Artículos/Columnas by Yeidy Rosa
Source: Notes in the History of Art, 2023
https://www.journals.uchicago.edu/doi/10.1086/725525
“Cosas desta tierra”: An Indigenous Silvers... more https://www.journals.uchicago.edu/doi/10.1086/725525
“Cosas desta tierra”: An Indigenous Silversmith from Mexico in Peru, ca. 1550
Rosa, Yeidy
ISSN: 0737-4453 , 0737-4453; DOI: 10.1086/725525
Source: Notes in the History of Art. , 2023, Vol.42(2), p.80-89
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Real Academia de la Historia, 2013
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Anaconda, 2010
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Anaconda, 2010
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Anaconda, 2010
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Conference Presentations by Yeidy Rosa
Museo de San Juan, 2024
Entre 1565 y 1815, el Galeón de Manila intercambió objetos de lujo, productos cotidianos, persona... more Entre 1565 y 1815, el Galeón de Manila intercambió objetos de lujo, productos cotidianos, personas, flora y fauna entre las Islas Filipinas y el puerto de Acapulco en una ruta que unía Asia, America y Europa. En esta charla, echaremos un vistazo a ese archipiélago que comparte el 1898 con Puerto Rico, las esculturas de marfil que cuentan su complicada historia, y un manuscrito iluminado (Códice Boxer, 1590) comisionado para documentarlo.
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University of Cambridge, 2022
https://www.youtube.com/watch?v=7bCq6ieuwoA&list=PLSXlH2J-omiTaMbiWV7EJqML_Pug1eLG7&index=14
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https://www.dur.ac.uk/zurbaran/news-events/events/?eventno=48856
The two-day postgraduate sympos... more https://www.dur.ac.uk/zurbaran/news-events/events/?eventno=48856
The two-day postgraduate symposium has been organised by a group of doctoral students at Durham University and Edinburgh College of Art in collaboration with Durham University’s Zurbarán Centre for Spanish and Latin American Art. It showcases new and innovative doctoral research projects relating to a wide range of areas and periods within Iberian and Latin American art, architecture and visual culture. The aim is to foster intellectual debate and connections amongst emerging and established scholars working in the field of Hispanic art and visual culture.
The symposium is hosted by the Zurbarán Centre with generous support from the Spanish Embassy and from Edinburgh College of Art.
Bookmarks Related papers MentionsView impact
https://courtauld.ac.uk/event/cfp-display-and-displacement-in-medieval-art-and-architecture
From... more https://courtauld.ac.uk/event/cfp-display-and-displacement-in-medieval-art-and-architecture
From the chalices that glisten behind glass museum cases to the ritual staging of powerful relics, from the architectural fragments of once towering cathedrals to fresco schemes designed to envelope the senses of the viewer, the display and location of medieval art and architecture matter. Though often meticulously designed and executed for specific temporal and physical loci, objects frequently moved – whether purposefully, forcefully or even only imaginatively – into new contexts and topographies. Natural disasters, wars and religious conflicts – the 1202 Syria earthquake, the 1204 Sack of Constantinople, St Lucia’s Flood in 1297, or the 1492 expulsion of Jews from Spain, amongst many others – contributed to the displacement of people, objects and buildings.
Surviving sources – whether written or visual – affirm that the reciprocal relationships between objects and their sites were integral to medieval viewers’ experience of art and architecture. At a time when access to artworks and cultural sites has been largely disrupted by the current pandemic, addressing the question of how medieval art was uprooted and its display reconfigured is especially pertinent. The Courtauld’s 26th Annual Medieval Postgraduate Colloquium has invited speakers from various academic fields (including, but not limited to, art history, archaeology, material culture and conservation studies) to consider various forms of displacement and their visual and experiential implications for medieval art and architecture.
Bookmarks Related papers MentionsView impact
https://courtauld.ac.uk/event/cfp-remarkable-women-female-patronage-of-religious-institutions-130... more https://courtauld.ac.uk/event/cfp-remarkable-women-female-patronage-of-religious-institutions-1300-1550
This conference seeks to explore the ways in which women patronised and interacted with monasteries and religious houses during the late Middle Ages, how they commissioned devotional and commemorative art for monastic settings, and the ways in which these donations were received and understood by their intended audiences. The artistic donations of lay patrons to religious institutions has become a fruitful area of study in recent years, but the specific role played by women in these networks of patronage has been subject to less thorough scrutiny. Similarly too, the interests of female patrons have often been considered separately from the contexts of the places to which they made their donations, without a thorough consideration of their very different status from their male counterparts and how this shaped their pursuit for commemoration and memorial after death and their reception as patrons by monastic houses and religious institutions. The speakers will consider these issues and think about the placement of objects and works of art commissioned by women within religious buildings, the devotional practices and beliefs of various religious orders, the physical materials of donations, and the ways in which female patrons situated themselves within monastic spaces. By examining a category of patrons that was clearly highly aware of a variety of devotional and commemorative practices, this conference seeks to gain a better understanding of art commissioned for monasteries and churches by female lay donors, and how this more broadly reflects the position of women in late-medieval Europe.
Bookmarks Related papers MentionsView impact
https://www.youtube.com/watch?v=prxspFrSK-o
https://inhh.org/2021/05/11/space-and-the-hospital-i... more https://www.youtube.com/watch?v=prxspFrSK-o
https://inhh.org/2021/05/11/space-and-the-hospital-international-network-for-the-history-of-hospitals-conference-26-28-may-2021/
http://www.artis.letras.ulisboa.pt/en/eventos,9,1615,detalhe.aspx
https://arthist.net/archive/34121
http://www.cham.fcsh.unl.pt/ac_actividade.aspx?ActId=1085
The 13th International network for the history of hospitals conference will explore the relationship between space and hospital. Space, in both its physical and conceptual manifestations, has been a part of how hospitals were designed, built, used, and understood within the wider community. By focusing on space, this conference aims to explore this subject through the lens of its architectural, socio-cultural, medical, economic, charitable, ideological, and public conceptualisations.
This online symposium will bring together academics from a range of disciplines to present case studies from across the globe to explore the relationship between space and hospitals throughout history by examining it through the lens of five themes: (1) ritual, space, and architecture; (2) hospitals as 'model' spaces; (3) the impact of medical practice and theory on space; (4) hospitality and social space; (5) sponsorship.
This virtual conference is sponsored CHAM, NOVA FCSH; ARTIS - Instituto de História da Arte, FLUL; IECCPMA - Instituto Europeu de Ciências da Cultura Padre Manuel Antunes; and CML - Câmara Municipal de Lisboa.
In partnership with research projects: Hospitalis: Hospital Architecture in Portugal at the Dawn of Modernity (PTDC/ART-HIS/30808/2017) and All Saints Royal Hospital: city and public health (CML; CHAM, NOVA FCSH).
13th Conference. International Network for the History of Hospitals, Lisbon, 26-28 May 2021.
Bookmarks Related papers MentionsView impact
Teaching Documents by Yeidy Rosa
Folleto Curso 2024: Wiñay - Instituto de Investigación en Arte y Cultura Visual Andina (Perú) y l... more Folleto Curso 2024: Wiñay - Instituto de Investigación en Arte y Cultura Visual Andina (Perú) y la Universidad de Lodz (Polonia)
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Bibliografía Corta ARTE Y GÉNERO (UPR-RP 1er sem. 2016) Prof. Yeidy Luz Rosa Ortiz, Universidad d... more Bibliografía Corta ARTE Y GÉNERO (UPR-RP 1er sem. 2016) Prof. Yeidy Luz Rosa Ortiz, Universidad de Puerto Rico, Río Piedras.
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Investigaciones/Research Papers by Yeidy Rosa
University of Leeds, UK, 2020
In 2011, as art conservators began an eight-year restoration project at the sixteenth-century Cat... more In 2011, as art conservators began an eight-year restoration project at the sixteenth-century Catedral El Salvador de Albarracín in Teruel, Spain, a thick layer of plaster began to detach itself from a wall in the baptismal chapel. Underneath the gesso was what remained of a late Gothic, brightly painted mural depicting the Lamentation of Christ. By placing the mural at the intersection of material and social thought—and defining the Christian territorial, political and cultural conquest of Muslim-ruled Iberia as a colonial encounter—this dissertation will explore what may be involved in revealing a wider, more complete, complex and nuanced social history of art in which postcolonial and decolonial approaches to the middle ages can be used in order to de-centre the visible within an object-centered analysis.
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Margins of Medieval Art, submitted 15 January 2020, University of Leeds, UK
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Art, Anthropology and Representation, submitted 4 June 2020, University of Leeds, UK.
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(Diciembre 2014)
La edificación arquitectónica que hoy se compone de la Liga de Arte de Puerto Ri... more (Diciembre 2014)
La edificación arquitectónica que hoy se compone de la Liga de Arte de Puerto Rico y parte de la Escuela de Artes Plásticas de Puerto Rico, fue construida en el último tercio del siglo XVIII como el primer hospital general y la primera sala de convalecencia y aislamiento de Puerto Rico. Conocido como Hospital Nuestra Señora de la Concepción el Grande, Hospital de los pobres, Hospital de la caridad, Hospital Civil, Hospital Real, y el Hospital [General] de Puerto Rico, fue inicialmente destinado a ofrecer hasta 500 camas a la comunidad pobre de la región; pasando a ser el Hospital del Real Presidio de San Juan o Hospital Militar durante la guerra entre España e Inglaterra a fines del siglo XVIII. Para el primer tercio del siglo XIX, cuenta como el primer lugar en ofrecer cátedras de medicina, formar una sociedad médica, realizar una autopsia, y albergar la primera —y, por mucho tiempo, la única— botica en Puerto Rico.
Con estos antecedentes, resulta pertinente rescatar las historias de las personas que habitaron los espacios del antiguo hospital y transmitir estas historias a las y los actuales habitantes del lugar, quienes expresan interés y curiosidad sobre la historia de sus aulas y talleres. Esta recopilación de datos surge de este interés por parte de las y los alumnos de la Escuela de Artes Plásticas, y tiene como objetivos: recoger datos históricos y material visual sobre el Antiguo Hospital Nuestra Señora de la Concepción el Grande, para ser organizados y presentados en forma de relato histórico; establecer, a través de la comparación de planos del sitio, los usos de los espacios habitados hoy por alumnas y alumnos de la Escuela de Artes Plásticas por los habitantes del hospital en los siglos XVIII y XIX; investigar quiénes habitaron el espacio del Antiguo Hospital como pacientes no-militares y recoger los datos disponibles de los mismos, y presentar estos resultados a estudiantes de la Escuela de Artes Plásticas para abrir un espacio de diálogo sobre el rescate de historias locales y el uso de espacios en diferentes periodos históricos.
Bookmarks Related papers MentionsView impact
Mientras que en la Unión Soviética y en la República Popular de China se formulaba una estética «... more Mientras que en la Unión Soviética y en la República Popular de China se formulaba una estética «política», manifestada principalmente a través del cartel comunista del proletario que construye la nación, y mientras que en los Estados Unidos se adoptaban movimientos «artísticos» como el film noir en la producción de material audiovisual de “higiene mental” —difundido en las escuelas públicas de ese país— y estrategias de publicidad y mercadeo para el reclutamiento de “patriotas” a las fuerzas armadas, en Puerto Rico se hacía un esfuerzo por no promover la idea de «nación». El proyecto cinematográfico institucional en Puerto Rico tenía como objetivo la construcción de una identidad «cultural» puertorriqueña; un nacionalismo cultural que requería de un lenguaje visual antropológico. El cine etnográfico, y, en particular, el subgénero cinematográfico antropológico de la etnoficción, serviría como lenguaje fílmico en la construcción de este discurso de identidad cultural.
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Uploads
Artículos/Columnas by Yeidy Rosa
“Cosas desta tierra”: An Indigenous Silversmith from Mexico in Peru, ca. 1550
Rosa, Yeidy
ISSN: 0737-4453 , 0737-4453; DOI: 10.1086/725525
Source: Notes in the History of Art. , 2023, Vol.42(2), p.80-89
ANACONDA. Año IV, no.(27) sep. 2010 pp. 28-33 : láms./
Revista - Artículo/
Quito 2010
<http://biblioteca.culturaypatrimonio.gob.ec/cgi-bin/koha/opac-detail.pl?biblionumber=246124&query_desc=kw%2Cwrdl%3A%20yeidy%20rosa>
ANACONDA. Año IV, no.(26) jun. 2010 pp. 38-39 : fotos./
Revista - Artículo/
Quito 2010
<http://biblioteca.culturaypatrimonio.gob.ec/cgi-bin/koha/opac-detail.pl?biblionumber=245936&query_desc=kw%2Cwrdl%3A%20yeidy%20rosa>
ANACONDA. Año IV, no.(25) abr. 2010 pp. 42-43 : lám./
Revista - Artículo/
Quito 2010
<http://biblioteca.culturaypatrimonio.gob.ec/cgi-bin/koha/opac-detail.pl?biblionumber=245707&query_desc=kw%2Cwrdl%3A%20yeidy%20rosa>
Conference Presentations by Yeidy Rosa
https://durhammemsa.wordpress.com/memsa-conferences-and-conference-proceedings/
Following on from the success of its 14th conference on the same theme, MEMSA’s Crossing Borders, Contesting Boundaries conference will be running as a digital event from Monday 19th to Wednesday 21st July. Papers will be presented as pre-recorded video presentations, allowing for the contribution and the participation of delegates from across the world.
The two-day postgraduate symposium has been organised by a group of doctoral students at Durham University and Edinburgh College of Art in collaboration with Durham University’s Zurbarán Centre for Spanish and Latin American Art. It showcases new and innovative doctoral research projects relating to a wide range of areas and periods within Iberian and Latin American art, architecture and visual culture. The aim is to foster intellectual debate and connections amongst emerging and established scholars working in the field of Hispanic art and visual culture.
The symposium is hosted by the Zurbarán Centre with generous support from the Spanish Embassy and from Edinburgh College of Art.
From the chalices that glisten behind glass museum cases to the ritual staging of powerful relics, from the architectural fragments of once towering cathedrals to fresco schemes designed to envelope the senses of the viewer, the display and location of medieval art and architecture matter. Though often meticulously designed and executed for specific temporal and physical loci, objects frequently moved – whether purposefully, forcefully or even only imaginatively – into new contexts and topographies. Natural disasters, wars and religious conflicts – the 1202 Syria earthquake, the 1204 Sack of Constantinople, St Lucia’s Flood in 1297, or the 1492 expulsion of Jews from Spain, amongst many others – contributed to the displacement of people, objects and buildings.
Surviving sources – whether written or visual – affirm that the reciprocal relationships between objects and their sites were integral to medieval viewers’ experience of art and architecture. At a time when access to artworks and cultural sites has been largely disrupted by the current pandemic, addressing the question of how medieval art was uprooted and its display reconfigured is especially pertinent. The Courtauld’s 26th Annual Medieval Postgraduate Colloquium has invited speakers from various academic fields (including, but not limited to, art history, archaeology, material culture and conservation studies) to consider various forms of displacement and their visual and experiential implications for medieval art and architecture.
This conference seeks to explore the ways in which women patronised and interacted with monasteries and religious houses during the late Middle Ages, how they commissioned devotional and commemorative art for monastic settings, and the ways in which these donations were received and understood by their intended audiences. The artistic donations of lay patrons to religious institutions has become a fruitful area of study in recent years, but the specific role played by women in these networks of patronage has been subject to less thorough scrutiny. Similarly too, the interests of female patrons have often been considered separately from the contexts of the places to which they made their donations, without a thorough consideration of their very different status from their male counterparts and how this shaped their pursuit for commemoration and memorial after death and their reception as patrons by monastic houses and religious institutions. The speakers will consider these issues and think about the placement of objects and works of art commissioned by women within religious buildings, the devotional practices and beliefs of various religious orders, the physical materials of donations, and the ways in which female patrons situated themselves within monastic spaces. By examining a category of patrons that was clearly highly aware of a variety of devotional and commemorative practices, this conference seeks to gain a better understanding of art commissioned for monasteries and churches by female lay donors, and how this more broadly reflects the position of women in late-medieval Europe.
https://inhh.org/2021/05/11/space-and-the-hospital-international-network-for-the-history-of-hospitals-conference-26-28-may-2021/
http://www.artis.letras.ulisboa.pt/en/eventos,9,1615,detalhe.aspx
https://arthist.net/archive/34121
http://www.cham.fcsh.unl.pt/ac_actividade.aspx?ActId=1085
The 13th International network for the history of hospitals conference will explore the relationship between space and hospital. Space, in both its physical and conceptual manifestations, has been a part of how hospitals were designed, built, used, and understood within the wider community. By focusing on space, this conference aims to explore this subject through the lens of its architectural, socio-cultural, medical, economic, charitable, ideological, and public conceptualisations.
This online symposium will bring together academics from a range of disciplines to present case studies from across the globe to explore the relationship between space and hospitals throughout history by examining it through the lens of five themes: (1) ritual, space, and architecture; (2) hospitals as 'model' spaces; (3) the impact of medical practice and theory on space; (4) hospitality and social space; (5) sponsorship.
This virtual conference is sponsored CHAM, NOVA FCSH; ARTIS - Instituto de História da Arte, FLUL; IECCPMA - Instituto Europeu de Ciências da Cultura Padre Manuel Antunes; and CML - Câmara Municipal de Lisboa.
In partnership with research projects: Hospitalis: Hospital Architecture in Portugal at the Dawn of Modernity (PTDC/ART-HIS/30808/2017) and All Saints Royal Hospital: city and public health (CML; CHAM, NOVA FCSH).
13th Conference. International Network for the History of Hospitals, Lisbon, 26-28 May 2021.
Teaching Documents by Yeidy Rosa
Investigaciones/Research Papers by Yeidy Rosa
La edificación arquitectónica que hoy se compone de la Liga de Arte de Puerto Rico y parte de la Escuela de Artes Plásticas de Puerto Rico, fue construida en el último tercio del siglo XVIII como el primer hospital general y la primera sala de convalecencia y aislamiento de Puerto Rico. Conocido como Hospital Nuestra Señora de la Concepción el Grande, Hospital de los pobres, Hospital de la caridad, Hospital Civil, Hospital Real, y el Hospital [General] de Puerto Rico, fue inicialmente destinado a ofrecer hasta 500 camas a la comunidad pobre de la región; pasando a ser el Hospital del Real Presidio de San Juan o Hospital Militar durante la guerra entre España e Inglaterra a fines del siglo XVIII. Para el primer tercio del siglo XIX, cuenta como el primer lugar en ofrecer cátedras de medicina, formar una sociedad médica, realizar una autopsia, y albergar la primera —y, por mucho tiempo, la única— botica en Puerto Rico.
Con estos antecedentes, resulta pertinente rescatar las historias de las personas que habitaron los espacios del antiguo hospital y transmitir estas historias a las y los actuales habitantes del lugar, quienes expresan interés y curiosidad sobre la historia de sus aulas y talleres. Esta recopilación de datos surge de este interés por parte de las y los alumnos de la Escuela de Artes Plásticas, y tiene como objetivos: recoger datos históricos y material visual sobre el Antiguo Hospital Nuestra Señora de la Concepción el Grande, para ser organizados y presentados en forma de relato histórico; establecer, a través de la comparación de planos del sitio, los usos de los espacios habitados hoy por alumnas y alumnos de la Escuela de Artes Plásticas por los habitantes del hospital en los siglos XVIII y XIX; investigar quiénes habitaron el espacio del Antiguo Hospital como pacientes no-militares y recoger los datos disponibles de los mismos, y presentar estos resultados a estudiantes de la Escuela de Artes Plásticas para abrir un espacio de diálogo sobre el rescate de historias locales y el uso de espacios en diferentes periodos históricos.
“Cosas desta tierra”: An Indigenous Silversmith from Mexico in Peru, ca. 1550
Rosa, Yeidy
ISSN: 0737-4453 , 0737-4453; DOI: 10.1086/725525
Source: Notes in the History of Art. , 2023, Vol.42(2), p.80-89
ANACONDA. Año IV, no.(27) sep. 2010 pp. 28-33 : láms./
Revista - Artículo/
Quito 2010
<http://biblioteca.culturaypatrimonio.gob.ec/cgi-bin/koha/opac-detail.pl?biblionumber=246124&query_desc=kw%2Cwrdl%3A%20yeidy%20rosa>
ANACONDA. Año IV, no.(26) jun. 2010 pp. 38-39 : fotos./
Revista - Artículo/
Quito 2010
<http://biblioteca.culturaypatrimonio.gob.ec/cgi-bin/koha/opac-detail.pl?biblionumber=245936&query_desc=kw%2Cwrdl%3A%20yeidy%20rosa>
ANACONDA. Año IV, no.(25) abr. 2010 pp. 42-43 : lám./
Revista - Artículo/
Quito 2010
<http://biblioteca.culturaypatrimonio.gob.ec/cgi-bin/koha/opac-detail.pl?biblionumber=245707&query_desc=kw%2Cwrdl%3A%20yeidy%20rosa>
https://durhammemsa.wordpress.com/memsa-conferences-and-conference-proceedings/
Following on from the success of its 14th conference on the same theme, MEMSA’s Crossing Borders, Contesting Boundaries conference will be running as a digital event from Monday 19th to Wednesday 21st July. Papers will be presented as pre-recorded video presentations, allowing for the contribution and the participation of delegates from across the world.
The two-day postgraduate symposium has been organised by a group of doctoral students at Durham University and Edinburgh College of Art in collaboration with Durham University’s Zurbarán Centre for Spanish and Latin American Art. It showcases new and innovative doctoral research projects relating to a wide range of areas and periods within Iberian and Latin American art, architecture and visual culture. The aim is to foster intellectual debate and connections amongst emerging and established scholars working in the field of Hispanic art and visual culture.
The symposium is hosted by the Zurbarán Centre with generous support from the Spanish Embassy and from Edinburgh College of Art.
From the chalices that glisten behind glass museum cases to the ritual staging of powerful relics, from the architectural fragments of once towering cathedrals to fresco schemes designed to envelope the senses of the viewer, the display and location of medieval art and architecture matter. Though often meticulously designed and executed for specific temporal and physical loci, objects frequently moved – whether purposefully, forcefully or even only imaginatively – into new contexts and topographies. Natural disasters, wars and religious conflicts – the 1202 Syria earthquake, the 1204 Sack of Constantinople, St Lucia’s Flood in 1297, or the 1492 expulsion of Jews from Spain, amongst many others – contributed to the displacement of people, objects and buildings.
Surviving sources – whether written or visual – affirm that the reciprocal relationships between objects and their sites were integral to medieval viewers’ experience of art and architecture. At a time when access to artworks and cultural sites has been largely disrupted by the current pandemic, addressing the question of how medieval art was uprooted and its display reconfigured is especially pertinent. The Courtauld’s 26th Annual Medieval Postgraduate Colloquium has invited speakers from various academic fields (including, but not limited to, art history, archaeology, material culture and conservation studies) to consider various forms of displacement and their visual and experiential implications for medieval art and architecture.
This conference seeks to explore the ways in which women patronised and interacted with monasteries and religious houses during the late Middle Ages, how they commissioned devotional and commemorative art for monastic settings, and the ways in which these donations were received and understood by their intended audiences. The artistic donations of lay patrons to religious institutions has become a fruitful area of study in recent years, but the specific role played by women in these networks of patronage has been subject to less thorough scrutiny. Similarly too, the interests of female patrons have often been considered separately from the contexts of the places to which they made their donations, without a thorough consideration of their very different status from their male counterparts and how this shaped their pursuit for commemoration and memorial after death and their reception as patrons by monastic houses and religious institutions. The speakers will consider these issues and think about the placement of objects and works of art commissioned by women within religious buildings, the devotional practices and beliefs of various religious orders, the physical materials of donations, and the ways in which female patrons situated themselves within monastic spaces. By examining a category of patrons that was clearly highly aware of a variety of devotional and commemorative practices, this conference seeks to gain a better understanding of art commissioned for monasteries and churches by female lay donors, and how this more broadly reflects the position of women in late-medieval Europe.
https://inhh.org/2021/05/11/space-and-the-hospital-international-network-for-the-history-of-hospitals-conference-26-28-may-2021/
http://www.artis.letras.ulisboa.pt/en/eventos,9,1615,detalhe.aspx
https://arthist.net/archive/34121
http://www.cham.fcsh.unl.pt/ac_actividade.aspx?ActId=1085
The 13th International network for the history of hospitals conference will explore the relationship between space and hospital. Space, in both its physical and conceptual manifestations, has been a part of how hospitals were designed, built, used, and understood within the wider community. By focusing on space, this conference aims to explore this subject through the lens of its architectural, socio-cultural, medical, economic, charitable, ideological, and public conceptualisations.
This online symposium will bring together academics from a range of disciplines to present case studies from across the globe to explore the relationship between space and hospitals throughout history by examining it through the lens of five themes: (1) ritual, space, and architecture; (2) hospitals as 'model' spaces; (3) the impact of medical practice and theory on space; (4) hospitality and social space; (5) sponsorship.
This virtual conference is sponsored CHAM, NOVA FCSH; ARTIS - Instituto de História da Arte, FLUL; IECCPMA - Instituto Europeu de Ciências da Cultura Padre Manuel Antunes; and CML - Câmara Municipal de Lisboa.
In partnership with research projects: Hospitalis: Hospital Architecture in Portugal at the Dawn of Modernity (PTDC/ART-HIS/30808/2017) and All Saints Royal Hospital: city and public health (CML; CHAM, NOVA FCSH).
13th Conference. International Network for the History of Hospitals, Lisbon, 26-28 May 2021.
La edificación arquitectónica que hoy se compone de la Liga de Arte de Puerto Rico y parte de la Escuela de Artes Plásticas de Puerto Rico, fue construida en el último tercio del siglo XVIII como el primer hospital general y la primera sala de convalecencia y aislamiento de Puerto Rico. Conocido como Hospital Nuestra Señora de la Concepción el Grande, Hospital de los pobres, Hospital de la caridad, Hospital Civil, Hospital Real, y el Hospital [General] de Puerto Rico, fue inicialmente destinado a ofrecer hasta 500 camas a la comunidad pobre de la región; pasando a ser el Hospital del Real Presidio de San Juan o Hospital Militar durante la guerra entre España e Inglaterra a fines del siglo XVIII. Para el primer tercio del siglo XIX, cuenta como el primer lugar en ofrecer cátedras de medicina, formar una sociedad médica, realizar una autopsia, y albergar la primera —y, por mucho tiempo, la única— botica en Puerto Rico.
Con estos antecedentes, resulta pertinente rescatar las historias de las personas que habitaron los espacios del antiguo hospital y transmitir estas historias a las y los actuales habitantes del lugar, quienes expresan interés y curiosidad sobre la historia de sus aulas y talleres. Esta recopilación de datos surge de este interés por parte de las y los alumnos de la Escuela de Artes Plásticas, y tiene como objetivos: recoger datos históricos y material visual sobre el Antiguo Hospital Nuestra Señora de la Concepción el Grande, para ser organizados y presentados en forma de relato histórico; establecer, a través de la comparación de planos del sitio, los usos de los espacios habitados hoy por alumnas y alumnos de la Escuela de Artes Plásticas por los habitantes del hospital en los siglos XVIII y XIX; investigar quiénes habitaron el espacio del Antiguo Hospital como pacientes no-militares y recoger los datos disponibles de los mismos, y presentar estos resultados a estudiantes de la Escuela de Artes Plásticas para abrir un espacio de diálogo sobre el rescate de historias locales y el uso de espacios en diferentes periodos históricos.
<https://biblioteca.uasb.edu.ec/cgi-bin/koha/opac-detail.pl?biblionumber=15832>
<https://www.flacso.edu.ec/biblio/shared/biblio_view.php?bibid=125771&tab=opac>
<http://cinemateca.casadelacultura.gob.ec/cgi-bin/koha/opac-detail.pl?biblionumber=6364>