Books and Prints at the Heart of the Catholic Reformation in the Low Countries (16th–17th centuries), 2022
Often considered the advent of mass media, the use of books and prints by Protestants has been wi... more Often considered the advent of mass media, the use of books and prints by Protestants has been widely studied and has generated a rich and plentiful bibliography. In contrast, the production and use of the same media by the proponents of the Counter-Reformation have not received the attention they deserve, especially in the context of the Low Countries. The twelve chapters in this volume provide new perspectives on the e cacy of the handpress book industry to support the Catholic strategy in the Spanish Low Countries and underline the mutually bene cial relationship between the Counter-Reformation and the typographic world. This volume represents an important contribution to our understanding of the sociocultural and socioeconomic background of the Catholic Netherlands.
Ephemeral ornamentation has a crucial role as a display of the rhetoric of power and as a medium ... more Ephemeral ornamentation has a crucial role as a display of the rhetoric of power and as a medium of political and religious messages, but in the quest for an immersive experience for which the early-modern festivals and ceremonies aim, did these emblems provoke admiration and wonder in the audience? How did they capture the attention of the audience? Did they form part of a performance? By case studies from throughout Europe, this book offers a glimpse of the irresistible attraction of emblems as displayed in the profuse ornaments of festival machinery.
Ephemeral ornamentation has a crucial role as a display of the rhetoric of power and as a medium ... more Ephemeral ornamentation has a crucial role as a display of the rhetoric of power and as a medium of political and religious messages, but in the quest for an immersive experience for which the early-modern festivals and ceremonies aim, did these emblems provoke admiration and wonder in the audience? How did they capture the attention of the audience? Did they form part of a performance? By case studies from throughout Europe, this book offers a glimpse of the irresistible attraction of emblems as displayed in the profuse ornaments of festival machinery.
This contribution aims to consider the evolution of the perception of childhood through the depic... more This contribution aims to consider the evolution of the perception of childhood through the depiction of children in the icono-textual compositions from alba amicorum. The analysis is based on prestigious examples of the alba amicorum in documents from the 16th to the 19th Centuries
Entre 1622 y 1624 los colegios y casas jesuitas repartidos por todo el mundo celebraron la canoni... more Entre 1622 y 1624 los colegios y casas jesuitas repartidos por todo el mundo celebraron la canonización de Ignacio de Loyola y Francisco Javier. La mayor parte de ellos ignoraron la recomendación del General de guardar moderación y optaron por solemnizar los actos litúrgicos con espectaculares celebraciones cuyas decoraciones rivalizaron con las de Roma en ingenio y suntuosidad. Esta contribución pretende destacar los caminos que siguieron los Jesuitas para incorporar tanto las tradiciones de la cultura festiva local como las prácticas del nuevo ceremonial en sus celebraciones a fin de provocar placer a través de la sorpresa; este método basado en la recreación de significados formó parte de todo un arsenal de recursos pedagógicos destinado a la conversión y la pastoral. El caso de las conmemoraciones organizadas por los Jesuitas en Amberes en 1622 que coincidieron con la inauguración de su nueva iglesia, ejemplifica el deseo de crear un acontecimiento que combinase lo efímero y lo ...
Cérémonial politique et cérémonial religieux dans l’Europe moderne : échanges et métissages, 2020
R. De Marco, « Fleurs d’orange et encens pour la gloire du roi dans les fêtes françaises de 1622 ... more R. De Marco, « Fleurs d’orange et encens pour la gloire du roi dans les fêtes françaises de 1622 », Peter Bennett et Bernard Dompnier (éd.), Cérémonial politique et cérémonial religieux dans l’Europe moderne : échanges et métissages, Travaux du Centre d’études supérieures de la Renaissance, Classiques Garnier, 2020.
Livres illustrés dans les anciens Pays-Bas et à Liège du XVe au XVIIIe siècle, 2018
Rosa De Marco, « La complicité de l’écriture et de l’image pour des œuvres de sagesse », Bernard ... more Rosa De Marco, « La complicité de l’écriture et de l’image pour des œuvres de sagesse », Bernard Vergnes, Aagje van Cauwelaert, Pictura loquens. Livres illustrés dans les anciens Pays-Bas et à Liège du XVe au XVIIIe siècle, Bibliotheca Wittockiana, Bruxelles, 2018, pp. 209-217.
In Arm@rium Universitatis Leodiensis. La bibliothèque virtuelle du Moyen Âge et de la première Mo... more In Arm@rium Universitatis Leodiensis. La bibliothèque virtuelle du Moyen Âge et de la première Modernité de l’Université de Liège, avril 2018. http://hdl.handle.net/2268.1/3497
How can disorder produce meaning? “…[From] each arch hung an emblem, and from each pilaster an e... more How can disorder produce meaning? “…[From] each arch hung an emblem, and from each pilaster an enigma below which there were various kinds of compositions, acrostics, Crosses, trees, altars, pyramids, scales, columns, circles, eagles, banners, temples, the names of JESUS, that contained all kinds of verses, written partly in gold, partly in vermilion” (1622). If any emblem epitomizes the expression and content of a Jesuit festival, then the disposition of emblems in the sets, and then in the festival pattern, reveals the functioning of the whole and suggests that the festival was not to be comprehended in a fragmentary manner. The sum of emblematic sets displayed in the space of the feast built the discourse and shaped the festival’s imago, while the relationship between these parts produced a dynamic and interactive spectacle for the actors and the public."
Books and Prints at the Heart of the Catholic Reformation in the Low Countries (16th–17th centuries), 2022
Often considered the advent of mass media, the use of books and prints by Protestants has been wi... more Often considered the advent of mass media, the use of books and prints by Protestants has been widely studied and has generated a rich and plentiful bibliography. In contrast, the production and use of the same media by the proponents of the Counter-Reformation have not received the attention they deserve, especially in the context of the Low Countries. The twelve chapters in this volume provide new perspectives on the e cacy of the handpress book industry to support the Catholic strategy in the Spanish Low Countries and underline the mutually bene cial relationship between the Counter-Reformation and the typographic world. This volume represents an important contribution to our understanding of the sociocultural and socioeconomic background of the Catholic Netherlands.
Ephemeral ornamentation has a crucial role as a display of the rhetoric of power and as a medium ... more Ephemeral ornamentation has a crucial role as a display of the rhetoric of power and as a medium of political and religious messages, but in the quest for an immersive experience for which the early-modern festivals and ceremonies aim, did these emblems provoke admiration and wonder in the audience? How did they capture the attention of the audience? Did they form part of a performance? By case studies from throughout Europe, this book offers a glimpse of the irresistible attraction of emblems as displayed in the profuse ornaments of festival machinery.
Ephemeral ornamentation has a crucial role as a display of the rhetoric of power and as a medium ... more Ephemeral ornamentation has a crucial role as a display of the rhetoric of power and as a medium of political and religious messages, but in the quest for an immersive experience for which the early-modern festivals and ceremonies aim, did these emblems provoke admiration and wonder in the audience? How did they capture the attention of the audience? Did they form part of a performance? By case studies from throughout Europe, this book offers a glimpse of the irresistible attraction of emblems as displayed in the profuse ornaments of festival machinery.
This contribution aims to consider the evolution of the perception of childhood through the depic... more This contribution aims to consider the evolution of the perception of childhood through the depiction of children in the icono-textual compositions from alba amicorum. The analysis is based on prestigious examples of the alba amicorum in documents from the 16th to the 19th Centuries
Entre 1622 y 1624 los colegios y casas jesuitas repartidos por todo el mundo celebraron la canoni... more Entre 1622 y 1624 los colegios y casas jesuitas repartidos por todo el mundo celebraron la canonización de Ignacio de Loyola y Francisco Javier. La mayor parte de ellos ignoraron la recomendación del General de guardar moderación y optaron por solemnizar los actos litúrgicos con espectaculares celebraciones cuyas decoraciones rivalizaron con las de Roma en ingenio y suntuosidad. Esta contribución pretende destacar los caminos que siguieron los Jesuitas para incorporar tanto las tradiciones de la cultura festiva local como las prácticas del nuevo ceremonial en sus celebraciones a fin de provocar placer a través de la sorpresa; este método basado en la recreación de significados formó parte de todo un arsenal de recursos pedagógicos destinado a la conversión y la pastoral. El caso de las conmemoraciones organizadas por los Jesuitas en Amberes en 1622 que coincidieron con la inauguración de su nueva iglesia, ejemplifica el deseo de crear un acontecimiento que combinase lo efímero y lo ...
Cérémonial politique et cérémonial religieux dans l’Europe moderne : échanges et métissages, 2020
R. De Marco, « Fleurs d’orange et encens pour la gloire du roi dans les fêtes françaises de 1622 ... more R. De Marco, « Fleurs d’orange et encens pour la gloire du roi dans les fêtes françaises de 1622 », Peter Bennett et Bernard Dompnier (éd.), Cérémonial politique et cérémonial religieux dans l’Europe moderne : échanges et métissages, Travaux du Centre d’études supérieures de la Renaissance, Classiques Garnier, 2020.
Livres illustrés dans les anciens Pays-Bas et à Liège du XVe au XVIIIe siècle, 2018
Rosa De Marco, « La complicité de l’écriture et de l’image pour des œuvres de sagesse », Bernard ... more Rosa De Marco, « La complicité de l’écriture et de l’image pour des œuvres de sagesse », Bernard Vergnes, Aagje van Cauwelaert, Pictura loquens. Livres illustrés dans les anciens Pays-Bas et à Liège du XVe au XVIIIe siècle, Bibliotheca Wittockiana, Bruxelles, 2018, pp. 209-217.
In Arm@rium Universitatis Leodiensis. La bibliothèque virtuelle du Moyen Âge et de la première Mo... more In Arm@rium Universitatis Leodiensis. La bibliothèque virtuelle du Moyen Âge et de la première Modernité de l’Université de Liège, avril 2018. http://hdl.handle.net/2268.1/3497
How can disorder produce meaning? “…[From] each arch hung an emblem, and from each pilaster an e... more How can disorder produce meaning? “…[From] each arch hung an emblem, and from each pilaster an enigma below which there were various kinds of compositions, acrostics, Crosses, trees, altars, pyramids, scales, columns, circles, eagles, banners, temples, the names of JESUS, that contained all kinds of verses, written partly in gold, partly in vermilion” (1622). If any emblem epitomizes the expression and content of a Jesuit festival, then the disposition of emblems in the sets, and then in the festival pattern, reveals the functioning of the whole and suggests that the festival was not to be comprehended in a fragmentary manner. The sum of emblematic sets displayed in the space of the feast built the discourse and shaped the festival’s imago, while the relationship between these parts produced a dynamic and interactive spectacle for the actors and the public."
Les historiens reconnaissent dans la fête un observatoire privilégié des réseaux politiques, écon... more Les historiens reconnaissent dans la fête un observatoire privilégié des réseaux politiques, économiques et religieux qui s’entremêlent dans le maillage urbain. Parmi toutes les interconnexions que les fêtes modernes révèlent, nous nous occuperons des formes réticulaires de l'activité artistique. Cette démarche vise d'abord à identifier, à partir des documents d’archives et des relations imprimées des fêtes, les pratiques, les modalités d’interrelation et les principaux acteurs (commanditaires, concepteurs, artistes, artisans, public) du réseau que la fête met en place temporairement, ou qu’elle modifie. Une attention particulière sera en outre accordée aux individus ou aux groupes qui semblent assumer un rôle prépondérant de fédérateurs et intermédiaires, comme les jésuites en tant qu'organisateurs de fêtes urbaines. Les liens locaux, transnationaux et aussi transcontinentaux que certains de ces événements éphémères évoquent et parfois mettent en scène (voir l’entrée d'Henri II à Rouen en 1550, ou les fêtes jésuites de 1622) nous amènent à considérer l'extension de ce réseau artistique dynamique et à le confronter aux « centres » et aux « périphéries » européens. On peut enfin étudier la fête en réseau comme le démontrent en France les entrées royales qui se déroulaient sur le parcours du souverain dans son royaume. Ces fêtes établissaient en effet un réseau à la fois conceptuel et concret fondé sur des pratiques de représentation et de démonstration du pouvoir politique ; celles-ci se comportaient comme autant de « nœuds » de connexions « activés » lors du passage du roi.
Le Centre André Chastel est une unité mixte de recherche en Histoire de l'art (UMR 8150) placée s... more Le Centre André Chastel est une unité mixte de recherche en Histoire de l'art (UMR 8150) placée sous la tutelle du ministère de la Culture, du CNRS et de Sorbonne Université.
The publisher’s device is a distinctive sign of manufacture and often a very refined ornament whi... more The publisher’s device is a distinctive sign of manufacture and often a very refined ornament which has so far stirred bibliophilic curiosity more than historical analysis. It is however the direct expression of the convictions and commercial goals of the publisher who invented it through complex and varied literary and iconographic sources. Adopted to authenticate and promote production, the publisher’s device is a sign which may show the ideological apprehensions and tastes of printers and booksellers who spread ideas. This study identifies emblematic sources used for the invention of publishers’ devices between the end of the 16th and the beginning of the 17th centuries in the southern Netherlands, and especially those from Douai. As an imago-textual composition related to the emblematic genre, the publisher’s device is analysed in relation to the message it conveys, while considering the reading practices specific to the scholarly milieu targeted by its inventor.
Dans cette communication nous souhaitons proposer une étude de la description textuelle du feu d’... more Dans cette communication nous souhaitons proposer une étude de la description textuelle du feu d’artifice dans les relations de fête françaises au XVIIe siècle. L’analyse vise les procédés rhétoriques que les auteurs emploient afin de corriger l’aberration mnémonique des impressions de lumière et de reproduire la complexe chorégraphie pyrotechnique, ses formes, l’effet cinétique. Elle s’attachera particulièrement à l’utilisation du lexique et aux variations du double registre de l’écriture qui caractérise ces descriptions : le langage technique qui reproduit un répertoire de formes conventionnelles fixées dans les traités pyrotechniques, ainsi que la métaphore qui restitue au lecteur le récit symbolique du spectacle. Les deux langages qui décrivent deux dimensions différentes de l’évènement festif se fondent, s’écartent ou s’opposent au cours du siècle dans une tension continue pour aboutir à la mimèsis du spectacle de feu– par sa nature irréductible – dans les relations de fête comme dans les reproductions visuelles contemporaines qui parfois accompagnent les textes. Ces variations agissent sur la perception du lecteur – nouveau spectateur de l’événement et rendent compte des enjeux religieux, politiques et institutionnels qui justifient la reproduction – textuelle et graphique – de l’éphémère. [en] In this paper we propose a study of the textual description of fireworks in French festive relations in the 17th century. The analysis focuses on the rhetorical processes that the authors employ to correct the mnemonic aberration of impressions of light and to reproduce the complex pyrotechnic choreography, its forms, the kinetic effect. We will focus in particular on the use of the lexicon and the variations in the double register of writing that characterizes these descriptions: the technical language that reproduces a repertoire of conventional forms fixed in the pyrotechnic treatises, as well as the metaphor that returns to the reader the symbolic narrative of the show.The two lexicons describing two different dimensions of the festive event merge, diverge or oppose each other in the course of the century in a continuous tension to arrive at the mimesis of the fire show - by its irreducible nature - in festive relations as well as in contemporary visual reproductions that sometimes accompany the texts. These variations act on the reader's perception - a new viewer of the event - and reflect the religious, political and institutional stakes that justify the reproduction - textual and graphic - of the ephemeral.
The extensive use that the Society of Jesus made of emblems as a rhetorical tool is a wide known ... more The extensive use that the Society of Jesus made of emblems as a rhetorical tool is a wide known phenomenon. The pedagogical, decorative and performing qualities of the emblems used in Jesuit festivals—such as royal entries, canonizations, exequies or scholar festivities—had a significant impact on the sensorial and semantic perception of these spectacles, which configured a fundamental medium of political and spiritual expression in the Early-Modern Europe. In these celebrations, emblems were ‘applied’ on several forms and supports (in paintings, sculptures, performing figures, and so on). In common, they all shared an ephemeral nature – after the festival they were dismounted together with the rest of the decorations, destroyed or simply lost. Apart from the cases in which they appeared printed in fête-books, today we can study these ephemeral emblems only by their textual description, and that creates a kind of distancing that hinders a wider comprehension of the transmissions of these emblems in the visual landscape of European culture.
Mundus Emblematicus project will allow me to compare ephemeral emblems from festivals with emblematic series still extant in the architecture, which will be catalogued and mapped in the project. By means of this comparative approach, I aim at understanding not only the intellectual content of these emblems, but also the aesthetic context in which they were created, so as to grasp at their inventio and impact on the public.
Celebrating the Saints (Renaissance Society of America 60th Annual Meeting. New York, 27-29 marc... more Celebrating the Saints (Renaissance Society of America 60th Annual Meeting. New York, 27-29 march, 2014)
Society for Emblem Studies, 10th International Conference, Workshop for Young Researchers. Kiel, ... more Society for Emblem Studies, 10th International Conference, Workshop for Young Researchers. Kiel, Germany. 28 July 2014.
Often considered as the first phenomenon of mass media in history, the use of the printing press ... more Often considered as the first phenomenon of mass media in history, the use of the printing press by Protestants has been widely studied and has generated an abundant bibliography. In contrast, the production and use of books and printed images by the partisans of the Catholic Reformation have not received the attention they deserve, especially in the context of the Low Countries. Though there are studies on a few core figures-such as Christopher Plantin-or a few important publishing enterprises, many other less well-known cases are still as yet unstudied. However, these need to be addressed in order better to apprehend the extent, dynamism and underlying mechanisms of the processes set up to support Catholic Reform. This symposium aims to take an interdisciplinary approach in order to deal with the complexity of this phenomenon. Organised by the Research Unit Transitions of the University of Liège, in partnership with the FNRS group « Documents rares et précieux », the symposium will take place in the context of Liège's celebrations of the 500th anniversary of the early Reformation.
La journée se propose d'examiner trois portes en bois, emblématiques de l'art de la marqueterie i... more La journée se propose d'examiner trois portes en bois, emblématiques de l'art de la marqueterie italienne et française de la Renaissance. L'activité est organisée par le Service d'Histoire et Technologie des Arts plastiques (Temps modernes) de l’Université de Liège, avec le soutien de Transitions et du groupe de contact du F.R.S.-FNRS « Modèles, échanges et réalisations artistiques (XVe-XVIe siècles) ».
Often considered as the first phenomenon of mass media in history, the use of the printing press ... more Often considered as the first phenomenon of mass media in history, the use of the printing press by Protestants has been widely studied and has generated an abundant bibliography. In contrast, the production and use of books and printed images by the partisans of the Catholic Reformation have not received the attention they deserve, especially in the context of the Low Countries. Though there are studies on a few core figures - such as Christopher Plantin - or a few important publishing enterprises, many other less well-known cases are still as yet unstudied. However, these need to be addressed in order better to apprehend the extent, dynamism and underlying mechanisms of the processes set up to support Catholic Reform. This symposium aims to take an interdisciplinary approach in order to deal with the complexity of this phenomenon. Organised by the Research Unit Transitions of the University of Liège, in partnership with the FNRS group « Documents rares et précieux », the symposium will take place in the context of Liège’s celebrations of the 500th anniversary of the early Reformation.
Le traité de l’anatomiste Pierre Nicolas Gerdy (1797-1851)
https://factuel.univ-lorraine.fr/node... more Le traité de l’anatomiste Pierre Nicolas Gerdy (1797-1851)
https://factuel.univ-lorraine.fr/node/16177
Il database Cultures du Spectacle Baroque raccoglie e mette a disposizione degli studiosi l’insie... more Il database Cultures du Spectacle Baroque raccoglie e mette a disposizione degli studiosi l’insieme delle relazioni delle solennità per la canonizzazione dei primi santi gesuiti, Ignazio da Loyola e Francesco Saverio, che si svolsero nelle case della Compagnia di Gesù sparse in Europa e negli altri continenti, in seguito alla cerimonia romana celebrata da papa Gregorio XV, il 12 marzo 1622. Oggi il database raccoglie le relazioni delle feste che si svolsero in Francia, in Italia e in Belgio. Le ricchissime descrizioni delle macchine e dei dispositivi polisensoriali concepiti per queste feste del 1622, ancora poco esplorate dagli storici dell’arte, si rivelano fonti preziose per lo studio degli apparati effimeri (dalle architetture al loro ornamento e ai materiali impiegati), per la conoscenza dei protagonisti implicati nei cantieri, nonché per un’analisi sulla percezione e sugli effetti emotivi ed estetici prodotti sugli spettatori. Concepito in un’ottica interdisciplinare, il database permette di compiere ricerche incrociate ed è arricchito da diversi dispositivi (per esempio le traduzioni dal latino, o la possibilità di una ricerca lessicale per lingua) che ne fanno uno strumento inesauribile di ricerca.
Notices dans le catalogue : Atelier des Richier, Le Captif ou Mars enchaîné, p. 108-109 ; Histori... more Notices dans le catalogue : Atelier des Richier, Le Captif ou Mars enchaîné, p. 108-109 ; Historiæ Animalium de Conrad Gesner, p. 22-23 ; Anonyme, La Foi et l’Espérance, p. 110-111 ; Saint François-Xavier et Saint Ignace de Loyola, p. 124 ; Anonyme (école lorraine ?), Les vertus, p. 85 ; Anonyme (école lorraine ?), Caïn et Abel, p. 84 ; Frontispice du livre d’Andrea Palladio (1570), p. 26 ; Atelier des Richier (?), Léda et le cygne, p. 112-113.
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By case studies from throughout Europe, this book offers a glimpse of the irresistible attraction of emblems as displayed in the profuse ornaments of festival machinery.
By case studies from throughout Europe, this book offers a glimpse of the irresistible attraction of emblems as displayed in the profuse ornaments of festival machinery.
Les liens locaux, transnationaux et aussi transcontinentaux que certains de ces événements éphémères évoquent et parfois mettent en scène (voir l’entrée d'Henri II à Rouen en 1550, ou les fêtes jésuites de 1622) nous amènent à considérer l'extension de ce réseau artistique dynamique et à le confronter aux « centres » et aux « périphéries » européens.
On peut enfin étudier la fête en réseau comme le démontrent en France les entrées royales qui se déroulaient sur le parcours du souverain dans son royaume. Ces fêtes établissaient en effet un réseau à la fois conceptuel et concret fondé sur des pratiques de représentation et de démonstration du pouvoir politique ; celles-ci se comportaient comme autant de « nœuds » de connexions « activés » lors du passage du roi.
Elle s’attachera particulièrement à l’utilisation du lexique et aux variations du double registre de l’écriture qui caractérise ces descriptions : le langage technique qui reproduit un répertoire de formes conventionnelles fixées dans les traités pyrotechniques, ainsi que la métaphore qui restitue au lecteur le récit symbolique du spectacle.
Les deux langages qui décrivent deux dimensions différentes de l’évènement festif se fondent, s’écartent ou s’opposent au cours du siècle dans une tension continue pour aboutir à la mimèsis du spectacle de feu– par sa nature irréductible – dans les relations de fête comme dans les reproductions visuelles contemporaines qui parfois accompagnent les textes.
Ces variations agissent sur la perception du lecteur – nouveau spectateur de l’événement et rendent compte des enjeux religieux, politiques et institutionnels qui justifient la reproduction – textuelle et graphique – de l’éphémère.
[en] In this paper we propose a study of the textual description of fireworks in French festive relations in the 17th century. The analysis focuses on the rhetorical processes that the authors employ to correct the mnemonic aberration of impressions of light and to reproduce the complex pyrotechnic choreography, its forms, the kinetic effect.
We will focus in particular on the use of the lexicon and the variations in the double register of writing that characterizes these descriptions: the technical language that reproduces a repertoire of conventional forms fixed in the pyrotechnic treatises, as well as the metaphor that returns to the reader the symbolic narrative of the show.The two lexicons describing two different dimensions of the festive event merge, diverge or oppose each other in the course of the century in a continuous tension to arrive at the mimesis of the fire show - by its irreducible nature - in festive relations as well as in contemporary visual reproductions that sometimes accompany the texts.
These variations act on the reader's perception - a new viewer of the event - and reflect the religious, political and institutional stakes that justify the reproduction - textual and graphic - of the ephemeral.
Mundus Emblematicus project will allow me to compare ephemeral emblems from festivals with emblematic series still extant in the architecture, which will be catalogued and mapped in the project. By means of this comparative approach, I aim at understanding not only the intellectual content of these emblems, but also the aesthetic context in which they were created, so as to grasp at their inventio and impact on the public.
https://factuel.univ-lorraine.fr/node/16177
Le ricchissime descrizioni delle macchine e dei dispositivi polisensoriali concepiti per queste feste del 1622, ancora poco esplorate dagli storici dell’arte, si rivelano fonti preziose per lo studio degli apparati effimeri (dalle architetture al loro ornamento e ai materiali impiegati), per la conoscenza dei protagonisti implicati nei cantieri, nonché per un’analisi sulla percezione e sugli effetti emotivi ed estetici prodotti sugli spettatori.
Concepito in un’ottica interdisciplinare, il database permette di compiere ricerche incrociate ed è arricchito da diversi dispositivi (per esempio le traduzioni dal latino, o la possibilità di una ricerca lessicale per lingua) che ne fanno uno strumento inesauribile di ricerca.