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    Trance and Metal Music

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    Aelin
    Trance music originated in the late 1990s and early 2000s, drawing on genres like house and classical music. It is characterized by a faster tempo, repetitive synthesizer lines, heavy effects like delay, and build-up and breakdown structures intended to induce a trance-like state in listeners. Trance music focuses on layered instrumental mixing with foreshadowed climaxes and releases, though vocals from soprano or mezzo-soprano singers are sometimes included without a traditional verse/chorus structure.

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    Trance and Metal Music

    Uploaded by

    Aelin
    35 views1 page
    Trance music originated in the late 1990s and early 2000s, drawing on genres like house and classical music. It is characterized by a faster tempo, repetitive synthesizer lines, heavy effects like delay, and build-up and breakdown structures intended to induce a trance-like state in listeners. Trance music focuses on layered instrumental mixing with foreshadowed climaxes and releases, though vocals from soprano or mezzo-soprano singers are sometimes included without a traditional verse/chorus structure.

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    trance and metal music

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    Trance music originated in the late 1990s and early 2000s, drawing on genres like house and classical music. It is characterized by a faster tempo, repetitive synthesizer lines, heavy effects like delay, and build-up and breakdown structures intended to induce a trance-like state in listeners. Trance music focuses on layered instrumental mixing with foreshadowed climaxes and releases, though vocals from soprano or mezzo-soprano singers are sometimes included without a traditional verse/chorus structure.

    Copyright:

    © All Rights Reserved
    Download as TXT, PDF, TXT or read online from Scribd
    Download as txt, pdf, or txt
    35 views1 page

    Trance and Metal Music

    Uploaded by

    Aelin
    Trance music originated in the late 1990s and early 2000s, drawing on genres like house and classical music. It is characterized by a faster tempo, repetitive synthesizer lines, heavy effects like delay, and build-up and breakdown structures intended to induce a trance-like state in listeners. Trance music focuses on layered instrumental mixing with foreshadowed climaxes and releases, though vocals from soprano or mezzo-soprano singers are sometimes included without a traditional verse/chorus structure.

    Copyright:

    © All Rights Reserved
    Download as TXT, PDF, TXT or read online from Scribd
    Download as txt, pdf, or txt
    of 1

    Trance music, or trance, is a form of electronic dance music (EDM) that gained

    popularity in the late ‘90s and early 2000s.


    Though it draws on various music genres, from house music to classical music,
    trance is distinguished by its production
    aesthetic, which combines a faster tempo, minimal, repetitive synthesizer lines,
    and an array of effects, from heavy
    delay to recurring build-up and breakdown structures. These elements are intended
    to suggest and even induce a
    trance-like state of euphoria on the dancefloor.
    A trance is a state of hypnotism and heightened consciousness.[12] This is
    portrayed in trance music by the mixing of layers with distinctly foreshadowed
    build-up and release.
    Trance is mostly instrumental, although vocals can be mixed in: typically they are
    performed by mezzo-soprano to soprano female soloists, mostly without a traditional
    verse/chorus structure.
    The "Trance" name may refer to an induced emotional feeling, high, euphoria,
    chills, or uplifting rush that listeners claim to experience
    A writer for Billboard magazine writes, "Trance music is perhaps best described as
    a mixture of 70s disco and 60s psychedelia"
    The writer Bom Coen traces the roots of trance to Paul van Dyk's 1993 remix of
    Humate's "Love Stimulation"
    Beginnings. The earliest trance songs, like “L’Esperanza” by Sven Vath, the KLF’s
    “What Time Is Love (Pure Trance 1),” and “We Came in Peace” by Dance 2 Trance.
    Poland: Euforia Festival, Electronic Family Poland, Mayday, Sunrise Festival

    THE ROOTS OF HEAVY METAL https://teachrock.org/lesson/the-roots-of-heavy-metal/


    In the late 1960s, the British industrial city Birmingham was a blue-collar factory
    town with limited options for young people. In the early 1970s, the economic growth
    that Britain had seen after World War II began to slow, and unemployment started to
    rise. This period of economic decline continued into the late 70s and early 80s,
    marked by inflation, labor strikes, and general economic decline.
    Black Sabbath, arguably the first Heavy Metal band, sprang from Birmingham and gave
    voice to this experience of desolation.
    Black Sabbath is generally credited as being the first heavy metal band. The band’s
    lead vocalist, “Ozzy Osbourne”, is often credited for being ”The Father of Metal”.

    The first heavy metal acts are considered to be Led Zeppelin, Black Sabbath and
    Deep Purple, often referred to as the “unholy trinity”. Led Zeppelin released their
    self-titled debut in 1969, while Black Sabbath and Deep Purple put out influential
    records in 1970.
    Metal began to branch out into sub-genres, with glam and hair metal acts like
    Motley Crue and Poison spearheading the movement. Thrash metal became huge, with
    bands such as Metallica and Megadeth reaching ever larger audiences, thanks in part
    to metal acts being played on MTV, which started airing in 1981.

    Heavy metal experienced different interpretations as it began to disseminate


    globally. Nowhere was this more evident than the west coast of North America,
    especially Los Angeles, the San Francisco Bay Area, and Seattle/Vancouver. In Los
    Angeles, many bands developed a streamlined approach with a neutral, simplified
    sound and a focus on theatrics and showmanship.
    Drawing inspiration from the original metal bands and the increased intensity of
    the NWOBHM acts, a new subgenre of metal coalesced: Thrash Metal. Led by Bay Area
    acts Metallica (Creeping Death), Exodus (Bonded by Blood), and Testament (Into the
    Pit), as well as Megadeth (Hook in Mouth) and Slayer (Raining Blood) in Los
    Angeles, Seattle’s Metal Church (Metal Church) and Vancouver’s Annihilator (Alison
    Hell)

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