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New Trends and Issues Proceedings on Humanities and Social Sciences
This paper aims to discuss the impact and importance of the karstic caves, which are effective on the emergence and development of cave art and the rocks that generate them. The origin of cave traces to 40 thousand years and the creation of many more works of art and the importance of the rocks to the present day is very important. In particular, carbonate rocks such as limestone and marble became important spaces and raw materials in terms of art history and development. Carbonate deposits placed in the large ocean bowls during geological periods have been elevated and altered land during orogenesis periods. The fact that the carbonate rocks are soluble due to environmental conditions has led to the formation of a large number of caves depending on the size and distribution of the masses forming them. These karstic caves, which constitute a significant part of the caves in the world, have been the habitat of old people for almost 1-1.5 million years. The caves have been very import...
HAL (Le Centre pour la Communication Scientifique Directe), 2017
Although the largest known concentrations of cave art are those of southwestern Europe, southern Australia and northern Papua New Guinea, smaller corpora do exist elsewhere. In the fi rst two regions mentioned, such cave art has been demonstrated to be of the Pleistocene and up to about 50,000 years old. Cave art has been studied most intensively in the famous caves of France and Spain. Due to the specifi c speleoclimates of caves, lithological conditions and oft en the delicate nature of the cave art itself, the preservation of this immensely valuable and irreplaceable cultural resource, its conservation and its management are more demanding than those of any other rock art. In France and Spain, such practices are particularly well developed, and in Australia, eff orts to design uniform management and protection measures are currently being undertaken by the Australian Rock Art Research Association. Cultural use of caves is a global phenomenon, including their role as sacred sites, and some examples of such practices are recounted in this paper.
El bien incluido en la Lista de Patrimonio Mundial está formado por dieciocho sitios: Altami-ra, en la lista desde 1985, y diecisiete cuevas inscritas en 2008 como una extensión del bien original. Estos lugares constituyen uno de los más importantes conjuntos con arte paleolítico del mundo. Localizado en cuevas, desde la entrada a las partes más profundas de estas formaciones kársticas, despliegan todos los elementos necesarios para garantizar la autenti-cidad y la integridad del bien: la investigación realizada desde el último tercio del s. XIX ha do-cumentado una amplia variedad de las representaciones, técnicas y temas que caracterizan a este fenómeno, cuya cronología abarca unos 30.000 años. Otra característica destacable del arte paleolítico cantábrico es el buen estado de conservación de las manifestaciones parietales. Preservadas durante milenios en el medio ambiente protegido de las cuevas pro-fundas, es nuestra obligación conservarlas para las generaciones futuras. En consecuencia, las autoridades responsables de los sitios desarrollan una serie de medidas administrativas y protectoras que tratan de eliminar o, al menos, disminuir los riesgos de deterioro. Esto puede variar en cierto grado dependiendo de un factor importante: la apertura de las cuevas al pú-blico, lo que hace su gestión más compleja. The World Heritage property is formed by eighteen sites: Altamira, on the List since 1985, and seventeen caves inscribed in 2008 as an extension of the original property. These sites constitute one of the most important ensembles of Palaeolithic art in the World. Located in caves, from the entrances to the deepest parts of these karst formations, it displays all the necessary elements to guarantee the authenticity and the integrity of the property: research carried out since the last third of the nineteenth century has documented a wide variety of the representations, techniques and themes that characterise this phenomenon , whose chronology spans about 30 Ky. Another remarkable feature of Cantabrian Cave Art is the good state of conservation of the parietal manifestations. Preserved in the protected environment of the deep caves for millennia, it is our obligation to conserve it for future generations. Accordingly, the authorities responsible for the sites deploy a range of administrative and curative measures which try to eliminate or, at least, diminish the risks of deterioration. These vary to some extent depending on an important factor: the opening of the caves to the public, which makes their management more complex.
Quaternary International, 2017
The Conservation of Subterranean Cultural Heritage, 2014
Environmental Earth Sciences, 1998
The Candamo Cave contains an important group of paleolithic paintings which have been seriously deteriorated due to mass tourism. In this work, an analysis was carried out of different climatic parameters (CO2, temperature, humidity, 222Rn) during annual cycles with the cave closed to the public and during an experimental period of controlled visits. The effect of visits on the geochemical characteristics of karstic water was also analyzed together with the cave ventilation. The natural variations in the cave air CO2 were above 3000 ppm, the increase produced through visits was only 100–110 ppm and since the humidity is almost permanently at saturation point, the critical parameter which limits the visitor capacity becomes air temperature. The temperature changes during the annual cycle are of the order of 1 °C in the external part and less than 0.5 °C in the internal part of the cave and a maximum increase of 0.13 °C was observed during the period of the visits. The 222Rn and CO2 concentration minimums in the summer period (July–October) show that this is the most propitious time for visits, since the greatest ventilation is produced in the cave at this time and, therefore, the greatest capacity for recovery. The geochemistry of the water, on the other hand, indicated that this is the period of the year in which processes of wall corrosion can be most easily introduced, although this would be of limited magnitude. The visitor capacity calculated was 29 visitors/day.
Journal of Anthropological Archaeology, 2018
Cambridge Theological Federation, 2003
American International Journal of Social Science
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