Score Study Handout
Score Study Handout
Score Study Handout
Study:
Discovering
and
Detecting
the
Composer’s
Intent
“The
real
voyage
of
discovery
is
not
in
seeking
new
landscapes,
but
in
having
new
eyes.”
-‐Marcel
Proust
LOOKING
AT
OUR
SCORE
WITH
NEW
EYES
(AND
EARS)
How
does
the
score
inform
our
GESTURE?
How
does
the
score
inform
our
REHEARSAL
TECHNIQUE?
GESTURAL
CONSIDERATIONS
REHEARSAL
CONSIDERATIONS
Cues
&
Cut-‐off
Rehearsal
numbers/letters
Dynamics:
piano,
forte
Keys
and
modulations
Dynamics:
crescendo,
diminuendo
Harmony
Articulation:
marcato,
staccato,
legato,
Articulation
tenuto
Historical/National
Context
(Style
period)
Tempo
(MM
markings)
Tempo
(MM
markings)
Meter
changes
Meter
changes
Breathing
(phrasing?)
Phrasing
Fermatas
Clef/Transposition
Syncopation
Balance/Voicing
Structure/Form
Emotional
Context
Text
and
translation
THOUGHTS
FROM
OTHER
CONDUCTORS:
Ann
Howard
Jones:
Choose
music
carefully
and
thoroughly
know
your
score
BEFORE
the
first
rehearsal.
Helmuth
Rilling:
“If
you
want
to
be
a
good
conductor,
score
preparation
will
require
much
work
ahead
of
time—much
solitary
work.”
Ken
Jennings:
Schedule
a
regular
time
for
practice
(alone
and
uninterruptible)!
Jerry
Blackstone:
LISTEN!
Learn
the
score,
Imagine
your
dream
choir,
Show
the
dream
through
gesture,
Transform
your
choir,
(En)spire
your
choir.
SCORE
STUDY:
DISCOVERING
AND
DETECTING
THE
COMPOSER’S
INTENT
MACRO
DETECTION
• Read
text
silently
and
aloud
• Analyze
poetry
and
structure
of
the
text,
and
discover
the
poet
(translate,
if
necessary)
o How
does
composer
set
the
poem?
o Does
s/he
make
changes?
• Discover
historical
significance,
understand
composer’s
time
period,
and
any
circumstances
surrounding
the
work
specifically
• Get
familiar
with
piece
completely
o Play
through
the
piece
on
the
piano
(as
many
parts
as
possible)
o Sing
through
parts
individually;
play
one
part,
sing
another,
etc.
o Listen
to
MULTIPLE
recordings
• 3-‐tiered
approach
to
structure,
form
and
phrasing
o large
sections,
periods
or
smaller
sections,
phrases
o upper-‐case
letter,
lower
case
letter,
phrase
delineation
(vertical
line)
• Analyze
harmonies
and
key
areas
• If
polyphonic,
mark
all
entrances
of
themes,
subjects,
etc.
(color
code,
if
needed)
• Graph
the
piece
to
get
an
overall
view
of
the
piece
(dynamic
landscape,
structural
landscape,
textural
landscape)
• Conduct
through
the
piece
and
discover
difficult
passages
MICRO
DETECTION
• Number
all
measures
• If
in
a
foreign
language,
write
the
translation
(literal,
word
for
word)
above
the
text
in
the
score.
Attach
a
poetic
translation
to
the
score,
as
well.
• Mark
all
articulations
that
you
want
to
add
stylistically.
Draw
attention
to
any
articulations
that
composer
has
marked
• Emphasize
the
following:
o Red
pencil
forte
dynamics
o Blue
pencil
piano
dynamics
o Orange
pencil
meter
changes
o Green
pencil
cues
o Purple
pencil
tempo
changes
o Highlighters
themes
and
material
you
wish
brought
out
o Dark
pencil
articulations,
etc.
• Analyze
the
melodic
contour
o Is
there
text
painting?
o Word
stress