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Preliminary Remarks on Kanlitas (Eskişehir) Chalcolithic Pottery

2009, SERES 09

PRELIMINARY REMARKS ON KANLITAŞ (ESKİŞEHİR) CHALCOLITHIC POTTERY Ali U. TÜRKCAN Anadolu University, Dept. of Archaeology, Faculty of Humanities, Eskişehir, Türkiye ABSTRACT Kanlıtaş Höyük is one of the most important settlements of Chalcolithic Porsuk culture that was especially explored with its variable diagnostic ceramics. Therefore, the ceramics played a key role in understanding and identifying this early important culture in Eskişehir as well as N.W Anatolia. The ceramics in Middle Chalcolithic display affinities ―Pre-Vinca‖ elements that is not fully understood phenomenon in N.W Anatolia. Keywords: Porsuk culture, Kanlıtaş, Orman fidanlığı, Chalcolithic pottery, Vinca. 1. INTRODUCTION The small settlement mound variously called Kanlıtaş (or Kanlıkavak as well) is located near the village Asağı Kuzfındık at the edge of a mountainous region almost on the border with Kütahya Province (about 23 km. south of Bozüyük as the crow flies). The mound is situated in a small valley. Between the road and the stream it follows, the mound appears to lean against a sharp out-cropping of rock cliffs which rise as if they had been spewed upward by the stream. The mound is approximately 100 m. in diameter and over 15 meters in height. The actual depth of the cultural deposit may be somewhat less, depending on the configuration of the rock upon which the settlement rises. Figure Figure 2. Kanlıtaş Höyük. 1.The Map of Major Chalcolithic Sites in NW. 148 SERES’09 I. International Ceramic, Glass, Porcelain Enamel, Glaze and Pigment Congress Because we have only survey material in hand, we cannot presume to have sherds from all cultural levels comprising the settlement. Nevertheless, it seems fairly certain that the principal phase of habitation on the mound corresponds to excavated and published type site of Chalcolithic Orman Fidanlığı site in Eskişehir. It is clear that from the end of the Early Chalcolithic period onward, certain ceramic characteristics existed over Upper Porsuk Region in a range stretching from inside the bend of the Porsuk river and south of Bilecik in northward at least as far as the area in North of Kütahya. 2. EVIDENCE ON CHALCOLITHIC POTTERY FROM KANLITAŞ AND NW ANATOLIA The evidence about Porsuk culture in Eskişehir has been coined first by Turan Efe who made an extensive survey during late eighties and early nineties in the area. He is the first who discovered Kanlıtaş mound on a survey in 1989 and published his results with other two more important Chalcolithic stes in Keskaya bothros, Asmainler as ―Three Early Sites in the Vicinity of Eskişehir” (1990). He defined that all three sites are reperesenting early and late phases of Orman Fidanlığı that has been the best known site by excavation. Actually, Kanlıtaş is the only site that seem to display almost all phases in ceramic sequence in the light of our evidence from survey made during 2008. Actually, the pottery of the Porsuk Culture displays derivations from ―developed Fikirtepe‖ phase ceramics of Fikirtepe settlement (İstanbul) of which its evidence in Eskişehir area was first explored in Demircihöyük, Eskişehir. In excavated strata from Orman Fidanlığı, new ceramic elements of so-called Porsuk culture appear first with simple open bowl forms, deep carinated bowls, necked vessels with handles-vertical or horizontal- on the shoulder with the new decorative elements. In early phases of this horizon displays high proportion in painted wares and probably an influence from Early Chalcolithic horizon of Hacılar in Lakes region (Burdur area). They are also accompanied with characteristic decorations of Fikirtepe culture as grooving, excision and impressed patterns. However, certain new elements like fursentich (instrument impresso technique) and rippling on the surfaces start to appear at Porsuk Culture. According to Efe (2001: 173) some few examples from Demircihöyük (Eskişehir) may well predate the ones in Kanlıtaş and Orman Fidanlığı. The patterns have been generally applied as dot filled bands on shoulder or body parts of the vessels. During Middle Chalcolithic, strong ties between Northwest Anatolian and Balkans seem to have been established. First indications of similarities have been seen in Eastern Marmara sites from both Ilıpınar V (Bursa) and İstanbul, Yarımburgaz 3 phase (Özdoğan 2003: 352). The change is more defined with a variety of change in form and decoration styles that display Karanovo III-II sequence (Southern Balkans) and Vinca culture elements that dominated East of Balkan peninsula (mainly former Yugoslavia, Bulgaria and Hungary). 149 SERES’09 I. International Ceramic, Glass, Porcelain Enamel, Glaze and Pigment Congress Figure 4. Kanlıtaş surface collection sectors. In surface survey, the mound area has been divided into 12 sectors (A-L) for systematic surface collection so as to see percent and frequencies of the any assemblage from the site. The frequency of ceramic distribution that has been made, in systematic surface collection showed that some sectors (A and F sectors) gave more material than other section As the frequency of ceramics according to the phases of Chalcolithic period showed that the majority are Middle Chalcolithic with 47 % and then Early Chalcolithic follows with 37,5. In contrast to the high frequencies, Late chalcolithic ceramic has been represented in a small percentage only with 4 % . Figure 4. Kanlıtaş 08 Pottery Form Typology 1. Figure 5.Kanlıtaş Pottery Form Typology (Efe 1990: Fig 5). Altough the number in frequencies are relative as depending on surface material, Middle Chalcolithics period seems to be the main phase of the Chalcolithic 150 SERES’09 I. International Ceramic, Glass, Porcelain Enamel, Glaze and Pigment Congress settlement.The vessel repertory at Kanlıtaş (Figs. 4-5) presents a relatively greater variety of forms than is indicated among the material from Orman Fidanlığı. General forms on Chalcolithic Kanlıtaş pottery repertoire can be classified as Necked jars, carinated vessels, Hole-Mouth Jars, collar Necked vessels, Deep or low Casserole type vessels, S profile vessels, vessels with outward rims, some small pithos forms. Forms common to both Kanlıtaş and Orman Fidanlığı include deep bowls; wide, shallow casserole-type dishes; and necked jars. The flat base can be considered characteristic of both sites, although —again at both sites—slightly concave bases are attested. In addition, there are shreds representing vessel forms and ceramic ornament that do not appear in the Orman Fidanlığı repertory; these would appear to be later than the pottery repertory found in Kes Kaya (Eskişehir) bothros (which has not been paralleled by any pottery yet found at the site), probably contemporary with Ilıpınar (Bursa) V B. Figure 6. Red on cream painted pottery. Lug-handles are characteristic of the material from the Kanlıtaş mound. Both vertical and horizontal examples occur resembling those from Orman Fidanlığı. The fragment of such handle on a rim of cooking ware and one small piece of a basket handle broken from the rim Figure 7. Red purplish ware. In addition to grooved and impressed ornamentation, there are painted decoration styles. There are two basic variations: red paint on a white or cream slip and purplish red painting directly on the unslipped burnished surface. It is early stated t hat the these ―purplish-red slipped‖ wares (Fig. 7), which already appear in the "Asmainler" phase that was first explored in Asmainler site (Eskişehir), appear much more frequent at 151 SERES’09 I. International Ceramic, Glass, Porcelain Enamel, Glaze and Pigment Congress Kanlıtaş in contrast to Orman Fidanlığı ( Efe 1990: 35).However, the red painted on a cream slip ornament of Kanlıtaş are similar from those of Orman Fidanlığı that are more frequent in levels I-III. The patterns in general are linear, although there are a few examples of solid painted on the exterior and finer, more articulate linear motives on the interior. They are also compared with Early Chalcolithic Hacılar I pottery with vertical and diagonal painted herringbone patterns. According to Efe (2000: 173), the proportion of the painted pottery tend to decrease in the levels of IV and V, replacing with more monochrome vessels decorated with grooving, relief and Furchenstich as deep grooving [Fig.8 (a –b)]. After level III, ornaments in pottery from Orman Fidanlığı displays new elements tha has close affinities with Balkan ceramics with grooved, impressed decoration, plastic ornaments, and shallow channeling. The grooved ornaments finds parallels at Orman Fidanlığı with a pattern of curving grooves (possibly to be restored as a spiral or concentric circles) executed in a Furchenstich technique (Efe 2001). In both form and decoration, this pottery display some similarities with ―Pre –Vinca‖ elements. Except shallow channeling and plastic ornaments, there are all types of these decoration elements are seen in Kanlıtaş Middle Chalcolithic ceramic repertory. According to Efe (2000: 173), this phase should even better represented at Kanlıtaş. The future excavation with clear strata might well determine about Pre-Vinca elements in Middle Chalcolithic deposits alongside with transition from Early to Middle Chalcolithic. Figure 8. Kanlıtaş grooved, incised and Fursentich type decorated pottery. Some few are still unusual in ware, with its shiny black interior and brown exterior very much suggesting a black-topped bowl. The impressed decoration on the exterior is distinct in technique from the examples found at Orman Fidanlığı. However, same application is also common to EBA I ceramics. 3. CONCLUSION The study on ceramics from our survey is somehow an inspection on ceramics along 152 SERES’09 I. International Ceramic, Glass, Porcelain Enamel, Glaze and Pigment Congress with careful study earlier made as well (Efe 1990). The pottery with many variations surely have many dimensions on understanding the character of Chalcolithic Porsuk culture and its relations (or probably an acculturation) with Central Anatolia and Balkans via Eastern Marmara sites. The cultural contact between the Eskişehir and NW Türkiye as well as Central Anatolia (i.e Konya Plain and Northern Central Anatolia) is still not fully understood yet. The new excavations in Bursa area like Aktopraklık, Barçın Höyük with already known Eastern Marmara sites in that period (Aşağı Pınar, Toptepe, Yarımburgaz) are promising to have more clear evidence. The new strata from Kanlıtaş Höyük and new absolute dating (C14 and thermolinescance) might well give more results in understanding the evolution and its relations with NW. Anatolia. Presumably, from the end of the Middle Chalcolithic Period—at the earliest—, the pottery of the two regions exhibits an overall parallel development. Kanlıtaş pottery seems to display all sequence of Porsuk culture ceramics and probably more of it within complex interactions between NW Anatolia and Balkans since 6.mill. B. C. 4. BIBLIOGRAPHY [1] Efe, T., Three Early Sites in the Vicinity of Eskişehir:Asmainler, Kanlıtaş and Kes Kaya, Anatolica 16. 31-60, 1990. [2] An Inland Anatolian Site with Pre-Vinça Elements, Orman Fidanlığı, Eskişehir",Germania 68. 67-113, 1990. [3] Recent Investigation in Inland Northwest Anatolia and Its Contribution to Early Balkan-Anatolian Connections (Ed.S. Hiller and V. Nikolov) Das Neolitikum in Südosteuropa, 171-184, 2000. [4] The Salvage Excavations at Orman Fidanlığı. A Chalcolithic Site in lnland Northwestern Anatolia. TASK Vakfı Yayınları. İstanbul, 2001. [5] Özdoğan, M., The Prehistory of Northwesten Turkey in Recent Research in the Prehistory of the Balkans (Ed. V.D.Grammenos).Arch. Institute of Northern Greece.Thessaloniki. 329-368, 2003. 153