 Std.Kit2
155 0 112 65 Alto Sax 218 127 0 8 Room Kit
156 0 113 65 BreathyAlto 219 127 0 16 Rock Kit
157 0 112 66 Tenor Sax 220 127 0 24 Electro Kit
158 0 114 66 BreathTenor 221 127 0 25 Analog Kit
159 0 112 67 BaritoneSax 222 127 0 27 Dance Kit
160 0 116 66 Sax Section 223 127 0 32 Jazz Kit
161 0 112 71 Clarinet 224 127 0 40 Brush Kit
162 0 113 71 MelClarinet 225 127 0 48 Classic Kit
163 0 113 66 WoodwindEns 226 126 0 0 SFX Kit1
164 0 115 66 Brass Combo 227 126 0 1 SFX Kit2
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[PSR-630] Panel Voice List
Voice List

Number Number
Piano 59 0 113 24 Spanish Gtr
1 0 112 0 Grand Piano 60 0 112 25 Folk Guitar
2 0 112 1 BrightPiano 61 0 113 25 12StrGuitar
3 0 112 3 Honky Tonk 62 0 112 26 Jazz Guitar
4 0 112 2 Midi Grand 63 0 113 26 Octave Gtr
5 0 113 2 CP 80 64 0 114 26 HawaiianGtr
6 0 114 4 Galaxy EP 65 0 112 27 CleanGuitar
7 0 112 5 DX Modern 66 0 113 27 Tremolo Gtr
8 0 112 4 Funk EP 67 0 114 27 Slap Guitar
9 0 115 5 Modern EP 68 0 113 28 Funk Guitar
10 0 113 5 Hyper Tines 69 0 112 28 MutedGuitar
11 0 116 5 New Tines 70 0 113 29 FeedbackGtr
12 0 114 5 Venus EP 71 0 112 29 Overdrive
13 0 113 4 Tremolo EP 72 0 112 30 Distortion
14 0 114 2 Rock Piano 73 0 115 27 PedalSteel
15 0 112 7 Clavi Bass
16 0 113 7 Wah Clavi 74 0 112 32 Aco.Bass
17 0 112 6 Harpsichord 75 0 114 32 Bass&Cymbal
18 0 113 6 GrandHarpsi 76 0 112 33 FingerBass
Chromatic Percussion 77 0 112 34 Pick Bass
19 0 112 11 Vibraphone 78 0 112 35 Fretless
20 0 113 11 Jazz Vibes 79 0 113 35 Jaco Bass
21 0 112 12 Marimba 80 0 119 17 Organ Bass
22 0 112 13 Xylophone 81 0 112 36 Slap Bass
23 0 112 114 Steel Drums 82 0 112 37 Funk Bass
24 0 112 8 Celesta 83 0 113 36 Fusion Bass
25 0 112 9 Glocken 84 0 112 38 Synth Bass
26 0 112 10 Music Box 85 0 112 39 Analog Bass
27 0 112 14 TubularBells 86 0 113 39 Dance Bass
28 0 112 108 Kalimba 87 0 113 38 Hi Q Bass
29 0 112 47 Timpani 88 0 114 38 Rave Bass
30 0 112 15 Dulcimer Solo Strings
Organ 89 0 112 40 Solo Violin
31 0 112 16 Jazz Organ1 90 0 113 40 Soft Violin
32 0 113 16 Jazz Organ2 91 0 112 110 Fiddle
33 0 112 17 Click Organ 92 0 112 41 Viola
34 0 113 17 Dance Organ 93 0 112 42 Cello
35 0 115 16 Drawbar Org 94 0 112 43 Contrabass
36 0 115 17 Mellow Draw 95 0 112 46 Harp
37 0 116 16 Bright Draw 96 0 113 46 Hackbrett
38 0 112 18 Rock Organ1 97 0 112 106 Shamisen
39 0 113 18 Rock Organ2 98 0 112 107 Koto
40 0 114 18 Purple Org 99 0 112 104 Sitar
41 0 116 17 60’s Organ 100 0 112 105 Banjo
42 0 117 17 Blues Organ Ensemble
43 0 117 16 16+1 Organ 101 0 112 48 Strings
44 0 118 16 16+2 Organ 102 0 113 48 OrchStrings
45 0 119 16 16+4 Organ 103 0 114 48 Symphon. Str
46 0 118 17 Elec.Organ 104 0 113 49 SlowStrings
47 0 114 16 TheatreOrg1 105 0 114 49 Str.Quartet
48 0 114 17 TheatreOrg2 106 0 115 48 ConcertoStr
49 0 112 19 Pipe Organ 107 0 115 49 MarcatoStrs
50 0 113 19 ChapelOrgan 108 0 112 49 ChamberStrs
51 0 112 20 Reed Organ 109 0 112 44 TremoloStrs
Accordion 110 0 112 45 PizzStrings
52 0 113 21 Trad. Accrd 111 0 112 50 Syn Strings
53 0 112 21 Musette 112 0 112 51 Analog Strs
54 0 112 23 Tango Accrd 113 0 112 52 Choir
55 0 113 23 Bandoneon 114 0 112 54 Air Choir
56 0 114 21 Soft Accrd 115 0 113 52 Vocal Ensbl
57 0 112 22 Harmonica 116 0 112 53 Vox Humana
Guitar 117 0 113 53 Gothic Vox
58 0 112 24 Classic Gtr 118 0 112 55 Orch.Hit
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Voice List

Number Number
Solo Brass 177 0 116 80 Hi Bias
119 0 112 56 SoloTrumpet 178 0 117 80 Meta Wood
120 0 114 56 SoftTrumpet 179 0 118 80 Tiny Lead
121 0 113 56 Flugel Horn 180 0 118 81 Sub Aqua
122 0 112 59 Muted Trp 181 0 119 81 Fargo
123 0 112 57 Trombone Synth Pad
124 0 114 57 MelTrombone 182 0 113 94 Insomnia
125 0 112 60 French Horn 183 0 112 90 Krypton
126 0 112 58 Tuba 184 0 113 99 Cyber Pad
Brass Ensemble 185 0 112 95 Wave 2001
127 0 113 61 BigBandBrs 186 0 112 94 Equinox
128 0 112 61 BrasSection 187 0 114 88 Stargate
129 0 116 61 MellowBrass 188 0 112 92 DX Pad
130 0 117 61 Small Brass 189 0 112 93 Loch Ness
131 0 118 61 Pop Brass 190 0 112 88 Fantasia
132 0 119 61 MellowHorns 191 0 115 88 Golden Age
133 0 113 59 BallroomBrs 192 0 112 91 Xenon Pad
134 0 114 61 Full Horns 193 0 112 89 Area 51
135 0 115 61 High Brass 194 0 112 99 Atmosphere
136 0 113 57 Trb.Section 195 0 113 89 Dark Moon
137 0 112 62 Synth Brass 196 0 115 94 Ionosphere
138 0 112 63 Analog Brs 197 0 113 93 Phase IV
139 0 113 62 Jump Brass 198 0 113 88 Symbiont
140 0 114 62 TechnoBrass 199 0 114 94 Solaris
Reed 200 0 113 95 Transform
141 0 112 64 Soprano Sax Drum Kits
142 0 112 65 Alto Sax 201 127 0 0 Std.Kit1
143 0 113 65 BreathyAlto 202 127 0 1 Std.Kit2
144 0 112 66 Tenor Sax 203 127 0 8 Room Kit
145 0 114 66 BreathTenor 204 127 0 16 Rock Kit
146 0 112 67 BaritoneSax 205 127 0 24 Electro Kit
147 0 116 66 Sax Section 206 127 0 25 Analog Kit
148 0 112 71 Clarinet 207 127 0 27 Dance Kit
149 0 113 71 MelClarinet 208 127 0 32 Jazz Kit
150 0 113 66 WoodwindEns 209 127 0 40 Brush Kit
151 0 115 66 Brass Combo 210 127 0 48 Classic Kit
152 0 112 68 Oboe 211 126 0 0 SFX Kit1
153 0 112 69 EnglishHorn 212 126 0 1 SFX Kit2
154 0 112 70 Bassoon
155 0 112 109 Bagpipe
Pipe
156 0 112 73 Flute
157 0 112 75 Pan Flute
158 0 112 72 Piccolo
159 0 113 73 EthnicFlute
160 0 112 77 Shakuhachi
161 0 112 78 Whistle
162 0 112 74 Recorder
163 0 112 79 Ocarina
Synth Lead
164 0 112 80 Square Lead
165 0 112 81 Saw.Lead
166 0 113 81 Big Lead
167 0 112 98 Stardust
168 0 114 81 Blaster
169 0 115 81 Analogon
170 0 113 80 Vintage Ld
171 0 113 98 Sun Bell
172 0 112 83 Aero Lead
173 0 116 81 Fire Wire
174 0 114 80 Mini Lead
175 0 115 80 Vinylead
176 0 117 81 Warp
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[PSR-730/630] XG Voice List
Voice List
MIDI MIDI
PSR-730 PSR-630 Bank Select MIDI PSR-730 PSR-630 Bank Select Program PSR-730 PSR-630 Bank Select Program
Voice Voice Program Voice Voice Voice Name Voice Voice Voice Name
Voice Name Change
Number Number MSB LSB Change Number Number MSB LSB Number Number Number MSB LSB Change
Number Number
Piano 288 273 0 32 16 DetDrwOr 350 335 0 65 31 GtFeedbk
228 213 0 0 0 GrandPno 289 274 0 33 16 60sDrOr1 351 336 0 66 31 GtrHrmo2
229 214 0 1 0 GrndPnoK 290 275 0 34 16 60sDrOr2 Bass
230 215 0 18 0 MelloGrP 291 276 0 35 16 70sDrOr1 352 337 0 0 32 Aco.Bass
231 216 0 40 0 PianoStr 292 277 0 36 16 DrawOrg2 353 338 0 40 32 JazzRthm
232 217 0 41 0 Dream 293 278 0 37 16 60sDrOr3 354 339 0 45 32 VXUprght
233 218 0 0 1 BritePno 294 279 0 38 16 EvenBar 355 340 0 0 33 FngrBass
234 219 0 1 1 BritPnoK 295 280 0 40 16 16+2’2/3 356 341 0 18 33 FingrDrk
235 220 0 0 2 E.Grand 296 281 0 64 16 Organ Ba 357 342 0 27 33 FlangeBa
236 221 0 1 2 ElGrPnoK 297 282 0 65 16 70sDrOr2 358 343 0 40 33 Ba&DstEG
237 222 0 32 2 Det.CP80 298 283 0 66 16 CheezOrg 359 344 0 43 33 FngrSlap
238 223 0 40 2 ElGrPno1 299 284 0 67 16 DrawOrg3 360 345 0 45 33 FngBass2
239 224 0 41 2 ElGrPno2 300 285 0 0 17 PercOrgn 361 346 0 65 33 ModAlem
240 225 0 0 3 HnkyTonk 301 286 0 24 17 70sPcOr1 362 347 0 0 34 PickBass
241 226 0 1 3 HnkyTnkK 302 287 0 32 17 DetPrcOr 363 348 0 28 34 MutePkBa
242 227 0 0 4 E.Piano1 303 288 0 33 17 LiteOrg 364 349 0 0 35 Fretless
243 228 0 1 4 El.Pno1K 304 289 0 37 17 PercOrg2 365 350 0 32 35 Fretles2
244 229 0 18 4 MelloEP1 305 290 0 0 18 RockOrgn 366 351 0 33 35 Fretles3
245 230 0 32 4 Chor.EP1 306 291 0 64 18 RotaryOr 367 352 0 34 35 Fretles4
246 231 0 40 4 HardEl.P 307 292 0 65 18 SloRotar 368 353 0 96 35 SynFretl
247 232 0 45 4 VX El.P1 308 293 0 66 18 FstRotar 369 354 0 97 35 Smooth
248 233 0 64 4 60sEl.P 309 294 0 0 19 ChrchOrg 370 355 0 0 36 SlapBas1
249 234 0 0 5 E.Piano2 310 295 0 32 19 ChurOrg3 371 356 0 27 36 ResoSlap
250 235 0 1 5 El.Pno2K 311 296 0 35 19 ChurOrg2 372 357 0 32 36 PunchThm
251 236 0 32 5 Chor.EP2 312 297 0 40 19 NotreDam 373 358 0 0 37 SlapBas2
252 237 0 33 5 DX Hard 313 298 0 64 19 OrgFlute 374 359 0 43 37 VeloSlap
253 238 0 34 5 DXLegend 314 299 0 65 19 TrmOrgFl 375 360 0 0 38 SynBass1
254 239 0 40 5 DX Phase 315 300 0 0 20 ReedOrgn 376 361 0 18 38 SynBa1Dk
255 240 0 41 5 DX+Analg 316 301 0 40 20 Puff Org 377 362 0 20 38 FastResB
256 241 0 42 5 DXKotoEP 317 302 0 0 21 Acordion 378 363 0 24 38 AcidBass
257 242 0 45 5 VX El.P2 318 303 0 32 21 AccordIt 379 364 0 35 38 Clv Bass
258 243 0 0 6 Harpsi. 319 304 0 0 22 Harmnica 380 365 0 40 38 TeknoBa
259 244 0 1 6 Harpsi.K 320 305 0 32 22 Harmo 2 381 366 0 64 38 Oscar
260 245 0 25 6 Harpsi.2 321 306 0 0 23 TangoAcd 382 367 0 65 38 SqrBass
261 246 0 35 6 Harpsi.3 322 307 0 64 23 TngoAcd2 383 368 0 66 38 RubberBa
262 247 0 0 7 Clavi. Guitar 384 369 0 96 38 Hammer
263 248 0 1 7 Clavi. K 323 308 0 0 24 NylonGtr 385 370 0 0 39 SynBass2
264 249 0 27 7 ClaviWah 324 309 0 16 24 NylonGt2 386 371 0 6 39 MelloSB1
265 250 0 64 7 PulseClv 325 310 0 25 24 NylonGt3 387 372 0 12 39 Seq Bass
266 251 0 65 7 PierceCl 326 311 0 43 24 VelGtHrm 388 373 0 18 39 ClkSynBa
Chromatic Percussion 327 312 0 96 24 Ukulele 389 374 0 19 39 SynBa2Dk
267 252 0 0 8 Celesta 328 313 0 0 25 SteelGtr 390 375 0 32 39 SmthBa 2
268 253 0 0 9 Glocken 329 314 0 16 25 SteelGt2 391 376 0 40 39 ModulrBa
269 254 0 0 10 MusicBox 330 315 0 35 25 12StrGtr 392 377 0 41 39 DX Bass
270 255 0 64 10 Orgel 331 316 0 40 25 Nyln&Stl 393 378 0 64 39 X WireBa
271 256 0 0 11 Vibes 332 317 0 41 25 Stl&Body Strings
272 257 0 1 11 VibesK 333 318 0 96 25 Mandolin 394 379 0 0 40 Violin
273 258 0 45 11 HardVibe 334 319 0 0 26 Jazz Gtr 395 380 0 8 40 SlowVln
274 259 0 0 12 Marimba 335 320 0 18 26 MelloGtr 396 381 0 0 41 Viola
275 260 0 1 12 MarimbaK 336 321 0 32 26 JazzAmp 397 382 0 0 42 Cello
276 261 0 64 12 SineMrmb 337 322 0 0 27 CleanGtr 398 383 0 0 43 Contrabs
277 262 0 97 12 Balafon2 338 323 0 32 27 ChorusGt 399 384 0 0 44 Trem.Str
278 263 0 98 12 Log Drum 339 324 0 0 28 Mute.Gtr 400 385 0 8 44 SlowTrStr
279 264 0 0 13 Xylophon 340 325 0 40 28 FunkGtr1 401 386 0 40 44 Susp Str
280 265 0 0 14 TubulBel 341 326 0 41 28 MuteStlG 402 387 0 0 45 Pizz.Str
281 266 0 96 14 ChrchBel 342 327 0 43 28 FunkGtr2 403 388 0 0 46 Harp
282 267 0 97 14 Carillon 343 328 0 45 28 Jazz Man 404 389 0 40 46 YangChin
283 268 0 0 15 Dulcimer 344 329 0 0 29 Ovrdrive 405 390 0 0 47 Timpani
284 269 0 35 15 Dulcimr2 345 330 0 43 29 Gt.Pinch Ensemble
285 270 0 96 15 Cimbalom 346 331 0 0 30 Dist.Gtr 406 391 0 0 48 Strings1
286 271 0 97 15 Santur 347 332 0 40 30 FeedbkGt 407 392 0 3 48 S.Strngs
Organ 348 333 0 41 30 FeedbGt2 408 393 0 8 48 SlowStr
287 272 0 0 16 DrawOrgn 349 334 0 0 31 GtrHarmo 409 394 0 24 48 ArcoStr
137
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Voice List
MIDI MIDI MIDI

PSR-730 PSR-630 Bank Select Program PSR-730 PSR-630 Bank Select Program PSR-730 PSR-630 Bank Select Program
Voice Voice Voice Name Voice Voice Voice Name Voice Voice Voice Name
Number Number MSB LSB Change Number Number MSB LSB Change Change
Number Number MSB LSB Number
Number Number
410 395 0 35 48 60sStrng Reed 533 518 0 17 89 Soft Pad
411 396 0 40 48 Orchestr 472 457 0 0 64 SprnoSax 534 519 0 18 89 SinePad
412 397 0 41 48 Orchstr2 473 458 0 0 65 Alto Sax 535 520 0 64 89 Horn Pad
413 398 0 42 48 TremOrch 474 459 0 40 65 Sax Sect 536 521 0 65 89 RotarStr
414 399 0 45 48 VeloStr 475 460 0 43 65 HyprAlto 537 522 0 0 90 PolySyPd
415 400 0 0 49 Strings2 476 461 0 0 66 TenorSax 538 523 0 64 90 PolyPd80
416 401 0 3 49 S.SlwStr 477 462 0 40 66 BrthTnSx 539 524 0 65 90 ClickPad
417 402 0 8 49 LegatoSt 478 463 0 41 66 SoftTenr 540 525 0 66 90 Ana Pad
418 403 0 40 49 Warm Str 479 464 0 64 66 TnrSax 2 541 526 0 67 90 SquarPad
419 404 0 41 49 Kingdom 480 465 0 0 67 Bari.Sax 542 527 0 0 91 ChoirPad
420 405 0 64 49 70s Str 481 466 0 0 68 Oboe 543 528 0 64 91 Heaven2
421 406 0 65 49 Str Ens3 482 467 0 0 69 Eng.Horn 544 529 0 66 91 Itopia
422 407 0 0 50 Syn.Str1 483 468 0 0 70 Bassoon 545 530 0 67 91 CC Pad
423 408 0 27 50 ResoStr 484 469 0 0 71 Clarinet 546 531 0 0 92 BowedPad
424 409 0 64 50 Syn Str4 Pipe 547 532 0 64 92 Glacier
425 410 0 65 50 SS Str 485 470 0 0 72 Piccolo 548 533 0 65 92 GlassPad
426 411 0 0 51 Syn.Str2 486 471 0 0 73 Flute 549 534 0 0 93 MetalPad
427 412 0 0 52 ChoirAah 487 472 0 0 74 Recorder 550 535 0 64 93 Tine Pad
428 413 0 3 52 S.Choir 488 473 0 0 75 PanFlute 551 536 0 65 93 Pan Pad
429 414 0 16 52 Ch.Aahs2 489 474 0 0 76 Bottle 552 537 0 0 94 Halo Pad
430 415 0 32 52 MelChoir 490 475 0 0 77 Shakhchi 553 538 0 0 95 SweepPad
431 416 0 40 52 ChoirStr 491 476 0 0 78 Whistle 554 539 0 20 95 Shwimmer
432 417 0 0 53 VoiceOoh 492 477 0 0 79 Ocarina 555 540 0 27 95 Converge
433 418 0 0 54 SynVoice Synth Lead 556 541 0 64 95 PolarPad
434 419 0 40 54 SynVox2 493 478 0 0 80 SquareLd 557 542 0 66 95 Celstial
435 420 0 41 54 Choral 494 479 0 6 80 Square 2 Synth Effects
436 421 0 64 54 AnaVoice 495 480 0 8 80 LMSquare 558 543 0 0 96 Rain
437 422 0 0 55 Orch.Hit 496 481 0 18 80 Hollow 559 544 0 45 96 ClaviPad
438 423 0 35 55 OrchHit2 497 482 0 19 80 Shmoog 560 545 0 64 96 HrmoRain
439 424 0 64 55 Impact 498 483 0 64 80 Mellow 561 546 0 65 96 AfrcnWnd
Brass 499 484 0 65 80 SoloSine 562 547 0 66 96 Caribean
440 425 0 0 56 Trumpet 500 485 0 66 80 SineLead 563 548 0 0 97 SoundTrk
441 426 0 16 56 Trumpet2 501 486 0 0 81 Saw.Lead 564 549 0 27 97 Prologue
442 427 0 17 56 BriteTrp 502 487 0 6 81 Saw 2 565 550 0 64 97 Ancestrl
443 428 0 32 56 WarmTrp 503 488 0 8 81 ThickSaw 566 551 0 0 98 Crystal
444 429 0 0 57 Trombone 504 489 0 18 81 DynaSaw 567 552 0 12 98 SynDrCmp
445 430 0 18 57 Trmbone2 505 490 0 19 81 DigiSaw 568 553 0 14 98 Popcorn
446 431 0 0 58 Tuba 506 491 0 20 81 Big Lead 569 554 0 18 98 TinyBell
447 432 0 16 58 Tuba 2 507 492 0 24 81 HeavySyn 570 555 0 35 98 RndGlock
448 433 0 0 59 Mute.Trp 508 493 0 25 81 WaspySyn 571 556 0 40 98 GlockChi
449 434 0 0 60 Fr.Horn 509 494 0 40 81 PulseSaw 572 557 0 41 98 ClearBel
450 435 0 6 60 FrHrSolo 510 495 0 41 81 Dr. Lead 573 558 0 42 98 ChorBell
451 436 0 32 60 FrHorn2 511 496 0 45 81 VeloLead 574 559 0 64 98 SynMalet
452 437 0 37 60 HornOrch 512 497 0 96 81 Seq Ana 575 560 0 65 98 SftCryst
453 438 0 0 61 BrasSect 513 498 0 0 82 CaliopLd 576 561 0 66 98 LoudGlok
454 439 0 35 61 Tp&TbSec 514 499 0 65 82 Pure Pad 577 562 0 67 98 XmasBell
455 440 0 40 61 BrssSec2 515 500 0 0 83 Chiff Ld 578 563 0 68 98 VibeBell
456 441 0 41 61 HiBrass 516 501 0 64 83 Rubby 579 564 0 69 98 DigiBell
457 442 0 42 61 MelloBrs 517 502 0 0 84 CharanLd 580 565 0 70 98 AirBells
458 443 0 0 62 SynBras1 518 503 0 64 84 DistLead 581 566 0 71 98 BellHarp
459 444 0 12 62 QuackBr 519 504 0 65 84 WireLead 582 567 0 72 98 Gamelmba
460 445 0 20 62 RezSynBr 520 505 0 0 85 Voice Ld 583 568 0 0 99 Atmosphr
461 446 0 24 62 PolyBrss 521 506 0 24 85 SynthAah 584 569 0 18 99 WarmAtms
462 447 0 27 62 SynBras3 522 507 0 64 85 VoxLead 585 570 0 19 99 HollwRls
463 448 0 32 62 JumpBrss 523 508 0 0 86 Fifth Ld 586 571 0 40 99 NylonEP
464 449 0 45 62 AnaVelBr 524 509 0 35 86 Big Five 587 572 0 64 99 NylnHarp
465 450 0 64 62 AnaBrss1 525 510 0 0 87 Bass &Ld 588 573 0 65 99 Harp Vox
466 451 0 0 63 SynBras2 526 511 0 16 87 Big&Low 589 574 0 66 99 AtmosPad
467 452 0 18 63 Soft Brs 527 512 0 64 87 Fat&Prky 590 575 0 67 99 Planet
468 453 0 40 63 SynBrss4 528 513 0 65 87 SoftWurl 591 576 0 0 100 Bright
469 454 0 41 63 ChoirBrs Synth Pad 592 577 0 64 100 FantaBel
470 455 0 45 63 VelBrss2 529 514 0 0 88 NewAgePd 593 578 0 96 100 Smokey
471 456 0 64 63 AnaBrss2 530 515 0 64 88 Fantasy2 594 579 0 0 101 Goblins
531 516 0 0 89 Warm Pad 595 580 0 64 101 GobSyn
532 517 0 16 89 ThickPad 596 581 0 65 101 50sSciFi
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Voice List
PSR-730 PSR-630 Bank Select Program PSR-730 PSR-630 Bank Select Program
Voice Voice Voice Name Voice Voice Voice Name
Number Number MSB LSB Change Change
Number Number MSB LSB Number
Number
597 582 0 66 101 Ring Pad 659 644 0 0 121 BrthNoiz
598 583 0 67 101 Ritual 660 645 0 0 122 Seashore
599 584 0 68 101 ToHeaven 661 646 0 0 123 Tweet
600 585 0 70 101 Night 662 647 0 0 124 Telphone
601 586 0 71 101 Glisten 663 648 0 0 125 Helicptr
602 587 0 96 101 BelChoir 664 649 0 0 126 Applause
603 588 0 0 102 Echoes 665 650 0 0 127 Gunshot
604 589 0 8 102 EchoPad2 SFX
605 590 0 14 102 Echo Pan 666 651 64 0 0 CuttngNz
606 591 0 64 102 EchoBell 667 652 64 0 1 CttngNz2
607 592 0 65 102 Big Pan 668 653 64 0 3 Str Slap
608 593 0 66 102 SynPiano 669 654 64 0 16 Fl.KClik
609 594 0 67 102 Creation 670 655 64 0 32 Rain
610 595 0 68 102 Stardust 671 656 64 0 33 Thunder
611 596 0 69 102 Reso Pan 672 657 64 0 34 Wind
612 597 0 0 103 Sci-Fi 673 658 64 0 35 Stream
613 598 0 64 103 Starz 674 659 64 0 36 Bubble
Ethnic 675 660 64 0 37 Feed
614 599 0 0 104 Sitar 676 661 64 0 48 Dog
615 600 0 32 104 DetSitar 677 662 64 0 49 Horse
616 601 0 35 104 Sitar 2 678 663 64 0 50 Bird 2
617 602 0 96 104 Tambra 679 664 64 0 54 Ghost
618 603 0 97 104 Tamboura 680 665 64 0 55 Maou
619 604 0 0 105 Banjo 681 666 64 0 64 Tel.Dial
620 605 0 28 105 MuteBnjo 682 667 64 0 65 DoorSqek
621 606 0 96 105 Rabab 683 668 64 0 66 Door Slam
622 607 0 97 105 Gopichnt 684 669 64 0 67 Scratch
623 608 0 98 105 Oud 685 670 64 0 68 Scratch 2
624 609 0 0 106 Shamisen 686 671 64 0 69 WindChm
625 610 0 0 107 Koto 687 672 64 0 70 Telphon2
626 611 0 96 107 T. Koto 688 673 64 0 80 CarEngin
627 612 0 97 107 Kanoon 689 674 64 0 81 Car Stop
628 613 0 0 108 Kalimba 690 675 64 0 82 Car Pass
629 614 0 0 109 Bagpipe 691 676 64 0 83 CarCrash
630 615 0 0 110 Fiddle 692 677 64 0 84 Siren
631 616 0 0 111 Shanai 693 678 64 0 85 Train
632 617 0 64 111 Shanai2 694 679 64 0 86 Jetplane
633 618 0 96 111 Pungi 695 680 64 0 87 Starship
634 619 0 97 111 Hichriki 696 681 64 0 88 Burst
Percussive 697 682 64 0 89 Coaster
635 620 0 0 112 TnklBell 698 683 64 0 90 SbMarine
636 621 0 96 112 Bonang 699 684 64 0 96 Laughing
637 622 0 97 112 Gender 700 685 64 0 97 Scream
638 623 0 98 112 Gamelan 701 686 64 0 98 Punch
639 624 0 99 112 S.Gamlan 702 687 64 0 99 Heart
640 625 0 100 112 Rama Cym 703 688 64 0 100 FootStep
641 626 0 101 112 AsianBel 704 689 64 0 112 MchinGun
642 627 0 0 113 Agogo 705 690 64 0 113 LaserGun
643 628 0 0 114 SteelDrm 706 691 64 0 114 Xplosion
644 629 0 97 114 GlasPerc 707 692 64 0 115 FireWork
645 630 0 98 114 ThaiBell
646 631 0 0 115 WoodBlok
647 632 0 96 115 Castanet
648 633 0 0 116 TaikoDrm
649 634 0 96 116 Gr.Cassa
650 635 0 0 117 MelodTom
651 636 0 64 117 Mel Tom2
652 637 0 65 117 Real Tom
653 638 0 66 117 Rock Tom
654 639 0 0 118 Syn.Drum
655 640 0 64 118 Ana Tom
656 641 0 65 118 ElecPerc
657 642 0 0 119 RevCymbl
Sound Effects
658 643 0 0 120 FretNoiz
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Drum Kit List
• “<——” indicates that the drum kit is the same as “Standard Kit1”.
• Each percussion voice uses one note.
• The note numbers and note names printed on the keyboard are one octave higher than the
MIDI note numbers and note names shown in the list. For example, the note number and
note name, #36 and C1, on the keyboard correspond to the MIDI note number and note
name, #24 and C0, shown in the list.
• Voices with the same Alternate Note Number (*1 … 4) cannot be played simultaneously.
PSR-730 Voice# 216 217 218 219 220 221

PSR-630 Voice# 201 202 203 204 205 206
Bank MSB# 127 127 127 127 127 127
Bank LSB# 0 0 0 0 0 0
Program Change# 0 1 8 16 24 25
MIDI
Standard Kit 1 Standard Kit 2 Room Kit Rock Kit Electronic Kit Analog Kit
Note# Note
13 C#-1 *3 Surdo Mute <—— <—— <—— <—— <——
14 D-1 *3 Surdo Open <—— <—— <—— <—— <——
15 D#-1 Hi Q <—— <—— <—— <—— <——
16 E-1 Whip Slap <—— <—— <—— <—— <——
17 F-1 *4 Scratch Push <—— <—— <—— <—— <——
18 F#-1 *4 Scratch Pull <—— <—— <—— <—— <——
19 G-1 Finger Snap <—— <—— <—— <—— <——
20 G#-1 Click Noise <—— <—— <—— <—— <——
21 A-1 Metronome Click <—— <—— <—— <—— <——
22 A#-1 Metronome Bell <—— <—— <—— <—— <——
23 B-1 Seq Click L <—— <—— <—— <—— <——
24 C0 Seq Click H <—— <—— <—— <—— <——
25 C#0 Brush Tap <—— <—— <—— <—— <——
26 D0 Brush Swirl L <—— <—— <—— <—— <——
27 D#0 Brush Slap <—— <—— <—— <—— <——
28 E0 Brush Swirl H <—— <—— <—— Reverse Cymbal Reverse Cymbal
29 F0 Snare Roll Snare Roll 2 <—— <—— <—— <——
30 F#0 Castanet <—— <—— <—— Hi Q Hi Q
31 G0 Snare L Snare L 2 <—— SD Rock M Snare M SD Rock H
32 G#0 Sticks <—— <—— <—— <—— <——
33 A0 Bass Drum L <—— <—— Bass Drum M Bass Drum H 4 Bass Drum M
34 A#0 Open Rim Shot Open Rim Shot 2 <—— <—— <—— <——
35 B0 Bass Drum M Bass Drum M 2 <—— Bass Drum H 3 BD Rock BD Analog L
36 C1 Bass Drum H Bass Drum H 2 BD Room BD Rock BD Gate BD Analog H
37 C#1 Side Stick <—— <—— <—— <—— Analog Side Stick
38 D1 Snare M Snare M 2 SD Room L SD Rock SD Rock L Analog Snare L
39 D#1 Hand Clap <—— <—— <—— <—— <——
40 E1 Snare H Snare H 2 SD Room H SD Rock Rim SD Rock H Analog Snare H
41 F1 Floor Tom L <—— Room Tom 1 Rock Tom 1 E Tom 1 Analog Tom 1
42 F#1 *1 Hi-Hat Closed <—— <—— <—— <—— Analog HH Closed 1
43 G1 Floor Tom H <—— Room Tom 2 Rock Tom 2 E Tom 2 Analog Tom 2
44 G#1 *1 Hi-Hat Pedal <—— <—— <—— <—— Analog HH Closed 2
45 A1 Low Tom <—— Room Tom 3 Rock Tom 3 E Tom 3 Analog Tom 3
46 A#1 *1 Hi-Hat Open <—— <—— <—— <—— Analog HH Open
47 B1 Mid Tom L <—— Room Tom 4 Rock Tom 4 E Tom 4 Analog Tom 4
48 C2 Mid Tom H <—— Room Tom 5 Rock Tom 5 E Tom 5 Analog Tom 5
49 C#2 Crash Cymbal 1 <—— <—— <—— <—— Analog Cymbal
50 D2 High Tom <—— Room Tom 6 Rock Tom 6 E Tom 6 Analog Tom 6
51 D#2 Ride Cymbal 1 <—— <—— <—— <—— <——
52 E2 Chinese Cymbal <—— <—— <—— <—— <——
53 F2 Ride Cymbal Cup <—— <—— <—— <—— <——
54 F#2 Tambourine <—— <—— <—— <—— <——
55 G2 Splash Cymbal <—— <—— <—— <—— <——
56 G#2 Cowbell <—— <—— <—— <—— Analog Cowbell
57 A2 Crash Cymbal 2 <—— <—— <—— <—— <——
58 A#2 Vibraslap <—— <—— <—— <—— <——
59 B2 Ride Cymbal 2 <—— <—— <—— <—— <——
60 C3 Bongo H <—— <—— <—— <—— <——
61 C#3 Bongo L <—— <—— <—— <—— <——
62 D3 Conga H Mute <—— <—— <—— <—— Analog Conga H
63 D#3 Conga H Open <—— <—— <—— <—— Analog Conga M
64 E3 Conga L <—— <—— <—— <—— Analog Conga L
65 F3 Timbale H <—— <—— <—— <—— <——
66 F#3 Timbale L <—— <—— <—— <—— <——
67 G3 Agogo H <—— <—— <—— <—— <——
68 G#3 Agogo L <—— <—— <—— <—— <——
69 A3 Cabasa <—— <—— <—— <—— <——
70 A#3 Maracas <—— <—— <—— <—— Analog Maracas
71 B3 Samba Whistle H <—— <—— <—— <—— <——
72 C4 Samba Whistle L <—— <—— <—— <—— <——
73 C#4 Guiro Short <—— <—— <—— <—— <——
74 D4 Guiro Long <—— <—— <—— <—— <——
75 D#4 Claves <—— <—— <—— <—— Analog Claves
76 E4 Wood Block H <—— <—— <—— <—— <——
77 F4 Wood Block L <—— <—— <—— <—— <——
78 F#4 Cuica Mute <—— <—— <—— Scratch Push Scratch Push
79 G4 Cuica Open <—— <—— <—— Scratch Pull Scratch Pull
80 G#4 *2 Triangle Mute <—— <—— <—— <—— <——
81 A4 *2 Triangle Open <—— <—— <—— <—— <——
82 A#4 Shaker <—— <—— <—— <—— <——
83 B4 Jingle Bell <—— <—— <—— <—— <——
84 C5 Bell Tree <—— <—— <—— <—— <——
85 C#5
86 D5
87 D#5
88 E5
89 F5
90 F#5
91 G5
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PSR-730 Voice# 222 223 224 225 226 227

PSR-630 Voice# 207 208 209 210 211 212
Bank MSB# 127 127 127 127 126 126
Bank LSB# 0 0 0 0 0 0
Program Change# 27 32 40 48 0 1
MIDI
Dance Kit Jazz Kit Brush Kit Classic Kit SFX 1 SFX 2
Note# Note
13 C#-1 *3 <—— <—— <—— <——
14 D-1 *3 <—— <—— <—— <——
15 D#-1 <—— <—— <—— <——
16 E-1 <—— <—— <—— <——
17 F-1 *4 <—— <—— <—— <——
18 F#-1 *4 <—— <—— <—— <——
19 G-1 <—— <—— <—— <——
20 G#-1 <—— <—— <—— <——
21 A-1 <—— <—— <—— <——
22 A#-1 <—— <—— <—— <——
23 B-1 <—— <—— <—— <——
24 C0 <—— <—— <—— <——
25 C#0 <—— <—— <—— <——
26 D0 <—— <—— <—— <——
27 D#0 <—— <—— <—— <——
28 E0 Reverse Cymbal <—— <—— <——
29 F0 <—— <—— <—— <——
30 F#0 Hi Q <—— <—— <——
31 G0 AnSD Snappy <—— Brush Slap L <——
32 G#0 <—— <—— <—— <——
33 A0 AnBD Dance-1 <—— <—— Bass Drum L2
34 A#0 AnSD OpenRim <—— <—— <——
35 B0 AnBD Dance-2 <—— <—— Gran Casa
36 C1 AnBD Dance-3 BD Jazz BD Soft Gran Casa Mute Guitar Cutting Noise Dial Tone
37 C#1 Analog Side Stick <—— <—— <—— Guitar Cutting Noise 2 Door Creaking
38 D1 AnSD Q SD Jazz L Brush Slap Marching Sn M Door Slam
39 D#1 <—— <—— <—— <—— String Slap Scratch
40 E1 AnSD Ana+Acoustic SD Jazz H Brush Tap Marching Sn H Scratch 2
41 F1 Analog Tom 1 Jazz Tom 1 Brush Tom 1 Jazz Tom 1 Windchime
42 F#1 *1 AnHH Closed-3 <—— <—— <—— Telephone Ring2
43 G1 Analog Tom 2 Jazz Tom 2 Brush Tom 2 Jazz Tom 2
44 G#1 *1 Analog HH Closed 2 <—— <—— <——
45 A1 Analog Tom 3 Jazz Tom 3 Brush Tom 3 Jazz Tom 3
46 A#1 *1 AnHH Open-2 <—— <—— <——
47 B1 Analog Tom 4 Jazz Tom 4 Brush Tom 4 Jazz Tom 4
48 C2 Analog Tom 5 Jazz Tom 5 Brush Tom 5 Jazz Tom 5
49 C#2 Analog Cymbal <—— <—— Hand Cym.Open L
50 D2 Analog Tom 6 Jazz Tom 6 Brush Tom 6 Jazz Tom 6
51 D#2 <—— <—— <—— Hand Cym.Closed L
52 E2 <—— <—— <—— <—— FL.Key Click Engine Start
53 F2 <—— <—— <—— <—— Tire Screech
54 F#2 <—— <—— <—— <—— Car Passing
55 G2 <—— <—— <—— <—— Crash
56 G#2 Analog Cowbell <—— <—— <—— Siren
57 A2 <—— <—— <—— Hand Cym.Open H Train
58 A#2 <—— <—— <—— <—— Jetplane
59 B2 <—— <—— <—— Hand Cym.Closed H Starship
60 C3 <—— <—— <—— <—— Burst Noise
61 C#3 <—— <—— <—— <—— Coaster
62 D3 Analog Conga H <—— <—— <—— SvMarine
63 D#3 Analog Conga M <—— <—— <——
64 E3 Analog Conga L <—— <—— <——
65 F3 <—— <—— <—— <——
66 F#3 <—— <—— <—— <——
67 G3 <—— <—— <—— <——
68 G#3 <—— <—— <—— <—— Rain Laughing
69 A3 <—— <—— <—— <—— Thunder Screaming
70 A#3 Analog Maracas <—— <—— <—— Wind Punch
71 B3 <—— <—— <—— <—— Stream Heartbeat
72 C4 <—— <—— <—— <—— Bubble Footsteps
73 C#4 <—— <—— <—— <—— Feed
74 D4 <—— <—— <—— <——
75 D#4 Analog Claves <—— <—— <——
76 E4 <—— <—— <—— <——
77 F4 <—— <—— <—— <——
78 F#4 Scratch Push <—— <—— <——
79 G4 Scratch Pull <—— <—— <——
80 G#4 *2 <—— <—— <—— <——
81 A4 *2 <—— <—— <—— <——
82 A#4 <—— <—— <—— <——
83 B4 <—— <—— <—— <——
84 C5 <—— <—— <—— <—— Dog Machine Gun
85 C#5 Horse Gallop Laser Gun
86 D5 Bird 2 Explosion
87 D#5 FireWork
88 E5
89 F5
90 F#5 Ghost
91 G5 Maou
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Style List
No Name No Name No Name
8BEAT ROCK LATIN
1 8Beat Pop 1 35 8Beat Rock Ballad 71 Bossa Nova 1
2 8Beat Pop 2 36 16Beat Rock Ballad 72 Bossa Nova 2
3 8Beat Uptempo 37 Hard Rock 73 Bossa Nova 3
4 8Beat Standard 38 Rock Shuffle 74 Salsa
5 Folkrock 39 6/8 Heavy Rock 75 Samba
6 Pop Rock 1 40 US Rock 76 Mambo
7 Pop Rock 2 41 16Beat Rock 77 Beguine
8 8Beat Medium RHYTHM&BLUES 78 Merengue
9 8Beat Ballad 42 R&B 79 Bolero Lento
10 Epic Ballad 43 Funk 2 80 Espagnole
11 Piano Ballad 44 Soul 81 Cajun
16BEAT 45 Gospel Shuffle CARIBBEAN
12 16Beat Pop 46 6/8 Gospel 82 Reggae 12
13 16Beat Shuffle 1 47 4/4 Blues 83 Pop Reggae
14 16Beat Shuffle 2 ROCK & ROLL BALLROOM LATIN
15 16Beat Ballad 1 48 Rock & Roll 1 84 Cha Cha
16 16Beat Ballad 2 49 Rock & Roll 2 85 Rhumba
17 16Beat Ballad 3 50 Boogie 86 Pasodoble
18 Funk 1 51 Twist 87 Tango Continental
19 Soul Ballad COUNTRY&WESTERN BALLROOM STANDARD
6/8 BALLAD 52 Bluegrass 1 88 Foxtrot
20 Slow Rock 1 53 Bluegrass 2 89 Jive
21 Slow Rock 2 54 Country 2/4 90 Hully Gully
22 6/8 Ballad 55 8Beat Country 91 Big Band Quickstep
DANCE 56 Country Rock MARCH
23 Dance Pop 1 57 Cowboy Boogie 92 March 1
24 Dance Pop 2 58 Country Ballad 93 March 2
25 Techno 59 Country Shuffle 94 6/8 March 1
26 Eurobeat 60 Country Waltz 95 Polka
27 Euro House TRADITIONAL JAZZ WALTZ
28 Hip Hop 61 Swing 96 Standard Waltz
29 Trip Hop 62 Big Band Swing 97 Pop Waltz
30 Synth Boogie 63 Big Band Ballad 98 German Waltz
DISCO 64 Jazz Quartet 99 Viennese Waltz
31 70s Disco 65 Dixieland 100 Musette Waltz
32 Disco Tropical CONTEMPORARY JAZZ
33 Party Pop 66 Cool Jazz
34 Polka Pop 67 Jazz Ballad
68 Jazz Waltz
69 Fusion
70 Funky Fusion
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About Digital Effects (Reverb/Chorus/DSP)
There are three types of digital effects installed in the PSR-630: the reverb effect (system
effect), the chorus effect (system effect) and the DSP effect (can be set as either as a system effect
or insertion effect).
In the PSR-730, the Multi Effect (EFFECT 1/2: insertion) is added to the three PSR-630
effects, for a total of five effects.
There are basically two ways to use the effects: with the DSP effect set as a system effect or
as a insertion effect. Each different way will be explained here.
Although not all the effect settings cannot be made by operating the PSR-730/630 panel
manually, some of them may be accessible through MIDI.
■ When DSP type Is Selected as a System Effect

• The three PSR-630 effects or the five PSR-730 effects will be connected as shown below.
• Since the PSR-730 Multi Effect (EFFECT 1/2) is an insertion effect, it will be applied to only one part from
among the R1/R2/L parts.
• The signal will enter reverb/chorus/DSP according to the send level (Depth) set for each, and the signal with
the effect applied will be output according to the return level that is set. The reverb/chorus/DSP send levels
(Depth) are set for each part (track) with the Revoice mode. The reverb/chorus/DSP return levels value are
set in common for all the parts.
• The stereo panning is available for each of the reverb, chorus and DSP at the output for their signals. Using
MIDI, the panning position for the effect can be set (page 158).
• If a “Send Chorus to Reverb” (page 158) signal is transmitted to the PSR-730/630 from an external MIDI
device, a signal can be sent from the chorus to the reverb (connected in series). Also, if a “Send Variation
(DSP) to Reverb” (page 159) signal is transmitted, a signal can be sent from the DSP to the reverb and in the
same way if a “Send Variation (DSP) to Chorus” signal (page 159) is transmitted a signal can be sent from
DSP to the chorus. If these signals are used, the three effects can be connected in series, or used separately,
and a lot of different effects can be produced.
The bold lines are stereo lines.

Effect 1 is valid for Effect 2 is valid for
only one part. only one part.
Effect 1 part Effect 2 part
Dry/Wet Dry/Wet dry level
EFF1 EFF2 rev send
R1 Voice
Effect 1 on/off Effect 2 on/off cho send REVERB PAN
DSP send reverb reverb
pan return
EFF1 EFF2 rev send send chorus to reverb

R2 Voice
Effect 1 on/off Effect 2 on/off cho send
DSP send
Dry/Wet dry level

Dry/Wet CHORUS
EFF1 EFF2 rev send PAN
L Voice chorus OUT
Effect 1 on/off Effect 2 on/off cho send chorus
pan return EQ
send variation to chorus
DSP send
send variation to reverb Digital

All tracks that can Equalizer
be revoiced. (PSR-730)

MIDI EFF1 EFF2 rev send
DSP
Channel 1 (VARIATION)
Effect 1 on/off Effect 2 on/off cho send PAN
variation DSP
Channel 16 DSP send pan return
Multi Effect
(PSR-730)
DRY LINE
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■ When DSP type Is Selected as a Insertion Effect

• The three PSR-630 effects or the five PSR-730 effects will be connected as shown below.
• Since the PSR-730 Multi Effect (EFFECT 1/2) is an insertion effect, it will be applied to only one part from
among the R1/R2/L parts.
• The signal will enter reverb and chorus according to the send level (Depth) set for each, and the signal with
the effect applied will be output according to the return level that is set. The reverb and chorus send levels
(Depth) are set for each part (track) with the Revoice mode. The reverb and chorus return level value is set
in common for all the parts.
• The stereo panning is available for each of the reverb and chorus at the output for their signals. Using MIDI,
the panning position for the effect can be set (page 158).
• If a “Send Chorus to Reverb” (page 158) signal is transmitted to the PSR-730/630 from an external MIDI
device, a signal can be sent from the chorus to the reverb (connected in series).
• The signal will enter DSP with the Dry/Wet (Depth) that is set, and a signal with the effect applied will be
output.The DSP Dry/Wet (Depth) are set for only R1 voice with the revoice mode. The DSP return level cannot
be set.
The bold lines are stereo lines.

Effect 1 is valid for Effect 2 is valid for Variation is valid for
only one part. only one part. only one part.
Effect 1 part Effect 2 part variation part
Dry/Wet Dry/Wet DSP Dry/Wet (Depth) dry
EFF1 EFF2 DSP rev send reverb reverb
R1 Voice pan return
Effect 1 on/off Effect 2 on/off DSP on/off cho send REVERB PAN
Dry/Wet Dry/Wet dry
EFF1 EFF2 rev send
R2 Voice
send chorus to reverb
Dry/Wet Dry/Wet dry
EFF1 EFF2 rev send
L Voice
CHORUS
PAN
All tracks that can
be revoiced. chorus chorus OUT
pan return EQ
Dry/Wet Dry/Wet DSP Dry/Wet (Depth) dry
Digital
MIDI EFF1 EFF2 DSP rev send Equalizer
Channel 1 (PSR-730)
Effect 1 on/off Effect 2 on/off DSP on/off cho send
Channel 16 Multi Effect

(PSR-730) DRY LINE
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The Digital Effect List
No. Effect Type Features

REVERB
01~04 Hall1~4 System Concert hall reverb.
05~08 Room1~4 System Small room reverb.
09, 10 Stage1, 2 System Reverb for solo instruments.
11, 12 Plate1, 2 System Simulated steel plate reverb.
13 OFF — No effect.
CHORUS
01~05 Chorus1~5 System Conventional chorus program with rich, warm chorusing.
06~09 Flanger1~4 System Pronounced three-phase modulation with a slight metallic sound.
DSP
01~04 Hall1~4 System Concert hall reverb.
05~08 Room1~4 System Small room reverb.
09, 10 Stage1, 2 System Reverb for solo instruments.
11, 12 Plate1, 2 System Simulated steel plate reverb.
13, 14 Early Reflection1, 2 System Early reflections only.
15 Gate Reverb System Gated reverb effect, in which the reverberation is quickly cut off for special
effects.
16 Reverse Gate System Similar to Gate Reverb, but with a reverse increase in reverb.
17~21 Chorus1~5 System Conventional chorus program with rich, warm chorusing.
22~25 Flanger1~4 System Pronounced three-phase modulation with slight metallic sound.
26 Symphonic System Exceptionally rich & deep chorusing.
27 Phaser System Pronounced, metallic modulation with periodic phase change.
28~32 Rotary Speaker 1~5 Insertion Rotary speaker simulation.
33, 34 Tremolo 1, 2 Insertion Rich Tremolo effect with both volume and pitch modulation.
35 Guitar Tremolo Insertion Simulated electric guitar tremolo.
36 Auto Pan Insertion Several panning effects that automatically shift the sound position (left, right,
front, back).
37 Auto Wah Insertion Repeating filter sweep “wah” effect.
38 Delay L, C, R System Three independent delays, for the left, right and center stereo positions.
39 Delay L, R System Initial delay for each stereo channel, and two separate feedback delays.
40 Echo System Stereo delay, with independent Feedback Level controls for each channel.
41 Cross Delay System Complex effect that sends the delayed repeats “bouncing” between the left and
right channels.
42 Distortion Hard Insertion Hard-edge distortion.
43 Distortion Soft Insertion This type is not so hard compared with Distortion Hard.
44 EQ Disco Insertion Discotype equalizer program to boost high and low frequencies.
45 EQ Telephone Insertion Equalizer program which eliminates higher and lower frequencies to simulate
the sounds through telephone.
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The Multi Effect List (PSR-730)

No. Effect Type Features
01~04 Hall1~4 Concert hall reverb.
05~08 Room1~4 Small room reverb.
09, 10 Stage1, 2 Reverb for solo instruments.
11, 12 Plate1, 2 Simulated steel plate reverb.
13~17 Chorus1~5 Conventional chorus program with rich, warm chorusing.
18~21 Flanger1~4 Pronounced three-phase modulation with a slight metallic sound.
22 Symphonic Exceptionally rich & deep chorusing.
23 Phaser Pronounced, metallic modulation with periodic phase change.
24~28 Rotary Speaker 1~5 Rotary speaker simulation.
29, 30 Tremolo 1, 2 Rich Tremolo effect with both volume and pitch modulation.
31 Guitar Tremolo Simulated electric guitar tremolo.
32 Auto Pan Several panning effects that automatically shift the sound position (left, right, front, back).
33 Auto Wah Repeating filter sweep “wah” effect.
34 Delay L, C, R Three independent delays, for the left, right and center stereo positions.
35 Delay L, R Initial delay for each stereo channel, and two separate feedback delays.
36 Echo Stereo delay, with independent Feedback Level controls for each channel.
37 Cross Delay Complex effect that sends the delayed repeats “bouncing” between the left and right
channels.
38 Distortion Hard Hard-edge distortion.
39 Distortion Soft This type is not so hard compared with Distortion Hard.
40 EQ Disco* Discotype equalizer program to boost high and low frequencies.
41 EQ Telephone* Equalizer program which eliminates higher and lower frequencies to simulate the sounds
through telephone.
42 Off No effect.
• When the effect type marked with * is selected, Dry/Wet section on the display
will show “- - -” indicating that Dry/Wet setting is disabled.
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Harmony Type List
No. Type Description
1 Duet This harmony type produces a duophonic melody with the second voice below the
melody line.
2 Trio This harmony type generates two voices in addition to the melody voice.
3 4Part Three harmony notes are generated to produce a four-note chord.
4 4 Part Jazz Similar to the preceding type, but depending on the chords played this type will
sometimes produce a more colorful sound.
5 Country Similar to Duet, but the second voice is above the melody line.
6 Octave One note is added an octave below the melody.
7 Tremolo The note(s) pressed and held is(are) repeatedly played at the preset tempo.
8 Tremolo Duet Combination of Tremolo and Duet; produces a duophonic melody with two voices played
alternately.
9 Tremolo Octave Combination of Tremolo and Octave; produces a duophonic melody with two voices
played alternately (the second voice is an octave below the melody).
10 Strumming This type adds arpeggiated pattern to the melody.
11 Trio Delay Two notes slightly below the melody are added to create three parts. Additional notes are
delayed slightly.
12 Vibraphone & Jazz Guitar Two voices, Vibraphone and Jazz Guitar, below the melody are added to create three
parts.
13 Trumpet & Sax Two voices, Trumpet and Saxophone, below the melody are added to create three parts.
14 Back Vocal “Vocal” voice is added to the melody to get a vocal part in the background.
15 Strings “Strings” voice is added to the melody to create an orchestral atmosphere.
16 Forest “Twitterings” of a bird are added to the melody to create an effect as if you were playing
outside.
• The Harmonies except for the types 6,7 and 9

are applied to the R1 voice according to the
chords detected in the Accompaniment sec-
tion.
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Refining User Styles with Style File Format
■ Style File (Auto Accompaniment) Format
The Style File Format (SFF) is a compilation of all of Yamaha’s auto
Source Pattern
accompaniment know-how into a single unified format.
ZSource chord root setting Since the PSR-730/630 supports the SFF format, you can enjoy
many styles in addition to the 100 preset SFF styles. Just insert a disk
XSource chord type setting
with SFF styles on it into the disk drive and you can load them into the
Chord change
PSR-730/630.
By using the user style function, you can take advantage of the power
NTR (Note Transposition Rule) of the SFF format and freely create your own user styles.
CNote Transposition rule setting With the Auto Accompaniment function, chord changes (transposi-
tions) are applied to the source pattern that forms the basis for the
accompaniment. The “Note Transposition Rule” and “Note Transpo-
NTT (Note Transposition Table) sition Table” that are set for each track are used for this. After the
transposition is made, the transposed notes are checked to see if
VNote Transposition table setting they can be correctly played within the range of the instrument, then
the accompaniment is played.
The following SFF settings can be executed only after recording each
Other Settings
track (still in the Record Ready Mode or Rehearsal Mode).
BHighest Key setting
NNote range (Low Limit, High Limit) settings
MRetrigger Rule (RTR) setting • The SFF settings can be done only when the Record Ready Mode or
Rehearsal Mode is engaged.
• The SFF settings cannot be made for the RHYTHM 1/2 tracks.
Accompaniment
Source Pattern Settings NTR (Note Transposition Rule) Setting

Z Source Chord Root setting C Note Transposition rule setting
X Source Chord Type setting Set the transposition rule for using the transposition table (see
Set the key in which the source pattern will be played when the item 4 below) when transposing. There are two types of rules.
user style is created. The default setting is CM7. (The source Root Transposition Rule
chord root is “C” and the source chord type is “M7.” This rule maintains the mutual relationship in pitch between
After finishing recording, with the recorded track selected, select each note when transposing. Set this for tracks that contain
the “S.ChordRoot” sub menu and use the [–] and [+] buttons or melody-like phrases.
the Data Dial to select the chord root.
Root Fixed Rule
To the extent possible, this rule maintains the pitch of each note
S.ChordR oot:A nd P
in the source pattern. Set it for piano-type or guitar-type chord
After setting the source chord root, select the “S.Chord Type” sub picking tracks.
menu and use the [–] and [+] buttons or the Data Dial to select
After finishing recording, with the recorded track selected, select
the chord type.
“NTR” from the sub menu and use the [–] and [+] buttons or the
Data Dial to select the transposition rule.
S.ChordT ype:m nd P
See page 150 for the available chord types, chord notes and
NTR::::: ooooooF ixed
scale notes.
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N Note range (Low Limit, High Limit) settings

NTT (Note Transposition Table) Setting
V Note Transposition table setting Set the note range (low and high limits) for the voices recorded
on user style tracks. By setting the note range, you can prevent
Set the table for making the chord change (transposition) in the unrealistic notes (such as high notes from a bass or low notes
source pattern. There are 6 tables, as explained below. from a piccolo) from being produced and have them shifted to an
octave within the note range.
Bypass
No transposition is done. Example) When low limit is “C3” and high limit is “D4.”
Melody Root change CM C#M .... FM

Notes played E3-G3-C4 F3-G#3-C#4 .... F3-A3-C4
This table is suitable for melody line transposition. Use it for
tracks with melodies like PHRASE 1/2. After finishing recording, with the recorded track selected, select
“LowLimit” and “HighLimit” from the submenu and use the [-] and
Bass
[+] buttons or the Data Dial to set the note range.
This table is suitable for bass line transposition. The table
contents are the same as for “Melody,” but it recognizes on-bass
chords such as in the Fingered2 mode. Use it for tracks with low LowLimit : 28 nd P
pitched instruments such as bass tracks.
Chord
HighLimi t: 127 nd P
This table is suitable for chord transposition. Use it for tracks like
the CHORD 1/2 tracks, with piano-type or guitar-type chord
picking tracks.
M Retrigger Rule (RTR) setting
M-m Only (M) Set the method for handling notes as they are being produced
This table lowers the third by a semitone when changing from a during chord change (transposition). There are 5 rule types, as
major chord to a minor chord or raises the minor third by a explained below.
semitone when changing from a minor chord to a major chord.
Stop
It doesn’t change any other notes.
The note is stopped while being produced, and the next note is
M-m Only (H) sounded.
When changing from a major chord to a minor chord, this flattens
PitchShift
both the third and the sixth by a semitone. When changing from
The pitch of the note being produced is shifted to match the new
a minor chord to a major, it raises the flatted third and sixth by a
chord type.
semitone. It doesn’t change any other notes.
PShftToRoot
After finishing recording, with the recorded track selected, select The pitch of the note being produced is shifted to the note of the
“NTT” from the sub menu and use the [–] and [+] buttons or the new chord root. The octave of the note is not changed by the shift.
Data Dial to select the transposition table.
Retrigger
The note is stopped while being produced, and it is sounded
NTT::::: ooBypas s again with its pitch matching that of the new chord type.
Ret.ToRoot
The note is stopped while being produced, and it is sounded
again with the note of the new chord root.
Other Settings
B Highest Key setting “RTR” from the sub menu and use the [–] and [+] buttons or the
Set the highest key (upper limit of the octaves) of the note Data Dial to select the retrigger rule.
transposing for the Source Chord Root setting [1]. The notes
designated higher than the highest key will actually be played RTR::::: o oSto p
back in the octave just below the highest key. This setting is
effective only when you select the Root Transposition Rule from
the item [3].
Example) When highest key is “F”.
Root change CM C#M DM .... FM F#M
Notes played C3-E3-G3 C#3-F3-G#3 D3-F#3-A3 .... F3-A3-C4 F#2-A#2-C#3

“HighestKey” from the submenu and use the [-] and [+] buttons
or the Data Dial to select the highest key.
HighestK ey: D# nd P
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Refining User Styles with Style File Format
■ About the Source Chord Type

When you change the chord of the source pattern from the default CM7 to others
(see “Source Pattern Settings” on page 148), the chord notes and scale notes will
change depending on the currently selected chord type.
See page 101 for the information on the chord note and scale note.
[ex.] Source Chord Root of “C”
CM [Maj] CM 6 [Maj6] CM 7 [Maj7] CM 7 (#11)[Maj7(#11)] CM add9 [Maj(9)]
C S C C S C S C C C S C S C C S C C S C C S C C C C C S
C 7 (9) [Maj7(9)] C 6 (9) [Maj6(9)] Caug [aug] Cm [min] Cm 6 [min6]
S C S C C
C C C C S C C C C C C S C S C C S S C C S S C C
Cm 7 [min7] Cm 7 b5 [min7b5] Cm (9) [min(9)] Cm 7 (9) [min7(9)] Cm 7 (11) [min7(11)]
C C S C C S C C C C C C
C S C C S C C S C C C S C C S C C
CmM 7 [minMaj7] CmM 7 (9) [minMaj7(9)] Cdim [dim] Cdim 7 [dim7] C 7 [7]
C C C C S C C S C
C S S C C C C S C C C S C S S C S C C C
C 7 sus4 [7sus4] C 7 b5 [7b5] C 7 (9) [7(9)] C 7 (#11) [7(#11)] C 7 (13) [7(13)]
C C C C C C C
C C C C S C C C C C C S C C S C S C C C
C 7 (b9) [7(b9)] C 7 (b13) [7(b13)] C 7 (#9) [7(#9)] CM 7 aug [Maj7aug] C 7 aug [7aug]
C C S C C C S C C S C C
C C C C C S C C C C C S C S S C C S C
C 1+8 [1+8] C 1+5 [1+5] Csus 4 [sus4] C 1+2+5 [1+2+5]
C C C C S C C C C S C S
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Troubleshooting
Something not working as it should? In many cases what appears to be a malfunction can
be traced to a simple error that can be remedied immediately. Before assuming that your PSR-
730/630 is faulty, please check the following points.
PROBLEM POSSIBLE CAUSE/SOLUTION

The speakers produce a “pop” sound whenever the power is
This is normal and is no cause for alarm.
turned ON or OFF.
The volume is reduced or the sound is distorted.
The registration memory doesn’t work properly. The batteries probably need to be replaced. Either replace all six
Recorded song data will not play back properly. batteries, or use an AC power adaptor.
The display goes bland and all panel controls are reset.
The R1/R2/L voice volume settings could be set too low. Make sure
the voice volumes are set at appropriate levels (pages 14, 111).
No sound when the keyboard is played.
The Local Control function could be turned off. Make sure Local
Control is turned on (page 127).
You are probably exceeding the maximum polyphony of the
Not all simultaneously-played notes sound.
PSR-730/630. The PSR-730 can play up to 64 notes (32 notes
Auto Accompaniment seems to “skip” when the keyboard is for PSR-630) at the same time — including split, dual, auto-
played. accompaniment, song, and multi pad notes. Notes exceeding
this limit will not sound.
The MIDI Clock mode may be set to “on”. Make sure it is turned
Auto Accompaniment doesn’t sound when started.
“off” (page 128).
Make sure that all accompaniment tracks are turned on, and that
the they are all set to appropriate volume levels.
Make sure you are using fingerings recognized by the selected
fingering mode, and are playing in the Auto Accompaniment
Auto accompaniment won’t function properly. No lower key-
section of the keyboard.
board sound.
Are you sure you’re playing in the Auto-Accompaniment section
of the keyboard? Make sure that the Auto Accompaniment split
point is set appropriately (page 30).
Are you playing chords that the PSR-730/630 can recognize
(see chord types on page 31~)?
Harmony cannot be turned on when the FULL KEYBOARD
The Harmony function will not turn on. fingering mode is selected or if a percussion kit voice is selected.
Select an appropriate fingering mode or voice.
Make sure that the scale tuning value for those notes is set to “0”
Certain notes sound at the wrong pitch.
(page 115).
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Data Backup & Initialization
■ Data Backup
Except for the data listed below, all PSR-730/630 panel settings are reset to their initial
settings whenever the power is turned on.
• Registration Memory
• User Style Data
• User Pad Data
• MIDI Transmit Settings
• MIDI Receive Settings
The data listed above can be backed up — i.e. retained in memory — as long as a
working set of batteries is installed and you keep the following Off/On procedure.
z Turn the power OFF by pressing the [STAND BY/ON] switch.

x Unplug the DC output cable of the PA-6 from the DC IN 10-12V jack on the rear
panel of the PSR-730/630.
c Then unplug the PA-6 Power Adaptor from the wall AC outlet.
When turning the power ON, simply reverse the procedure.
■ Data Initialization
All data can be initialized and restored to the factory preset condition by turning on the
power while holding the highest (rightmost) white key on the keyboard. “Backup RAM
• All registration and
Clear” will appear briefly on the display. User Style/Pad
memory data, plus
the other settings
STAND BY listed above, will be
ON
erased and/or
changed when the
data initialization
procedure is carried
out.
• Carrying out the
data initialization
procedure will usu-
ally restore normal
operation if the PSR-
Backup R AM Clea r 730/630 freezes or
begins to act errati-
cally for any reason.
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MIDI Data Format
Many MIDI messages listed in the MIDI Data Format are expressed in decimal (1) TRANSMIT FLOW
numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers
MIDI ← NOTE ON/OFF 9nH
may include the letter “H” as a suffix. Also, “n” can freely be defined as any
OUT
whole number. CONTROL CHANGE BnH
To enter data/values, refer to the table below. BANK SELECT MSB BnH,00H
BANK SELECT LSB BnH,20H
Decimal Hexadecimal Binary Decimal Hexadecimal Binary
DATA ENTRY MSB BnH,06H
0 00 0000 0000 64 40 0100 0000
1 01 0000 0001 65 41 0100 0001
DATA ENTRY LSB BnH,26H
2 02 0000 0010 66 42 0100 0010 MAIN VOLUME BnH,07H
3 03 0000 0011 67 43 0100 0011 PANPOT BnH,0AH
4 04 0000 0100 68 44 0100 0100 EXPRESSION BnH,0BH
5 05 0000 0101 69 45 0100 0101 SUSTAIN BnH,40H
6 06 0000 0110 70 46 0100 0110 SOSTENUTE BnH,42H
7 07 0000 0111 71 47 0100 0111 SOFT PEDAL BnH,43H
8 08 0000 1000 72 48 0100 1000 REVERB SEND LEVEL BnH,5BH
9 09 0000 1001 73 49 0100 1001
VARIATION SEND LEVEL BnH,5EH
10 0A 0000 1010 74 4A 0100 1010
11 0B 0000 1011 75 4B 0100 1011
PROGRAM CHANGE CnH
12 0C 0000 1100 76 4C 0100 1100
13 0D 0000 1101 77 4D 0100 1101
PITCH BEND EnH
14 0E 0000 1110 78 4E 0100 1110
15 0F 0000 1111 79 4F 0100 1111 SYSTEM EXCLUSIVE MESSAGE
16 10 0001 0000 80 50 0101 0000 <YAMAHA MIDI FORMAT>
17 11 0001 0001 81 51 0101 0001 <UNIVERSAL>
18 12 0001 0010 82 52 0101 0010 UNIVERSAL REALTIME F0H 7FH.....F7H
19 13 0001 0011 83 53 0101 0011 UNIVERSAL NON-REALTIME F0H 7EH.....F7H
20 14 0001 0100 84 54 0101 0100 <XG STANDARD>
21 15 0001 0101 85 55 0101 0101 XG PARAMETER CHANGE F0H 43H 1nH 4CH aaH aaH aaH ddH
22 16 0001 0110 86 56 0101 0110
.....ddH F7H
23 17 0001 0111 87 57 0101 0111
XG BULK DUMP F0H 43H 0nH 4CH bbH bbH aaH aaH
24 18 0001 1000 88 58 0101 1000
25 19 0001 1001 89 59 0101 1001
aaH ddH.....ddH ccH F7H
26 1A 0001 1010 90 5A 0101 1010 SPECIAL OPERATORS
27 1B 0001 1011 91 5B 0101 1011
28 1C 0001 1100 92 5C 0101 1100 SYSTEM REALTIME MESSAGE
29 1D 0001 1101 93 5D 0101 1101 MIDI CLOCK F8H
30 1E 0001 1110 94 5E 0101 1110 START FAH
31 1F 0001 1111 95 5F 0101 1111 STOP FCH
32 20 0010 0000 96 60 0110 0000 ACTIVE SENSING FEH
33 21 0010 0001 97 61 0110 0001
34 22 0010 0010 98 62 0110 0010
35 23 0010 0011 99 63 0110 0011
36 24 0010 0100 100 64 0110 0100
37 25 0010 0101 101 65 0110 0101
38
39
26
27
0010 0110
0010 0111
102
103
66
67
0110 0110
0110 0111
(2) RECEIVE FLOW
40 28 0010 1000 104 68 0110 1000 MIDI → NOTE OFF 8nH
41 29 0010 1001 105 69 0110 1001
IN
42 2A 0010 1010 106 6A 0110 1010
NOTE ON/OFF 9nH
43 2B 0010 1011 107 6B 0110 1011
44 2C 0010 1100 108 6C 0110 1100
45 2D 0010 1101 109 6D 0110 1101
CONTROL CHANGE
46 2E 0010 1110 110 6E 0110 1110 BANK SELECT MSB BnH,00H
47 2F 0010 1111 111 6F 0110 1111 BANK SELECT LSB BnH,20H
48 30 0011 0000 112 70 0111 0000 MODULATION BnH,01H
49 31 0011 0001 113 71 0111 0001 PORTAMENTO TIME BnH,05H
50 32 0011 0010 114 72 0111 0010 DATA ENTRY MSB BnH,06H
51 33 0011 0011 115 73 0111 0011 DATA ENTRY LSB BnH,26H
52 34 0011 0100 116 74 0111 0100 MAIN VOLUME BnH,07H
53 35 0011 0101 117 75 0111 0101
PANPOT BnH,0AH
54 36 0011 0110 118 76 0111 0110
EXPRESSION BnH,0BH
55 37 0011 0111 119 77 0111 0111
SUSTAIN BnH,40H
56 38 0011 1000 120 78 0111 1000
57 39 0011 1001 121 79 0111 1001
PORTAMENTO BnH,41H
58 3A 0011 1010 122 7A 0111 1010 SOSTENUTO BnH,42H
59 3B 0011 1011 123 7B 0111 1011 SOFT PEDAL BnH,43H
60 3C 0011 1100 124 7C 0111 1100 HARMONIC CONTENT BnH,47H
61 3D 0011 1101 125 7D 0111 1101 RELEASE TIME BnH,48H
62 3E 0011 1110 126 7E 0111 1110 ATTACK TIME BnH,49H
63 3F 0011 1111 127 7F 0111 1111 BRIGHTNESS BnH,4AH
PORTAMENTO CONTROL BnH,54H
REVERB SEND LEVEL BnH,5BH
• Except the table above, for example 144-159(decimal)/9nH/1001 0000-1001 CHORUS SEND LEVEL BnH,5DH
1111(binary) displays the Note On Message for each channel (1-16). 176-191/ VARIATION SEND LEVEL BnH,5EH
BnH/1011 0000-1011 1111 displays the Control Change Message for each DATA INCREMENT BnH,60H
channel (1-16). 192-207/CnH/1100 0000-1100 1111 displays the Program DATA DECREMENT BnH,61H
Change Message for each channel (1-16). 240/FOH/1111 0000 denotes the NRPN LSB BnH,62H
start of a System Exclusive Message. 247/F7H/1111 0111 denotes the end of NRPN MSB BnH,63H
VIBRATO RATE BnH,63H,01H,62H,08H,06H,mmH
a System Exclusive Message.
• aaH (hexidecimal)/0aaaaaaa (binary) denotes the data address. The address VIBRATO RATE BnH,63H,01H,62H,08H,06H,mmH
VIBRATO DEPTH BnH,63H,01H,62H,09H,06H,mmH
contains High, Mid, and Low.
VIBRATO DELAY BnH,63H,01H,62H,0AH,06H,mmH
• bbH/0bbbbbbb denotes the byte count. FILTER CUTOFF FREQ. BnH,63H,01H,62H,20H,06H,mmH
FILTER RESONANCE BnH,63H,01H,62H,21H,06H,mmH
• ccH/0ccccccc denotes the check sum. AEG ATTACK TIME BnH,63H,01H,62H,63H,06H,mmH
AEG DECAY TIME BnH,63H,01H,62H,64H,06H,mmH
• ddH/0ddddddd denotes the data/value. AEG RELEASE BnH,63H,01H,62H,66H,06H,mmH
DRUM INST
CUTOFF FREQ. BnH,63H,14H,62H,rrH,06H,mmH
FILTER RESONANCE BnH,63H,15H,62H,rrH,06H,mmH
AEG ATTACK RATE BnH,63H,16H,62H,rrH,06H,mmH
AEG DECAY RATE BnH,63H,17H,62H,rrH,06H,mmH
PITCH COARSE BnH,63H,18H,62H,rrH,06H,mmH
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MIDI Data Format
PITCH FINE BnH,63H,19H,62H,rrH,06H,mmH (3-1-4) CHANNEL AFTER TOUCH (Recive only)

LEVEL BnH,63H,1AH,62H,rrH,06H,mmH STATUS 1101nnnn (DnH) n = 0 - 15 VOICE CHANNEL NUMBER
PANPOT BnH,63H,1CH,62H,rrH,06H,mmH VALUE 0vvvvvvv v = 0 - 127 AFTER TOUCH VALUE
REVERB SEND BnH,63H,1DH,62H,rrH,06H,mmH
CHORUS SEND BnH,63H,1EH,62H,rrH,06H,mmH (3-1-5) PITCH BEND CHANGE
VARIATION SEND BnH,63H,1FH,62H,rrH,06H,mmH STATUS 1110nnnn (EnH) n = 0 - 15 VOICE CHANNEL NUMBER
RPN LSB BnH,64H LSB 0vvvvvvv PITCH BEND CHANGE LSB
RPN MSB BnH,65H MSB 0vvvvvvv PITCH BEND CHANGE MSB
PITCH BEND SENS. BnH,65H,00H,64H,00H,06H,mmH
FINE TUNING BnH,65H,00H,64H,01H,06H,mmH,
(3-1-6) CONTROL CHANGE
26H,llH
COARSE TUNING BnH,65H,00H,64H,02H,06H,mmH STATUS 1011nnnn (BnH) n = 0 - 15 VOICE CHANNEL NUMBER
NULL BnH,65H,7FH,64H,7FH CONTROL NUMBER 0ccccccc
ALL SOUND OFF BnH,78H,00H CONTROL VALUE 0vvvvvvv
RESET ALL CONTROLLERS BnH,79H,00H * Transmit CONTROL NUMBER.
ALL NOTES OFF BnH,7BH,00H c=0 BANK SELECT MSB ;v= 0:XG NORMAL,
OMNI OFF BnH,7CH,00H 64:SFX NORMAL,
OMNI ON BnH,7DH,00H 126:XG SFX KIT,
MONO BnH,7EH 127:XG DRUM
POLY BnH,7FH c = 32 BANK SELECT LSB ; v = 0 - 127 *3
c= 6 DATA ENTRY MSB ; v = 0 - 127 *1
PROGRAM CHANGE CnH c = 38 DATA ENTRY LSB ; v = 0 - 127 *1
c= 7 MAIN VOLUME ; v = 0 - 127
CHANNEL AFTER TOUCH DnH c = 10 PANPOT ; v = 0 - 127
c = 11 EXPRESSION ; v = 0 - 127
PITCH BEND CHANGE EnH c = 64 SUSTAIN ; v = 0-63:OFF , 64-127:ON *2
c = 66 SOSTENUTO ; v = 0-63:OFF , 64-127:ON *2
SYSTEM EXCLUSIVE MESSAGE c = 67 SOFT PEDAL ; v = 0-63:OFF , 64-127:ON *2
<YAMAHA MIDI FORMAT> c = 91 REVERB SEND LEVEL ; v = 0 - 127
<UNIVERSAL> c = 94 VARIATION SEND LEVEL ; v = 0 - 127
UNIVERSAL REALTIME F0H 7FH.....F7H (When only Connection = 1[System])
UNIVERSAL NON-REALTIME F0H 7EH.....F7H
<XG STANDARD> * Receive CONTROL NUMBER.
XG PARAMETER CHANGE F0H 43H 1nH 4CH aaH aaH aaH ddH c= 0 BANK SELECT MSB ;v= 0:XG NORMAL,
.....ddH F7H 64:SFX NORMAL,
XG BULK DUMP F0H 43H 0nH 4CH bbH bbH aaH aaH 126:XG SFX KIT,
aaH ddH.....ddH ccH F7H 127:XG DRUM
PARAMETER REQUEST F0H 43H 3nH 4CH aaH aaH aaH F7H c = 32 BANK SELECT LSB ; v = 0 - 127 *3
DUMP REQUEST F0H 43H 2nH 4CH aaH aaH aaH F7H c= 1 MODULATION ; v = 0 - 127 *2
<CLAVINOVA MIDI COMPLIANCE> c= 5 PORTAMENTO TIME ; v = 0 - 127 *2
<SPETIAL OPERATORS> c= 6 DATA ENTRY MSB ; v = 0 - 127 *1
<Others> c = 38 DATA ENTRY LSB ; v = 0 - 127 *1
c= 7 MAIN VOLUME ; v = 0 - 127
SYSTEM REALTIME MESSAGE c = 10 PANPOT ; v = 0 - 127
MIDI CLOCK F8H c = 11 EXPRESSION ; v = 0 - 127
START FAH c = 64 SUSTAIN ; v = 0-63:OFF , 64-127:ON *2
STOP FCH c = 65 PORTAMENTO ; v = 0-63:OFF , 64-127:ON *2
ACTIVE SENSING FEH c = 66 SOSTENUTO ; v = 0-63:OFF , 64-127:ON *2
c = 67 SOFT PEDAL ; v = 0-63:OFF , 64-127:ON *2
c = 71 HARMONIC CONTENT ; v = 0:-64 - 64:0 - 127:+63 *2
c = 72 RELEASE TIME ; v = 0:-64 - 64:0 - 127:+63 *2
c = 73 ATTACK TIME ; v = 0:-64 - 64:0 - 127:+63 *2
(3) TRANSMIT/RECEIVE DATA c = 74 BRIGHTNESS ; v = 0:-64 - 64:0 - 127:+63 *2
c = 84 PORTAMENT CONTROL ; v = 0 - 127 *2
(3-1) CHANNEL VOICE MESSAGES c = 91 REVERB SEND LEVEL ; v = 0 - 127
c = 93 CHORUS SEND LEVEL ; v = 0 - 127
(3-1-1) NOTE OFF (Recive only) c = 94 VARIATION SEND LEVEL ; v = 0 - 127
STATUS 1000nnnn (8nH) n = 0 - 15 VOICE CHANNEL NUMBER (When only Connection = 1[System])
NOTE NUMBER 0kkkkkkk k = 0 (C-2) - 127 (G8) c = 96 DATA INCREMENT ; v = 127 *1
VELOCITY 0vvvvvvv v: ignored c = 97 DATA DECREMENT ; v = 127 *1
(3-1-2) NOTE ON/OFF *1 Only when setting the appointed parameter with RPN, NRPN.
STATUS 1001nnnn (9nH) n = 0 - 15 VOICE CHANNEL NUMBER *2 Does not effect Rhythm Voice.
NOTE NUMBER 0kkkkkkk k = 0 (C-2) - 127 (G8) *3 MSB=0, anything other than 63 is 0.
VELOCITY 0vvvvvvv (v π 0) NOTE ON
00000000 (v = 0) NOTE OFF • Until a PROGRAM CHANGE message is received, the BANK SELECT
operation will be suspended. When a Voice, including VOICE BANK, is
(3-1-3) PROGRAM CHANGE changed, set the BANK SELECT and Program Change Message, and
STATUS 1100nnnn (CnH) n = 0 - 15 VOICE CHANNEL NUMBER transmit in the following order, BANK SELECT MSB, LSB, PROGRAM
PROGRAM NUMBER 0ppppppp p = 0 - 127 CHANGE.
* PROGRAM NUMBER: XG DRUM VOICE number correspondence • MODULATION controls the Vibrato Depth.
P=1 Standard Kit
• PORTAMENTO TIME controls the Pitch Change Speed when the
P=2 Standard2 Kit
P=9 Room Kit
Portamento Switch = ON. 0 being the shortest time, and 127 being the
P = 17 Rock Kit longest.
P = 25 Elctrnic Kit • PANPOT changes the value for the melody voice and rhythm voice in
P = 26 Analog Kit
relation to the preset value.
P = 28 Dance Kit
P = 33 Jazz Kit • Portamento time is fixed to 0 when the PORTAMENTO CONTROL is
P = 41 Brush Kit used.
P = 49 Classic Kit
• HARMONIC CONTENT applies adjustment to the resonance value that
* PROGRAM NUMBER: XG SFX KIT number correspondence is set by the voice. This parameter specifies relative change with the
P=1 SFX1 Kit value of 64 producing 0 adjustment. As values get higher the sound
P=2 SFX2 Kit
becomes increasingly eccentric. Note that for some voices the effective
When DRUM VOICE is selected and program change data for a different DRUM parameter range is narrower than the legal parameter range.
VOICE is received, the currently selected DRUM VOICE will be replaced with the
• RELEASE TIME applies adjustment to the envelope release time set by
new DRUM VOICE.
the voice. This parameter specifies relative change with the value of 64
producing 0 adjustment.
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• ATTACK TIME applies adjustment to the envelope attack time set by the
MIDI Data Format
First appoints the parameter for NRPN MSB/LSB, then sets the parameter value for data
voice. This parameter specifies relative change with the value of 64 entry MSB/LSB.
producing 0 adjustment. NRPN D.ENTRY
• BRIGHTNESS applies adjustment to the cut-off frequency set by the MSB LSB MSB LSB PARAMETER NAME DATA RANGE
01H 08H mmH — VIBRATO RATE 00H - 40H - 7FH (-64 - 0 - +63)
voice. This parameter specifies relative change with the value of 64
01H 09H mmH — VIBRATO DEPTH 00H - 40H - 7FH (-64 - 0 - +63)
producing 0 adjustment. Lower voices produce a softer sound. For some
01H 0AH mmH — VIBRATO DELAY 00H - 40H - 7FH (-64 - 0 - +63)
voices the effective parameter range is narrower than the legal 01H 20H mmH — FILTER CUTOFF FREQUENCY 00H - 40H - 7FH (-64 - 0 - +63)
parameter range. 01H 21H mmH — FILTER RESONANCE 00H - 40H - 7FH (-64 - 0 - +63)
01H 63H mmH — EG ATTACK TIME 00H - 40H - 7FH (-64 - 0 - +63)
(3-2) CHANNEL MODE MESSAGES 01H 64H mmH — EG DECAY TIME 00H - 40H - 7FH (-64 - 0 - +63)
STATUS 1011nnnn (BnH) n = 0 - 15 VOICE CHANNEL NUMBER 01H 66H mmH — EG RELEASE 00H - 40H - 7FH (-64 - 0 - +63)
CONTROL NUMBER 0ccccccc c = CONTROL NUMBER 14H rrH mmH — DRUM FILTER CUTOFF FREQ. 00H - 40H - 7FH (-64 - 0 - +63)
CONTROL VALUE 0vvvvvvv v = DATA VALUE 15H rrH mmH — DRUM FILTER RESONANCE 00H - 40H - 7FH (-64 - 0 - +63)
16H rrH mmH — DRUM AEG ATTACK RATE 00H - 40H - 7FH (-64 - 0 - +63)
(3-2-1) ALL SOUND OFF (Recive only) 17H rrH mmH — DRUM AEG DECAY RATE 00H - 40H - 7FH (-64 - 0 - +63)
(CONTROL NUMBER = 78H , DATA VALUE = 0) 18H rrH mmH — DRUM PITCH COARSE 00H - 40H - 7FH (-64 - 0 - +63)
19H rrH mmH — DRUM PITCH FINE 00H - 40H - 7FH (-64 - 0 - +63)
Switches off all sound from the channel. Does not reset Note On and Hold On
1AH rrH mmH — DRUM LEVEL 00H - 7FH (0 - max.)
conditions established by Channel Messages.
1CH rrH mmH — DRUM PANPOT 00H ,01H - 40H - 7FH
(random,left - center - right)
(3-2-2) RESET ALL CONTROLLERS (Recive only) 1DH rrH mmH — DRUM REVERB SEND LEVEL 00H - 7FH (0 - max.)
(CONTROL NUMBER = 79H , DATA VALUE = 0) 1EH rrH mmH — DRUM CHORUS SEND LEVEL 00H - 7FH (0 - max.)
Resets controllers as follows. 1FH rrH mmH — DRUM VARIATION SEND LEVEL 00H - 7FH (0 - max.)
PITCH BEND CHANGE 0 (Center) The MSG14H-1FH (for drums) message is accepted as long as the channel is set
AFTER TOUCH 0 (min.) with a drum voice.
MODULATION 0 (min.) rrH : drum instrument note number
EXPRESSION 127 (max.)
SUSTAIN 0 (off)
(3-5) SYSTEM REALTIME MESSAGES
SOSTENUTO 0 (off)
SOFT PEDAL 0 (off) (3-5-1) MIDI CLOCK
NRPN Sets number to null. (Internal data remains unchanged) STATUS 11111000 (F8H)
RPN Sets number to null. (Internal data remains unchanged)
PORTAMENT CONTROL Resets portamento source note number Transmission: 96 clocks per measure are transmitted.
PORTAMENTO 0 (off) Reception: If the instrument’s clock is set to external, after FAH is received from the
external device the instrument’s clock will sync with the 96 beats per measure
(3-2-3) ALL NOTES OFF (Recive only) received from the external device.
Decides whether the internal clock, or Timing Clocks received via the MIDI IN will
(CONTROL NUMBER = 7BH , DATA VALUE = 0)
be used.
Switches off all of the channel’s “on” notes. However, any notes being held by
SUSTAIN or SOSTENUTO continue to sound until SUSTAIN/SOSTENUTO goes off.
(3-5-2) START
STATUS 11111010 (FAH)
(3-2-4) OMNI OFF (Recive only) (CONTROL NUMBER = 7CH , DATA VALUE = 0)
Same processing as for All Notes Off. Transmission: Transmitted when instrument’s Rhythm or Song playback is started.
Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will
(3-2-5) OMNI ON (Recive only) (CONTROL NUMBER = 7DH , DATA VALUE = 0) start.
Same processing as for All Notes Off. Omni On is not executed.
(3-5-3) STOP
(3-2-6) MONO (Recive only) (CONTROL NUMBER = 7EH , DATA VALUE = 0) STATUS 11111100 (FCH)
Same processing as for All Notes Off. If the 3rd byte is in a range of 0-16 the
corresponding channel will be changed to Mode 4 (m=1). Transmission: Transmitted when instrument’s Rhythm or Song playback is stopped.
Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will
stop.
(3-2-7) POLY (Recive only) (CONTROL NUMBER = 7FH , DATA VALUE = 0)
Same processing as for All Sounds Off and the corresponding channel will be
changed to Mode 3. (3-5-4) ACTIVE SENSING
STATUS 11111110 (FEH)
(3-3) REGISTERED PARAMETER NUMBER (RPN) Transmission: Transmitted approximately once every 200msec.
STATUS 1011nnnn (BnH) n = 0 - 15 VOICE CHANNEL NUMBER Reception: Sensing is started once this Code is received. If Status or Data is not
RPN LSB 01100100 (64H) received within 400ms, the MIDI Receive Buffer will be cleared, and all notes,
RPN LSB NUMBER 0ppppppp p = RPN LSB(refer to the list below) including those being sustained, will be cut OFF. Also, all control values will be reset
RPN MSB 01100101 (65H) to their factory defaults.
RPN MSB NUMBER 0qqqqqqq q = RPN MSB(refer to the list below)
DATA ENTRY MSB 00000110 (06H)
(3-6) SYSTEM EXCLUSIVE MESSAGE
DATA VALUE 0mmmmmmm m = Data Value
DATA ENTRY LSB 00100110 (26H) (3-6-1) YAMAHA MIDI FORMAT
DATA VALUE 0lllllll l = Data Value
(3-6-1-1) SECTION CONTROL
First appoints the parameter for RPN MSB/LSB, then sets the parameter value for binary hexadecimal
data entry MSB/LSB. 11110000 F0 Exclusive status
01000011 43 YAMAHA ID
RPN D.ENTRY 01111110 7E Style
LSB MSB MSB LSB PARAMETER NAME DATA RANGE 00000000 00
00H 00H mmH — PITCH BEND SENSITIVITY 00H - 18H (0 - 24 semitones) 0sssssss SS Switch No.
01H 00H mmH llH FINE TUNE {mmH,llH} = {00H,00H} - {40H,00H} - {7FH,7FH} 00H : INTRO A
(-8192*100/8192) - 0 - (+8192*100/8192) 01H~07H : INTRO B
02H 00H mmH — COARSE TUNE 28H - 40H - 58H (-24 - 0 - +24 semitones) 08H : MAIN A
7FH 7FH — — NULL 09H~0FH : MAIN B
Clears the current RPN number setting. Does not change the internal parameter settings. 10H : FILL IN AA
11H~17H : FILL IN BB
(3-4) NON-REGISTERED PARAMETER NUMBER (NRPN) (Recive only) 18H : FILL IN AB
STATUS 1011nnnn (BnH) n = 0 - 15 VOICE CHANNEL NUMBER 19H~1FH : FILL IN BA
NRPN LSB 01100010 (62H) 20H : ENDING A
NRPN LSB NUMBER 0ppppppp p = NRPN LSB(refer to the list below) 21H~27H : ENDING B
NRPN MSB 01100011 (63H) 0ddddddd DD Switch On/Off : 00H (Off),7FH (On)
NRPN MSB NUMBER 0qqqqqqq q = NRPN MSB(refer to the list below) 11110111 F7 End of Exclusive
DATA ENTRY MSB 00000110 (06H)
DATA VALUE 0mmmmmmm m = Data Value When an ON code is received, the appointed section will be changed.
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MIDI Data Format
(3-6-1-2) TEMPO CONTROL (3-6-3-1-2) XG PARMETER CHANGE

binary hexadecimal binary hexadecimal
11110000 F0 Exclusive status 11110000 F0 Exclusive status
01000011 43 YAMAHA ID 01000011 43 YAMAHA ID
01111110 7E Style 0001nnnn 1N Device Number
00000000 01 01001100 4C Model ID
0ttttttt TT Tempo4 0aaaaaaa AA Address High
0ttttttt TT Tempo3 0aaaaaaa AA Address Mid
0ttttttt TT Tempo2 0aaaaaaa AA Address Low
0ttttttt TT Tempo1 0ddddddd DD Data
11110111 F7 End of Exclusive | |
11110111 F7 End of Exclusive
The internal clock will be set to the received Tempo value.
Tempo Meta Event is a large data block (24-bit), it is divided into 4 groups with 7-bits For parameters with data size of 2 or 4, transmit the appropriate number of data bytes.
going into each of the Tempos 1-4 (4 receives the remaining 3 bits). For more information on Address and Parameters, refer to < Table 1-2 > ~ < Table
1-8 > (pages 157-162).
(3-6-2) UNIVERSAL SYSTEM EXCLUSIVE The 4 data types listed below are transmitted and received.
(3-6-2-1) UNIVERSAL REALTIME MESSAGE (These are transmitted only after a Parameter change request is received.)
XG System Data
(3-6-2-1-1) MIDI MASTER VOLUME (Recive only) Multi Effect Data
binary hexadecimal Multi EQ Data
11110000 F0 Exclusive status Multi Part Data
01111110 7F Universal Realtime Drums Setup Data
01111111 7F ID of target Device
00001001 04 Sub-ID #1=Device Control Message
(3-6-3-2) XG BULK DUMP
00000001 01 Sub-ID #2=Master Volume
binary hexadecimal
0sssssss SS Volume LSB
11110000 F0 Exclusive status
0ttttttt TT Volume MSB
01000011 43 YAMAHA ID
0000nnnn 0N Device Number
or
01001100 4C Model ID
11110000 F0 Exclusive status
0bbbbbbb BB ByteCount
01111110 7F Universal Realtime
0bbbbbbb BB ByteCount
0xxxnnnn XN When N is received N=0-F, whichever is received.
0aaaaaaa AA Address High
When N is transmitted N always=0.
0aaaaaaa AA Address Mid
X = don’t care
0aaaaaaa AA Address Low
00001001 04 Sub-ID #1=Device Control Message
0ddddddd DD Data
00000001 01 Sub-ID #2=Master Volume
| |
0sssssss SS Volume LSB
0ccccccc CC Check sum
0ttttttt TT Volume MSB
For more information on Address and Byte Count, refer to < Table 1-2 > ~ < Table 1-8 >
The volume for all channels will be changed simultaneously.
(pages 157-162).
The TT value is used as the MIDI Master Volume value. (the ss value is ignored.)
The Check Sum value is set such that the sum of Byte Count, Address, Data, and
Check Sum has value zero in its seven least significant bits.
(3-6-2-2) UNIVERSAL NON REALTIME MESSAGE If the top of the block is appointed to the Address the XG Bulk Dump, Bulk Request
(3-6-2-2-1) GENERAL MIDI SYSTEM ON will be received.
binary hexadecimal The Block is a unit that consists of the data, arranged in the list, as the Total Size.
11110000 F0 Exclusive status The 5 data types listed below are transmitted and received.
01111110 7E Universal Non-Realtime (These are transmitted only after a Bulk Dump request is received.)
01111111 7F ID of target Device System Data
00001001 09 Sub-ID #1=General MIDI Message Multi Effect Data(Individual effect unit)
00000001 01 Sub-ID #2=General MIDI On Multi EQ Data
11110111 F7 End of Exclusive Multi Part Data(Individual part unit)
or Drums Setup Data(Individual note unit)
11110000 F0 Exclusive status System Information(Individual only)
01111110 7E Universal Non-Realtime
0xxxnnnn XN When N is received N=0-F, whichever is received.
(3-6-3-3) XG PARAMETER REQUEST (Recive only)
When N is transmitted N always=0.
X = don’t care binary hexadecimal
00001001 09 Sub-ID #1=General MIDI Message 11110000 F0 Exclusive status
00000001 01 Sub-ID #2=General MIDI On 01000011 43 YAMAHA ID
11110111 F7 End of Exclusive 0011nnnn 3n Device Number
01001100 4C Model ID
Depending upon the received ON message, the System Mode will be changed to XG. 0aaaaaaa AA Address High
Except MIDI Master Tuning, all control data be reset to default values. 0aaaaaaa AA Address Mid
This message requires approximately 50ms to execute, so sufficient time should be 0aaaaaaa AA Address Low
allowed before the next message is sent. 11110111 F7 End of Exclusive
For more information on Address and Byte Count refer to < Table 1-2 > ~ < Table
(3-6-3) XG STANDARD
1-8 > (pages 157-162).
(3-6-3-1) XG PARAMETER CHANGE The 4 data types listed below are received.
System Data
(3-6-3-1-1) XG SYSTEM ON Multi Effect Data
binary hexadecimal Multi EQ Data
11110000 F0 Exclusive status Multi Part Data
01000011 43 YAMAHA ID Drums Setup Data
0001nnnn 1N Device Number
01001100 4C Model ID (3-6-3-4) XG DUMP REQUEST (Recive only)
00000000 00 Address High binary hexadecimal
00000000 00 Address Mid 11110000 F0 Exclusive status
01111110 7E Address Low 01000011 43 YAMAHA ID
00000000 00 Data 0010nnnn 2n Device Number
11110111 F7 End of Exclusive 01001100 4C Model ID
Depending upon the received ON message, the SYSTEM MODE will be changed to 0aaaaaaa AA Address High
XG.Controllers will be reset, all values of Multi Part and Effect, and All System values 0aaaaaaa AA Address Mid
denoted by “XG” data within All System will be reset to default values in the table. 0aaaaaaa AA Address Low
This message requires approximately 50ms to execute, so sufficient time should be 11110111 F7 End of Exclusive
allowed before the next message is sent. For more information on Address and Byte Count refer to < Table 1-2 > ~ < Table 1-8 >
(pages 157-162).
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The 5 data types listed below are received. (3-6-5) Others
MIDI Data Format
System Data
Multi Effect Data(Individual module unit) (3-6-5-1) MIDI MASTER TUNING (Recive only)
Multi EQ Data binary hexadecimal
Multi Part Data(Individual part unit) 11110000 F0 Exclusive status
Drums Setup Data(Individual note unit) 01000011 43 YAMAHA ID
System Information 0001nnnn 1N When N is received N=0-F, whichever is received.
00100111 27 Model ID
00110000 30 Sub ID
(3-6-4) SPECIAL OPERATORS
00000000 00
(3-6-4-1) VOLUME ,EXPRESSION AND PAN REALTIME CONTROL OFF 00000000 00
binary hexadecimal 0mmmmmmm MM Master Tune MSB
11110000 F0 Exclusive status 0lllllll LL Master Tune LSB
01000011 43 YAMAHA ID 0ccccccc CC don’t care
01110011 73 Clavinova ID 11110111 F7 End of Exclusive
01000101 45 CVP-98/96/94/92 ID
00010001 11 Sub ID Changes tuning of all channels.
0000nnnn 0N N = MIDI Channel MM, LL values are used to define the MIDI Master Tuning value.
01001001 45 Volume and Expression Realtime Control Off T = M-128
0vvvvvvv VV Value VV: off=7FH, on=00H
11110111 F7 End of Exclusive T : Tuning value (-99cent - +99cent)
M : A single byte value (28-228) consists of bytes 0-3 of MM = MSB, bytes 0-3 of LL = LSB.
When “On” is received, subsequent volume, expression, and PAN changes are only
valid after the reception of the next key on. Normal operation resumes when “Off” is In this setting, GM System ON, XG System ON will not be reset.
received.
< Table 1-1> Parmeter Basic Address

Parameter Change
Address
(H) (M) (L) Description
SYSTEM 00 00 00 System
00 00 7D Drum Setup Reset
00 00 7E XG System On
00 00 7F All Parameter Reset
INFORMATION 01 00 00 System Information
EFFECT 1 02 01 00 Effect1(Reverb,Chorus,Variation)
MULTI EQ 02 40 00 Multi EQ(PSR-730 ONLY)
EFFECT 2 03 00 00 Effect2(PSR-730 ONLY)
MULTI PART 08 00 00 Multi Part 1

:
08 0F 00 Multi Part 16
DRUM 30 0B 00 Drum Setup 1 → Address Parameter

31 0B 00 Drum Setup 2 : :
3n 0B 00 note number 13
3n 0C 00 note number 14
: : : :
3n 5B 00 note number 91
< Table 1-2 > MIDI Parameter Change table ( SYSTEM )

Address Size Data Prameter Name Description Default
(H) (H) (H) Value(H)
00 00 00 4 0000 Master Tune -102.4..+102.3[cent] 00 04 00 00
01 ..07FF 1st bit3-0 -> bit15-12 (0400)
02 2nd bit3-0 -> bit11-8 (With XG, GM On, it will not reset.)
03 3rd bit3-0 -> bit7-4
4th bit3-0 -> bit3-0
04 1 00..7F Master Volume 0..127 7F
05 1 Not Used
06 1 28..58 Transpose -24..+24[semitones] 40
7D n Drum Setup Reset n=Drum Setup Number
7E 00 XG System On 00=XG Sytem on
7F 00 All Parameter Reset 00=on (receive only)
TOTAL SIZE 6
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MIDI Data Format
< Table 1-3 > MIDI Parameter table ( System information )

Address Size Data Prameter Name Description
(H) (H) (H)
01 00 00 D 20..7F Model Name 32..127(ASCII)
:
0D
0E 1 00
0F 1 00
TOTAL SIZE 10
(Transmitted by Dump Request. Not received. Bulk Dump Only)
< Table 1-4 > MIDI Parameter Change table (EFFECT 1)

02 01 00 2 00..7F Reverb Type MSB Refer to the Ef. Type List 01(=HALL1)
00..7F Reverb Type LSB 00 : basic type 00
02 1 00..7F Reverb Parameter 1 Refer to the Ef. Parameter List Depend on Reverb type
0A 1 00..7F Reverb Parameter 9 Refer to the Ef. Parameter List Depend on Reverb type
0B 1 00..7F Reverb Parameter 10 Refer to the Ef. Parameter List Depend on Reverb type
0C 1 00..7F Reverb Return -∞..0..+6dB(0..96..127) 60
0D 1 01..7F Reverb Pan L63..C..R63(1..64..127) 40
TOTAL SIZE 0E
02 01 10 1 00..7F Reverb Parameter 11 Refer to the Ef. Parameter List Depend on Reverb type
TOTAL SIZE 6
02 01 20 2 00..7F Chorus Type MSB Refer to the Ef. Type List 41(=Chorus1)
00..7F Chorus Type LSB 00 : basic type 00
22 1 00..7F Chorus Parameter 1 Refer to the Ef. Parameter List Depend on Chorus Type
2A 1 00..7F Chorus Parameter 9 Refer to the Ef. Parameter List Depend on Chorus Type
2B 1 00..7F Chorus Parameter 10 Refer to the Ef. Parameter List Depend on Chorus Type
2C 1 00..7F Chorus Return -∞..0..+6dB(0..96..127) 60
2D 1 01..7F Chorus Pan L63..C..R63(1..64..127) 40
2E 1 00..7F Send Chorus To Reverb -∞..0..+6dB(0..96..127) 00
TOTAL SIZE 0F
02 01 30 1 00..7F Chorus Parameter 11 Refer to the Ef. Parameter List Depend on Chorus Type
TOTAL SIZE 6
02 01 40 2 00..7F Variation Type MSB Refer to the Ef. Type List “05(=DELAY L,C,R)”
00..7F Variation Type LSB 00 : basic type 00
42 2 00..7F Vari. Param. 1 MSB Refer to the Ef. Parameter List Depend on Vari. Type
00..7F Vari. Param. 1 LSB Refer to the Ef. Parameter List Depend on Vari. Type
4A 2 00..7F Vari. Param. 5 MSB Refer to the Ef. Parameter List Depend on Vari. Type
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MIDI Data Format

4C 2 00..7F Vari. Param. 6 MSB Refer to the Ef. Parameter List Depend on Vari. Type
4E 2 00..7F Vari. Param. 7 MSB Refer to the Ef. Parameter List Depend on Vari. Type
56 1 00..7F Variation Return -∞..0..+6dB(0..96..127) 60
57 1 01..7F Variation Pan L63..C..R63(1..64..127) 40
58 1 00..7F Send Vari. To Reverb -∞..0..+6dB(0..96..127) 00
59 1 00..7F Send Vari. To Chorus -∞..0..+6dB(0..96..127) 00
5A 1 00..01 Variation Connection 0:insertion,1:system 00
5B 1 00..1F Variation Part part1..32(0..31),off(127) 7F
5C 1 01..7F MW Vari. Ctrl Depth -63..+63 40
5D 1 01..7F PB Vari. Ctrl Depth -63..+63 40
5E 1 01..7F CAT Vari. Ctrl Depth -63..+63 40
5F 1 01..7F Not Used
60 1 01..7F Not Used
TOTAL SIZE 21
02 01 70 1 00..7F Variation Parameter 11 option Parameter Depend on Variation Type

71 1 00..7F Variation Parameter 12 option Parameter Depend on Variation Type
TOTAL SIZE 6
< Table 1-5 > MIDI Parameter Change table ( MULTI EQ )(PSR-730 ONLY)
02 40 00 1 34..4C EQ Type 0:FLAT 0
1:JAZZ
2:POPS
3:ROCK
4:CLASSIC
01 1 34..4C EQ Gain1 -12..+12[dB] 40
02 1 04..28 EQ Frequency1 32..2000[Hz] 0C
03 1 01..78 EQ Q1 0.1..12.0 07
04 1 00..01 EQ Shape1 00:Shelving,01:Peaking 00
05 1 34..4C EQ Gain2 -12..+12[dB] 40
06 1 0E..36 EQ Frequency2 0.1..10[KHz] 1C
07 1 01..78 EQ Q2 0.1..12.0 07
08 1 Not Used
09 1 34..4C EQ Gain3 -12..+12[dB] 40
0A 1 0E..36 EQ Frequency3 0.1..10[KHz] 22
0B 1 01..78 EQ Q3 0.1..12.0 07
0C 1 Not Used
0D 1 34..4C EQ Gain4 -12..+12[dB] 40
0E 1 0E..36 EQ Frequency4 0.1..10[KHz] 2E
0F 1 01..78 EQ Q4 0.1..12.0 07
10 1 Not Used
11 1 34..4C EQ Gain5 -12..+12[dB] 40
12 1 1C..3A EQ Frequency5 0.5..16.0[KHz] 3C
13 1 01..78 EQ Q5 0.1..12.0 07
14 1 00..01 EQ Shape5 00:Shelving,01:Peaking 00
TOTAL SIZE 15
< Table 1-6 > MIDI Parameter change table (Effect2))(PSR-730 ONLY)
03 0n 00 2 00..7F Insertion Type MSB Refer to the Ef. Type List “49(=DISTORTION)”
00..7F Insertion Type LSB 00 : basic type 00
02 1 00..7F Insertion Parameter1 Refer to the Ef. Parameter List
159
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MIDI Data Format

0A 1 00..7F Insertion Parameter9 Refer to the Ef. Parameter List
0B 1 00..7F Insertion Parameter10 Refer to the Ef. Parameter List
0C 1 00..7F Insertion Part Part1..16,OFF 7F
0D 1 00..7F MW INS CTRL DPT
0E 1 00..7F BEND INS CTRL DPT
0F 1 00..7F CAT INS CTRL DPT
TOTAL SIZE 12
03 0n 20 1 00..7F Insertion Parameter11 Refer to the Ef. Parameter List

TOTAL SIZE 06
03 0n 30 2 00..7F Ins. Param.1 MSB Refer to the Ef. Parameter List

00..7F Ins. Param.1 LSB Refer to the Ef. Parameter List
03 0n 3A 2 00..7F Ins. Param.6 MSB Refer to the Ef. Parameter List
03 0n 3C 2 00..7F Ins. Param.7 MSB Refer to the Ef. Parameter List
03 0n 3E 2 00..7F Ins. Param.8 MSB Refer to the Ef. Parameter List
TOTAL SIZE 14
For effect types that do not require MSB, the Parameters for Address 02-0B will be received. Address 30-42 will not be received.
For effect types that require MSB, the Parameters for Address 30-42 will be received. Address 02-0B will not be received.
When Bulk Dumps that include Effect Type data are transmitted, the Parameters for Address 02 - 0B will always be transmitted. But, effects that require MSB, when the bulk dump is
received the Parameters for Address 02 - 0B will not be received.
n=Insertion Effect No.(0-1)
< Table 1-7 > MIDI Parameter Change table (MULTI PART)
08 nn 00 1 00..20 Element Reserve 0..32 0(Part10),2(Others)
nn 01 1 00..7F Bank Select MSB 0..127 7F(Part10),00(Others)
nn 02 1 00..7F Bank Select LSB 0..127 00
nn 03 1 00..7F Program Number 1..128 00
nn 04 1 00..0F, Rcv Channel 0..16;1..16,127;off Part No.
7F
nn 05 1 00..01 Mono/Poly Mode 0:mono,1:poly 01
nn 06 1 00..02 Same Note Number 0:single 00
Key On Assign 1:multi
2:inst (for DRUM)
nn 07 1 00..02 Part Mode 0:normal 00 (Except Part10)
1..3:drum thru,drum1..2 01 (Part10)
nn 08 1 28..58 Note Shift -24..+24[semitones] 40
nn 09 2 00..FF Detune -12.8..+12.7[Hz] 08 00
nn 0A 1st bit3..0 -> bit7..4 (80)
2nd bit3..0 -> bit3..0
nn 0B 1 00..7F Volume 0..127 64
nn 0C 1 00..7F Velocity Sense Depth 0..127 40
nn 0D 1 00..7F Velocity Sense Offset 0..127 40
nn 0E 1 00..7F Pan 0:random 40
L63..C..R63(1..64..127)
nn 0F 1 00..7F Note Limit Low C-2..G8 00

nn 10 1 00..7F Note Limit High C-2..G8 7F
nn 11 1 00..7F Dry Level 0..127 7F
160 nn 12 1 00..7F Chorus Send 0..127 00
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MIDI Data Format

nn 13 1 00..7F Reverb Send 0..127 28
nn 14 1 00..7F Variation Send 0..127 00
nn 15 1 00..7F Vibrato Rate -64..+63 40

nn 16 1 00..7F Vibrato Depth -64..+63 40
nn 17 1 00..7F Vibrato Delay -64..+63 40
nn 18 1 00..7F Filter Cutoff Freq. -64..+63 40
nn 19 1 00..7F Filter Resonance -64..+63 40
nn 1A 1 00..7F EG Attack Time -64..+63 40
nn 1B 1 00..7F EG Decay Time -64..+63 40
nn 1C 1 00..7F EG Release Time -64..+63 40
nn 1D 1 28..58 MW Pitch Control -24..+24[semitones] 40

nn 1E 1 00..7F MW Filter Control -9600..+9450[cent] 40
nn 1F 1 00..7F MW Amp. Control -100..+100[%] 40
nn 20 1 00..7F MW LFO PMod Depth 0..127 0A
nn 21 1 00..7F MW LFO FMod Depth 0..127 00
nn 22 1 00..7F MW LFO AMod Depth 0..127 00
nn 23 1 28..58 Bend Pitch Control -24..+24[semitones] 42

nn 24 1 00..7F Bend Filter Control -9600..+9450[cent] 40
nn 25 1 00..7F Bend Amp. Control -100..+100[%] 40
nn 26 1 00..7F Bend LFO PMod Depth 0..127 00
nn 27 1 00..7F Bend LFO FMod Depth 0..127 00
nn 28 1 00..7F Bend LFO AMod Depth 0..127 00
TOTAL SIZE 29
nn 30 Not Used
: :
nn 40 Not Used
nn 41 1 00..7F Scale Tuning C -64..+63[cent] 40

nn 42 1 00..7F Scale Tuning C# -64..+63[cent] 40
nn 43 1 00..7F Scale Tuning D -64..+63[cent] 40
nn 44 1 00..7F Scale Tuning D# -64..+63[cent] 40
nn 45 1 00..7F Scale Tuning E -64..+63[cent] 40
nn 46 1 00..7F Scale Tuning F -64..+63[cent] 40
nn 47 1 00..7F Scale Tuning F# -64..+63[cent] 40
nn 48 1 00..7F Scale Tuning G -64..+63[cent] 40
nn 49 1 00..7F Scale Tuning G# -64..+63[cent] 40
nn 4A 1 00..7F Scale Tuning A -64..+63[cent] 40
nn 4B 1 00..7F Scale Tuning A# -64..+63[cent] 40
nn 4C 1 00..7F Scale Tuning B -64..+63[cent] 40
nn 4D 1 28..58 CAT Pitch Control -24..+24[semitones] 40

nn 4E 1 00..7F CAT Filter Control -9600..+9450[cent] 40
nn 4F 1 00..7F CAT Amplitude Control -100..+100[%] 40
nn 50 1 00..7F CAT LFO PMod Depth 0..127 00
nn 51 1 00..7F CAT LFO FMod Depth 0..127 00
nn 52 1 00..7F CAT LFO AMod Depth 0..127 00
nn 53 Not Used
: :
66 Not Used
nn 67 1 00..01 Portamento Switch off/on 00

nn 68 1 00..7F Portamento Time 0..127 00
nn 69 Not Used
: :
6E Not Used
TOTAL SIZE 3F
nn = PartNumber
If there is a Drum Voice assigned to the Part, the following parameters are ineffective.
• Bank Select LSB
• Pitch EG
• Portamento
• Soft Pedal
• Mono/Poly
• Scale Tuning
161
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MIDI Data Format
< Table 1-8 > MIDI Parameter Change table ( DRUM SETUP )
3n rr 00 1 00..7F Pitch Coarse -64..+63 40
3n rr 01 1 00..7F Pitch Fine -64..+63[cent] 40
3n rr 02 1 00..7F Level 0..127 Depend on the Note
3n rr 03 1 00..7F Alternate Group 0:off,1..127 Depend on the Note
3n rr 04 1 00..7F Pan 0:random Depend on the Note
L63..C..R63(1..64..127)
3n rr 05 1 00..7F Reverb Send Level 0..127 Depend on the Note
3n rr 06 1 00..7F Chorus Send Level 0..127 Depend on the Note
3n rr 07 1 00..7F Variation Send Level 0..127 7F
3n rr 08 1 00..01 Key Assign 0:single,1:multi 00
3n rr 09 1 00..01 Rcv Note Off off/on Depend on the Note
3n rr 0A 1 00..01 Rcv Note On off/on 01
3n rr 0B 1 00..7F Filter Cutoff Freq. -64..63 40
3n rr 0C 1 00..7F Filter Resonance -64..63 40
3n rr 0D 1 00..7F EG Attack Rate -64..63 40
3n rr 0E 1 00..7F EG Decay1 Rate -64..63 40
3n rr 0F 1 00..7F EG Decay2 Rate -64..63 40
TOTAL SIZE 10
n:Drum Setup Number(0 - 1)

rr:note number(0DH - 5BH)
If XG SYSTEM ON and/or GM On message is received, all Drum Setup Parameter will be reset to default values.
According to the Drum Setup Reset message, individual Drum Setup Parameters can be reset to default values.
< Table 1-9 > Effect Type List

XG ESSENTIAL EFFECT
Same as LSB=0
XG OPTION EFFECT
* If the received value does not contain an effect type in the TYPE LSB, the LSB will be directed to TYPE 0.
* Panel Effects are based on the “[Number] Effect Name”.
* Using an external sequencer, capable of editing and transmitting the system exclusive messages and parameter changes, allows you to select the reverb, chorus and DSP effect types
which are not accessible from the PSR-730/630 panel operation. When one of the effects is selected by the external sequencer, “XG Rev.,” “XG Cho.” or “XG Eff.” will be shown on
the display.
REVERB TYPE
TYPE TYPE LSB
MSB 00 01 02 03...07 08 09...15 16 17 18 19 20 21...
000 NO EFFECT
001 [1]HALL1 [2]HALL2 [3]HALL3 [4]HALL4 [5]HALL5
002 [6]ROOM1 ROOM2 [8]ROOM2 [7]ROOM3 ROOM ROOM [9]ROOM4
003 [10]STAGE1 [11]STAGE2 STAGE [12]STAGE3
004 [13]PLATE PLATE PLATE
005..015 NO EFFECT
016 [14]WHITE ROOM
017 [15]TUNNEL
018 CANYON
019 [16]BASEMENT
020..127 NO EFFECT
CHORUS TYPE
TYPE TYPE LSB
MSB 00 01 02 03...07 08 09...15 16 17 18 19 20 21...
000 NO EFFECT
001..064 NO EFFECT
065 CHORUS1 CHORUS2 CHORUS3 CHORUS4
066 CELESTE1 CELESTE2 CELESTE3 CELESTE4 CELESTE CELESTE
067 FLANGER 1 FLANGER2 FLANGER3 FLANGER FLANGER
068 SYMPHONIC
069..071 NO EFFECT
072 PHASER 1
073..086 NO EFFECT
087 ENSEMBLE DETUNE
088..127 NO EFFECT
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DSP(VARIATIOM) EFFECT TYPE
MIDI Data Format
TYPE TYPE LSB

MSB 00 01 02 03...07 08 09...15 16 17 18 19 20 21...
000 NO EFFECT
001 [1]HALL1 [2]HALL2 [3]HALL3 HALL HALL
002 [4]ROOM1 ROOM2 [5]ROOM2 [6]ROOM3 ROOM ROOM ROOM
003 [7]STAGE1 [8]STAGE2 STAGE [9]STAGE3
004 PLATE PLATE PLATE
005 DELAY L,C,R [17]DELAY LCR
006 [18]DELAY L,R
007 [19]ECHO
008 [20]CROSS DELAY
009 ER1 ER2
010 GATE REVERB
011 REVERS GATE
012..015 NO EFFECT
016 WHITE ROOM
017 TUNNEL
018 CANYON
019 BASEMENT
020 KARAOKE 1 KARAOKE 2 KARAOKE 3
021..063 NO EFFECT
064 THRU
065 CHORUS1 CHORUS2 CHORUS CHORUS
066 [13]CELESTE [12]CHORUS3 CELESTE3 [11]CHORUS2 CHORUS [10]CHORUS1 [22]ROTARY [23]ROTARY
FAST SLOW
067 FLANGER 1 FLANGER FLANGER [14]FLANGER FLANGER
068 SYMPHONIC [15]SYMPHONIC
069 ROTARY SP. Rotary Sp
070 TREMOLO [21]TREMOLO Rotary Sp
071 AUTO PAN [16]AUTO PAN Rotary Sp Rotary Sp Tremolo Gtr Tremolo
072 [24]PHASER PHASER
073 DISTORTION COMP+
DISTORTION
074 OVER DRIVE
075 AMP SIM. DIST.HARD DIST.SOFT
076 3BAND EQ EQ DISCO EQ TEL
077 2BAND EQ
078 AUTO WAH AUTO WAH+ AUTO WAH+ [25]WAH
DIST OVERDRIVE
079 THRU
080 PITCH CHANGE PITCH CHANGE2
081 THRU
082 TOUCH WAH 1 TOUCH WAH+ TOUCH WAH+ TOUCH WAH 2
DIST OVERDRIVE
083 COMPRESSOR
084 NOISE GATE
085 VOICE CANCEL
086 2WAY ROTARY SP
087 ENSEMBLE DETUNE
088 AMBIENCE
089..127 THRU
MULTI EFFECT (INSERTION) TYPE

TYPE TYPE LSB
MSB 00 01 02 03...07 08 09...15 16 17 18 19 20 21...
000 THRU
001 HALL 1 HALL 2 HALL HALL HALL
002 ROOM 1 ROOM 2 ROOM 3 ROOM ROOM ROOM ROOM
003 STAGE 1 STAGE 2 STAGE STAGE
004 PLATE PLATE PLATE
005 DELAY L,C,R Delay LCR
006 DELAY L,R
007 ECHO
008 CROSS DELAY
009..019 THRU
020 KARAOKE 1 KARAOKE 2 KARAOKE 3
021..064 THRU
065 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4
066 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 CHORUS CHORUS Rotary Sp
067 FLANGER 1 FLANGER 2 FLANGER 3 FLANGER FLANGER
068 SYMPHONIC Symphonic
069 ROTARY SPEAKER 1 Rotary Sp
070 TREMOLO Tremolo Rotary Sp
071 AUTO PAN AutoPan Rotary Sp Rotary Sp Tremolo Gtr Tremolo
072 PHASER 1
073 DISTORTION
074 OVER DRIVE
075 AMP SIMULATOR DIST.HARD DIST.SOFT
076 3BAND EQ EQ DISCO EQ TEL
077 2-BAND EQ
078 AUTO WAH(LFO) Auto Wah
079..081 THRU
082 TOUCH WAH 1 TOUCH WAH 2
083 COMPRESSOR
084 NOISE GATE
085..086 THRU
087 ENSEMBLE DETUNE
088..127 THRU
163
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MIDI Data Format
< Table 1-10 > Effect Parameter List

HALL1,HALL2, ROOM1,ROOM2,ROOM3, STAGE1,STAGE2 CROSS DELAY (variation, insertion block)
PLATE (reverb, variation, insertion block) No. Parameter Value See Table Control
No. Parameter Value See Table Control 1 L->R Delay 0.1–743.0ms (variation block) 1–7430
1 Reverb Time 0.3–30.0s 0–69 table#4 0.1–371.4ms (insertion block) 1–3714
2 Diffusion 0–10 0–10 2 R->L Delay 0.1–743.0ms (variation block) 1–7430
3 Initial Delay 0–63 0–63 table#5 0.1–371.4ms (insertion block) 1–3714
4 HPF Cutoff Thru–8.0kHz 0–52 table#3 3 Feedback Level -63–+63 1–127
5 LPF Cutoff 1.0k–Thru 34–60 table#3 4 Input Select L,R,L&R 0–2
6 5 High Damp 0.1–1.0 1–10
7 6
8 7
9 8
10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 9
10 Dry/Wet D63>W – D=W – D<W63 1–127 ●
11 Rev Delay 0–63 0–63 table#5
12 Density 0–4 (reverb, variation block) 0–4 11
0–2 (insertion block) 0–2 12
13 Er/Rev Balance E63>R – E=R – E<R63 1–127 13 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3
14 High Damp 0.1–1.0 1–10 14 EQ Low Gain -12–+12dB 52–76
15 Feedback Level -63–+63 1–127 15 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
16 16 EQ High Gain -12–+12dB 52–76
WHITE ROOM, TUNNEL, CANYON, BASEMENT (reverb, variation block) EARLY REF1,EARLY REF2(variation block)
No. Parameter Value See Table Control No. Parameter Value See Table Control
1 Reverb Time 0.3–30.0s 0–69 table#4 1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0–5
2 Diffusion 0–10 0–10 2 Room Size 0.1–7.0 0–44 table#6
3 Initial Delay 0–63 0–63 table#5 3 Diffusion 0–10 0–10
4 HPF Cutoff Thru–8.0kHz 0–52 table#3 4 Initial Delay 0–63 0–63 table#5
5 LPF Cutoff 1.0k–Thru 34–60 table#3 5 Feedback Level -63–+63 1–127
6 Width 0.5–10.2m 0–37 table#11 6 HPF Cutoff Thru–8.0kHz 0–52 table#3
7 Heigt 0.5–20.2m 0–73 table#11 7 LPF Cutoff 1.0k–Thru 34–60 table#3
8 Depth 0.5–30.2m 0–104 table#11 8
9 Wall Vary 0–30 0–30 9
10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 10 Dry/Wet D63>W – D=W – D<W63 1–127 ●
11 Rev Delay 0–63 0–63 table#5 11 Liveness 0–10 0–10

12 Density 0–4 0–4 12 Density 0–3 0–3
13 Er/Rev Balance E63>R – E=R – E<R63 1–127 13 High Damp 0.1–1.0 1–10
14 High Damp 0.1–1.0 1–10 14
15 Feedback Level -63–+63 1–127 15
16 16
DELAY L,C,R (variation, insertion block) GATE REVERB, REVERSE GATE (variation block)
1 Lch Delay 0.1–1486.0ms (variation block) 1–14860 1 Type TypeA,TypeB 0–1
0.1–742.9ms (insertion block) 1–7429 2 Room Size 0.1–20.0 0–127 table#6
2 Rch Delay 0.1–1486.0ms (variation block) 1–14860 3 Diffusion 0–10 0–10
0.1–742.9ms (insertion block) 1–7429 4 Initial Delay 0–127 0–127 table#5
3 Cch Delay 0.1–1486.0ms (variation block) 1–14860 5 Feedback Level -63–+63 1–127
0.1–742.9ms (insertion block) 1–7429 6 HPF Cutoff Thru–8.0kHz 0–52 table#3
4 Feedback Delay 0.1–1486.0ms (variation block) 1–14860 7 LPF Cutoff 1.0k–Thru 34–60 table#3
0.1–742.9ms (insertion block) 1–7429 8
5 Feedback Level -63–+63 1–127 9
6 Cch Level 0–127 0–127 10 Dry/Wet D63>W – D=W – D<W63 1–127 ●
7 High Damp 0.1–1.0 1–10
8 11 Liveness 0–10 0–10
9 12 Density 0–3 0–3
10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 13 High Damp 0.1–1.0 1–10
14
11 15
12 16
13 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3
14 EQ Low Gain -12–+12dB 52–76 KARAOKE1,2,3 (variation, insertion block)
15 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 No. Parameter Value See Table Control
16 EQ High Gain -12–+12dB 52–76 1 Delay Time 0–127 0–127 table#7
2 Feedback Level -63–+63 1–127
DELAY L,R (variation, insertion block) 3 HPF Cutoff Thru–8.0kHz 0–52 table#3
No. Parameter Value See Table Control 4 LPF Cutoff 1.0k–Thru 34–60 table#3
1 Lch Delay 0.1–1486.0ms (variation block) 1–14860 5
2 Rch Delay 0.1–1486.0ms (variation block) 1–14860 7
3 Feedback Delay 1 0.1–1486.0ms (variation block) 1–14860 9
0.1–742.9ms (insertion block) 1–7429 10 Dry/Wet D63>W – D=W – D<W63 1–127 ●
4 Feedback Delay 2 0.1–1486.0ms (variation block) 1–14860
5 Feedback Level -63–+63 1–127 12
6 High Damp 0.1–1.0 1–10 13
7 14
8 15
9 16
10 Dry/Wet D63>W – D=W – D<W63 1–127 ●
CHORUS1,2,3,4, CELESTE1,2,3,4 (chorus, variation, insertion block)
11 No. Parameter Value See Table Control
12 1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1
13 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 2 LFO Depth 0–127 0–127
14 EQ Low Gain -12–+12dB 52–76 3 Feedback Level -63–+63 1–127
15 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 4 Delay Offset 0–127 0–127 table#2
16 EQ High Gain -12–+12dB 52–76 5
ECHO (variation, insertion block) 7 EQ Low Gain -12–+12dB 52–76
No. Parameter Value See Table Control 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
1 Lch Delay1 0.1–743.0ms (variation block) 1–7430 9 EQ High Gain -12–+12dB 52–76
0.1–371.4ms (insertion block) 1–3714 10 Dry/Wet D63>W – D=W – D<W63 1–127 ●
2 Lch Feedback Level -63–+63 1–127
3 Rch Delay1 0.1–743.0ms (variation block) 1–7430 11 EQ Mid Frequency 100Hz–10.0kHz (variation block) 14–54 table#3
0.1–371.4ms (insertion block) 1–3714 12 EQ Mid Gain -12–+12dB (variation block) 52–76
4 Rch Feedback Level -63–+63 1–127 13 EQ Mid Width 1.0–12.0 (variation block) 10–120
5 High Damp 0.1–1.0 1–10 14
6 Lch Delay2 0.1–743.0ms (variation block) 1–7430 15 Input Mode mono/stereo 0–1
7 Rch Delay2 0.1–743.0ms (variation block) 1–7430
0.1–371.4ms (insertion block) 1–3714 FLANGER1,2,3 (chorus, variation, insertion block)
8 Delay2 Level 0–127 0–127 No. Parameter Value See Table Control
10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 2 LFO Depth 0–127 0–127
3 Feedback Level -63–+63 1–127
11 4 Delay Offset 0–127 0–127 table#2
12 5
13 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3
14 EQ Low Gain -12–+12dB 52–76 7 EQ Low Gain -12–+12dB 52–76
15 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
16 EQ High Gain -12–+12dB 52–76 9 EQ High Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127 ●
11 EQ Mid Frequency 100Hz–10.0kHz (variation block) 14–54 table#3

12 EQ Mid Gain -12–+12dB (variation block) 52–76
13 EQ Mid Width 1.0–12.0 (variation block) 10–120
14 LFO Phase Difference -180–+180deg(resolution=3deg.) 4–124
15
16
164
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SYMPHONIC (chorus, variation, insertion block) TREMOLO (variation, insertion block)
MIDI Data Format
1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1 1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1 ●
2 LFO Depth 0–127 0–127 2 AM Depth 0–127 0–127
3 Delay Offset 0–127 0–127 table#2 3 PM Depth 0–127 0–127
4 4
5 5
6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3
7 EQ Low Gain -12–+12dB 52–76 7 EQ Low Gain -12–+12dB 52–76
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 EQ High Gain -12–+12dB 52–76 9 EQ High Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 10
11 EQ Mid Frequency 100Hz–10.0kHz (variation block) 14–54 table#3 11 EQ Mid Frequency 100Hz–10.0kHz (variation block) 14–54 table#3
12 EQ Mid Gain -12–+12dB (variation block) 52–76 12 EQ Mid Gain -12–+12dB (variation block) 52–76
13 EQ Mid Width 1.0–12.0 (variation block) 10–120 13 EQ Mid Width 1.0–12.0 (variation block) 10–120
14 14 LFO Phase Difference -180–+180deg(resolution=3deg.) 4–124
15 15 Input Mode mono/stereo 0–1
16 16
ENSEMBLE DETUNE (chorus, variation, insertion block) AUTO PAN (variation, insertion block)
1 Detune -50–+50cent 14–114 1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1 ●
2 Lch Init Delay 0–127 0–127 table#2 2 L/R Depth 0–127 0–127
3 Rch Init Delay 0–127 0–127 table#2 3 F/R Depth 0–127 0–127
4 4 PAN Direction L<->R,L->R,L<-R,Lturn,Rturn,L/R 0–5
5 5
6 6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3
7 7 EQ Low Gain -12–+12dB 52–76
8 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 9 EQ High Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 10
11 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 11 EQ Mid Frequency 100Hz–10.0kHz (variation block) 14–54 table#3
(variation, insertion block) 12 EQ Mid Gain -12–+12dB (variation block) 52–76
12 EQ Low Gain -12–+12dB 52–76 13 EQ Mid Width 1.0–12.0 (variation block) 10–120
(variation, insertion block) 14
13 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 15
(variation, insertion block) 16
14 EQ High Gain -12–+12dB 52–76
(variation, insertion block) PHASER 1 (chorus, variation, insertion block)
2 LFO Depth 0–127 0–127
AMBIENCE (variation block) 3 Phase Shift Offset 0–127 0–127
No. Parameter Value See Table Control 4 Feedback Level -63–+63 1–127
1 Delay Time 0–127 0–127 table#2 5
2 Output Phase normal/invers 0–1 6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3
3 7 EQ Low Gain -12–+12dB 52–76
5 9 EQ High Gain -12–+12dB 52–76
6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 10 Dry/Wet D63>W – D=W – D<W63 1–127 ●
7 EQ Low Gain -12–+12dB 52–76
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 11 Stage 4,5,6 (chorus, insertion block) 4–6
9 EQ High Gain -12–+12dB 52–76 4–12 (variation block) 4–12
10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 12 Diffusion mono/stereo 0–1
13
11 14
12 15
13 16
14
15 PHASER 2 (variation block)
1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1
ROTARY SPEAKER (variation, insertion block) 2 LFO Depth 0–127 0–127
No. Parameter Value See Table Control 3 Phase Shift Offset 0–127 0–127
1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1 ● 4 Feedback Level -63–+63 1–127
2 LFO Depth 0–127 0–127 5
4 7 EQ Low Gain -12–+12dB 52–76
6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 9 EQ High Gain -12–+12dB 52–76
7 EQ Low Gain -12–+12dB 52–76 10 Dry/Wet D63>W – D=W – D<W63 1–127 ●
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 EQ High Gain -12–+12dB 52–76 11 Stage 3,4,5,6 3-6
10 Dry/Wet D63>W – D=W – D<W63 1–127 12
13 LFO Phase Difference -180deg–+180deg(resolution=3deg.) 4–124
11 EQ Mid Frequency 100Hz–10.0kHz (variation block) 14–54 table#3 14
12 EQ Mid Gain -12–+12dB (variation block) 52–76 15
13 EQ Mid Width 1.0–12.0 (variation block) 10–120 16
14
15 DISTORTION, OVERDRIVE (variation, insertion block)
1 Drive 0–127 0–127 ●
2WAY ROTARY SPEAKER (variation block) 2 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3
No. Parameter Value See Table Control 3 EQ Low Gain -12–+12dB 52–76
1 Rotor Speed 0.0Hz–39.7Hz 0–127 table#1 ● 4 LPF Cutoff 1.0k–Thru 34–60 table#3
2 Drive Low 0–127 0–127 5 Output Level 0–127 0–127
3 Drive High 0–127 0–127 6
4 Low/High L63>H – L=H – L<H63 1–127 7 EQ Mid Frequency 100Hz–10.0kHz 14–54 table#3
5 8 EQ Mid Gain -12–+12dB 52–76
6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 9 EQ Mid Width 1.0–12.0 10–120
7 EQ Low Gain -12–+12dB 52–76 10 Dry/Wet D63>W – D=W – D<W63 1–127
9 EQ High Gain -12–+12dB 52–76 11 Edge(Clip Curve) 0–127 0–127 mild–sharp
10 12
13
11 Crossover Frequency 100Hz–10.0kHz 14–54 table#3 14
12 Mic L-R Angle 0deg–180deg(resolution=3deg.) 0–60 15
13 16
14
15 COMP+DIST (variation block)
1 Drive 0–127 0–127 ●
3 EQ Low Gain -12–+12dB 52–76
4 LPF Cutoff 1.0k–Thru 34–60 table#3
5 Output Level 0–127 0–127
6
7 EQ Mid Frequency 100Hz–10.0kHz 14–54 table#3
8 EQ Mid Gain -12–+12dB 52–76
9 EQ Mid Width 1.0–12.0 10–120
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Edge(Clip Curve) 0–127 0–127 mild–sharp

12 Attack 1ms–40ms 0–19 table#8
13 Release 10ms–680ms 0–15 table#9
14 Threshold -48dB–-6dB 79–121
15 Ratio 1.0–20.0 0–7 table#10
16
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MIDI Data Format
AMP SIMULATOR (variation, insertion block) TOUCH WAH 2 (variation, insertion block), TOUCH WAH+ODRV (variation block)
1 Drive 0–127 0–127 ● 1 Sensitive 0–127 0–127
2 AMP Type Off,Stack,Combo,Tube 0–3 2 Cutoff Frequency Offset 0–127 0–127 ●
3 LPF Cutoff 1.0k–Thru 34–60 table#3 3 Resonance 1.0–12.0 10–120
4 Output Level 0–127 0–127 4
5 5
7 7 EQ Low Gain -12–+12dB 52–76
9 9 EQ High Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127 10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Edge(Clip Curve) 0–127 0–127 mild–sharp 11 Drive 0–127 0–127

12 12 EQ Low Gain(distortion) -12–+12dB 52–76
13 13 EQ Mid Gain(distortion) -12–+12dB 52–76
14 14 LPF Cutoff 1.0kHz–thru 34–60 table#3
15 15 Output Level 0–127 0–127
16 16
3BAND EQ(MONO) (variation, insertion block) PITCH CHANGE 1 (variation block)

1 EQ Low Gain -12–+12dB 52–76 1 Pitch -24–+24 40–88
2 EQ Mid Frequency 100Hz–10.0kHz 14–54 table#3 2 Initial Delay 0–127 0–127 table#7
3 EQ Mid Gain -12–+12dB 52–76 3 Fine 1 -50Hz–+50Hz 14–114
4 EQ Mid Width 1.0–12.0 10–120 4 Fine 2 -50Hz–+50Hz 14–114
5 EQ High Gain -12–+12dB 52–76 5 Feedback Level -99–+99% 1–127
6 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3 6
8 8
9 9
10 10 Dry/Wet D63>W – D=W – D<W63 1–127 ●
11 11 Pan 1 L63–R63 1–127

12 12 Output Level 1 0–127 0–127
13 13 Pan 2 L63–R63 1–127
14 14 Output Level 2 0–127 0–127
15 Input Mode mono/stereo 0–1 15
16 16
2BAND EQ(STEREO) (variation, insertion block) PITCH CHANGE 2 (variation block)

1 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 1 Pitch -24–+24 40–88
2 EQ Low Gain -12–+12dB 52–76 2 Initial Delay 0–127 0–127 table#7
3 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 3 Fine 1 -50–+50cent 14–114
4 EQ High Gain -12–+12dB 52–76 4 Fine 2 -50–+50cent 14–114
5 5 Feedback Level -99–+99% 1–127
6 6
7 7
8 8
9 9
10 10 Dry/Wet D63>W – D=W – D<W63 1–127 ●
11 11 Pan 1 L63–R63 1–127

12 12 Output Level 1 0–127 0–127
13 13 Pan 2 L63–R63 1–127
14 14 Output Level 2 0–127 0–127
15 15
16 16
AUTO WAH (variation, insertion block) COMPRESSOR (variation, insertion block)

1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1 1 Attack 1–40ms 0–19 table#8
2 LFO Depth 0–127 0–127 2 Release 10–680ms 0–15 table#9
3 Cutoff Frequency Offset 0–127 0–127 ● 3 Threshold -48–-6dB 79–121
4 Resonance 1.0–12.0 10–120 4 Ratio 1.0–20.0 0–7 table#10
5 5 Output Level 0–127 0–127
7 EQ Low Gain -12–+12dB 52–76 7
9 EQ High Gain -12–+12dB 52–76 9
10 Dry/Wet D63>W – D=W – D<W63 1–127 10
11 Drive 0–127 0–127 11

12 12
13 13
14 14
15 15
16 16
AUTO WAH+DIST, AUTO WHA+ODRV (variation block) NOISE GATE (variation, insertion block)
1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1 1 Attack 1–40ms 0–19 table#8
2 LFO Depth 0–127 0–127 2 Release 10–680ms 0–15 table#9
3 Cutoff Frequency Offset 0–127 0–127 ● 3 Threshold -72–-30dB 55–97
4 Resonance 1.0–12.0 10–120 4 Output Level 0–127 0–127
5 5
7 EQ Low Gain -12–+12dB 52–76 7
9 EQ High Gain -12–+12dB 52–76 9
10 Dry/Wet D63>W – D=W – D<W63 1–127 10
11 Drive 0–127 0–127 11

12 EQ Low Gain(distortion) -12–+12dB 52–76 12
13 EQ Mid Gain(distortion) -12–+12dB 52–76 13
14 LPF Cutoff 1.0kHz–thru 34–60 table#3 14
15 Output Level 0–127 0–127 15
16 16
TOUCH WAH 1 (variation, insertion block), TOUCH WAH+DIST (variation block)

No. Parameter Value See Table Control
1 Sensitive 0–127 0–127
2 Cutoff Frequency Offset 0–127 0–127 ●
3 Resonance 1.0–12.0 10–120
4
5
7 EQ Low Gain -12–+12dB 52–76
9 EQ High Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Drive 0–127 0–127

12
13
14
15
16
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< Table 1-11 > Effect Data Value Assign Table
MIDI Data Format
Table#1 Table#4 Table#7 Table#11

LFO Frequency Reverb time Delay Time(400.0ms) Reverb Width;Depth;Height
Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value
0 0.00 32 1.35 64 2.69 96 8.41 0 0.3 32 3.5 64 17.0 0 0.1 32 100.9 64 201.6 96 302.4 0 0.5 32 8.8 64 17.6 96 27.5
1 0.04 33 1.39 65 2.78 97 8.75 1 0.4 33 3.6 65 18.0 1 3.2 33 104.0 65 204.8 97 305.5 1 0.8 33 9.1 65 17.9 98 28.1
2 0.08 34 1.43 66 2.86 98 9.08 2 0.5 34 3.7 66 19.0 2 6.4 34 107.2 66 207.9 98 308.7 2 1.0 34 9.4 66 18.2 99 28.5
3 0.13 35 1.47 67 2.94 99 9.42 3 0.6 35 3.8 67 20.0 3 9.5 35 110.3 67 211.1 99 311.8 3 1.3 35 9.6 67 18.5 100 28.8
4 0.17 36 1.51 68 3.03 100 9.76 4 0.7 36 3.9 68 25.0 4 12.7 36 113.5 68 214.2 100 315.0 4 1.5 36 9.9 68 18.8 101 29.2
5 0.21 37 1.56 69 3.11 101 10.1 5 0.8 37 4.0 69 30.0 5 15.8 37 116.6 69 217.4 101 318.1 5 1.8 37 10.2 69 19.1 102 29.5
6 0.25 38 1.60 70 3.20 102 10.8 6 0.9 38 4.1 6 19.0 38 119.8 70 220.5 102 321.3 6 2.0 38 10.4 70 19.4 103 29.9
7 0.29 39 1.64 71 3.28 103 11.4 7 1.0 39 4.2 7 22.1 39 122.9 71 223.7 103 324.4 7 2.3 39 10.7 71 19.7 104 30.2
8 0.34 40 1.68 72 3.37 104 12.1 8 1.1 40 4.3 8 25.3 40 126.1 72 226.8 104 327.6 8 2.6 40 11.0 72 20.0
9 0.38 41 1.72 73 3.45 105 12.8 9 1.2 41 4.4 9 28.4 41 129.2 73 230.0 105 330.7 9 2.8 41 11.2 73 20.2
10 0.42 42 1.77 74 3.53 106 13.5 10 1.3 42 4.5 10 31.6 42 132.4 74 233.1 106 333.9 10 3.1 42 11.5 74 20.5
11 0.46 43 1.81 75 3.62 107 14.1 11 1.4 43 4.6 11 34.7 43 135.5 75 236.3 107 337.0 11 3.3 43 11.8 75 20.8
12 0.51 44 1.85 76 3.70 108 14.8 12 1.5 44 4.7 12 37.9 44 138.6 76 239.4 108 340.2 12 3.6 44 12.1 76 21.1
13 0.55 45 1.89 77 3.87 109 15.5 13 1.6 45 4.8 13 41.0 45 141.8 77 242.6 109 343.3 13 3.9 45 12.3 77 21.4
14 0.59 46 1.94 78 4.04 110 16.2 14 1.7 46 4.9 14 44.2 46 144.9 78 245.7 110 346.5 14 4.1 46 12.6 78 21.7
15 0.63 47 1.98 79 4.21 111 16.8 15 1.8 47 5.0 15 47.3 47 148.1 79 248.9 111 349.6 15 4.4 47 12.9 79 22.0
16 0.67 48 2.02 80 4.37 112 17.5 16 1.9 48 5.5 16 50.5 48 151.2 80 252.0 112 352.8 16 4.6 48 13.1 80 22.4
17 0.72 49 2.06 81 4.54 113 18.2 17 2.0 49 6.0 17 53.6 49 154.4 81 255.2 113 355.9 17 4.9 49 13.4 81 22.7
18 0.76 50 2.10 82 4.71 114 19.5 18 2.1 50 6.5 18 56.8 50 157.5 82 258.3 114 359.1 18 5.2 50 13.7 82 23.0
19 0.80 51 2.15 83 4.88 115 20.9 19 2.2 51 7.0 19 59.9 51 160.7 83 261.5 115 362.2 19 5.4 51 14.0 83 23.3
20 0.84 52 2.19 84 5.05 116 22.2 20 2.3 52 7.5 20 63.1 52 163.8 84 264.6 116 365.4 20 5.7 52 14.2 84 23.6
21 0.88 53 2.23 85 5.22 117 23.6 21 2.4 53 8.0 21 66.2 53 167.0 85 267.7 117 368.5 21 5.9 53 14.5 85 23.9
22 0.93 54 2.27 86 5.38 118 24.9 22 2.5 54 8.5 22 69.4 54 170.1 86 270.9 118 371.7 22 6.2 54 14.8 86 24.2
23 0.97 55 2.31 87 5.55 119 26.2 23 2.6 55 9.0 23 72.5 55 173.3 87 274.0 119 374.8 23 6.5 55 15.1 87 24.5
24 1.01 56 2.36 88 5.72 120 27.6 24 2.7 56 9.5 24 75.7 56 176.4 88 277.2 120 378.0 24 6.7 56 15.4 88 24.9
25 1.05 57 2.40 89 6.06 121 28.9 25 2.8 57 10.0 25 78.8 57 179.6 89 280.3 121 381.1 25 7.0 57 15.6 89 25.2
26 1.09 58 2.44 90 6.39 122 30.3 26 2.9 58 11.0 26 82.0 58 182.7 90 283.5 122 384.3 26 7.2 58 15.9 90 25.5
27 1.14 59 2.48 91 6.73 123 31.6 27 3.0 59 12.0 27 85.1 59 185.9 91 286.6 123 387.4 27 7.5 59 16.2 91 25.8
28 1.18 60 2.52 92 7.07 124 33.0 28 3.1 60 13.0 28 88.3 60 189.0 92 289.8 124 390.6 28 7.8 60 16.5 92 26.1
29 1.22 61 2.57 93 7.40 125 34.3 29 3.2 61 14.0 29 91.4 61 192.2 93 292.9 125 393.7 29 8.0 61 16.8 93 26.5
30 1.26 62 2.61 94 7.74 126 37.0 30 3.3 62 15.0 30 94.6 62 195.3 94 296.1 126 396.9 30 8.3 62 17.1 94 26.8
31 1.30 63 2.65 95 8.08 127 39.7 31 3.4 63 16.0 31 97.7 63 198.5 95 299.2 127 400.0 31 8.6 63 17.3 95 27.1
Table#2 Table#5 Table#8

Modulation Delay Offset Delay Time(200.0ms) Compressor Attack Time
Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value
0 0.0 32 3.2 64 6.4 96 9.6 0 0.1 32 50.5 64 100.8 96 151.2 0 1
1 0.1 33 3.3 65 6.5 97 9.7 1 1.7 33 52.0 65 102.4 97 152.8 1 2
2 0.2 34 3.4 66 6.6 98 9.8 2 3.2 34 53.6 66 104.0 98 154.4 2 3
3 0.3 35 3.5 67 6.7 99 9.9 3 4.8 35 55.2 67 105.6 99 155.9 3 4
4 0.4 36 3.6 68 6.8 100 10.0 4 6.4 36 56.8 68 107.1 100 157.5 4 5
5 0.5 37 3.7 69 6.9 101 11.1 5 8.0 37 58.3 69 108.7 101 159.1 5 6
6 0.6 38 3.8 70 7.0 102 12.2 6 9.5 38 59.9 70 110.3 102 160.6 6 7
7 0.7 39 3.9 71 7.1 103 13.3 7 11.1 39 61.5 71 111.9 103 162.2 7 8
8 0.8 40 4.0 72 7.2 104 14.4 8 12.7 40 63.1 72 113.4 104 163.8 8 9
9 0.9 41 4.1 73 7.3 105 15.5 9 14.3 41 64.6 73 115.0 105 165.4 9 10
10 1.0 42 4.2 74 7.4 106 17.1 10 15.8 42 66.2 74 116.6 106 166.9 10 12
11 1.1 43 4.3 75 7.5 107 18.6 11 17.4 43 67.8 75 118.2 107 168.5 11 14
12 1.2 44 4.4 76 7.6 108 20.2 12 19.0 44 69.4 76 119.7 108 170.1 12 16
13 1.3 45 4.5 77 7.7 109 21.8 13 20.6 45 70.9 77 121.3 109 171.7 13 18
14 1.4 46 4.6 78 7.8 110 23.3 14 22.1 46 72.5 78 122.9 110 173.2 14 20
15 1.5 47 4.7 79 7.9 111 24.9 15 23.7 47 74.1 79 124.4 111 174.8 15 23
16 1.6 48 4.8 80 8.0 112 26.5 16 25.3 48 75.7 80 126.0 112 176.4 16 26
17 1.7 49 4.9 81 8.1 113 28.0 17 26.9 49 77.2 81 127.6 113 178.0 17 30
18 1.8 50 5.0 82 8.2 114 29.6 18 28.4 50 78.8 82 129.2 114 179.5 18 35
19 1.9 51 5.1 83 8.3 115 31.2 19 30.0 51 80.4 83 130.7 115 181.1 19 40
20 2.0 52 5.2 84 8.4 116 32.8 20 31.6 52 81.9 84 132.3 116 182.7
21 2.1 53 5.3 85 8.5 117 34.3 21 33.2 53 83.5 85 133.9 117 184.3
22 2.2 54 5.4 86 8.6 118 35.9 22 34.7 54 85.1 86 135.5 118 185.8
23 2.3 55 5.5 87 8.7 119 37.5 23 36.3 55 86.7 87 137.0 119 187.4
24 2.4 56 5.6 88 8.8 120 39.0 24 37.9 56 88.2 88 138.6 120 189.0
25 2.5 57 5.7 89 8.9 121 40.6 25 39.5 57 89.8 89 140.2 121 190.6
26 2.6 58 5.8 90 9.0 122 42.2 26 41.0 58 91.4 90 141.8 122 192.1
27 2.7 59 5.9 91 9.1 123 43.7 27 42.6 59 93.0 91 143.3 123 193.7
28 2.8 60 6.0 92 9.2 124 45.3 28 44.2 60 94.5 92 144.9 124 195.3
29 2.9 61 6.1 93 9.3 125 46.9 29 45.7 61 96.1 93 146.5 125 196.9
30 3.0 62 6.2 94 9.4 126 48.4 30 47.3 62 97.7 94 148.1 126 198.4
31 3.1 63 6.3 95 9.5 127 50.0 31 48.9 63 99.3 95 149.6 127 200.0
Table#3 Table#6 Table#9

EQ Frequency Room Size Compressor Release Time
Data Value Data Value Data Value Data Value Data Value
8 50 40 2.0k 0 0.1 32 5.1 0 10
9 56 41 2.2k 1 0.3 33 5.3 1 15
10 63 42 2.5k 2 0.4 34 5.4 2 25
11 70 43 2.8k 3 0.6 35 5.6 3 35
12 80 44 3.2k 4 0.7 36 5.7 4 45
13 90 45 3.6k 5 0.9 37 5.9 5 55
14 100 46 4.0k 6 1.0 38 6.1 6 65
15 110 47 4.5k 7 1.2 39 6.2 7 75
16 125 48 5.0k 8 1.4 40 6.4 8 85
17 140 49 5.6k 9 1.5 41 6.5 9 100
18 160 50 6.3k 10 1.7 42 6.7 10 115
19 180 51 7.0k 11 1.8 43 6.8 11 140
20 200 52 8.0k 12 2.0 44 7.0 12 170
21 225 53 9.0k 13 2.1 13 230
22 250 54 10.0k 14 2.3 14 340
23 280 55 11.0k 15 2.5 15 680
24 315 56 12.0k 16 2.6
25 355 57 14.0k 17 2.8
26 400 58 16.0k 18 2.9
27 450 59 18.0k 19 3.1
28 500 60 THRU(20.0k) 20 3.2
29 560 21 3.4 Table#10
30 630 22 3.5 Compressor Ratio
31 700 23 3.7 Data Value
32 800 24 3.9 0 1.0
33 900 25 4.0 1 1.5
34 1.0k 26 4.2 2 2.0
35 1.1k 27 4.3 3 3.0
36 1.2k 28 4.5 4 5.0
37 1.4k 29 4.6 5 7.0
38 1.6k 30 4.8 6 10.0
39 1.8k 31 5.0 7 20.0
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MIDI Implementation Chart
[Portable Keyboard] Date: 14-APR-1997
Model: PSR-730 MIDI Implementation Chart Version: 1.0
Function Transmitted Recognized Remarks
Basic Default 1~16 *1 1~16 *2

Channel Changed 1~16 *1 1~16 *2
Default 3 3
Mode Messages X X
Altered ************** X
Note 0~127 0~127

Number : True voice ************** 0~127
Velocity Note ON O 9nH, v=1~127 O 9nH, v=1~127

Note OFF X 9nH, v=0 X
After key’s X X
Touch Ch’s X O
Pitch Bender O O
Control Change 0, 32 O O Bank Select

1 O O Modulation
5 X O Portamento Time
7, 10, 11 O O
6, 38 O O Data Entry
64~67 O O
71, 74 O O Sound Controller
72, 73 X *3 O Sound Controller
84 X *3 O Portamento Controllers
91, 93, 94 O O Effect Depth
96~97 X O RPN Inc, Dec
98~99 X *3 O NRPN LSB, MSB
100~101 O O RPN LSB, MSB
120 X O All Sound Off
121 X O Reset All Controllers
Program O 0~127 O 0~127

Change : True # **************
System Exclusive O O
System : Song Position X X

: Song Select X X
Common : Tune X X
System : Clock O O
Real Time : Commands O O
Aux : Local ON/OFF X X

: All Notes OFF X O (123~127)
Messages : Active Sense O O
: Reset X X
Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO O : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO X : No
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[Portable Keyboard]
Date: 14-APR-1997
Model: PSR-630 MIDI Implementation Chart Version: 1.0
Function Transmitted Recognized Remarks
Basic Default 1~16 *1 1~16 *2

Channel Changed 1~16 *1 1~16 *2
Default 3 3
Mode Messages X X
Altered ************** X
Note 0~127 0~127

Number : True voice ************** 0~127
Velocity Note ON O 9nH, v=1~127 O 9nH, v=1~127

Note OFF X 9nH, v=0 X
After key’s X X
Touch Ch’s X O
Pitch Bender O O
Control Change 0, 32 O O Bank Select

1 X *3 O Modulation
5 X O Portamento Time
7, 10, 11 O O
6, 38 O O Data Entry
64~67 O O
71, 74 O O Sound Controller
72, 73 X *3 O Sound Controller
84 X *3 O Portamento Controllers
91, 93, 94 O O Effect Depth
96~97 X O RPN Inc, Dec
98~99 X *3 O NRPN LSB, MSB
100~101 O O RPN LSB, MSB
120 X O All Sound Off
121 X O Reset All Controllers
Program O 0~127 O 0~127

Change : True # **************
System Exclusive O O
System : Song Position X X

: Song Select X X
Common : Tune X X
System : Clock O O
Real Time : Commands O O
Aux : Local ON/OFF X X

: All Notes OFF X O (123~127)
Messages : Active Sense O O
: Reset X X
Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO O : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO X : No
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*1 The tracks for each channel can be selected on the panel. See page Off : The MIDI channel messages will not be received at
125 for more information. the designated channel.
Bass : The note on/off messages received at the channel(s)

*2 Incoming MIDI messages control the PSR-730/630 as 16 channel set to “Bass” are recognized as the bass notes in the
multi timbral tone generator when initially shipped (factory set). The accompaniment section. The bass notes will be
MIDI messages don’t affect the panel controls including the Panel detected regardless of the accompaniment on/off
Voice selection since they are directly sent to the tone generator of and split point settings on the PSR-730/630 panel.
the PSR-730/630. However, the following MIDI messages affects
the panel controls such as Panel Voice, Style, Multi Pad and Song Chord : The note on/off messages received at the channel(s)
settings: set to “Chord” are recognized as the fingerings in the
accompaniment section. The chords to be detected
• MIDI MASTER TUNE, MASTER TUNE (XG System Param- depend on the fingering mode on the PSR-730/630.
eter). The chords will be detected regardless of the ac-
• TRANSPOSE (XG System Parameter). companiment on/off and split point settings on the
• System Exclusive Messages related to the REVERB, CHORUS, PSR-730/630 panel.
DSP EFFECT and MULTI EFFECT (PSR-730 only) settings.
• XG MULTI EQ PARAMETER (PSR-730 only)
*3 Though these messages will not output by playing the keyboard and
Also, the MIDI messages affect the panel settings when one of the changing the panel settings, they may be included in the Song or
folowing MIDI reception modes is selected. Style data and output.
These modes can be selected on the panel (see page 127).
Remote : The Note On/Off messages received at the desig-

nated Remote (receive) channel are processed the
same as the notes normally played on the keyboard.
In this mode, only the following channel messages will be

recognized:
• Note On/Off
• Control Changes
Bank Select (R1 voice only)
Modulation
Volume
Expression
Sustain
Sostenute
Soft Pedal
All Notes Off
• Program Change (R1 voice only)
• Pitch Bend
170
¢¢¢¢¢¢¢¢¢¢¢¢¢
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Specifications
Keyboards Overall Controls Style Recording
• 61 standard-size keys (C1 — C6) with touch • Tempo : 32 — 280 • User Style : 4 (101 — 104)
response. • Transpose • Recording Tracks : 5 Sections x 8 tracks
• Pitch Bend Range • Drum Cancel
Display • Modulation • Quantize
• Large multi-function LCD display • Touch Sensitivity • Naming
• Master Tuning • Track Clear, All Clear
Setup • Scale Tuning
• Stand by/ON • Song Transpose Multi Pad Recording
• Master Volume : MIN — MAX • Metronome • User Pad Set : 4 (101 — 104)
• Split Voice Split Point • Naming
Control & Number Buttons • Accompaniment Split Point • Pad Clear, Bank Clear
• Fingering Mode : SINGLE FINGER/FINGERED
• MENU ▲▼, VOICE, STYLE, SONG, SUB 1/FINGERED 2/FULL KEYBOARD/MULTI-
MENU ▲▼, [1] — [0], [+] (YES), [–] (NO) FINGER MIDI
• Voice Set • Transmit Settings
Disk Drive • Pedal 1/2 • Receive Settings
• Local Control
Demo Digital Effect • Clock
• 15 Songs • Reverb : 13 types • Initial Data Send
• Chorus : 10 types • MIDI Template
Voice • DSP (system/insertion) : 46 types
PSR-730 • Multi Effect : 42 types x 2 Auxiliary Jacks
• 200 Panel Voices +12 Drum Kits + 480 XG • Digital Equalizer : 5 types + 1 User Setting • DC IN 10-12V, PHONES, SUSTAIN, FOOT
Voices • Harmony : 16 types VOL, AUX OUT R, L+R/L, MIDI IN/OUT, TO
HOST
• Polyphony : 64
PSR-630 Registration Memory
• 215 Panel Voices +12 Drum Kits + 480 XG
Amplifiers
• 32 Regist Bank : 1 — 4
Voices • 6 W + 6 W (when using PA-6 power adaptor)
• Naming
• Polyphony : 32 • 4 W + 4 W (when using batteries)
• Accompaniment Freeze
• Voice Set
Speakers
• R1/R2/L Voices Multi Pads
• 12 cm (4-3/4 ”) x 2
• Revoice : Voice, Volume, Octave, Pan, Reverb • 36 Multi Pad Sets
Depth, Chorus Depth, DSP Depth
• 4 Pads + STOP
Power Consumption
• Split Voice Mode • Chord Match
• Dual Voice Mode • Naming • 24 W (when using PA-6 AC power adaptor)
Auto Accompaniment Disk Batteries

• Six SUM-1, “D” size, R-20 or equivalent
• 100 Styles • Song Recording/Playback
batteries
• Auto Accompaniment ON/OFF • Format
• Accompaniment Track : RHYTHM1/2, BASS, • Save
CHORD1/2, PAD, PHRASE1/2 Rated Voltage
• Load
• Accompaniment Track Settings : ON/OFF • DC 10-12V
• Disk Copy
• Accompaniment Control : SYNC START, SYNC • Song Copy
STOP, START/STOP, INTRO, MAIN A/B Dimensions (W x D x H)
(AUTO FILL), ENDING • Delete File
• Beat Indicator • 973 x 397 x 155 mm
(38-1/4 ” x 15-5/8 ” x 6-1/8 ”)
• Accompaniment Volume Song
• Revoice : Voice, Volume, Pan, Reverb Depth, • Song Volume
Chorus Depth Weight
• Minus One Practice
• Virtual Arranger • 9.5 kg (20.9 lbs.) excluding batteries
• Repeat Play
• Song Repeat
Groove & Dynamics • Next Song
Supplied Accessories
• Beat Groove Template : 49 types • Sample Disk
• Measure Groove Template : 25 types Song Recording • Music Stand
• Dynamics Template : 17 types • Owner’s Manual
• Quick Record, Multi Record
• Dynamics Rate : 0 — 100%
• Recording Tracks :
• Expand Rate : 0 — 400% Quick Record : ACCOMPANIMENT, Optional Accessories
• Boost Rate : 0 — 400% MELODY 1 — 4
• Headphones : HPE-150
Multi Record : 1 — 16
• AC Power Adaptor : PA-6
One Touch Setting • Foot Switch : FC4, FC5
• Quantize
• Foot Volume : FC7
• Naming
• Keyboard Stand : L-6, L-7
• Song Clear, Track Clear
• Song Edit : Voice, Volume, Octave, Pan,
Reverb Depth, Chorus Depth, DSP Depth
* Specifications subject to change without notice.
171
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A
Index
AC power adaptor ..................................................... 12 G GM System Level 1 ..................................................... 3
Accompaniment styles .............................................. 22 Groove & Dynamics .................................................. 35
Accompaniment tracks, song .................................... 86
Auto accompaniment ................................................ 22 H Harmony ................................................................... 47
Auto accompaniment on/off ...................................... 23 Host Select .............................................................. 122
Auto Fill ..................................................................... 27
AUX OUT .................................................................. 13 I Icons ........................................................................... 8
Initial data send ....................................................... 128
B Bank, registration ...................................................... 57 Initialization (data backup) ...................................... 152
Batteries .................................................................... 12 Insertion Effect .................................................. 45, 144
Beat Groove .............................................................. 36 Intro, accompaniment ................................................ 27
Beat indicator ............................................................ 26
Boost Rate ................................................................ 40 K Keyboard percussion ................................................ 19
C Chord Match function ................................................ 63 L Local control ............................................................ 127

Chord types, auto accompaniment ........................... 34 Load .......................................................................... 70
Chorus ...................................................................... 44
Clock ....................................................................... 128 M Main A & Main B sections ......................................... 27
Connectors ................................................................ 13 Master tuning .......................................................... 115
Contents ...................................................................... 4 Measure Groove ....................................................... 37
Control Change ....................................................... 120 Measure, song play from specified ........................... 78
Melody tracks, clearing ............................................. 94
D Data Dial ................................................................... 18 Melody tracks, song .................................................. 84
Delete File ................................................................. 75 Menu structure ........................................................ 130
Demonstration playback ............................................ 14 Menus ....................................................................... 10
Digital Effect .............................................................. 42 Metronome .............................................................. 116
Digital Equalizer ........................................................ 51 MIDI connectors ...................................................... 121
Disk Copy .................................................................. 72 MIDI data format ..................................................... 153
Display operation ........................................................ 8 MIDI functions ......................................................... 125
DOC .......................................................................... 66 MIDI implementation chart ...................................... 168
Drum kit list ............................................................. 140 MIDI template .......................................................... 129
DSP ........................................................................... 45 Minus-one practice .................................................... 79
Dual voice mode ....................................................... 19 Modulation wheel ...................................................... 55
Dynamics Rate .......................................................... 39 Multi effect ................................................................. 48
Dynamics Template ................................................... 38 Multi-finger fingering mode ....................................... 35
Multi pad set selection .............................................. 61
E Effects ....................................................................... 42 Multi Pads, playing .................................................... 62
Ending, accompaniment ........................................... 25 Music stand ................................................................. 7
Expand Rate ............................................................. 39
N Note On/Off ............................................................. 120
F Features ...................................................................... 2
Freeze (Accompaniment Freeze function) ................ 60 O On bass chord ........................................................... 34
Fill-in ......................................................................... 27 One touch setting ...................................................... 40
Fingered 1 fingering mode ........................................ 33 Overall functions ..................................................... 114
Fingered 2 fingering mode ........................................ 34
Fingering modes, accompaniment ............................ 31
Floppy disk ................................................................ 64
Foot Volume .............................................................. 13
Format ....................................................................... 67
Full Keyboard fingering mode ................................... 34
172
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P Panel controls ............................................................. 6 T Tempo, accompaniment ............................................ 26
Index
Pedal Function list ................................................... 117 To Host .................................................................... 121

Phones jack .............................................................. 13 Touch sensitivity ...................................................... 115
Pitch Bend ................................................................. 54 Track assignment, minus-one ................................... 79
Polarity .................................................................... 118 Track muting, accompaniment .................................. 28
Polyphony ............................................................... 133 Transmit channel & track ......................................... 125
Power supply ............................................................. 12 Transposition ............................................................. 56
Precautions ................................................................. 1 Troubleshooting ....................................................... 151
R R1, R2, & L voices .................................................... 16 V Variation (DSP) ......................................................... 46

Receive channel & mode ........................................ 126 Velocity .................................................................... 119
Record Ready Mode ................................... 85, 99, 106 Virtual Arranger ......................................................... 29
Registration bank ...................................................... 58 Voice list .................................................................. 133
Registration memory ................................................. 57 Voice set .................................................................. 116
Rehearsal mode ........................................ 86, 101, 108 Voice, revoice .......................................................... 110
Repeat play ............................................................... 80 Voices, about the ....................................................... 16
Reverb ....................................................................... 43 Voices, selecting & playing ........................................ 17
Revoicing ................................................................ 110 Volume control, accompaniment ............................... 29
Root key .................................................................... 32 Volume control, song ................................................. 78
Volume, harmony ...................................................... 48
S Sample disk .............................................................. 76
Save .......................................................................... 68 X XG ............................................................................... 3
Scale tuning ............................................................ 115
SFF ......................................................................... 148
Shortcuts ................................................................... 11
Single Finger fingering mode .................................... 32
Song clear ................................................................. 94
Song Copy ................................................................ 73
Song Edit .................................................................. 96
Song mode ................................................................ 11
Song playback ........................................................... 76
Song recording .......................................................... 83
Specifications .......................................................... 171
Split point, auto accompaniment ............................... 30
Split point, split voice ................................................. 21
Split voice mode ........................................................ 20
Stand by/ON switch ................................................... 14
Start modes, accompaniment ................................... 23
Stop Accompaniment function .................................. 25
Style file .................................................................... 66
Style mode ................................................................ 11
Style selection ........................................................... 22
Style, revoice ........................................................... 112
Sustain jack ............................................................... 13
Sustain Pedal ............................................................ 13
Synchro Stop function ............................................... 28
Synchronized start .................................................... 24
System Effect .................................................... 45, 143
173
Limited Warranty
90 DAYS LABOR 1 YEAR PARTS
Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below,
that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models included in
the following series of products:
PSR SERIES OF PORTATONE ELECTRONIC KEYBOARDS

If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in
material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.
If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to
the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the consumers
responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as warranty
replacements.
THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS.
ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS
LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY
EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES.
Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these
limitations and exclusions may not apply to you.
This warranty gives you specific legal rights. You may also have other rights which vary from state to state.
CONSUMERS RESPONSIBILITIES
If warranty service should be required, it is necessary that the consumer assume certain responsibilities:
1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for assistance.
You may also contact Yamaha directly at the address provided below.
2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of
the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under
warranty.
3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely.
*Repaired units will be returned PREPAID if warranty service is required within the first 90 days.
IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has a
tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed.
4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to
follow all safety precautions.
EXCLUSIONS
This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to failures
and/or damages that may occur as a result of:
1. Neglect, abuse, abnormal strain, modification or exposure to extremes in temperature or humidity.
2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an
authorized service center, or an authorized service representative of Yamaha.
3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and
Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.
Please record the model and serial number of the product you have purchased in the spaces provided below.
Model___________________________ Serial #________________________________ Sales Slip #________________________________
Purchased from____________________________________________________________ Date______________________________________

(Retailer)
YAMAHA CORPORATION OF AMERICA

Electronic Service Division
6600 Orangethorpe Avenue
Buena Park, CA 90620
KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!

For details of products, please contact your nearest Yamaha or the Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Nie-
authorized distributor listed below. derlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha
ou au distributeur le plus proche de vous figurant dans la liste suivante. Para detalles sobre productos, contacte su tienda Yamaha más cercana
o el distribuidor autorizado que se lista debajo.
NORTH AMERICA ITALY ASIA

Yamaha Musica Italia S.P.A.,
CANADA Home Keyboard Division HONG KONG
Yamaha Canada Music Ltd. Viale Italia 88, 20020 Lainate (Milano), Italy Tom Lee Music Co., Ltd.
135 Milner Avenue, Scarborough, Ontario, Tel: 02-935-771 11/F., Silvercord Tower 1, 30 Canton Road,
M1S 3R1, Canada Tsimshatsui, Kowloon, Hong Kong
Tel: 416-298-1311 SPAIN Tel: 2737-7688
Yamaha-Hazen Electronica Musical, S.A.
U.S.A. Jorge Juan 30, 28001, Madrid, Spain INDONESIA
Yamaha Corporation of America Tel: 91-577-7270 PT. Yamaha Music Indonesia (Distributor)
6600 Orangethorpe Ave., Buena Park, Calif. 90620, PT. Nusantik
U.S.A. PORTUGAL Gedung Yamaha Music Center, Jalan Jend. Gatot
Tel: 714-522-9011 Valentim de Carvalho CI SA Subroto Kav. 4, Jakarta 12930, Indonesia
Estrada de Porto Salvo, Paço de Arcos 2780 Oeiras, Tel: 21-520-2577
Portugal
CENTRAL & SOUTH AMERICA Tel: 01-443-3398/4030/1823 KOREA
Cosmos Corporation
MEXICO GREECE #131-31, Neung-Dong, Sungdong-Ku, Seoul
Yamaha de Mexico S.A. De C.V., Philippe Nakas S.A. Korea
Departamento de ventas Navarinou Street 13, P.Code 10680, Athens, Greece Tel: 02-466-0021~5
Javier Rojo Gomez No.1149, Col. Gpe Del Tel: 01-364-7111
Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. MALAYSIA
SWEDEN Yamaha Music Malaysia, Sdn., Bhd.
Tel: 686-00-33
Yamaha Scandinavia AB 16-28, Jalan SS 2/72, Petaling Jaya, Selangor,
BRAZIL J. A. Wettergrens Gata 1 Malaysia
Yamaha Musical do Brasil LTDA. Box 30053 Tel: 3-717-8977
Av. Rebouças 2636, São Paulo, Brasil S-400 43 Göteborg, Sweden
Tel: 011-853-1377 Tel: 031 89 34 00 PHILIPPINES
Yupangco Music Corporation
ARGENTINA DENMARK 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Yamaha Music Argentina S.A. YS Copenhagen Liaison Office Makati, Metro Manila, Philippines
Viamonte 1145 Piso2-B 1053, Generatorvej 8B Tel: 819-7551
Buenos Aires, Argentina DK-2730 Herlev, Denmark
Tel: 1-371-7021 Tel: 44 92 49 00 SINGAPORE
Yamaha Music Asia Pte., Ltd.
PANAMA AND OTHER LATIN FINLAND Blk 202 Hougang, Street 21 #02-01,
AMERICAN COUNTRIES/ Warner Music Finland OY/Fazer Music Singapore 530202
CARIBBEAN COUNTRIES Aleksanterinkatu 11, P.O. Box 260 Tel: 747-4374
Yamaha de Panama S.A. SF-00101 Helsinki, Finland
Tel: 0435 011 TAIWAN
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia, Yamaha KHS Music Co., Ltd.
NORWAY 10F, 150, Tun-Hwa Northroad,
Ciudad de Panamá, Panamá Norsk filial av Yamaha Scandinavia AB
Tel: 507-269-5311 Taipei, Taiwan, R.O.C.
Grini Næringspark 1 Tel: 02-2713-8999
N-1345 Østerås, Norway
EUROPE Tel: 67 16 77 70 THAILAND
Siam Music Yamaha Co., Ltd.
THE UNITED KINGDOM ICELAND 121/60-61 RS Tower 17th Floor,
Yamaha-Kemble Music (U.K.) Ltd. Skifan HF Ratchadaphisek RD., Dindaeng,
Sherbourne Drive, Tilbrook, Milton Keynes, Skeifan 17 P.O. Box 8120 Bangkok 10320, Thailand
MK7 8BL, England IS-128 Reykjavik, Iceland Tel: 02-641-2951
Tel: 01908-366700 Tel: 525 5000
THE PEOPLE’S REPUBLIC OF CHINA
IRELAND OTHER EUROPEAN COUNTRIES AND OTHER ASIAN COUNTRIES
Danfay Ltd. Yamaha Europa GmbH. Yamaha Corporation,
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Siemensstraße 22-34, 25462 Rellingen, F.R. of International Marketing Division
Tel: 01-2859177 Germany Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: 04101-3030 Tel: 053-460-2317
GERMANY/SWITZERLAND
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen,
F.R. of Germany AFRICA OCEANIA
Tel: 04101-3030 Yamaha Corporation,
AUSTRIA International Marketing Division AUSTRALIA
Yamaha Music Austria Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Yamaha Music Australia Pty. Ltd.
Schleiergasse 20, A-1100 Wien Austria Tel: 053-460-2312 17-33 Market Street, South Melbourne, Vic. 3205,
Tel: 01-60203900 Australia
Tel: 3-699-2388
THE NETHERLANDS
Yamaha Music Nederland
MIDDLE EAST NEW ZEALAND
Kanaalweg 18G, 3526KL, Utrecht, The Netherlands Music Houses of N.Z. Ltd.
TURKEY/CYPRUS 146/148 Captain Springs Road, Te Papapa,
Tel: 030-2828411 Yamaha Europa GmbH. Auckland, New Zealand
BELGIUM Siemensstraße 22-34, 25462 Rellingen, Tel: 9-634-0099
Yamaha Music Belgium F.R. of Germany
Keiberg Imperiastraat 8, 1930 Zaventem, Belgium Tel: 04101-3030 COUNTRIES AND TRUST
Tel: 02-7258220 TERRITORIES IN PACIFIC OCEAN
OTHER COUNTRIES
Yamaha Corporation,
FRANCE Yamaha Corporation,
International Marketing Division
Yamaha Musique France, International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Division Claviers Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: 053-460-2317
BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 053-460-2312
Tel: 01-64-61-4000
HEAD OFFICE Yamaha Corporation, Electronic Musical Instrument Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
[PK] 13 Tel: 053-460-3273
M.D.G., EMI Division © 1997 Yamaha Corporation
VY78900 808POCP3.3-05E0 Printed in Japan

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SPECIAL MESSAGE SECTION

FCC INFORMATION (U.S.A.)

• This applies only to products distributed by Yamaha Corporation of America.

A variety of voices, 215 panel voices (200 o

The functional layout of the track buttons

One Touch Setting feature automatically PSR-730

User Song recording feature makes it easy

• PSR-730/630 • Music Stand (page 7)

• Sample Disk • Owner’s manual

Playing the PSR-730/630 16 The Pitch Bend Wheel 54

STYLE PANEL VOICE XG VOICE

2 5 OVERALL RHYTHM RHYTHM

MAIN / AUTO FILL

STYLE PANEL VOICE XG VOICE

RESET DIGITAL EFFECT

2 5 OVERALL RHYTHM RHYTHM

MAIN / AUTO FILL

MAC PC1 PC2 MIDI MIDI AUX OUT DC IN 10-12V

■ Top Panel Controls !4 GROOVE & DYNAMICS Button

• MAIN/AUTO FILL A & B Buttons ....... page 24

i RECORD Button .................... pagse 84,99,106

• SONG Button .................................... page 10

!2 REGISTRATION MEMORY SECTION

The Display Icons

Style/Song Number Voice Number (R1 Voice)

001 The style number or song number is dis-

8Beat Po p1 Gra nd Piano

ACCOMPANIMENT TRACK SONG TRACK L R2 R1

TEMPO DIGITAL EQ (PSR-730)

REGISTRATION 1 … 4 DSP VARIATION

1 Indicates the current measure number

Keyboard Settings (VOICE R1/VOICE R2/VOICE L)

SUB MENU MENU

SUB MENU Selection (SUB MENU [▲], [▼] Buttons)

Accompaniment MULTI VARIATION dim 6

ACCOMPANIMENT TRACK SONG TRACK L R2 R1

Information for accompaniment tracks 1-8

ACCOMPANIMENT TRACK SONG TRACK L R2 R1

Information for song tracks 1-16

• When in Song Mode, AUTO ACCOM-

Power Supply • Never interrupt the power

■ Using An Optional AC Power Adaptor

◆ Important Notes on Battery Use

■ SUSTAIN Pedal Jack

■ AUX OUT R and L/L+R Jacks

■ MIDI IN/OUT and TO HOST Connectors

2 Set an Initial Volume Level

3 Press the [DEMO] Button

4 Skip to the Beginning Of a Different Demo Song

5 Stop When Done

Choose a voice you like, and try it out!

A Word About the “R1”, “R2”, and “L” Voices

● Playing with a Single Voice

L Voice R1 Voice + R2 Voice

Selecting & Playing R1 Voices

1 Select the VOICE Menu

2 Select a Panel Voice

● The [–] and [+] Buttons