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Part of unfinished article on the Marx Brothers and Deleuze, which also includes a longish section on Kleist.
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      Heinrich von KleistGilles DeleuzeDeleuzeMarx Brothers
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      Media StudiesMedia and Cultural StudiesFilm TheoryGilles Deleuze
Table of Contents: Introduction - Nicolae Morar, Thomas Nail, and Daniel Smith Part I Encounters 1. Deleuze and Foucault: A Philosophical Friendship - François Dosse 2. Theatrum Philosophicum - Michel Foucault 3. Michel Foucault's Main... more
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      Critical TheoryDiscourse AnalysisPolitical SociologySocial Theory
This essay argues that the most influential strand of contemporary phenomenological film theory, indebted to Maurice Merleau-Ponty’s philosophy of perception and embodiment, has tended to under-emphasize or distort the specifically... more
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      Comparative LiteratureAestheticsFilm Theory and PracticeFilm Theory
"I should have written you after my first reading of The Living Currency; it was already breath-taking and I should have responded. After reading it a few more times, I know it is the best book of our times.' Letter to Pierre Klossowski... more
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      Critical TheoryPolitical SociologySocial TheoryFrench Literature
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      PhilosophyFilm StudiesFilm TheoryFilm Analysis
In his description of modern political cinema, Gilles Deleuze touches rather briefly on Youssif Chahine's Alexandria Why? (1979) as he explains how it subscribes to minor cinema. He ascribes to Chahine's film the quality of a... more
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      Gilles DeleuzeFranz KafkaArab and Jewish DiasporasCinema and Socio-Political Consciousness
Forethcoming for "The Emerging Church: Interdisciplinary Perspectives,'" edited by Mike Clawson and April Stace Vega.
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      Emerging ChurchAnthropology of ChristianityGilles DeleuzeDeleuze and cinema
Defying easy classification in the traditionally opposed terms of realism and formalism, and poised between conventional narrative cinema and more experimental European art-film traditions, Kieslowski's Three Colours trilogy is... more
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      Comparative LiteratureFilm Theory and PracticeFilm StudiesFilm Theory
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      AnimationStop-motion AnimationCinemaCzech Cinema
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      Gilles Deleuze and Felix GuattariKurdish CinemaDeleuze and cinemaKurdish Documentary Cinema
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    • Deleuze and cinema
Critical interpretations of Joyce’s discourse on the image have, for the best part, fallen into two categories: idealist or psychoanalytic interpretations of the Joycean imaginary on the one hand, and, on the other, materialist readings... more
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      James JoyceDeleuze & CinemaFinnegans WakeGilles Deleuze and Literature
Part of unfinished article on Marx Brothers and Deleuze.
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      Gilles DeleuzeDeleuzeMarx BrothersGilles Deleuze and Felix Guattari
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      Gender StudiesFilm StudiesQueer TheoryFilm Analysis
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    • Deleuze and cinema
"Allgemein verdankt sich die Originalität, Raffiniertheit und der so begrüßenswerte Mut der These vom Film als „einer Erbschaft der himmlischen Schau“ (50) einer bestechend einfachen Zusammenführung der (russisch-)orthodoxen Bildtradition... more
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      SymbolismFilm-PhilosophyGilles DeleuzeRussian Orthodoxy
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      Deleuze & CinemaDeleuze and cinema
The goal of this research is to study the spatial and temporal disjunctive composition of the movie 'Kill Bill part 1/2' and to lay a foundation for the future exploration of the topological relationship between contemporary architecture... more
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      Gilles DeleuzeMise-En-ScèneMultiplicityDeleuze and Architecture
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      Guy DebordGilles DeleuzeDeleuze and cinema
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      PhilosophyTechnologySpiritualityEast Asian Studies
Formation du Plan de formation continue de l'académie d'Amiens,
Amiens, France, le 05 février 2016
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      Gilles DeleuzeDeleuze and GuattariDeleuze and cinema
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      SchioanalysisDeleuze and cinema
Beyond the year of their production, their notoriously foreboding references to contemporary national and international politics, and their shared status as canonised classics of French cinema, Marcel Carné’s Le Jour se lève (1939) and... more
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      French CinemaGilles DeleuzeSecond World WarDeleuze & Cinema
Organisiert von Karin Harrasser und Drehli Robnik
für Kunstuniversität Linz und IWK/Institut für Wissenschaft & Kunst
12.-14. Mai 2017
Linz, Kunstuniversität, Galerie (Domgasse 1)
Wien, depot (Breite Gasse 3)
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      Film StudiesFilm TheoryComedyGilles Deleuze
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      Film TheoryCritical Animal StudiesGilles Deleuze and Felix GuattariDeleuze & Cinema
This article analyses Yi ye Taibei/Au Revoir Taipei (Chen, 2010). Due to its status as a co-production (with talent drawn from across borders, its various international funding sources and its deliberate appeal to global audiences through... more
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      Asian StudiesSoutheast Asian StudiesFilm StudiesFilm Theory
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      Film StudiesPhilosophy of FilmFilm-PhilosophyGilles Deleuze
Beaulieu, Julie. 2012. “Virtualités à l'oeuvre dans le cinéma de Marguerite Duras”. Within Le cinéma de Marguerite Duras: l'autre scène du littéraire. Symposium hosted by Figura, Centre de recherche sur le texte et l'imaginaire. Montréal,... more
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      Gilles DeleuzeDeleuzeMarguerite DurasDeleuze and cinema