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English Victorian Poetry: An Anthology
English Victorian Poetry: An Anthology
English Victorian Poetry: An Anthology
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English Victorian Poetry: An Anthology

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Coinciding with the reign of Queen Victoria, the Victorian era of English literature is generally dated from the late 1930s to the turn of the 20th century and includes a roster of poets whose works are of perennial interest to students as well as enduringly popular with poetry lovers and other readers.
This outstanding, modestly priced anthology presents over 170 poems by the major poets of the period, including Alfred, Lord Tennyson; Robert Browning; Elizabeth Barrett Browning; Arthur Hugh Clough; Edward FitzGerald; Matthew Arnold; Dante Gabriel Rossetti; Christina Rossetti; Coventry Patmore; George Meredith; William Ernest Henley; Algernon Charles Swinburne; Gerard Manley Hopkins; Rudyard Kipling; and many others.
Carefully selected to include the works most often studied in literature courses, high school through college, this anthology is ideal for classroom use, independent study, and personal perusal. An introduction and brief biographical notes on the poets are included.
LanguageEnglish
Release dateMar 2, 2012
ISBN9780486112633
English Victorian Poetry: An Anthology

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    English Victorian Poetry - Dover Publications

    ALFRED, LORD TENNYSON (1809-1892)

    Considered by some to be the greatest poet of the Victorian period, Tennyson was in his lifetime certainly the most popular. One of twelve children, Tennyson was the son of a clergyman, who tutored him in classical and modern languages. He attended Cambridge, but was forced to leave in 1831 due to family and financial difficulties. Returning home, he continued to write verse, his early volumes in the 1830’s receiving generally adverse criticism. Persevering, however, he developed and refined his technique, gaining stature throughout the 1840’s, and achieved full critical recognition with the publication of In Memoriam in 1850, at which time he was appointed poet laureate, succeeding Wordsworth. He was made a peer in 1884.

    The Kraken

    ¹

    Below the thunders of the upper deep,

    Far, far beneath in the abysmal sea,

    His ancient, dreamless, uninvaded sleep

    The Kraken sleepeth: faintest sunlights flee

    About his shadowy sides; above him swell

    Huge sponges of millennial growth and height;

    And far away into the sickly light,

    From many a wondrous grot and secret cell

    Unnumbered and enormous polypi

    Winnow with giant arms the slumbering green.

    There hath he lain for ages, and will lie

    Battening upon huge sea worms in his sleep,

    Until the latter fire shall heat the deep;

    Then once by man and angels to be seen,

    In roaring he shall rise and on the surface die.

    Mariana

    ‘Mariana in the moated grange.’

    Measure for Measure.

    With blackest moss the flower-plots

    Were thickly crusted, one and all;

    The rusted nails fell from the knots

    That held the pear to the gable-wall.

    The broken sheds look’d sad and strange:

    Unlifted was the clinking latch;

    Weeded and worn the ancient thatch

    Upon the lonely moated grange.

    She only said, ‘My life is dreary,

    He cometh not,’ she said;

    She said, ‘I am aweary, aweary,

    I would that I were dead!’

    Her tears fell with the dews at even;

    Her tears fell ere the dews were dried;

    She could not look on the sweet heaven,

    Either at morn or eventide.

    After the flitting of the bats,

    When thickest dark did trance the sky,

    She drew her casement-curtain by,

    And glanced athwart the glooming flats.

    She only said, ‘The night is dreary,

    He cometh not,’ she said;

    She said, ‘I am aweary, aweary,

    I would that I were dead!’

    Upon the middle of the night,

    Waking she heard the night-fowl crow;

    The cock sung out an hour ere light;

    From the dark fen the oxen’s low

    Came to her; without hope of change,

    In sleep she seem’d to walk forlorn,

    Till cold winds woke the gray-eyed morn

    About the lonely moated grange.

    She only said, ‘The day is dreary,

    He cometh not,’ she said;

    She said, ‘I am aweary, aweary,

    I would that I were dead!’

    About a stone-cast from the wall

    A sluice with blacken’d waters slept,

    And o’er it many, round and small,

    The cluster’d marish-mosses crept.

    Hard by a poplar shook alway,

    All silver-green with gnarled bark:

    For leagues no other tree did mark

    The level waste, the rounding gray.

    She only said, ‘My life is dreary,

    He cometh not,’ she said;

    She said, ‘I am aweary, aweary,

    I would that I were dead!’

    And ever when the moon was low,

    And the shrill winds were up and away,

    In the white curtain, to and fro,

    She saw the gusty shadow sway.

    But when the moon was very low,

    And wild winds bound within their cell,

    The shadow of the poplar fell

    Upon her bed, across her brow.

    She only said, ‘The night is dreary,

    He cometh not,’ she said;

    She said, ‘I am aweary, aweary,

    I would that I were dead!’

    All day within the dreamy house,

    The doors upon their hinges creak’d;

    The blue fly sung in the pane; the mouse

    Behind the mouldering wainscot shriek’d,

    Or from the crevice peer’d about.

    Old faces glimmer’d thro’ the doors,

    Old footsteps trod the upper floors,

    Old voices called her from without.

    She only said, ‘My life is dreary,

    He cometh not,’ she said;

    She said, ‘I am aweary, aweary,

    I would that I were dead!’

    The sparrow’s chirrup on the roof,

    The slow clock ticking, and the sound

    Which to the wooing wind aloof

    The poplar made, did all confound

    Her sense; but most she loathed the hour

    When the thick-moted sunbeam lay

    Athwart the chambers, and the day

    Was sloping toward his western bower.

    Then said she, ‘I am very dreary,

    He will not come,’ she said;

    She wept, ‘I am aweary, aweary,

    O God, that I were dead!’

    The Lady of Shalott

    PART I

    On either side the river lie

    Long fields of barley and of rye,

    That clothe the wold and meet the sky;

    And thro’ the field the road runs by

    To many-tower’d Camelot;

    And up and down the people go,

    Gazing where the lilies blow

    Round an island there below,

    The island of Shalott.

    Willows whiten, aspens quiver,

    Little breezes dusk and shiver

    Thro’ the wave that runs for ever

    By the island in the river

    Flowing down to Camelot.

    Four gray walls, and four gray towers,

    Overlook a space of flowers,

    And the silent isle imbowers

    The Lady of Shalott.

    By the margin, willow-veil’d,

    Slide the heavy barges trail’d

    By slow horses; and unhail’d

    The shallop flitteth silken-sail’d

    Skimming down to Camelot:

    But who hath seen her wave her hand?

    Or at the casement seen her stand?

    Or is she known in all the land,

    The Lady of Shalott?

    Only reapers, reaping early

    In among the bearded barley,

    Hear a song that echoes cheerly

    From the river winding clearly,

    Down to tower’d Camelot;

    And by the moon the reaper weary,

    Piling sheaves in uplands airy,

    Listening, whispers "T is the fairy

    Lady of Shalott.’

    PART II

    There she weaves by night and day

    A magic web with colors gay.

    She has heard a whisper say,

    A curse is on her if she stay

    To look down to Camelot.

    She knows not what the curse may be,

    And so she weaveth steadily,

    And little other care hath she,

    The Lady of Shalott.

    And moving thro’ a mirror clear

    That hangs before her all the year,

    Shadows of the world appear.

    There she sees the highway near

    Winding down to Camelot;

    There the river eddy whirls,

    And there the surly village-churls,

    And the red cloaks of market girls,

    Pass onward from Shalott.

    Sometimes a troop of damsels glad,

    An abbot on an ambling pad,

    Sometimes a curly shepherd-lad,

    Or long-hair’d page in crimson clad,

    Goes by to tower’d Camelot;

    And sometimes thro’ the mirror blue

    The knights come riding two and two:

    She hath no loyal knight and true,

    The Lady of Shalott.

    But in her web she still delights

    To weave the mirror’s magic sights,

    For often thro’ the silent nights

    A funeral, with plumes and lights

    And music, went to Camelot;

    Or when the moon was overhead,

    Came two young lovers lately wed:

    ‘I am half sick of shadows,’ said

    The Lady of Shalott.

    PART III

    A bow-shot from her bower-eaves,

    He rode between the barley-sheaves.

    The sun came dazzling thro’ the leaves,

    And flamed upon the brazen greaves

    Of bold Sir Lancelot.

    A red-cross knight for ever kneel’d

    To a lady in his shield,

    That sparkled on the yellow field,

    Beside remote Shalott.

    The gemmy bridle glitter’d free,

    Like to some branch of stars we see

    Hung in the golden Galaxy.

    The bridle bells rang merrily

    As he rode down to Camelot;

    And from his blazon’d baldric slung

    A mighty silver bugle hung,

    And as he rode his armor rung,

    Beside remote Shalott.

    All in the blue unclouded weather

    Thick-jewell’d shone the saddle-leather,

    The helmet and the helmet-feather

    Burn’d like one burning flame together,

    As he rode down to Camelot;

    As often thro’ the purple night,

    Below the starry clusters bright,

    Some bearded meteor, trailing light,

    Moves over still Shalott.

    His broad clear brow in sunlight glow’d;

    On burnish’d hooves his war-horse trode;

    From underneath his helmet flow’d

    His coal-black curls as on he rode,

    As he rode down to Camelot.

    From the bank and from the river

    He flash’d into the crystal mirror,

    ‘Tirra lirra,’ by the river

    Sang Sir Lancelot.

    She left the web, she left the loom,

    She made three paces thro’ the room,

    She saw the water-lily bloom,

    She saw the helmet and the plume,

    She look’d down to Camelot.

    Out flew the web and floated wide;

    The mirror crack’d from side to side;

    ‘The curse is come upon me,’ cried

    The Lady of Shalott.

    PART IV

    In the stormy east-wind straining,

    The pale yellow woods were waning,

    The broad stream in his banks complaining,

    Heavily the low sky raining

    Over tower’d Camelot;

    Down she came and found a boat

    Beneath a willow left afloat,

    And round about the prow she wrote

    The Lady of Shalott.

    And down the river’s dim expanse

    Like some bold seer in a trance,

    Seeing all his own mischance—

    With a glassy countenance

    Did she look to Camelot.

    And at the closing of the day

    She loosed the chain, and down she lay;

    The broad stream bore her far away,

    The Lady of Shalott.

    Lying, robed in snowy white

    That loosely flew to left and right—

    The leaves upon her falling light—

    Thro’ the noises of the night

    She floated down to Camelot;

    And as the boat-head wound along

    The willowy hills and fields among,

    They heard her singing her last song,

    The Lady of Shalott.

    Heard a carol, mournful, holy,

    Chanted loudly, chanted lowly,

    Till her blood was frozen slowly,

    And her eyes were darken’d wholly,

    Turn’d to tower’d Camelot.

    For ere she reach’d upon the tide

    The first house by the water-side,

    Singing in her song she died,

    The Lady of Shalott.

    Under tower and balcony,

    By garden-wall and gallery,

    A gleaming shape she floated by,

    Dead-pale between the houses high,

    Silent into Camelot.

    Out upon the wharfs they came,

    Knight and burgher, lord and dame,

    And round the prow they read her name,

    The Lady of Shalott.

    Who is this? and what is here?

    And in the lighted palace near

    Died the sound of royal cheer;

    And they cross’d themselves for fear,

    All the knights at Camelot:

    But Lancelot mused a little space;

    He said, ‘She has a lovely face;

    God in his mercy lend her grace,

    The Lady of Shalott.’

    The Lotos-Eaters

    ‘Courage!’ he said, and pointed toward the land,

    ‘This mounting wave will roll us shoreward soon.’

    In the afternoon they came unto a land

    In which it seemed always afternoon.

    All round the coast the languid air did swoon,

    Breathing like one that hath a weary dream.

    Full-faced above the valley stood the moon;

    And, like a downward smoke, the slender stream

    Along the cliff to fall and pause and fall did seem.

    A land of streams! some, like a downward smoke,

    Slow-dropping veils of thinnest lawn, did go;

    And some thro’ wavering lights and shadows broke,

    Rolling a slumbrous sheet of foam below.

    They saw the gleaming river seaward flow

    From the inner land; far off, three mountain-tops,

    Three silent pinnacles of aged snow,

    Stood sunset-flush’d; and, dew’d with showery drops,

    Up-clomb the shadowy pine above the woven copse.

    The charmed sunset linger’d low adown

    In the red West; thro’ mountain clefts the dale

    Was seen far inland, and the yellow down

    Border’d with palm, and many a winding vale

    And meadow, set with slender galingale;

    A land where all things always seem’d the same!

    And round about the keel with faces pale,

    Dark faces pale against that rosy flame,

    The mild-eyed melancholy Lotos-eaters came.

    Branches they bore of that enchanted stem,

    Laden with flower and fruit, whereof they gave

    To each, but whoso did receive of them

    And taste, to him the gushing of the wave

    Far far away did seem to mourn and rave

    On alien shores; and if his fellow spake,

    His voice was thin, as voices from the grave;

    And deep-asleep he seem’d, yet all awake,

    And music in his ears his beating heart did make.

    They sat them down upon the yellow sand,

    Between the sun and moon upon the shore;

    And sweet it was to dream of Fatherland,

    Of child, and wife, and slave; but evermore

    Most weary seem’d the sea, weary the oar,

    Weary the wandering fields of barren farm.

    Then some one said, ‘We will return no more’;

    And all at once they sang, ‘Our island home

    Is far beyond the wave; we will no longer roam.’

    CHORIC SONG

    I

    There is sweet music here that softer falls

    Than petals from blown roses on the grass,

    Or night-dews on still waters between walls

    Of shadowy granite, in a gleaming pass;

    Music that gentlier on the spirit lies,

    Than tired eyelids upon tired eyes;

    Music that brings sweet sleep down from the blissful skies.

    Here are cool mosses deep,

    And thro’ the moss the ivies creep,

    And in the stream the long-leaved flowers weep,

    And from the craggy ledge the poppy hangs in sleep.

    II

    Why are we weigh’d upon with heaviness,

    And utterly consumed with sharp distress,

    While all things else have rest from weariness?

    All things have rest: why should we toil alone,

    We only toil, who are the first of things,

    And make perpetual moan,

    Still from one sorrow to another thrown;

    Nor ever fold our wings,

    And cease from wanderings,

    Nor steep our brows in slumber’s holy balm;

    Nor harken what the inner spirit sings,

    ‘There is no joy but calm!’—

    Why should we only toil, the roof and crown of things?

    III

    Lo! in the middle of the wood,

    The folded leaf is woo’d from out the bud

    With winds upon the branch, and there

    Grows green and broad, and takes no care,

    Sun-steep’d at noon, and in the moon

    Nightly dew-fed; and turning yellow

    Falls, and floats adown the air.

    Lo! sweeten’d with the summer light,

    The full-juiced apple, waxing over-mellow,

    Drops in a silent autumn night.

    All its allotted length of days

    The flower ripens in its place,

    Ripens and fades, and falls, and hath no toil,

    Fast-rooted in the fruitful soil.

    IV

    Hateful is the dark-blue sky,

    Vaulted o’er the dark-blue sea.

    Death is the end of life; ah, why

    Should life all labor be?

    Let us alone. Time driveth onward fast,

    And in a little while our lips are dumb.

    Let us alone. What is it that will last?

    All things are taken from us, and become

    Portions and parcels of the dreadful past.

    Let us alone. What pleasure can we have

    To war with evil? Is there any peace

    In ever climbing up the climbing wave?

    All things have rest, and ripen toward the grave

    In silence—ripen, fall, and cease:

    Give us long rest or death, dark death, or dreamful ease.

    V

    How sweet it were, hearing the downward stream,

    With half-shut eyes ever to seem

    Falling asleep in a half-dream!

    To dream and dream, like yonder amber light,

    Which will not leave the myrrh-bush on the height;

    To hear each other’s whisper’d speech;

    Eating the Lotos day by day,

    To watch the crisping ripples on the beach,

    And tender curving lines of creamy spray;

    To lend our hearts and spirits wholly

    To the influence of mild-minded melancholy;

    To muse and brood and live again in memory,

    With those old faces of our infancy

    Heap’d over with a mound of grass,

    Two handfuls of white dust, shut in an urn of brass!

    VI

    Dear is the memory of our wedded lives,

    And dear the last embraces of our wives

    And their warm tears; but all hath suffer’d change;

    For surely now our household hearths are cold,

    Our sons inherit us, our looks are strange,

    And we should come like ghosts to trouble joy.

    Or else the island princes over-bold

    Have eat our substance, and the minstrel sings

    Before them of the ten years’ war in Troy,

    And our great deeds, as half-forgotten things.

    Is there confusion in the little isle?

    Let what is broken so remain.

    The Gods are hard to reconcile;

    ’T is hard to settle order once again.

    There is confusion worse than death,

    Trouble on trouble, pain on pain,

    Long labor unto aged breath,

    Sore task to hearts worn out by many wars

    And eyes grown dim with gazing on the pilot-stars.

    VII

    But, propt on beds of amaranth and moly,

    How sweet—while warm airs lull us, blowing lowly—

    With half-dropt eyelid still,

    Beneath a heaven dark and holy,

    To watch the long bright river drawing slowly

    His waters from the purple hill—

    To hear the dewy echoes calling

    From cave to cave thro’ the thick-twined vine—

    To watch the emerald-color’d water falling

    Thro’ many a woven acanthus-wreath divine!

    Only to hear and see the far-off sparkling brine,

    Only to hear were sweet, stretch’d out beneath the pine.

    VIII

    The Lotos blooms below the barren peak,

    The Lotos blows by every winding creek;

    All day the wind breathes low with mellower tone;

    Thro’ every hollow cave and alley lone

    Round and round the spicy downs the yellow Lotos-dust is blown.

    We have had enough of action, and of motion we,

    Roll’d to starboard, roll’d to larboard, when the surge was seething free,

    Where the wallowing monster spouted his foam-fountains in the sea.

    Let us swear an oath, and keep it with an equal mind,

    In the hollow Lotos-land to live and lie reclined

    On the hills like Gods together, careless of mankind.

    For they lie beside their nectar, and the bolts are hurl’d

    Far below them in the valleys, and the clouds are lightly curl’d

    Round their golden houses, girdled with the gleaming world;

    Where they smile in secret, looking over wasted lands,

    Blight and famine, plague and earthquake, roaring deeps and fiery sands,

    Clanging fights, and flaming towns, and sinking ships, and praying hands.

    But they smile, they find a music centred in a doleful song

    Steaming up, a lamentation and an ancient tale of wrong,

    Like a tale of little meaning tho’ the words are strong;

    Chanted from an ill-used race of men that cleave the soil,

    Sow the seed, and reap the harvest with enduring toil,

    Storing yearly little dues of wheat, and wine and oil;

    Till they perish and they suffer—some, ’t is whisper’d—down in hell

    Suffer endless anguish, others in Elysian valleys dwell,

    Resting weary limbs at last on beds of asphodel.

    Surely, surely, slumber is more sweet than toil, the shore

    Than labor in the deep mid-ocean, wind and wave and oar;

    O, rest ye, brother mariners, we will not wander more.

    Ulysses

    It little profits that an idle king,

    By this still hearth, among these barren crags,

    Match’d with an aged wife, I mete and dole

    Unequal laws unto a savage race,

    That hoard, and sleep, and feed, and know not me.

    I cannot rest from travel; I will drink

    Life to the lees. All times I have enjoy’d

    Greatly, have suffer’d greatly, both with those

    That loved me, and alone; on shore, and when

    Thro’ scudding drifts the rainy Hyades

    Vext the dim sea. I am become a name;

    For always roaming with a hungry heart

    Much have I seen and known,—cities of men

    And manners, climates, councils, governments,

    Myself not least, but honor’d of them all,—

    And drunk delight of battle with my peers,

    Far on the ringing plains of windy Troy.

    I am a part of all that I have met:

    Yet all experience is an arch wherethro’

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