Deleuze and cinema
29 Followers
Recent papers in Deleuze and cinema
Part of unfinished article on the Marx Brothers and Deleuze, which also includes a longish section on Kleist.
This essay argues that the most influential strand of contemporary phenomenological film theory, indebted to Maurice Merleau-Ponty’s philosophy of perception and embodiment, has tended to under-emphasize or distort the specifically... more
In his description of modern political cinema, Gilles Deleuze touches rather briefly on Youssif Chahine's Alexandria Why? (1979) as he explains how it subscribes to minor cinema. He ascribes to Chahine's film the quality of a... more
Defying easy classification in the traditionally opposed terms of realism and formalism, and poised between conventional narrative cinema and more experimental European art-film traditions, Kieslowski's Three Colours trilogy is... more
Critical interpretations of Joyce’s discourse on the image have, for the best part, fallen into two categories: idealist or psychoanalytic interpretations of the Joycean imaginary on the one hand, and, on the other, materialist readings... more
Part of unfinished article on Marx Brothers and Deleuze.
"Allgemein verdankt sich die Originalität, Raffiniertheit und der so begrüßenswerte Mut der These vom Film als „einer Erbschaft der himmlischen Schau“ (50) einer bestechend einfachen Zusammenführung der (russisch-)orthodoxen Bildtradition... more
The goal of this research is to study the spatial and temporal disjunctive composition of the movie 'Kill Bill part 1/2' and to lay a foundation for the future exploration of the topological relationship between contemporary architecture... more
Formation du Plan de formation continue de l'académie d'Amiens,
Amiens, France, le 05 février 2016
Amiens, France, le 05 février 2016
Beyond the year of their production, their notoriously foreboding references to contemporary national and international politics, and their shared status as canonised classics of French cinema, Marcel Carné’s Le Jour se lève (1939) and... more
Organisiert von Karin Harrasser und Drehli Robnik
für Kunstuniversität Linz und IWK/Institut für Wissenschaft & Kunst
12.-14. Mai 2017
Linz, Kunstuniversität, Galerie (Domgasse 1)
Wien, depot (Breite Gasse 3)
für Kunstuniversität Linz und IWK/Institut für Wissenschaft & Kunst
12.-14. Mai 2017
Linz, Kunstuniversität, Galerie (Domgasse 1)
Wien, depot (Breite Gasse 3)
This article analyses Yi ye Taibei/Au Revoir Taipei (Chen, 2010). Due to its status as a co-production (with talent drawn from across borders, its various international funding sources and its deliberate appeal to global audiences through... more
Beaulieu, Julie. 2012. “Virtualités à l'oeuvre dans le cinéma de Marguerite Duras”. Within Le cinéma de Marguerite Duras: l'autre scène du littéraire. Symposium hosted by Figura, Centre de recherche sur le texte et l'imaginaire. Montréal,... more