Peter Edbury

This book presents a comprehensive overview of the history, archaeology and architecture of the city of Ramla from the time of its foundation as capital of Umayyad Palestine around 715 until the end of Ottoman rule in 1917. It begins with a historical outline covering in turn the early Islamic (Robert Hoyland), Crusader (Peter Edbury), Ayyubid-Mamluk (Donald S. Richards) and Ottoman periods (Matthew Elliot). In the archaeological section, Gideon Avni's synthesis of the results of excavations on the early Islamic city is followed by discussions of the Umayyad-period aqueduct (Amir Gorzalczany) and the historical interpretation of First World War aerial photographs (Benjamin Z. Kedar). Architectural studies include a complete corpus of the surviving Muslim buildings (Andrew Petersen), a reassessment of the remains of the White Mosque (Michael H. Burgoyne), an account of the Christian buildings (Denys Pringle), and an analysis of late Ottoman alterations to the Great Mosque (Katia Cytryn-Silverman). The final section on numismatics and epigraphy includes chapters on the coinage of Umayyad Ramla (Nikolaus Schindel), the Arabic inscriptions (Mehmet Tütüncü) and late medieval Christian pilgrims' graffiti (Denys Pringle). The volume concludes with three appendices, including a hitherto unpublished report on the White Mosque (1919-20) by K.A.C. Creswell, a gazetteer of settlements in the Crusader lordships of Ramla, Lydda and Mirabel, and the endowment deed for a house dated 1713 (Maher Abu-Munshar).

There was a time seven centuries ago when Famagusta's wealth and renown could be compared to that of Venice or Constantinople. The Cathedral of St Nicholas in the main square of Famagusta, serving as the coronation place for the Crusader Kings of Jerusalem after the fall of Acre in 1291, symbolised both the sophistication and permanence of the French society that built it. From the port radiated impressive commercial activity with the major Mediterranean trade centres, generating legendary wealth, cosmopolitanism, and hedonism, unsurpassed in the Levant. These halcyon days were not to last, however, and a 15th century observer noted that, following the Genoese occupation of the city, 'a malignant devil has become jealous of Famagusta'. When Venice inherited the city, it reconstructed the defences and had some success in revitalising the city's economy. But the end for Venetian Famagusta came in dramatic fashion in 1571, following a year long siege by the Ottomans. Three centuries of neglect followed which, combined with earthquakes, plague and flooding, left the city in ruins.

The essays collected in this book represent a major contribution to the study of Medieval and Renaissance Famagusta and its surviving art and architecture and also propose a series of strategies for preserving the city's heritage in the future. They will be of particular interest to students and scholars of Gothic, Byzantine and Renaissance art and architecture, and to those of the Crusades and the Latin East, as well as the Military Orders. After an introductory chapter surveying the history of Famagusta and its position in the cultural mosaic that is the Eastern Mediterranean, the opening section provides a series of insights into the history and historiography of the city. There follow chapters on the churches and their decoration, as well as the military architecture, while the final section looks at the history of conservation efforts and assesses the work that now needs to be done.