Ricoh KR-5

- similar to Sears KS-500 and CR-5 -

35mm camera manual
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3. Film Speed Dial (ASA/DIN)

Mike Butkus
Digitally signed by Mike Butkus
DN: cn=Mike Butkus, o=Butkus camera manuals, ou=butkus.org,
email=mike@butkus.org, c=US
Date: 2023.05.17 13:53:47 -04'00'

DESCRIPTION OF PARTS 11. Film Advance Lever

1. Film Rewind Knob/Back Cover Lock Release 12. Exposure Counter

Knob
13. Neck Strap Eyelet
2. Film Rewind Crank
14. Lens Release Lever
4. Film Speed Lock Button
15. Lens Locator Node
5. Hot Shoe/Flash Contact
16. Focusing Ring
6. Shutter Speed Index Line
17. Distance Scale
7. Shutter Speed Dial

8. Cable Release Socket

9. Shutter Release Button

10. Meter/Shutter ''ON-OFF'' Index Mark

18. F-Stop Ring 27. Film Rewind Release Button

19. Sprocket Teeth 28. Film Take-up Spool

20. Film Guide Rail 29. Back Cover

21. Viewfinder Eyepiece 30. Film Pressure Plate

22. Film Rail 31. Microprism image Band

23. Film Rewind Shaft 32. Split-image Spot

24. Film Chamber 33. Exposure Meter Needle

25. Battery Compartment Cover 34 Shutter Speed Needle

26. Tripod Socket

We are most gratified that you have selected the KR-5 which we are sure will give you many
delightful years of picture-taking pleasure. The KR-5 is a 35 mm SLR camera which assures
you superb optics and outstanding mechanical performance and reliability and which will justify your
choice for years to come.

Before Using Your KR-5 .....

Please read this instruction booklet carefully and familiarize yourself with the equipment and its
features thoroughly. Your pleasure in using your KR-5 will be greater if you know your camera
properly.4www.butku s.org

BATTERY LOADING

The built-in through-the-lens CdS exposure metering system of you' KR-5 operates on power
activated by two 1.5V G13 silver-oxide batteries. which are supplied together with your camera.

1 Remove Battery Compartment Cover (25) by unscrewing it, counterclockwise with a coin
(Fig. 1).

2. Place the two batteries into the compartment with the plus ( + ) side down as illustrated in
the battery holder of Battery Compartment Cover (25) (Fig. 2) Make sure that the batteries are
correctly placed. If incorrectly placed, Exposure Meter Needle (33) in the viewfinder will not
move at all.

3. Replace Battery Compartment Cover (25) by screwing it clockwise until it stops but do not
force

Tips for Better Results

* Before loading. wipe off the surfaces of the batteries with a clean and dry cloth to ensure they
are free of fingerprints or stains.

* When your camera is not used for a long period. remove the batteries and keep them in a
cool. dry place.

* The batteries will last for about one year in normal use. We suggest you replace them
regularly once a year on your birthday or sooner
 * The batteries may explode if disposed of in fire.
4www.butkus.org

* Replace the batteries when the Exposure Meter Needle (33) in the viewfinder does not move
in direct sunlight or other bright lights with Film Advance Lever ( 11 ) moved to ''ON'' position
(Refer to ''METER/SHUTTER ON-OFF CONTROL''). For replacement. use two new Mallory
MS76. Eveready S76 or equivalent.

FILM LOADING

Your KR-5 is designed to accept any standard 35 mm color or black and white film roll in cartridge
(12, 20. 24 or 36 exposures).

1. First of all. press Shutter Release Button (9) to see that the shutter has been released.
(Refer to "METER'' / SHUTTER ON OFF CONTROL")

2. Pull up Film Rewind Knob (1) until Back Cover (29) snaps open (Fig. 3). Then. pull it out all
the way to allow for insertion of the film cartridge.

3. Swing open Back Cover (29) and place a film cartridge into Film Chamber (24) (Fig. 4).

4. Push down Film Rewind Knob ( 1 ) to its original position by turning Film Rewind Crank (2)
clockwise or counterclockwise so that Film Rewind Shaft (23) engages the film cartridge and
that the film cartridge is seated in place (Fig. 5).
 5. Draw the film leader across the camera back and insert it into one of the slits of Film Take-
up Spool (28) (Fig. 6). To bring the slit into a convenient position. rotate Film Take-up Spool
(28) in the direction of arrow with your finger.

6. Rotate Film Take-up Spool (28) by advancing Film Advance Lever ( 11 ) to take up any
slack in the film and check to see that the film tip is firmly hooked onto Film Take-up Spool (28)
(Fig. 7) and that sprocket holes on the film are fully engaged on Sprocket Teeth (19) (Fig. 8).

7. Close and press Back Cover (29) firmly until it snaps shut.
8. Advance Film Advance Lever ( 11 ) two or three times. after depressing Shutter Release
Button (9) each time. until the number'' 1'' is opposite the index line in Exposure Counter (12)
(Fig. 9). because the first portions of the film cannot be used for picture taking as they have
already been exposed to light and two or three blank exposures should be made before taking
your first picture. Now it is ready for your first picture.

(Webmaster: Warning, this camera, as many of this type, will continue to advance the
numbers even if the film is not loaded correctly. Always make sure the rewind knob
turns as the film is advanced those first few time and at other times)

Tips for Better Results

* Always load your camera in the shade or in a poorly-lit place never in direct sunlight or other
bright light.

* As you advance Film Advance Lever (11). Film Rewind Knob (1) will simultaneously rotate
counterclockwise indicating that the film is properly advanced.

SETTING FILM SPEED

Each type of film, color or black and white, has its own sensitivity t light. This sensitivity is assigned by
a numerical value described as a' ASA rating (U.S.A. Standard) or a DIN rating (Europe and most
other countries). In most cases. both ASA and DIN ratings are imprints/ on the film package. as well
as the data sheet packed with the film and film cartridge itself.
The higher the film speed rating, the more sensitive the film is to light; that is less light is required for
a proper exposure. The film speed, therefore, is an important element in insuring that the through-the-
lens metering system of your camera; determines the correct shutter speed and f-stop combinations
for; given lighting situation.

1. Depress Film Speed Lock Button (4) (Fig. 10) and rotate the outer ring of Film Speed Dial
(3) until the ASA (or DIN) number of your film is exactly opposite the index line on the outer
ring o Film Speed Dial (3) and click stops. For example, if the film is ASA 100, make the
correct setting at "100'' (Fig. 11).

2. Take your finger off Film Speed Lock Button (4) to lock the film speed setting in the camera.

Tips for Better Results

* Each time a film with a new film speed rating is loaded in you camera. the film speed must be
set to assure accurately exposed photographs.

METER/SHUTTER "ON-OFF" CONTROL

Film Advance Lever (11) controls exposure meter ''ON-OFF'' and shutter release ''LOCK-UNLOCK'' to
protect your camera from unnecessary depletion of the batteries and accidental shutter release when
not taking pictures. 40° pre-advance and 135° advance angle assures faster winding and permits
continuous operation for sequence photography.
 1 When Film Advance Lever (11 ) is moved to ''ON'' position (Fig. 12). the electric circuit is
switched on and Shutter Release Button (9) is unlocked.

Whenever picture-taking is completed be sure to move Film Advance Lever ( 11 ) to ''OFF'' position
(Fig. 13) The electric circuit is switched off and Shutter Release Button (9) is locked.

Tips for Better Results

* To prevent unnecessary consumption of the batteries. be sure to move Film Advance Lever (
11 ) to ''OFF'' position when not taking pictures
CORRECT EXPOSURE

Your KR-5 has a built-in through-the-lens full aperture CdS exposure meter which measures the light
coming through the lens and enables you to set the proper exposure for a given lighting condition.
The correct exposure is obtained by setting the shutter speed and f-stop in the correct combination
for the film, subject and lighting conditions.

1 Set the desired shutter speed opposite Shutter Speed Index Line (6) by rotating Shutter
Speed Dial (7) (Fig. 14). (Read ''SETTING THE SHUTTER'') Shutter Speed Needle (35) in the
viewfinder moves according to the shutter speed you set.

2. Move Film Advance Lever (11) to ''ON'' position (Fig. 12)

3. Hold your camera. look at your subject through the Viewfinder Eyepiece (21) and check Exposure
Meter Needle (33).
4. Rotate F-Stop (lens opening) Ring (18) and align Exposure Met/ Needle (33) with Shutter Speed
Needle (34) (Fig. 15). 4www.butkus.org

If Exposure Meter Needle (33) goes above Shutter Speed Need (34). this means ''overexposure''
(Fig. 16); select a faster shutter speed or a smaller lens opening.

On the contrary. if the need goes below Shutter Speed Needle (34). this means ''under exposure''
(Fig 17): choose a slower shutter speed or larger lens opening

If you want to use a specific f-stop for depth of field control, you ma set the f-stop first and then the
shutter speed. while other procedure are the same as above.

This setting may be used when you take a portrait or the like, intentionally making your subject
attractive with the background or the scene in front of it blurred How your subject turns out in the
picture depends on the f-stop setting. (Refer to ''DEPTH OF FIELD''). The chart (Fig 18) shows the
exposure value range (shutter speed and f-stop combination) of your camera's metering system for
selected fill speeds

Exposure Compensation

Though you learned how correct exposure is obtained, in unusual, lighting conditions, the desired
effect or the correct exposure will n be obtained in the final picture and exposure compensation
necessary

Back-lit subjects When the light is behind the subjects,

1. Move close to the subject for meter reading. then. move back, focus and shoot.

2. If it is impossible to approach the subject, adjust either shutter speed or lens opening to
overexpose. When you adjust the lens opening, open up the aperture by 1 or 2 stops.
Spot-lighted subjects and dark backgrounds

1. Move close to the subject for meter reading. then. move back, focus and shoot.

2. If it is impossible to approach the subject, adjust either shutter speed or lens opening to
underexpose. When you adjust the lens opening. close down the aperture by 1 or 2 stops.

Tips for Better Results

* When the Shutter Speed Dial (7) is set at "B'' (Bulb), set the desired f-stop and expose
manually because metering with the built-in exposure meter is not possible.

* Outside of the meter's coupling range, the exposure meter will not respond correctly. For
example, coupling range for ASA 100 film is from 1/8 sec. at f/2.2 to 1/500 sec. at f/ 16 (EV 5.3
- 17) (Fig. 18). If the light is too dim, use supplementary lighting.

SETTING SHUTTER SPEED

The shutter controls the length of time the light is allowed to strike the film. The speed at which the
shutter opens and closes is measured in fractions of a second that correspond to the numbers on
Shutter Speed Dial (7). For example. ''500" is 1/500 sec., "125" is 1/125 sec., and so on.

* Simply turn Shutter Speed Dial (7) until the desired shutter speed is set opposite Shutter
Speed Index Line (6) (Fig. 14).
Generally speaking, when shooting outdoors in bright or hazy sunlight, "125'' (1/125 sec.) is suitable
for most pictures. When taking your subjects in motion. "250'' (1/250 sec.) to "500" (1/500 sec.)
should be used. Faster speeds will "freeze'' extremely fast moving subjects (sports, racing cars, etc.).
When indoors in a well-lit room, ''60'' (1/60 sec.) should be sufficient to take your subjects, depending
upon the film you are using. When in poorly-lit places, or to achieve the maximum depth of field, ''30''
(1/30 sec.) to "8'' (1 sec.) are available. When set at ''B'' the shutter will remain open long as Shutter
Release Button (9) is depressed (preferably by a cab release). The ''B" setting is used for long night
exposure using street lights or electric signs as a light source, or under poor lighting conditions when
flash cannot be used.

Tips for Better Results

* When using slow speeds (below 1/30 sec.) use a tripod or other firm support to prevent the
movement of the camera and blurry pictures. In shooting with a telephoto lens, be careful to
minimize the camera shake.

* Do not set Shutter Speed Dial (7) between marked speeds, but, click stop in accordance with
indicated speeds only.

* Shutter Speed Dial (7) does not revolve between ''500'' and "B'

SETTING APERTURE

The lens opening determines the amount of light entering the lens and exposing the film. The smaller
the f-stop (f/2.2. f/2.8, etc.), the wider the lens opening and the greater the amount of light entering
the lens. The larger the f-stop (f/16. f/11. etc.), the smaller the lens opening and the smaller the
amount of light entering the lens.
As the lens opening is moved from f/16 to f/11. the amount of light entering the lens is doubled. As
the lens opening is moved from f/2.8 to f/4 the amount of entering light is cut in half (Fig. 19).

* Rotate F-Stop Ring (18) until the desired f-stop is opposite the aperture index line (Fig.20)
Click stop is provided to prevent accidental movement from the setting made.
Tips for Better Results

 If necessary, you may set F-Stop Ring (18) between two f-stop

VIEWING AND FOCUSING

Since you are viewing through the lens, there is no parallax problem. What you are viewing in the
viewfinder will exactly appear in your picture. This enables you to determine the exact composition of
your subjects before pressing Shutter Release Button (9). Even when you shoot close-ups, there is
no danger of accidentally cutting off a portion of your picture. To assure the sharpest possible
pictures, your KR-5 has a three way focusing screen with diagonal Split-image Spot (32). Microprism-
image Band (31 ) and Fresnel field, and you can select three way focusing according to your subject.

1. Look into Viewfinder Eyepiece (21) to compose your subject.

2. Split-image Focusing, is helpful for the subject with either vertical or horizontal lines.
Rotate Focusing Ring (16) until the split image in Split-image Spot (32) forms a single image. When it
is out of focus. your subject is split into two parts (Fig. 21).

3. Microprism-image Focusing, is good for the subject which lacks clear vertical or horizontal
lines.
4www.butkus.org

Rotate Focusing Ring (16) until the image in Microprism-image Band (31) appears sharp (Fig. 21).

4. You can also focus with any part of the area surrounding Microprism-image Band (31) This
is most useful when taking pictures with ultra telephoto lenses or in close-up photography with
bellows unit, macro lenses or extension rings because the other focusing aids may darken
appreciably.

UNLOADING FILM

After the last picture on the roll of film has been taken, rewind the film and unload your camera.

1. Press Film Rewind Release Button (27) (Fig. 22).

2. Lift up Film Rewind Crank (2) and turn it clockwise until Film Rewind Release Button (27)
stops revolving and you feel the film tension released (Fig 23). This indicates that the film has
beer completely rewound into the cartridge.
3. Open Back Cover (29) by pulling up Film Rewind Knob (1)
4. Remove the film cartridge and have the film processed as soon as possible.
Tips for Better Results
* Always unload your camera in the shade or in a poorly-lit place never in direct sunlight or
other bright light.

* When you reach the end of the roll of film, Film Advance Level ( 11 ) will tighten and refuse to
advance. If this happens, do not advance Film Advance Lever (11) by force for ''Just one more
shot'', otherwise the film will be torn out of the cartridge.

* Film Rewind Release Button (27) will remain in place once it is pressed, and return
automatically to its original position when Film Advance Lever (11) is advanced.

TAKING FLASH PICTURES

You can use a flash at night or in a dimly lit room as well as for supplementary lighting in outdoor
photography. The camera ant electronic flash will be fully synchronized with the shutter speed al ''B''
and 1/8 sec to 1/60 sec.

* Mount a flash unit with a built-in hot shoe contact on Hot Shoe (5)

Tips for Better Results

* Use a flash unit with a built-in hot shoe contact only because the camera is not equipped with
flash terminal for a flash unit with connecting cord.

* ''60'' (1/60 sec ) on Shutter Speed Dial (7) is marked in red as c reminder for electronic flash
synchronization (Fig 24)

Exposure for Flash Photography

The exposure is determined by the guide number of the electronic flash unit. The guide number
represents a relationship between the light output of the flash and the speed of the film. Guide
numbers for electronic flash units are found in the technical specifications. Using the guide number.
you can determine the correct f-stop for a given flash situation using the following formula:

F-stop = Guide number - divided by - Flash-to-subject distance.

For example, if your flash unit has a guide number of 16(m) or 52.8 (ft.) for the type of film you are
using, and your subject is 2 meters (6.6 ft ) from the flash unit as indicated on Distance Scale (17)
after focusing, divide 16 (52.8) by 2 (6.6). The answer is 8. Therefore, set F-Stop Ring ( 18) to 8 (f/8).

(Mike: Most flash units have very good "A" auto modes. Find the F-stop the flash recommends and
set the f-stop to that setting, as well as the shutter to 1/60. Newer Ricoh cameras can go to 1/125.
Auto units with bounce will work automatically too.)

Tips for Better Results

* If you are using an auto electronic flash unit with power ratio control, follow the instruction
sheets packed with the flash unit.

* Most electronic flash units have a built-in dial or exposure table which enables you to quickly
compute f-stops based on flash-to-subject distances.

CHANGING LENSES
To mount the lens on the camera

1. Mount the lens by lining up the red dot on the lens mount with the matching dot on the
camera mount (Fig. 25).

2. Grasp the lens firmly around the lens barrel and turn it clockwise until it clicks into place.

To remove the lens from the camera

1. Grasp the lens firmly around the lens barrel in one hand.

2. With the other hand, hold the camera body and press Lens Release Lever (14) and turn the lens
counterclockwise until it stops (Fig. 26). The lens now can be removed.

You can also change lenses easily without looking even in the dark by means of Lens Locator Node
(15). Line up Lens Locator Node (15) with Lens Release Lever (14) and turn the lens clockwise for
mounting the lens. For removing the lens, press Lens Release Lever (14) and turn the lens
counterclockwise until Lens Locator Node (15) and Lens Release Lever (14) line up.
Tips for Better Results

* Whenever a lens is mounted on the camera, make sure that the lens is perfectly mounted.

* Do not touch any of the internal parts or permit dust or dirt to enter the camera body when
removing or attaching lenses.

* Protect the inside of the camera by putting on the body cap whenever the camera is carried
or kept with the lens removed. 4www.butkus .org

DEPTH OF FIELD

When you focus on a specific subject, an area in front of and behind the subject will appear
acceptably sharp in your picture.

This area of acceptable sharpness is called "Depth of Field''. The depth of field is determined by the f-
stop you select and the distance from the in-focus subject to the film plane. As you get closer to you
subject, or as you open your lens (for example from f/16 to f/2.2) the depth of field becomes
shallower. By stopping the lens down (for example. from f/2.2 to f/16), the depth of field becomes
deeper. The depth of field can be pre-determined in the following way.

INTERCHANGEABLE LENSES AND ACCESSORIES

A wide range of XR RIKENON interchangeable lenses including, extremely wide angle lenses,
telephoto lenses, zoom lenses and various accessories are available to enable you to expand the
pleasure of your picture-taking. XR RIKENON interchangeable lenses and accessories are made of
selected high quality materials under strict quality control to assure you of high performance and full
satisfaction. Select XR RIKENON interchangeable lenses that will meet your needs.
(MIKE: These can be the standard "K" mount lens, Ka (with Pentax "program" contact pins) or
Kr (Ricoh "program" contact pins. Newer lenses are usually Ka/r that will work in program
mode with Pentax and Ricoh cameras. It doesn't matter what lens as this is a fully manual
camera)

Since the camera is designed to accept any lens with the ''K'' type bayonet mount, your KR-5 affords
you the opportunity to select any interchangeable lens or accessory of the ''K'' type bayonet mount
available on the market.

PROPER CARE OF YOUR CAMERA

* Always carry your camera with its carrying case and neck strap.

* Use the lens cap to protect the lens when not taking pictures.

* Protect your camera from dust, dirt, water, rain, dampness. salt air and rough handling. 4www.butkus .org

* Never expose your camera to excessively high or low temperatures for an extended period of time.
In extremely hot climates, do not leave your camera inside closed automobiles during the daytime or
in direct sunlight.

* In extremely cold climates, expose your camera to the outer air only when in use. When using,
expose your camera gradually to the outer air to prevent the lens from clouding.
* If exposed to an extremely cold climates, the exposure meter batteries may fail to operate
properly. Keep your camera inside your clothing until taking a picture.

* Never touch the surfaces of the lens, metal focal plane shutter curtain. reflex mirror, etc. with your
fingers.

* To clean the lens, gently wipe it in a circular motion with a lens cleaning paper or a soft, clean and
lintless cloth.

* Do not wipe the camera body with chemicals, such as benzine, thinner. etc. use only soft cloth or
cotton swab sprinkle LIGHTLY with alcohol on the camera body. Do not use them the lens because it
can affect coating.

* When your camera is not in use for an extended period of time put the lens cap, remove the
batteries, place your camera in it's carrying case together with silica gel or other desiccant and store it
in a dry and cool place. * Never store your camera in places where the temperatures a excessively high or
low.

* Do not attempt to disassemble or repair your camera yourself. If service is necessary, get in touch
with your dealer or authorize Ricoh service station.

* Do not leave your camera near the magnetic objects like radio television set. etc.

MAJOR SPECIFICATIONS OF KR-5

Camera Type: 35 mm SLR with metal focal plane shutter.

Film Format: 24 x 36 mm

Film Size and Capacity: 35 mm perforated film in 12, 20, 24 or 36 exposures.

Standard Lenses: 55 mm RICONAR f/2.2. 4 groups 4 elements

Filter size: 52 mm screw-in type

Lens Mount: ''K" type bayonet with 65° rotating angle

Shutter: Vertically moving Copal CCS metal focal plane shutter with speeds from 1/8 to 1/500 sec.
plus B.

Viewfinder:

Fixed eye-level pentaprism

Exposure meter needle and Shutter speed needle visible.

Viewing magnification 0.89X (55 mm f/2.2 lens)

Field of view covers 93% of actual picture area

Focusing: Diagonal Split-image spot in microprism-image band surrounded by Fresnel field

Exposure Meter: Two CdS photocells TTL full open metering for center-weighted average light
reading coupled to shutter speeds, film speeds and f-stops.

Exposure Coupling Range: EV 5.3 - 17 (ASA 100 film with 55 mm f/2.2 lens)

Film Speed Range: ASA 12 ~ 3200 (DIN 12 ~ 36)

Exposure Meter Power Supply: Two 1.5V silver-oxide batteries (JIS G13, Mallory MS76 Eveready
S76 or equivalent).

Flash Synchronization: X Synchronization for electronic flash unit at ''B'' and 1/8 sec. to 1/60 sec.

Flash Contact: "X'' contact on hot shoe for cordless electronic flash unit

Film Loading: Multi-slit easy loading

Film Wind: Single stroke film advance lever with 135° winding angle (40° play)

Film Rewind: Film rewind crank by pressing film rewind button on base of camera

Exposure Counter: Additive, automatic resetting.

Other Features:

Hot shoe

Shutter release lock (with film advance lever)

Meter on/off switch (with film advance lever)

ASA/DIN dial lock

Cable release socket

Tripod socket

Dimensions: 139.9 (width) x 91.3 (height) x 48.0 (depth) mm (Body only)

Weight: 540 9 (Body only)

* Specifications are subject to change without notice.