Surprising hairstyles in Western painting.ppsxguimera
This document provides descriptions of hairstyles from various works of Western art from the 15th to 19th centuries. It notes hairstyles like bowl cuts, zazzeras, cornets, poufs, and braided buns popular at different time periods. Specific works mentioned include portraits depicting styles like center-parted curls on a 15th century Florentine woman or the heart-shaped wig of Queen Elizabeth I of England. Context is given for trends like men shaving their foreheads or Louis XIV starting to wear wigs to hide hair loss.
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Ferronnière. Hat badge. Cameo ...An unusual jewel in paintingguimera
a jewel par excellence of the Renaissance ...
a jewel purely decorative or with meaning religious or symbolic …
a jewel appreciated for its beauty, its artistic, symbolic and even magical value …
big and small, lined and soft, round and angular
of felt or velvet
adorned with fur, embroidery, gorgeous bird feathers, ribbons, stones according to the owner’s fortune
one of the most beautiful magical creatures
an imaginary animal more important in the Christian West from the Middle Ages to the end of the Renaissance
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not surprising to find flies in the paintings ...
can simply mean misery, loneliness, the vanity of earthly things
can be an allusion to the ephemeral of life, beauty, the symbol of death, the Passion of Christ, corruption and venality ...
Leonardo's painting - Who is Mona Lisa ver 2.0Jerry Daperro
Leonardo was born in or near the town of Vinci, about half way between Florence and Pisa, on 15 April 1452. He was the illegitimate son of a rising Florentine legal official Ser Piero da Vinci. He was good at drawing and was enrolled with the leading Florentine artist of Verrocchio in 1469, at the age of 17. Leonardo was probably the greatest artists of the Renaissance. His studies were strictly based in the scientific methods, on vigorous analysis and on objective reasoning. But it was his inquisitive mind that drove the man forever forward to understand our place in nature. According to art historian Helen Gardner, the scope and depth of his interests were without precedent in recorded history. Apart from portraits, religious themes and historical paintings, Leonardo’s greatest legacies were his notebooks and drawings. He influenced many of his contemporary artists, including Michelangelo Raphael, Giorgione and Bramante. Yet he always had a deep distrust of human society. “Alone you are all yourself.”
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felt, silk and velvet hats, adorned with skins, embroidery, feathers
bonnets, veils
hennins, conical headdresses almost eighty centimeters in height decorated with a long veil indicating the social rank of its owner
according to the ancient Greeks is born of the blood of Medusa beheaded by Perseus
in Christianity symbol of the blood of Christ’s passion
used as an amulet to protect against the forces of evil, against the evil eye, counter evil spells and particularly from fascination by witches ...
Art in Detail_Michelangelo, Leonardo da Vinci, Raphael. Giants of the Renaiss...guimera
the masterpieces created at the end of the 15th and start of the 16th century in Florence, Milan and Rome
the ceiling of the Sistine Chapel and The Last Judgement by Michelangelo
The Annunciation, The Mona Lisa, The Last Supper by Leonardo da Vinci
The Lady and the Unicorn, The Sistine Madonna, The School of Athens by Raphael
Orazio and Artemisia Gentileschi. Father and Daughter Painters in Baroque Italyguimera
the tumultuous lives of these two artists moved along parallel trajectories from the popular quarters of papal Rome to the courts of the grand duke of Tuscany, Marie de' Medici in Paris, and Charles I in London ...
National Gallery, London - Selected MasterpeicesJerry Daperro
The National Gallery of London is one of the top art gallery for European paintings in the world. Its collection covers all the major developments in European painting from its beginning all the way to the 19C. It also includes paintings from all the major European masters in its collection, from Van Eyck. Leonardo to the Impressionists. There are very few paintings available by the leading Italian and the Low Countries in the world. With the Louvre and the Uffizi of Florence, the National Gallery of London is in the first rank of European gallery. A visit to the National Gallery in London for an afternoon will give you good feel of what European painting is about.
Founded in 1824, the National Gallery is one of the youngest painting galleries of Europe. Unlike most other great European galleries, the core of the collection was not a royal or princely collections taken over by the state. The English Royal collection remains as a separate entity, although many of the royal paintings are on display in the National Gallery on loan. Its collection is renowned for what is probably the most balanced collection of painting in the world. Today the collection has only about two thousand paintings, less than half the number in the Louvre and about two third of the Hermitage collection in St Petersburg.
As the collection belongs to the nation, it is FREE to visit the National Gallery, London. It is opened to the general public and to all overseas visitors as well. It is a shrine for the achievement of humanity, a truly deserve the title a gallery for the world. In this slideshow I have selected six paintings by the best historical masterpieces from its collections. I would like to dedicate this presentation to anyone who help to make the entrance to the gallery free. It is not only a celebration of human achievement it also inclusive all men and enhance the enjoyment of the visit.
The document discusses how open doors are depicted symbolically in various paintings throughout history. Some key themes and symbols included are: doors representing passage between worlds or access to knowledge; doors opening onto landscapes representing hope or new beginnings; and doors providing glimpses into private or personal scenes. Many paintings referenced use doors and the views beyond them to convey deeper meanings about the subjects and stories depicted.
The document discusses the genre of "Collector's Cabinets in Painting" which depicts art and curiosity collections. Frans Francken the Younger and Jan Brueghel the Elder were the first to create such paintings in the 1620s, showing large rooms displaying numerous paintings and precious items. Early works also included scientific instruments and natural specimens alongside the art. Some paintings portrayed the owners of the collections or artists working. The genre became immediately popular and was emulated by other artists such as Jan Brueghel the Younger, Cornelis de Baellieur, and David Teniers the Younger.
Similar to Jewels in European paintings .ppsx (20)
jardins adorables, jardins sublimes, jardins romantiques, jardins élégants ...
Une grande promenade à travers les jardins dans la tradition picturale européenne …
grands et petits, doublés et doux, ronds et angulaires,
en feutre ou en velours,
ornés de fourrure, broderies, plumes d'oiseaux magnifiques, de rubans, pierreries selon la fortune du propriétaire ...
Recognised as the most beautiful woman in the Mediterranean civilisations, hers was the face that launched a thousand ships and inspired the legends ...
Rückenfigur ... back figure in paintings.ppsxguimera
Wanderer above the Sea of Fog is perhaps the most iconic Rückenfigur in German Romantic painting …
Rückenfigur, the back-figure is a pictorial theme with significant power.
Rückenfigur ... back figure in paintings
Rückenfigur ... figure de dos dans la peinture.ppsxguimera
Le Voyageur contemplant une mer de nuages est probablement la Rückenfigur la plus emblématique de la peinture romantique allemande ...
Rückenfigur, la figure de dos est un thème pictural d'une grande puissance.
Has been depicted
in mythological and religious paintings, in still life, vanities, allegories, in the genre painting.
From Caravaggio and Rubens to Millet, through Vermeer, Delacroix, Manet, Moreau …
Panier en osier dans la peinture européenne.ppsxguimera
A été représenté
dans les peintures mythologiques et religieuses, les natures mortes, vanités, allégories, dans la peinture de genre.
Du Caravage et Rubens à Millet, en passant par Vermeer, Delacroix, Manet, Moreau ...
The Art of Rain_The beauty of rain in paintings..ppsxguimera
The beauty of rain in paintings.
expected or feared, delicate or stormy, metaphorical or very real, the rain has often entered the imagination of artists ...
L’art de la pluie_La beauté de la pluie dans la peinture..ppsxguimera
La beauté de la pluie dans la peinture.
espérée ou redoutée, fine ou orageuse, métaphorique ou bien réelle, la pluie s’est souvent invitée dans l’imaginaire des artistes ...
From Gethsemane to the Tomb ... Passion Stories.ppsxguimera
This document provides summaries of paintings depicting scenes from Jesus's passion and death. It describes paintings showing Jesus in the Garden of Gethsemane praying before his arrest, Jesus appearing before Pilate, Jesus being mocked and crowned with thorns, Jesus carrying the cross, Jesus on the cross with Mary and John, the crucifixion and death of Jesus, his body being taken down and mourned over, and his entombment. The paintings highlighted come from artists like William Blake, James Tissot, Hieronymus Bosch, and Lovis Corinth and are housed in museums around the world.
Medea and the beautiful Argonaut,
the first human Cain
Romulus and Remus nursed by the same she-wolf,
Vulcan who loves Venus who loves Mars
Eve and the Apple of the Tree of Temptation
and
the most human of emotions that inspired the painters
La jalousie dans la peinture européenne.ppsxguimera
Médée et le bel Argonaute,
le premier humain Caïn
Romulus et Remus nourris au sein de la même louve,
Vulcain qui aime Vénus qui aime Mars
Ève et la pomme de l'arbre de la tentation
et
la plus humaine des émotions qui a inspiré les peintres
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Caregivers - Common Feelings and Thoughtsbilalpakweb
It is challenging to manage emotions
Often feel frustrated, angry, guilty, exhausted
Depression
Stress about living situation
Losing a loved one slowly
What will they do if something happens to me?
5. a mysterious woman, perhaps representing a Sibyl or biblical figure …
an exotic dress,
a fashionable turban
and
Johannes Vermeer the master of light …
the softness of the girl’s face,
the glimmers of light on her moist lips
and of course,
the shining pearl
Johannes Vermeer
Girl with a Pearl Earring
La Jeune Fille à la perle
La joven de la perla
1665
Mauritshuis, The Hague
10. Mary in majesty, holding the child Christ,
the donor Jan Vos depicted as a Carthusian monk kneeling in prayer,
Saint Barbara, standing before the tower in which she was prisoned
and
Saint Elizabeth of Hungary dressed in a nun's habit,
the sumptuous crown recalls his royal birth (daughter of the king of Hungary), his austere piety and his chastity
Jan van Eyck, and workshop atelier
Madonna of Jan Vos also Virgin and Child, with Saints and Jan Vos
Vierge de Jan Vos ou La Vierge et l'Enfant avec Sainte Barbe, Sainte Elisabeth de Hongrie et Jan Vos
Virgen de Jan Vos, Virgen con el Niño, santas y Jan Vos
1441-1443
The Frick Collection, New York
14. a divine inscription on the wall
and
King Belshazzar ...
a gold cloak
the chains, pearls and velvet
an enormous turban
and
an little crown
Rembrandt Harmenszoon van Rijn
Belshazzar’s Feast
Le Festin de Balthazar
El festín de Baltasar
1635
The National Gallery, London
19. blue and red cherubim,
a throne sumptuously adorned with marble panels, pearls, precious stones and great gold tassels
the Child Jesus sitting (not respecting the laws of physics),
the Madonna white a jewel-encrusted crown
(The Virgin is believed to be an idealized portrait of Agnès Sorel, mistress of King Charles VII.
Sorel was considered by many at the time to be "the most beautiful woman in the world“)
Jean Fouquet
Melun Diptych: Virgin and Child Surrounded by Angels
Diptyque de Melun: La Vierge et l'Enfant entourés d'anges
Díptico de Melun: La Virgen con el Niño y ángeles
1450
Koninklijk Museum voor Schone Kunsten, Antwerp
23. the pendant
small emerald indicates chastity,
ruby represent strength,
sapphire purity
pearl is a symbol of marital fidelity
the ring
a diamond on the index finger of the left hand symbolizes the tenacity and the pride in the marital unity
Raffaello Sanzio
Portrait of Maddalena Doni
Portrait de Maddalena Doni
Retrato de Maddalena Doni
1504-1507
Galleria degli Uffizi, Florence
27. the ruby, the symbol of love and Charity,
the pearls, with their pure white colour correspond to Chastity,
the sapphires are a reference to Modesty (colour as the Virgin’s mantle)
and
the small diamond in her hair, a gem that shines in the darkness and resists iron and fire, a reference to Faith
Piero della Francesca
Diptych of Federico da Montefeltro and Battista Sforza, Portrait of Battista Sforza
Le Triomphe de la chasteté ou Double Portrait des ducs d'Urbino, Portrait de Battista Sforza
Díptico del duque de Urbino, Retrato de Battista Sforza
1473-1472
Uffizi Gallery, Florence
31. precious clothes including a gamurra vest,
a pendant with pearls and rubies
a hanging coral necklace (perhaps a rosary),
a partly closed prayer book,
a Latin inscription, taken from an epigram by the 1st century AD poet Martial
and
a gold brooch set with a ruby, large pearls and topped with a winged dragon, matching the pendant she is wearing
Domenico Ghirlandaio
Portrait of Giovanna Tornabuoni
Portrait de Giovanna Tornabuoni
Retrato de Giovanna Tornabuoni
1488
MuseoThyssen-Bornemisza, Madrid
35. elegant and characteristic garment of the ladies of the Florentine bourgeoisie,
wavy and long hair,
multicolored ribbons and pearls
and
an elegant choker and cameo,
the cameo depicts the figures of Apollo and Marsyas from the gruesome classical myth
Sandro Botticelli
Portrait of a Young Woman
Portrait de jeune femme
Retrato de una joven
1480-1485
Städel Museum, Francfurt
39. a fashionable medieval attire
and
an extravagant pearl necklace
Nothing can distract from the unapproachable beauty of the lady pictured,
"her expression indicates that she's untouchable. She's not staring, but she is looking through you."
Petrus Christus
Portrait of a Young Girl
Portrait d'une jeune fille
Retrato de muchacha
1470
Gemäldegalerie, Staatliche Museen zu Berlin, Berlin
43. 14 years old,
dressed in the height of late fifteenth-century fashion,
a long black hennin with a transparent veil
a relatively modest wedding band lined with rubies and sapphire
and
an elaborate golden necklace studded with pearls, rubies and sapphires
Hans Memling
Portrait of Maria Portinari
Portrait de Maria Portinari
Retrato de María Portinari
1475
Metropolitan Museum of Art, New York
47. a decapitated head,
a bloody sword
a choker enhanced with sapphire and ruby
and
a stunning large chain necklace
Lucas Cranach the Elder Lucas Cranach l'Ancien
Judith with the head of Holofernes
153Judith avec la tête d'Holopherne
Judit con la cabeza de Holofernes
1530
Kunsthistorisches Museum, Vienna
51. portrait destined to introduce Barbara to her future husband, Ludovico Rangoni, condottiero from Modena …
ruby, emerald and a pearl, signs of beauty and chastity
and
a long necklace of black beads, probably jet, to introduce Barbara with her virtue intact
Alessandro Araldi
Portrait of Barbara Pallavicino or Portrait of Beatrice d'Este
Portrait de Barbara Pallavicino ou Portrait de Béatrice d'Este
Retrato de Barbara Pallavicino, Retrato de Beatriz de Este
1510
Galleria degli Uffizi, Florencia
55. the very refined clothing and the splendor of the jewelry ...
the ideal woman of the Renaissance
a gold and pearl net,
two pearl necklaces, one of which has a diamond and pearl pendant,
a gold belt, set with precious gems
Bronzino
Portrait of Eleanor of Toledo
Portrait d'Eléonore de Tolède et de son fils
Leonor de Toledo con su hijo
1545
Galleria degli Uffizi, Florence
59. pearls, sapphires and rubies ...
François Clouet
Portrait d’Élisabeth d'Autriche, reine de France
Elisabeth of Austria, Queen of France
Isabel de Austria, reina de Francia
1571
Musée Condé, Château de Chantilly, Chantilly
64. a black velvet gown …
pearls, rubies and sapphires
and
a pearl in the form of a tear
Juan Pantoja de la Cruz
La reina Isabel de Valois, tercera esposa de Felipe II
Queen Elisabeth of Valois, third wife of Philip II
Élisabeth de Valois, reine d'Espagne
1605
Museo Nacional del Prado, Madrid
68. a terrestrial globe,
a golden chalice,
a large book
a dark-wood crucifix,
an apple,
a snake which has been squashed by a cornerstone
a fine white satin dress,
precious stones
and
a pearl necklace whose whiteness symbolizes virginity
Johannes Vermeer
The Allegory of Faith
L'Allégorie de la Foi
Alegoría de la Fe
1670
Metropolitan Museum, New York
72. a naked woman with endless legs
and
the intrusion of a cheap orientalism
(that allow us to enter into the reveries of the time)
…
silk, turban,
peacock feather fly-whisk,
precious stones,
pearls, bracelet,
and
a belt jewel
Jean-Auguste-Dominique Ingres
La Grande Odalisque
Grande Odalisque
La gran odalisca
1814
Musée du Louvre, Paris
76. metaphor for the power of female seduction, which manages to overcome the greatest virile force,
Judith as a ‘femme fatale’, raw and seductive …
her hand on Holofernes's severed head as if to push him out of the picture
a translucent veil,
lasciviously open mouth,
a gold choker with precious stones
and a belt of similar value
Gustav Klimt
Judith and the Head of Holofernes
Judith et Holopherne
Judith I
1901
Österreichische Galerie Belvedere, Vienna
81. Jewels in European paintings
Les bijoux dans la peinture
européenne
Joyas en pinturas europeas
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