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Out of Time, Pedagogy, Temporality and the Affective Encounter. Film and Moving Image Making Practice in Art Education The International Journal of Art & Design Education (IF 1.1) Pub Date : 2024-11-08 Joanna Fursman
This article explores how lens‐based practices can articulate and respond to art education phenomena. The affective turn in education and appearances of education in artists’ film and moving‐image are explored to help identify different appearances and experiences of art education pedagogy. Interspersed by clip descriptions from students and my affective descriptions of watching Être et avoir by Nicolas
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Redefining Women’s Bodies from the Perspective of Iranian Contemporary Female Artists Arts (IF 0.3) Pub Date : 2024-11-07 Paria Karami
In contemporary art, the representation of the “body”, particularly the female body, has emerged as a crucial site of feminist critique and exploration. This is especially evident in the works of Iranian female artists, who challenge prevailing local and global discourses surrounding female embodiment. This study examines how artists such as Shirin Neshat (b. 1957), Parastou Forouhar (b. 1962), and
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Storied Rocks: Portals to Other Dimensions Arts (IF 0.3) Pub Date : 2024-11-07 Richard Stoffle, Kathleen Van Vlack, Alannah Bell, Bianca Eguino Uribe
Storied Rocks (Tumpituxwinap) is a term of reference used by the Numic speaking tribal elders whom we have worked with for over 60 years on an estimated 200 ethnographic studies. Key to this analysis are the protocols for approaching, interacting, and using the places where Storied Rocks have been located. Concomitant with these traditional protocols are ones established to resolve the curiosity of
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Thinking About Drawing As Cause and Consequence: Practical Approaches in Time The International Journal of Art & Design Education (IF 1.1) Pub Date : 2024-11-06 Simon Grennan, Miranda Matthews, Claire Penketh, Carol Wild
This paper, a conversation between Simon Grennan, Carol Wild, Miranda Matthews and Claire Penketh, explores drawing as cause and consequence, applying Grennan's thinking to three drawings as a means of exploring and exemplifying ideas discussed in his keynote at the iJADE Conference: Time in 2023. Following an initial introduction to key ideas that were raised for that audience, the paper explores
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A Ritornello Pedagogy: Troubling School Art Orthodoxies The International Journal of Art & Design Education (IF 1.1) Pub Date : 2024-11-05 Georgia Sowerby, Tabitha Millett
In the studio, there are routines and rituals to be observed. One of those is making gesso. The quantities change each time and the ingredients vary, but the mechanical process remains the same: soak rabbit skin glue for 3 hours, double burner melt the glue, sieve in champagne chalk whiting, stir slowly, and tap the sides to remove air bubbles. Brush on first layer. Dry. Sand. Repeat × 10. Out of repetition
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Staging Statecraft: Dance Festivals and Cultural Representations in Konark, Odisha, India Arts (IF 0.3) Pub Date : 2024-11-04 Mihika Banerjee
This essay argues that dance festivals are choreographed spaces that shape cultural heritage. The Konark Dance Festival in Odisha, India, is an annual program situated around the Konark Sun Temple, a UNESCO-recognized World Heritage Site. The following explores the interrelationship between the modern space of the temple monument and the modern format of festival dances in Konark. The festival project
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Time: Friend or Foe The International Journal of Art & Design Education (IF 1.1) Pub Date : 2024-10-31 Moulis Charlotte
Using many years of experience in the UK's state primary schools, I consider that a limited understanding of time has damaging implications for both pupils and adults within the education system. The sector neglects the fact that time has much potential, many definitions and is a powerful influence on man. I share how education took clock‐time and manipulated it to an extreme, leading to the rule clock‐time
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Artistic Production in a Necropolis in Motion Arts (IF 0.3) Pub Date : 2024-10-30 Nico Staring
The present article studies aspects of the artistic production at New Kingdom Saqqara, a necropolis of the ancient Egyptian royal residence city Memphis. Following a brief review of the functions of ancient Egyptian tombs, this article will first set out to scrutinize the tomb-making section of society (e.g., size, membership). Second, the corpus of tombs will be reviewed to uncover the diverse nature
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Towards a Study of Incidental Music Through the Lens of Applied Musicology Arts (IF 0.3) Pub Date : 2024-10-29 Monika Novaković
In this article, applied musicology is discussed in the context of research on incidental music in Serbia—a task which, to my knowledge, has not been undertaken so far. In recent years, the body of publications on applied musicology has notably expanded, resulting in a number of important articles and a landmark collective monograph. This, in turn, prompted me to view my main research interests—applied
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Symmetry and Meaningfulness in the Spotlight of Expertness Empirical Studies of the Arts (IF 1.5) Pub Date : 2024-10-29 Bernadett Palko-Arndt, Cintia Bali, Aniko Illes
Empirical aesthetics focuses on understanding how perceptual features shape aesthetic preferences, with symmetry being a key aspect. However, recent studies show variation in symmetry preference across samples and stimuli. Our study aims to explore the boundaries of symmetry preference, particularly in relation to meaning, prototypicality and expertise in visual arts. With our stimuli we can test the
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The Pedagogical Power of Paper The International Journal of Art & Design Education (IF 1.1) Pub Date : 2024-10-29 Suzanne Rodgers
In this research, I explore the potential of a material‐led, embodied pedagogical approach to cultivate diverse modes of thinking, knowing and becoming within a pre‐GCSE curriculum. Drawing from my experiences as both an artist and educator, I acknowledge the transformative power inherent in recognising the agency of all forms of matter, whether human or non‐human. Through the implementation of a project
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The Neuroaesthetics of Art and Design Education The International Journal of Art & Design Education (IF 1.1) Pub Date : 2024-10-29 Carol Wild
Teaching is increasingly defined through the syntax of cognitive science, by retrieval practice, spaced learning, and interleaving, generating a computational rhythm for learning as a system of inputs and outputs that builds up an individual's memory over time. This, I argue, is at odds with the choreography of art and design education as an aesthetic, social, and material practice. An alternative
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Never Enough Time The International Journal of Art & Design Education (IF 1.1) Pub Date : 2024-10-28 Christopher Samuel
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Broken Time: On the Fragmentation of the Experience of Art School and the Impact on Identity Formation and Ttransformation The International Journal of Art & Design Education (IF 1.1) Pub Date : 2024-10-25 Magnus Quaife
This paper explores how increases in modularisation, elements of professional practice and even our relationship to screens and social media are amongst the factors that have changed the way time is experienced in higher fine art education. I draw upon my experience as a student, educator and pedagogical researcher to propose that identity formation and/or transformation are amongst the key functions
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Quick, Quick, Slow: Making Time for Sustainable Photography Practices in Contemporary Higher Education The International Journal of Art & Design Education (IF 1.1) Pub Date : 2024-10-25 Tracy Piper‐Wright, Tabitha Jussa
As environmental awareness grows, so do questions about the environmental impact of photography, in particular traditional film development and processing, which includes the use of plastics, gelatine and other environmentally harmful chemicals notwithstanding water usage and waste. Pioneering practice and research into sustainable alternatives to conventional processes has quickly established, supported
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Disruptive Timetables and Frameworks Within the Gamification of Critique and Peer Review The International Journal of Art & Design Education (IF 1.1) Pub Date : 2024-10-25 Justin B. Makemson
Researchers define gamification as the phenomenon of creating “gameful experiences” and the use of “game mechanics” in non‐gaming contexts (Deterding et al. 2011; Hamari et al. 2014). Gamification within education is the translation of design elements historically associated with gaming, e.g., embodiment, restructured timetables, probability, risk and reward, into the design of pedagogical approaches
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Cultural Engagement and Subjective Well-Being in the Cluj Metropolitan Area: An Exploration in Cultural Commoning and Collaborative Development Empirical Studies of the Arts (IF 1.5) Pub Date : 2024-10-23 Norbert Petrovici, Cristian Pop, Rarița Zbranca
We explore cultural participation's impact on subjective well-being in Cluj Metropolitan Area. Using telephone surveys, we identify a positive correlation between cultural engagement and increased well-being, mediated by cultural appraisal. Three primary participation types—active, receptive, and entertainment-related—are identified. Active and entertainment-related activities indirectly enhance well-being
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Lebanese Cedar, Skeuomorphs, Coffins, and Status in Ancient Egypt Arts (IF 0.3) Pub Date : 2024-10-22 Caroline Arbuckle MacLeod
In ancient Egypt, as with many cultures, funerary objects often communicated aspects of access, power, and social status. Lebanese cedar, for instance, was selected as a particularly desirable material from which to craft the coffins of Egypt’s upper echelons. This imported timber was both structurally superior to local woods and had important social and religious significance. For the slightly lower-ranking
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The Twofold Role of Subjective Fluency in Displeasing but Preferable Visual Artworks: Self-Report and Eye-Tracking analysis Empirical Studies of the Arts (IF 1.5) Pub Date : 2024-10-22 Jinwoo Lee, Dayoun Choi, Joung-A Eom, Mijung Kang
Subjective fluency affects preference evaluation in daily objects through two routes: increasing preference (‘hedonic effect’) and amplifying valence effects on preference (‘amplifying effect’). Contrarily, empirical aesthetics suggest that contextual knowledge, the primary source of fluency, prevents valence-dependent appreciation, challenging the amplifying effect model. Here, we examined the dual
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Cross-Cultural Histories and Traditions Between the Cut and Engraved Glass Scenes of the UK and Japan Arts (IF 0.3) Pub Date : 2024-10-20 Jessamy Kelly
Recent research conducted by Heritage Crafts, a prominent national advocacy organisation dedicated to preserving traditional heritage crafts in the UK, has unveiled a concerning trend: several traditional craft skills teeter on the edge of extinction within the UK. This revelation stems from the Heritage Crafts Red List of Endangered Crafts, an initiative which identifies crafts facing the risk of
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Expanding Understandings of Curatorial Practice Through Virtual Exhibition Building Arts (IF 0.3) Pub Date : 2024-10-20 Francesca Albrezzi
This article reflects on the translation of gallery space into a virtually immersive experience in an era of remote access. Curators and scholars such as Mary Nooter Roberts, Susan Vogel, Carol Duncan, Tony Bennet, Stephen Greenblatt, Judith Mastai, and Barbara Kirshenblatt-Gimblett have discussed the myriad of ways in which the experience of culturally significant objects and sites in person has been
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The Unseen Truth of God in Early Modern Masterpieces Arts (IF 0.3) Pub Date : 2024-10-17 Simon Abrahams
God the Father was considered so completely inexpressible and unembodied that his visual appearance in early modern masterpieces has long challenged the theological accuracy of such works. A recent discovery complicates that issue. Albrecht Dürer’s 1500 Self-portrait as Christ is incorrectly considered an isolated example of divine self-representation. It was, in fact, as shown here, part of a long
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Attitudes and Abracadabra: How Do Skeptical, Superstitious, and Paranormal Beliefs Predict Enjoying Performance Magic? Empirical Studies of the Arts (IF 1.5) Pub Date : 2024-10-17 Paul J. Silvia, Sara J. Crasson, Gil Greengross, Maciej Karwowski, Rebekah M. Rodriguez-Boerwinkle
The growing psychology of magic field explores how spectators understand, appreciate, and experience this ancient performing art. The present research explored how skeptical, superstitious, and paranormal beliefs predict the enjoyment of magic. A sample of American adults ( n = 292) completed a measure of magic attitudes (the Loathing of Legerdemain Scale) along with many measures of (1) skeptical
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Autoethnographical Research on the Experience of Identity Change as an Artist, Teacher and Teaching Artist The International Journal of Art & Design Education (IF 1.1) Pub Date : 2024-10-16 Ok‐Hee Jeong
An autoethnographic exploration of identity formation raises the question of how individuals inhabit, negotiate, accommodate and resist the social groups to which they belong, continually coming to terms with who and what they are. This paper discusses, through this researcher's autobiographical exploration, the ways in which pedagogical discourse and practice produce identities that are constructed
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Revolutionizing Dance Education Through the Assessment of Online Videoconferencing to Increase Participation in Dance: Learning Philippine Traditional Dances Empirical Studies of the Arts (IF 1.5) Pub Date : 2024-10-14 Joseph Lobo, Jem Cloyd Tanucan, Rhene Camarador, Al Azim, Edi Setiawan, Hans Freyzer Arao, Leanjo Fernando
The present study investigated the determinants affecting students’ actual use through the use of a video-conferencing platform, and how actual use affects dance engagement, for enhancing the learning experience in the domain of dance education, particularly Philippine Traditional Dances. Therefore, this predictive-causal study aimed to assess the effect of actual use (by adopting Technology Acceptance
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Remembrances of Paul Locher Empirical Studies of the Arts (IF 1.5) Pub Date : 2024-10-14 Anjan Chatterjee, Helmut Leder, Marcos Nadal, Jeff Smith, Lisa Smith, Pablo P. L. Tinio, Oshin Vartanian, Debra Zellner
Paul Locher passed away on 20 August 2024. Paul was an outstanding scientist and a central figure in the field of empirical aesthetics. He made important contributions to numerous areas including the study of symmetry, balance, facial attractiveness, museum behaviour, artwork composition and restoration, and aesthetics of food, but in particular to the study of eye movements in aesthetic appreciation
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When a Literary Translator Took an Activist Turn: Lin Yutang’s Translation of New Democracy Critical Arts (IF 1.1) Pub Date : 2024-10-09 Min He
Lin Yutang, a world-famous writer and translator, has long been known as an apolitical cultural ambassador. This study reveals, however, that beginning from the early 1940s, Lin turned from apoliti...
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Generative Models for the Psychology of Art and Aesthetics Empirical Studies of the Arts (IF 1.5) Pub Date : 2024-10-08 Aaron Hertzmann
This paper describes how computational generative models can describe aspects of the artistic process, and how these generative models can provide tools for formulating and testing psychological theories of art. The term “generative models” here refers to algorithms that can generate artistic imagery, video, text, or other artistic media, including techniques developed in both computer graphics and
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Exhibiting for Purpose: Finnish Art in Moscow in 1934 Arts (IF 0.3) Pub Date : 2024-10-07 Hanna-Leena Paloposki, Katarina Lopatkina
This article is a case study that illustrates the complex intersection of art, politics, and diplomacy in the interwar period. Based on Finnish and Soviet archival documents and press publications, it examines the entire process of organising a Finnish art show abroad. The exhibition, held from 28 November to 24 December 1934, in Moscow, was seen as a landmark event, drawing significant attendance
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‘The Cultural Mediator between the North and the South, the East and the West’: The 1930 Official Exhibition of Austrian Art in Warsaw Arts (IF 0.3) Pub Date : 2024-10-06 Irena Kossowska
This article explores the official exhibition of Austrian art held in May 1930 at The Society for the Encouragement of the Fine Arts in Warsaw. Showcasing 474 artworks by 100 artists, the exhibition spanned the years 1918–1930, a period marked by Austria’s efforts to overcome post-war political isolation. The article examines the exhibition’s rhetoric and its critical reception in Warsaw within the
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Close Encounters of the Feathered Kind: Orpheus and the Birds Arts (IF 0.3) Pub Date : 2024-10-05 Zofia Halina Archibald
Abstract Birds were observed in divinatory rituals in antiquity [...]
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Sound and Perception in Ridley Scott’s Blade Runner (1982) Arts (IF 0.3) Pub Date : 2024-10-05 Audrey Scotto le Massese
This paper discusses the renewal of the conception of film sound and music following the technological advances of the late 1970s. It analyses the ways in which film sound and music freed themselves from traditional uses and became elements to be designed creatively. The soundtrack composed by Vangelis for Blade Runner (1982) is exceptional in this regard: produced in parallel to the editing of the
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Pentadic Cartography and India’s Foreign Policy: Insights from Jaishankar’s GLOBSEC Forum Interview Critical Arts (IF 1.1) Pub Date : 2024-10-03 Zhou Li, Xinxin Jiang
India’s rise as the world’s largest democracy and its challenge to the Western-defined global order have attracted significant scholarly, political, and media attention. Using Anderson and Prelli’s...
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Gothic Locks: Pioneering Drawings for Hydraulic Works in 16th-Century Holland Arts (IF 0.3) Pub Date : 2024-10-02 Merlijn Hurx
Just as Gothic cathedrals have long dominated the perception of medieval architecture, the spectacular drawings of the German lodges have shaped our view of the medieval design process. However, their towering importance has diverted scholarly attention from alternative drafting practices and reinforced the view of a homogeneous Gothic design practice based on quadrature. Historians generally accept
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Calculated Randomness, Control and Creation: Artistic Agency in the Age of Artificial Intelligence Arts (IF 0.3) Pub Date : 2024-10-02 Mariya Dzhimova, Francisco Tigre Moura
The recent emergence of generative AI, particularly prompt-based models, and its embedding in many social domains and practices has revived the notion of co-creation and distributed agency already familiar in art practice and theory. Drawing on Actor-Network Theory (ANT) and its central notion of agency, this article explores the extent to which the collaboration between the artist and AI represents
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Judith Leyster’s A Boy and a Girl with a Cat and an Eel: An Intersectional Approach Arts (IF 0.3) Pub Date : 2024-10-01 Elizabeth Sutton
In A Boy and a Girl with a Cat and an Eel, concerns about class, decorum, and civility intersected with contemporary dialogue about the distinction between humans and animals, specifically, how human children needed to be educated to be distinguished from the wild, uncivilized state of animals and peasants. Both animals held significance surrounding behaviors that separated the moral from the immoral;
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Designed Segregation: Racial Space and Social Reform in San Juan’s Casa de Beneficencia Arts (IF 0.3) Pub Date : 2024-09-26 Paul Barrett Niell
In the 1840s, San Juan, Puerto Rico witnessed the construction of an institutional building dedicated to “beneficencia” (social welfare)—the Casa de Beneficencia. This facility sheltered a diverse population, including orphaned children, women, the mentally ill, and the unhoused. An early plan of the architectural complex by Spanish engineer Santiago Cortijo reveals a design emphasizing bilateral symmetry
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How Did 19th-Century Alphorns Sound? A Reconstruction Based on Written Accounts of Its Musical Timbre Arts (IF 0.3) Pub Date : 2024-09-25 Yannick Wey
This paper reconstructs the sound of 19th-century alphorns based on contemporary written descriptions, which allows for a better understanding of literature and compositions that quoted and imitated the alphorn throughout the 19th century. In the absence of sound recordings, historical documents and literary sources provide valuable insights into the timbre of these traditional Alpine instruments.
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‘Archetypal Load of Tension’: Idiosyncratic Idioms of Surrealism Created by Aleksander Krzywobłocki and Margit Reich-Sielska in the 1930s in Lviv Arts (IF 0.3) Pub Date : 2024-09-24 Irena Kossowska
This article examines the artistic contributions of two members of the ‘artes’ group, active in Lviv (Lwów during the interwar period) from 1929 to 1935: Aleksander Krzywobłocki (1901–1979) and Margit Reich-Sielska (1900–1980). Situated within the ‘artes’ milieu, which emerged as the most cohesive community among phenomena with a surrealist profile in the history of Polish art, their creative endeavors
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“Awe, Masekinders!”: Kullid Identities from Eden Park, Johannesburg in the Work of Bougaard Critical Arts (IF 1.1) Pub Date : 2024-09-24 Bougaard, Irene Enslé Bronner
Bougaard, an emerging South African creative practitioner, examines games from her “Coloured” childhood community in Eden Park, Johannesburg, and how these games may offer a window into a reframed ...
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The Fold as a Design Strategy: Analogy between Architecture and Issey Miyake’s Work Arts (IF 0.3) Pub Date : 2024-09-23 Marta Muñoz, Ángel Cordero
There is a notable similarity between the objectives of Architecture and Fashion Design. Both disciplines aim to protect and establish a sense of identity for their users. Similarly, analogous design strategies may be employed. One such strategy is the fold. The act of folding a surface results in the formation of a three-dimensional volume. The intrinsic two-dimensionality of the surface gives rise
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Empathy and Listening in Research-Based Theatre Arts (IF 0.3) Pub Date : 2024-09-19 Christina Cook, George Belliveau, Luke Bokenfohr
This article shares excerpts from the playscript Unload, which brings to life research on military veterans and the lived experience of civilians carrying trauma. Co-developed by veterans, artists, researchers, and counsellors, the play follows a veteran’s journey to overcome challenges in and out of uniform and sees him guide a civilian friend through unspoken grief that has been haunting him for
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Exploring Artistic Hierarchies among Painters in Ramesside Deir el-Medina Arts (IF 0.3) Pub Date : 2024-09-20 Jennifer Miyuki Babcock
Scholarship has described Deir el-Medina as a sophisticated community composed of highly trained and educated individuals, at least compared to most ancient Egyptian villages that were primarily focused on agrarian labor. The tombs at Deir el-Medina indicate that some community members were well-off financially and may have aspired to reach elite levels in ancient Egypt’s social hierarchy. However
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The Author Takes a Bow: A Self-Portrait in Assistenza in the Temple of Hatshepsut at Deir el-Bahari Arts (IF 0.3) Pub Date : 2024-09-20 Anastasiia Stupko-Lubczynska
In art-historical terms, a self-portrait in assistenza refers to an artist having inserted their own likeness into a larger work. In Renaissance-era art, more than 90 examples have been identified, famously including Botticelli’s Adoration of the Magi (c. 1478/1483). There, Botticelli glances out from the painting, making direct eye contact with the viewer, a feature that appears in other self-portraits
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Aesthetics of Afro-Andean Smoking Culture: Early Modern Peruvian Tobacco Pipes at the Edge of the Atlantic World Arts (IF 0.3) Pub Date : 2024-09-20 Brendan J. M. Weaver, Jerry Smith Solano Calderon, Miguel Ángel Fhon Bazán
Although situated at the geographic margin of the early modern Atlantic World, the Pacific coast of Peru was an important region in the development of African diasporic material culture. Adopting an interdisciplinary material historical approach, we present the first systematic discussion of the known Afro-Atlantic-style tobacco pipes to be archaeologically recovered in Peru. Eighteen Afro-Atlantic-style
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Art and Cooking Therapies on Mental Health and Well-Being: A Narrative Review Empirical Studies of the Arts (IF 1.5) Pub Date : 2024-09-20 Rangchun Hou, Claudia Victoria Martinez Roa, Peter Bohao Yang, Jack Jiaqi Zhang, Benson Wui-Man Lau, Dalinda Isabel Sánchez Vidaña
Mental health is relevant to every individual. Poor mental health and well-being contribute significantly to personal suffering and a substantial burden on society. Art and cooking therapies in complementary and alternative medicine (CAM) are flexible approaches that emphasize engagement and growth to promote mental health and well-being, are easy to perform, accessible when needed, and can be self-administered
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Immersed in Art: The Impact of Affinity for Technology Interaction and Hedonic Motivation on Aesthetic Experiences in Virtual Reality Empirical Studies of the Arts (IF 1.5) Pub Date : 2024-09-18 Hyunji Lee, Nara Youn
Viewing artworks through virtual reality (VR) offers a unique experience, yet understanding how individual traits and motivations affect this process requires further exploration. In this study, we empirically examined the factors influencing aesthetic experiences when viewing artworks in VR. We conducted two experiments using a between-subjects design with VR and 2D videos based on a virtual tour
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Students’ Personal Experience vis-à-vis Personal Interest Towards Philippine Traditional Dances with Respect to Dance Steps, Music, Costume, and Dance History for Preservation Endeavors: Does it Matter? Empirical Studies of the Arts (IF 1.5) Pub Date : 2024-09-17 Joseph Lobo
The primary aim of this research is to investigate the immediate influence of students’ personal experiences and their degree of interest in traditional dances of the Philippines in relation to preservation efforts. Respondents for the study are students from a higher education institution in the Philippines. After obtaining data and performing multiple regression analysis, it was observed that overall
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“Some White Women (Are Not Like That)”. Affective Gestures in Post-Apartheid Visual Art from South Africa Critical Arts (IF 1.1) Pub Date : 2024-09-17 Leana van der Merwe
This article examines a selection of artistic production by four white South African women after apartheid ended, whose work articulates affects associated with nostalgic desire and loss. By thinki...
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Correction: Lončar and Pavlović (2024). “Beyond Quantum Music”—A Pioneering Art and Science Project as a Platform for Building New Instruments and Creating a New Musical Genre. Arts 13: 127 Arts (IF 0.3) Pub Date : 2024-09-13 Sonja Lončar, Andrija Pavlović
The authors requested to add the following to the Acknowledgments section of the original publication (Lončar and Pavlović 2024): We want to thank Martin Depken (TU Delft) for his kindness in opening the door to art and science dialogues, organizing concerts and lectures, and establishing links with the scientists at the Bionanoscience department, TU Delft [...]
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Between Representation and Reality: Zhao Chuan’s World Factory as Social Theatre Critical Arts (IF 1.1) Pub Date : 2024-09-10 Guicheng Liu
Zhao Chuan’s play World Factory continuously introduces reality into the theatre by resorting to the creative techniques of documentary theatre, epic theatre, and theatre of the oppressed in left-w...
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The Death of the Author: The Case of art Market Empirical Studies of the Arts (IF 1.5) Pub Date : 2024-09-09 Arsenii Pimenov, Valeria Kolycheva, Alexander Semenov, Dmitry Grigoriev
Recent evidence suggests that the artwork of an experienced artist is usually more expensive than that of a beginner. Additionally, the artwork of a man is often more expensive than that of a woman, and a painting is typically more expensive than graphics. However, this research aims to contrast the influence of the author's age and sex on the price with the influence of the artwork's material and
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Unlocking the Perfect Beat: Reflections on Musical Hybridisation in the Work of Lander Gyselinck Critical Arts (IF 1.1) Pub Date : 2024-09-01 Lander Gyselinck, Pieter-Jan Maes
This article explores the artistic and scientific practices of Lander Gyselinck, focusing on the hybridisation of jazz and beat-based electronic dance genres. The research investigates how cross-fe...
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A Machine Walks into an Exhibit: A Technical Analysis of Art Curation Arts (IF 0.3) Pub Date : 2024-08-31 Thomas Şerban von Davier, Laura M. Herman, Caterina Moruzzi
Contemporary art consumption is predominantly online, driven by algorithmic recommendation systems that dictate artwork visibility. Despite not being designed for curation, these algorithms’ machinic ways of seeing play a pivotal role in shaping visual culture, influencing artistic creation, visibility, and associated social and financial benefits. The Algorithmic Pedestal was a gallery, practice-based
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Art Notions in the Age of (Mis)anthropic AI Arts (IF 0.3) Pub Date : 2024-08-30 Dejan Grba
In this paper, I take the cultural effects of generative artificial intelligence (generative AI) as a context for examining a broader perspective of AI’s impact on contemporary art notions. After the introductory overview of generative AI, I summarize the distinct but often confused aspects of art notions and review the principal lines in which AI influences them: the strategic normalization of AI
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The Effects of Titles on the Aesthetic Evaluation of Japanese Poetry Empirical Studies of the Arts (IF 1.5) Pub Date : 2024-08-26 Shodai Maruyama, Tomohiro Ishizu
The present study tested the effect of title type on the aesthetic evaluation of Japanese poetry. Ninety participants read a Japanese poem presented with either a “descriptive” title, an “elaborative” title, or no title. Participants then gave ratings according to their aesthetic experiences on the poem. The results revealed that the title type significantly influenced the readers’ aesthetic evaluations
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“Awful Skinny Boys” – Male Musical Theatre Performers’ Experiences of Body Image: A Reflexive Thematic Analysis Empirical Studies of the Arts (IF 1.5) Pub Date : 2024-08-22 Maria E. Carr, Elisa G. Lewis
Body dissatisfaction is likely to be particularly salient in aesthetically focused professions, including the performing arts. However, there is a paucity of research involving male theatre performers. This study addressed this omission by exploring how male musical theatre actors experience body image. Interviews were conducted with 7 male performers and analysed using reflexive thematic analysis
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Recharacterising Confucius in Multimodal Translation: From Analects to Comics Critical Arts (IF 1.1) Pub Date : 2024-08-20 Xi Wang, Jiashuai Li
This study aims to explore how Confucius is recharacterised in the multimodal translation of The Analects from verbal (analects) to verbal-visual (comics) texts. The focus is on the interpersonal/i...
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‘A World of Knowledge’: Rock Art, Ritual, and Indigenous Belief at Serranía De La Lindosa in the Colombian Amazon Arts (IF 0.3) Pub Date : 2024-08-19 Jamie Hampson, José Iriarte, Francisco Javier Aceituno
There are tens of thousands of painted rock art motifs in the Serranía de la Lindosa in the Colombian Amazon, including humans, animals, therianthropes, geometrics, and flora. For most of the last 100 years, inaccessibility and political unrest has limited research activities in the region. In this paper, we discuss findings from six years of field research and consider the role of rock art as a manifestation
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Translating Spacetime Intensities of Movie Barcodes Critical Arts (IF 1.1) Pub Date : 2024-08-19 Damien Tomaselli
This article proposes a methodology to identify rhetorical energies that form within the diegetic timeline of movies and to translate these to creative sculpting of spacetime designs. In turn, the ...