Andre Brodyk
The University of Newcastle, Creative Arts, Faculty Member
Research Interests:
Research Interests:
Research Interests:
A catalog essay co written with four others for our exhibition at MOP Projects, Sydney Australia, in January 2012.
The idea explicated in and through practice suggests intra-action as a performative and mutable idea within a permutable frame of reference. This is instantiated as molecular painterly intra-actions via a Bioart tableau, The Transposon.... more
The idea explicated in and through practice suggests intra-action as a performative and mutable idea within a permutable frame of reference.
This is instantiated as molecular painterly intra-actions via a Bioart tableau, The Transposon. This intraaction assumes a permutable form of materialism in line with Barad’s thinking it assumes relational, rather than absolutes in terms of agencies (as material idea) entanglements, Here, it engages non-human agencies at both micro and molecular material levels as ready-re made biological paint media ostensibly portraying Duchamp. The effect is a conceptual reorientation of ostensibly inert DNA materials becoming de-stabled within a permutable genomic matrix, i.e. transposon and transposable painting.
This is instantiated as molecular painterly intra-actions via a Bioart tableau, The Transposon. This intraaction assumes a permutable form of materialism in line with Barad’s thinking it assumes relational, rather than absolutes in terms of agencies (as material idea) entanglements, Here, it engages non-human agencies at both micro and molecular material levels as ready-re made biological paint media ostensibly portraying Duchamp. The effect is a conceptual reorientation of ostensibly inert DNA materials becoming de-stabled within a permutable genomic matrix, i.e. transposon and transposable painting.