How To Box: The Basics
How To Box: The Basics
How To Box: The Basics
Table of Contents
Boxing Stance ....................................................................................................... 2 Boxing Footwork .................................................................................................... 4 Boxing Punches .................................................................................................... 5 Boxing Combinations .......................................................................................... 10 Advanced Techniques ......................................................................................... 13
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Boxing Stance
Stance is the most critical aspect of boxing because without a fundamentally sound stance all other aspects of boxing will suffer. A proper boxing stance allows you to: Have power in your offensive attack, Effectively defend yourself against incoming attack, Have balance and effective footwork
Foot Placement
Your boxing stance starts with foot placement. Foot placement is incredibly important because more than anything else it dictates your balance and your ability to move quickly. Proper foot placement dictates that: Feet are shoulder width apart Your dominant foot is back, and weak foot is forward The toes of your front foot line up with the heel of your back foot Your toes point at approximately 45 degrees In reality, your front foot cant point slightly more forwards, and back foot slightly more outwards If is also important to understand what happens as a consequence of poor foot placement. Feet too far apart causes a loss of mobility, while feet too close together causes loss of stability. Feet in front of each other causes poor balance and makes you easy to knock down, while feet too wide causes a loss of mobility and makes it hard to generate torque. Toes pointing too far forward or sideways also cause a loss of mobility.
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a forward lean, which can expose your head and chin, and limit your mobility. Maintaining weight on the back foot allows you to move quickly off of it with force. Your weight should be on the balls of your feet, and not on the heels, so that you are ready to move at all times.
Body Orientation
Your upper body is a wide target, and as such you want to minimize it to your opponent. Your shoulders should be aligned with your feet so that your body is facing partially sideways, minimizing the target area that an opponent can attack. This also helps provide power when you rotate to strike with your rear/dominant hand.
Head Position
Last, but not least, is your head. Your chin should be tucked at all times when boxing. A blow to the chin is the easiest way to cause a knockout, so you do not want the point of your chin exposed.
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Boxing Footwork
After stance, footwork is the second most critical aspect of boxing because it is fundamental to your ability to perform offensively and defensively. Proper footwork can maximize the power and effectiveness of your punches, assist your defensive techniques, and allow you to effectively navigate the ring.
Preserving Balance
Footwork is all about balance. Without balance you are both an easy target for a knock down, but also are incapable of generating powerful punches yourself. For this reason, at all points of movement, a boxer should be balanced. Just like in our basic boxing stance, your weight should be distributed evenly between your front and back foot, with your weight primarily on the balls of your feet.
Moving your first foot leaves you momentarily in a wider stance, but this is better than a stance with legs crossed. Keep your first step short, so that your stance is not so wide that you are vulnerable.
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Boxing Punches
Chances are when you wanted to learn how to box, punching is the part that excited you. And for good reason punching is exciting. Punching is an exhilarating explosion of energy and muscle that is part raw ferocity, but also part trained precision. Remember that punches alone do not win fights, however. Strategy wins fights. Click here to learn more about how to win fights.
You will notice a few things about these numbers... First of all, all of the odd-numbered punches are thrown with your left hand, and all of the even-numbered punches are thrown with your right hand.
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Second, these punches are in pairs (1&2, 3&4, 5&6) that are the same, or similar punches but thrown with the opposite hand. These pairs often serve as building blocks for effective punching combinations.
Fighting Southpaw
If you are a southpaw (left-handed) fighter these punches are all thrown with the opposite hands. For example, the number 1 is a right jab, the 2 is a left cross/straight, the 3 is a right hook, etc. Your stance will also be opposite (in respect to left-right direction) that of a orthodox (right-handed) fighter.
2 Right Cross/Straight
The cross, or straight, is the notorious knockout punch. If you have heard the saying The old 1-2, this is what it is referring to jab, cross. The cross is thrown with the same coiled spring concept as the jab, with the additional factor of torque provided by your shoulders and hips. The straight can be extremely powerful, but that also makes it easy to over extend and leave yourself vulnerable. Because the cross takes longer to throw, it should almost always be
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thrown after a jab or other punch, so that your opponent has a hard time reacting or seeing it coming. To throw a cross, turn your upper body towards your opponent by pivoting on your back foot and rotating your hips. Do not lunge forward with your body as this will leave you vulnerable. As your back shoulder rotates forward, extend your arm like a coiled spring. Upon impact the top of your hand should be parallel to the ground. Keep your fist relaxed until just before impact. Throughout the punch, maintain your guard with your left hand near your chin. After impact, quickly recoil your arm, and pivot back into your normal stance and guard.
3 Left Hook
The left hook is a punch that can be both quick and powerful. Legendary trainer Freddy Roach once said that he would rather have a strong left hook than a right cross, because of its proximity to the opponent (being your front hand). The left hook can catch your opponent off guard, can catch them on their chin, or be thrown to the body. It works well at close range, or in response to a punch thrown by your opponent that leaves them exposed. To throw a left hook transfer your weight briefly to your left side. It is important that you do not swing your body in this direction, but simply transfer weight subtly. Quickly use your weight on the left foot to pivot back to the right, raising your elbow, and punching across your body with your arm parallel to the ground. Your arm should be bent at approximately a 90 degree angle. Your arm should be tight to your body, and not extended far. The top of your fist can either be facing your opponent or parallel with the ground, but should be flat and in-line with your forearm. Be careful not to over-extend yourself to your right leaving yourself vulnerable, and make sure to keep your right hand at your chin maintaining your guard throughout the punch.
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4 Right Hook
The right hook is similar to the left hook, but can be more challenging to use because it is coming from your rear hand, making it slower. It is often used in combinations with the left hook, and while fighting at close range. Throwing a right hook is done just like the left hook, but with directions reversed. To throw a right hook, transfer your weight briefly to your right side. Quickly use that weight to than pivot left, while raising your elbow and punching across your body with your elbow bent. Keep your arm tight to your body and not extended far. Make sure not to over-extend and leave yourself vulnerable, and to maintain your guard with your left hand near your chin throughout the punch.
5 Left Uppercut
Uppercuts can be very dangerous punches, that are typically thrown when fighting in close range, or in response to a punch thrown by your opponent. Uppercuts can be knockout punches if they connect with the chin, but are also used rapidly to the body which can significantly harm an opponents balance and strength. Like hooks, uppercuts should be tight and controlled because you will be vulnerable if thrown wildly and over-extended. To throw a left uppercut (front hand) dip slightly to your left at your waist. Raise your back heel, put pressure on the ball of your front foot, and dip your left elbow slightly. Rotate your fist upwards, and explode up in a sharp movement from the front foot. Do not over-extend your arm, but keep it close with a sharp bend in the elbow. Maintain your guard with your right hand throughout the punch, and pull your left arm back into your guard as soon as it carries through. You arm should remain close to your body, and not dip excessively low, or carry through excessively high.
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6 Right Uppercut
As the right hook mirrors the left hook, so the right uppercut mirrors the left uppercut. It is thrown in the same situations as the left uppercut, and often in combination with the left uppercut to work an opponents body. To throw a right uppercut, dip slightly right at your waist. Raise your front heel, put pressure on the ball on your back foot, and dip your right elbow slightly. Rotate your fist up, and explode upwards in a sharp movement from your back foot. Maintain your guard with your left hand throughout the punch, and pull your right hand back into a guard after it carries through.
Number Variations
Typical variations in number systems involve changes to hooks and uppercuts. Some systems differentiate between a high hook thrown at an opponents head, and a low hook thrown at an opponents body. In such a system, 3 might be a high left hook, 4 a high right hook, 5 a low left hook, 6 a low right hook, with 7 and 8 assigned to uppercuts. Additionally, some schemes will differentiate between head and body jabs, or might assign a number to the overhead punch that is thrown with the right hand.
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Boxing Combinations
Boxing combinations, or punching combinations, are the logical extension of boxing punches. When learning how to box, combinations serve as important building blocks for understanding the interactions between two opponents. Certain punches or movements generate certain reactions from opponents, which in turn lend themselves to certain types of follow-ups or responses from you.
1-2 (Jab-Cross)
The old 1-2 is the staple boxing combination and is often used as part of larger more complex combinations. It is both fast, and can be powerful. When throwing a 1-2, your cross should extend at the same time that your jab is recoiling. Make sure that when a hand isnt extended it should be guarding your head.
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Mixing It Up
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Basic combinations can be changed and tweaked in many ways. Here are several ways that you can get more out of these combinations: Since you dont typically want to lead with a cross, throw a jab prior to a 2-3-2. This makes 1-2-3-2. Throw a variable number of jabs before or after a combination. This makes a 1-2 into a 1-1-2 or a 1-2-1-1 Throw a jab before a left hook to catch an opponent off guard with two left handed punches. Mix up high and low punches. Try 3-6-3 where the first hook is low and the second is high, or reversed. Combine combinations. An example is 1-2-3-2 or 1-2-3-6-3 or 1-2-1-2
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Advanced Techniques
No fighter can be prepared for every possible attack. What happens when fighters are caught offguard determines who wins and who loses. If you cannot recover from something unexpected, you will lose. But if you can be the one to catch your opponent offguard, you can win. To learn how to catch opponents off-guard, get our FREE report here. Our guide will teach you 12 techniques that win fights.
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