Staging Spectators in Immersive Performances: Commit Yourself! , 2019
At present, we are witnessing a significant transformation of established forms of spectatorship ... more At present, we are witnessing a significant transformation of established forms of spectatorship in theatre, performance art and beyond. In particular , immersive and participatory forms of theatre allow audiences and performers to interact in a shared performance space. Staging Spectators in Immersive Performances discusses forms and concepts of contemporary spectatorship and explores various modes of audience participation in theory as well as in practice. The volume also reflects on what new terms and methods must be developed in order to address the theoretical challenges of contemporary immersive performances. Split into three parts, Staging Spectators in Immersive Performances, respectively, focuses on various strategies for mobilising the audience, methodological questions for research on being a spectator in immersive and participatory forms of theatre, and thematising new modes of partaking and ways of spectating in contemporary art. Poignantly capturing experiences that can be viewed as manifestations of affective relationality in the strongest possible sense, this volume will appeal to students and researchers interested in fields such as Theatre and Performance Studies, Media Studies and Philosophy. Doris Kolesch is Professor of Theatre and Performance Studies and a co-director of the Deutsche Forschungsgemeinschaft (DFG)-funded Collab
Die Pandemie hat die performativen Künste grundlegend verändert: Theatersäle wurden umgebaut, dig... more Die Pandemie hat die performativen Künste grundlegend verändert: Theatersäle wurden umgebaut, digitale und hybride Performance-Formate erfunden, Konzerte gestreamt, Quarantäne-Videos produziert und neue Möglichkeiten der Zuschauerrpartizipation entwickelt. Der Band geht diesem dramaturgischen, räumlichen und institutionellen Wandel der letzten Jahre nach und fragt nach der postpandemischen Zukunft von Theater und Performance. Die Beiträge aus Theater-, Literatur- und Medienwissenschaft sowie drei abgedruckte Gesprächsrunden mit Theaterschaffenden skizzieren ein umfassendes Bild des Wandels und debattieren dabei auch Fragen von Nachhaltigkeit, gesellschaftlicher Teilhabe und Inklusion. Mit Beiträgen von Stefano Apostolo, Kai van Eikels, Sotera Fornaro, Ole Frahm, Maximilian Haas, Georg Kasch, Doris Kolesch, Mirjam Kreuser, Ramona Mosse, Matthias Pees, Yana Prinsloo, Alexandra Schneider, Holger Schulze, Marion Siefért, Antje Thoms, Doris Uhlich, Sandra Umathum, Daniele Vecchiato, Anna...
... Hartmut Burggrabe, Michael Conrad, Kristin Flade, Björn Frers, Armin Hempel, Kati Kroß, Jonas... more ... Hartmut Burggrabe, Michael Conrad, Kristin Flade, Björn Frers, Armin Hempel, Kati Kroß, Jonas Liepmann und Katharina Rost danken wir für ihre Mithilfe bei der Organisation der Tagung und der Drucklegung des Bandes. Doris Kolesch Vito Pinto Jenny Schrödl 10 Page 12. ...
Staging Spectators in Immersive Performances, 2019
At present, we are witnessing a significant transformation of established forms of spectatorship ... more At present, we are witnessing a significant transformation of established forms of spectatorship in theatre, performance art and beyond. In particular , immersive and participatory forms of theatre allow audiences and performers to interact in a shared performance space. Staging Spectators in Immersive Performances discusses forms and concepts of contemporary spectatorship and explores various modes of audience participation in theory as well as in practice. The volume also reflects on what new terms and methods must be developed in order to address the theoretical challenges of contemporary immersive performances. Split into three parts, Staging Spectators in Immersive Performances, respectively, focuses on various strategies for mobilising the audience, methodological questions for research on being a spectator in immersive and participatory forms of theatre, and thematising new modes of partaking and ways of spectating in contemporary art. Poignantly capturing experiences that can be viewed as manifestations of affective relationality in the strongest possible sense, this volume will appeal to students and researchers interested in fields such as Theatre and Performance Studies, Media Studies and Philosophy. Doris Kolesch is Professor of Theatre and Performance Studies and a co-director of the Deutsche Forschungsgemeinschaft (DFG)-funded Collab
... Wissenschaft 23 Höfische Emotionalität: Theatrale Konstellationen und performative Praktiken ... more ... Wissenschaft 23 Höfische Emotionalität: Theatrale Konstellationen und performative Praktiken am Hof Ludwigs XIV 43 Im Raum der Emotion. ... Nicht affektive Mäßigung und emo-tionaleIndifferenz kennzeichnen, wie von der Forschung behauptet, das höfische Leben, sondern ...
Staging Spectators in Immersive Performances: Commit Yourself! , 2019
At present, we are witnessing a significant transformation of established forms of spectatorship ... more At present, we are witnessing a significant transformation of established forms of spectatorship in theatre, performance art and beyond. In particular , immersive and participatory forms of theatre allow audiences and performers to interact in a shared performance space. Staging Spectators in Immersive Performances discusses forms and concepts of contemporary spectatorship and explores various modes of audience participation in theory as well as in practice. The volume also reflects on what new terms and methods must be developed in order to address the theoretical challenges of contemporary immersive performances. Split into three parts, Staging Spectators in Immersive Performances, respectively, focuses on various strategies for mobilising the audience, methodological questions for research on being a spectator in immersive and participatory forms of theatre, and thematising new modes of partaking and ways of spectating in contemporary art. Poignantly capturing experiences that can be viewed as manifestations of affective relationality in the strongest possible sense, this volume will appeal to students and researchers interested in fields such as Theatre and Performance Studies, Media Studies and Philosophy. Doris Kolesch is Professor of Theatre and Performance Studies and a co-director of the Deutsche Forschungsgemeinschaft (DFG)-funded Collab
Die Pandemie hat die performativen Künste grundlegend verändert: Theatersäle wurden umgebaut, dig... more Die Pandemie hat die performativen Künste grundlegend verändert: Theatersäle wurden umgebaut, digitale und hybride Performance-Formate erfunden, Konzerte gestreamt, Quarantäne-Videos produziert und neue Möglichkeiten der Zuschauerrpartizipation entwickelt. Der Band geht diesem dramaturgischen, räumlichen und institutionellen Wandel der letzten Jahre nach und fragt nach der postpandemischen Zukunft von Theater und Performance. Die Beiträge aus Theater-, Literatur- und Medienwissenschaft sowie drei abgedruckte Gesprächsrunden mit Theaterschaffenden skizzieren ein umfassendes Bild des Wandels und debattieren dabei auch Fragen von Nachhaltigkeit, gesellschaftlicher Teilhabe und Inklusion. Mit Beiträgen von Stefano Apostolo, Kai van Eikels, Sotera Fornaro, Ole Frahm, Maximilian Haas, Georg Kasch, Doris Kolesch, Mirjam Kreuser, Ramona Mosse, Matthias Pees, Yana Prinsloo, Alexandra Schneider, Holger Schulze, Marion Siefért, Antje Thoms, Doris Uhlich, Sandra Umathum, Daniele Vecchiato, Anna...
... Hartmut Burggrabe, Michael Conrad, Kristin Flade, Björn Frers, Armin Hempel, Kati Kroß, Jonas... more ... Hartmut Burggrabe, Michael Conrad, Kristin Flade, Björn Frers, Armin Hempel, Kati Kroß, Jonas Liepmann und Katharina Rost danken wir für ihre Mithilfe bei der Organisation der Tagung und der Drucklegung des Bandes. Doris Kolesch Vito Pinto Jenny Schrödl 10 Page 12. ...
Staging Spectators in Immersive Performances, 2019
At present, we are witnessing a significant transformation of established forms of spectatorship ... more At present, we are witnessing a significant transformation of established forms of spectatorship in theatre, performance art and beyond. In particular , immersive and participatory forms of theatre allow audiences and performers to interact in a shared performance space. Staging Spectators in Immersive Performances discusses forms and concepts of contemporary spectatorship and explores various modes of audience participation in theory as well as in practice. The volume also reflects on what new terms and methods must be developed in order to address the theoretical challenges of contemporary immersive performances. Split into three parts, Staging Spectators in Immersive Performances, respectively, focuses on various strategies for mobilising the audience, methodological questions for research on being a spectator in immersive and participatory forms of theatre, and thematising new modes of partaking and ways of spectating in contemporary art. Poignantly capturing experiences that can be viewed as manifestations of affective relationality in the strongest possible sense, this volume will appeal to students and researchers interested in fields such as Theatre and Performance Studies, Media Studies and Philosophy. Doris Kolesch is Professor of Theatre and Performance Studies and a co-director of the Deutsche Forschungsgemeinschaft (DFG)-funded Collab
... Wissenschaft 23 Höfische Emotionalität: Theatrale Konstellationen und performative Praktiken ... more ... Wissenschaft 23 Höfische Emotionalität: Theatrale Konstellationen und performative Praktiken am Hof Ludwigs XIV 43 Im Raum der Emotion. ... Nicht affektive Mäßigung und emo-tionaleIndifferenz kennzeichnen, wie von der Forschung behauptet, das höfische Leben, sondern ...
Die Pandemie hat die performativen Künste grundlegend verändert: Theatersäle wurden umgebaut, dig... more Die Pandemie hat die performativen Künste grundlegend verändert: Theatersäle wurden umgebaut, digitale und hybride Performance-Formate erfunden, Konzerte gestreamt und neue Möglichkeiten der Zuschauerpartizipation entwickelt. Die Tagung geht diesem dramaturgischen und räumlichen Wandel nach und lädt Theater-, Literatur- und Medienwissenschaftler*innen sowie Studierende ein, über die Zukunft von Theater, Kultur und Medien im Zeichen der Corona-Krise zu diskutieren.
Webseite der Tagung: https://corona-theater.de/
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Webseite der Tagung: https://corona-theater.de/