Elsayed A H M E D Elnashar

ABSTRACT
An infant incubator is a piece of equipment common to pediatric
hospitals, birthing centers and neonatal intensive care units. While the
unit may serve several specific functions, it is generally used to provide a
safe and stable environment for newborn infants, often those who were
born prematurely or with an illness or disability that makes them especially
vulnerable for the first several months of life. The objective of this research
was to gain a better understanding of New Approach for a Bio-Nonwoven
fabrics and infant's incubator in terms of the specific materials as MaterBi®
/PCL® as Bioplastic and the elements of comfort, drivers associated
with it and its waste biodegradation by different methods. Shortly after
birth, the beginning in first hours of life babies with neonatal, a byproduct
of the red blood cells decomposition. Many convenient features
to consider with two basic disposable eyes' swathe and diapers on infant’s
incubator options: cloth of basic disposable eyes' swathe and diapers, with
their end use properties. The form design of eyes' swathe® and diapers®
shapes, for infant’s incubator stage then consider convenience, cost, and
environmental waste.

Ph.D. (2000): University of Helwan, Cairo, Egypt. Ph.D. thesis entitles "Design of Database for Forecasting the Specification of Woven Fabric Design for Ladies Dresses".
Msc. (1995): Faculty of applied arts, University of Helwan, Cairo, Egypt.  Entitle: "Effect of warp-ends densities distributions on some esthetical and physical properties of multi- layers woven fabric".
Bsc. (1989): With a very good, "spinning, weaving &knitting Branch", from Helwan University, faculty of applied arts, Cairo, Egypt.
Diploma. (1985): of the advanced of an industrial technical five years institute, weaving department.

This rese arch deve lops a pos si ble under stan ding of the rela ti on ship bet we en cre a ti vity (in its broad mea ning) and city bran ding of pas se men te rie and frin ge strips of lace fabrics. More spe ci fi cally, the aim of this study is to depict a cohe si ve lan dsca pe of the mul ti form cre a ti ve envi ron ment of the city of Maha let Mar-ho um and to see how such lively cul tu ral and cre a ti ve ric hness can be used to pro mo te the visi bi lity of the city at Egypt level. One is the vision taken from the urban stu di es, whe re the city is seen as the cen ter of con tem po-rary soci ety, and the re fo re it is stu died from a soci o lo gi cal point of view. In this sec tion, par ti cu lar rele van ce is given to the discus sion of the con tro ver sial con cept of the cre a ti ve city of Maha let Mar ho um, during the strips pro duc tion of lace were intro du ced to the tex ti le mar ket sin ce 1950s. Cur rently, the world con sump tion of Strips of lace exce eds three mil lion kilo grams. Today fabrics con ta i ning Strips of lace fi bers found the ir way in many end uses such as appa rel, cur tain, uphol stery, hosi ery, under we ar, outer we ar, bags, sho es, medi cal tex tiles , and spor tswe ar. The spread of the use of Strips of lace in tex ti le struc tu res is due to the inhe rent pro per ti es of such yarns that pro vi de the end user with stretch, mec ha ni cal com fort, fi t and est he tic in case of appa rel and spor tswe ar. The sci en ti fi c rese arch addres sing the struc tu re/pro perty rela ti on ships of fabrics con ta i ning Strips of lace is limi ted and spotty. Aca de mics and prac ti ti o ners ali ke have sug ge sted that color can sti mu la te interest and, sub se qu ently, the cur rent study exa mi nes the Strips of lace design ele ments impact of visi ble fas hion color on sales of the Strips of lace pro ducts in the pro duc tion depart ment con text thro ugh a qua si-expe ri men tal appro ach. Hypot he sis tests sug gest that gre a ter depth and mag ni tu de of fas hion color incre a se pro ducts of lace design ele ments. The main goal of the rese arch is to reveal the infl u en ce of the struc tu re of woven fabrics with Strips of lace on the ir physical pro per ti es. And discus sed the deve lop ment Strips of lace struc tu res. Cal cu la tion Stif fness of lace Strips, by the sag of a pro jec ting strip of sam ple. The results show that the selec ted pas se men te rie and frin ge strips of lace fabrics are sui ta ble for usa ge as appa rel, cur tain, uphol stery, hosi ery, bags, sho es, etc.), and medi cal tex ti les. In this paper the value of Stif fness pro per ti es to pro vi de dynamic valu es that takes acco unt thic kness and width of stri pe by the weft mate ri als. It the re fo re allows a more com ple te repre sen ta tion of the elects of pas se men te rie and frin ge on the end use. Key words: cre a ti ve com mu ni ti es, Cur ta ins Frin ge pas se men te rie, Strips, lace.

The study identifies some milestones of the Nanoart-science-technology in different societies (fashion; dresses, interior Design, exhibitions), by focusing on the aesthetic components of the Nanotechnology environment. Mesh quilting is based on stitching 3D geometry elements together to reduce distortion of geometry elements inside the 3D space of the thin shell. The study offers innovative suggestions for fashion design by organizing the aesthetic components of the Nanoart-science-technology. These are formed in constructive ways that are commensurate with the dimensions of structural design by using computer. The most important results include: First, demonstrate the ability to achieve new designs through the aesthetic components available in the Nanoart-science-technology. Second, Disclosure of aesthetic values of NanoArt,and Show how enriched the Nanoart-science-technology is with artistic aesthetics that have been utilized as a source of inspiration in lie field of fashion design. Finally, Design a collection of new invented fashions by using computer; which lead to diversity in forms, colors, and reorganized Nanotechnology elements.

Наиболее распространенные ткацкие станки для выработки тканой металлической сетки имеют за-правочную ширину 100 см. При проектировании металлоткацких станков с широкой заправочной линией возникает необходимость исследования уровня вибрации и шума, создаваемого ремизной рамой, являющей-ся одним из основных источников возникновения этих явлений станка в целом. Вибрации, возникающие в процессе работы в этом звене, могут значительно влиять на протекание технологического процесса, а шум оказывает негативное действие на обслуживающий персонал. Авторами разработана методика и проведено исследование вибрации и шума ремизной рамы металлоткацкого станка. Определены спектры мощности звуко-и виброизлучения для ремизной рамы металлоткацкого станка. Проведено сравнение полученных значений с допустимыми нормами на технологическом производстве. Ключевые слова: шум, вибрация, инженерная акустика, зевообразовательный механизм, металлоткацкий станок The most common weaving looms for the production of woven metal mesh have a filling width of 100 cm. When designing metal loom machines with a wide filling line, it becomes necessary to study the level of vibration and noise created by the frame, which is one of the main sources of these phenomena of the machine as a whole. Vibrations occurring during the work in this link can significantly influence the course of the technological process, and the noise has a negative effect on the operating personnel. In this work, a technique has been developed and a study of vibration and noise of the frame of a metal-loom machine has been carried out. The spectra of the power of sound and vibration for the metal frame of the metal-loom machine are determined. The obtained values are compared with the permissible standards for technological production.

Solar energy, natural gas and oil are among the most important sources of energy for Egyptian
cities and villages. Natural gas is found near fuels because of other geological processes, and its use as fuel.
Petroleum or crude oil due to geological processes, and as a flammable liquid, used for fuel such as gasoline,
and possibly found in the pharmaceutical, plastic, and kerosene components.

The paper reports the influence of weave and the method of stitching on the mechanical properties of double woven fabrtics. Double fabrics have more complex construction, which is not altered only by type of weave, yarn fineness and thread density, in comparison with single fabrics, but also the method of stitching. The main goal of our research was to find out if the type of weave and method of stitching have a statistically important effect on some mechanical properties of woven double fabrics such as breaking strength, breaking elongation, tearing strength, wrinkle recovery and fabric stiffness in order to extend the knowledge of double fabric construction. The testing samples were made from 100% cotton fabrics.

Msc. (1995):Faculty of applied arts, University of Helwan, Cairo, Egypt. Entitle: "Effect of warp-ends densities distributions on some esthetical and physical properties of multi-layers woven fabric". Bsc. (1989):With a very good, "spinning, weaving &knitting Branch", from Helwan University, faculty of applied arts, Cairo, Egypt.

Msc. (1995):Faculty of applied arts, University of Helwan, Cairo, Egypt. Entitle: "Effect of warp-ends densities distributions on some esthetical and physical properties of multi-layers woven fabric". Bsc. (1989):With a very good, "spinning, weaving &knitting Branch", from Helwan University, faculty of applied arts, Cairo, Egypt.

Msc. (1995):Faculty of applied arts, University of Helwan, Cairo, Egypt. Entitle: "Effect of warp-ends densities distributions on some esthetical and physical properties of multi-layers woven fabric". Bsc. (1989):With a very good, "spinning, weaving &knitting Branch", from Helwan University, faculty of applied arts, Cairo, Egypt.

MARKET ANALYSIS REPORT:
The report "Microfluidics Market by application (genomics,
proteomics, capillary electrophoresis, IVD (POC, clinical
diagnostics), drug delivery, microreactor, lab tests),
component (chips, pump, needle), material (polymer, glass,
silicon) - Global Forecast to 2023", The microfluidics market is
expected to reach USD 27.91 Billion by 2023 from an
estimated USD 10.06 Billion in 2019, at a CAGR of 22.6%.
The growing use of polymers is expected to lower the price of
microfluidic products. In addition to this, growing investments,
favourable regulatory policies, and growth in healthcare and
biotechnology industries in emerging Asian markets are
expected to provide potential growth opportunities for players
operating in the microfluidics market.
The microfluidics advertises gives viable use of little liquid
volumes for outline of frameworks and development of
solutions. The worldwide human services innovations
advertise is assessed to came to $53 billion by 2014 at a
CAGR of 16%. Microfluidics is an up growing innovation with
high agreeableness in medicinal services applications. The
key driver for the microfluidics advertises is the ―great (or
rising) request in purpose of-mind (POC) and in-vitro
diagnostics.

The new approach being developed for modeling the philosophy of painting "ages" of artist's Sergi Cadenas the progressive aging of face skin of human body society caused by profound demographic changes, While the structure design and behavior of fabric structures creation of shapes and images is relatively easy, accurate control of painting color/weave rendering of intimately blended painting pre-colored yarns is a critical and difficult to control attribute. brings with it the necessity of confronting the subject of painting "ages", that can influence society's attitudes regarding this population, in addition to impacting the self-perception of compact force effects of canvas fabrics on painting young to elderly people. an aim of this paper is to propose fabrics and the angle-view on the philosophy of painting "ages" of artist's Sergi Cadenas theory applied the concept of compact force to flexibility, geometry shape objects described for stretch clothes design often consists of complex objects the current painting progress in developing models combining painting colors/weaves and geometry of canvas multi-layer woven structure design and compact force behavior of canvas fabrics. The compact force effects and the angle-view, in turn have consequences for positive outcomes during the aging on painting process, and discussing a compact force as dynamic behavior of stretch clothes in painting surfaces. Thereby reducing or even eliminating the need for physical sampling prior to production, and investigate the simultaneous relationships between compact force effects as stretch potentials knowledge the angle-view and, age, anxiety about aging, and stereotypes toward the elderly, as well as their predictive roles with respect to process painting ageism. Based on the analyses conducted, anxiety about compact force effects of fabrics and the angle-view knowledge are antecedents for stereotypes on philosophy of painting "ages" of artist's Sergi Cadenas, stretch potentials of canvas fabrics which in turn, together with the other variables, influence ageism. Increased education about the aging painting process could help reduce anxiety and stereotypes repetitions the painting aging's was most responsible for the angle-view. Knowledge of the antecedents of compact force effects of fabrics and the angle-view on painting toward the effect is included in the form of life stages is fundamental to promoting positive attitudes toward them.

The new approach being developed for modeling the philosophy of painting "ages" of artist's Sergi Cadenas the progressive aging of face skin of human body society caused by profound demographic changes, While the structure design and behavior of fabric structures creation of shapes and images is relatively easy, accurate control of painting color/weave rendering of intimately blended painting pre-colored yarns is a critical and difficult to control attribute. brings with it the necessity of confronting the subject of painting "ages", that can influence society's attitudes regarding this population, in addition to impacting the self-perception of compact force effects of canvas fabrics on painting young to elderly people. an aim of this paper is to propose fabrics and the angle-view on the philosophy of painting "ages" of artist's Sergi Cadenas theory applied the concept of compact force to flexibility, geometry shape objects described for stretch clothes design often consists of complex objects the current painting progress in developing models combining painting colors/weaves and geometry of canvas multi-layer woven structure design and compact force behavior of canvas fabrics. The compact force effects and the angle-view, in turn have consequences for positive outcomes during the aging on painting process, and discussing a compact force as dynamic behavior of stretch clothes in painting surfaces. Thereby reducing or even eliminating the need for physical sampling prior to production, and investigate the simultaneous relationships between compact force effects as stretch potentials knowledge the angle-view and, age, anxiety about aging, and stereotypes toward the elderly, as well as their predictive roles with respect to process painting ageism. Based on the analyses conducted, anxiety about compact force effects of fabrics and the angle-view knowledge are antecedents for stereotypes on philosophy of painting "ages" of artist's Sergi Cadenas, stretch potentials of canvas fabrics which in turn, together with the other variables, influence ageism. Increased education about the aging painting process could help reduce anxiety and stereotypes repetitions the painting aging's was most responsible for the angle-view. Knowledge of the antecedents of compact force effects of fabrics and the angle-view on painting toward the effect is included in the form of life stages is fundamental to promoting positive attitudes toward them.

Abstract
Clothing for garments, upholstery and geotextiles are designed through integration factor construction (IFC) are differentiated
the system of reed denting; the decrease in the (IFC) means that the open porosity for double-layer fabrics increases and at the same
time the air permeability also increases. The properties of fabrics were analyzed by determining the efficiency of fabric integration
factor construction (IFC). The woven fabric multi-layer structure, the warp and weft densities, and the type of weave are factors of
a woven fabric, which as porous material enables to transmit air, heat energy, and liquid perspiration. Several methods considering
thread distributions have been developed to determine the woven fabric’s aesthetic, physical and mechanical properties. A
mathematical model based on an ideal geometry of the porous structure of a multi-layer woven fabric has been developed.
Keywords: Multi-layer structure; Mechanical and physical; Aesthetic properties

This paper discusses a new approach being developed for modeling the compact force as dynamic behavior of stretch clothes in apparel surfaces. While the structure design and behavior of yarn (warp-weft) creation of shapes and images is relatively easy, accurate control of color/ weave rendering of intimately blended pre-colored yarns is a critical and difficult to control attribute. An aim of this paper is to propose rough set theory applied the concept of compact force to. For flexibility, geometry shape objects described compact force for stretch clothes design often consists of complex objects the current progress in developing models combining colors/weaves and geometry of multi-layer woven structure design and compact force behavior of yarn, thereby reducing or even eliminating the need for physical sampling prior to production.

The goal of this research is the analysis of two dimensional images of embroidery elements and the development of techniques for shape and color segmentation in the automation of embroidery designs. A document camera is used as a tool for obtaining of color digital images of embroidery elements from Bulgarian national folk costume. Also are devised some techniques for color restoration of elements and their skeletons. Files for embroidery machines are described and obtained then the results are checked with commercial software. A website is created for presentation of the results of this work.

The basis of the design of handmade chenille yarns and fabrics is similar to the other ways of designing velvety fabrics with the same effect as the woven fabric on paper. The boxes are of the same size that should be shown on the cloth. This is why a special type of square paper is usually used for this purpose. The weavers use handwork: a number of shuttles as much as the number of colors available. It is characterized by its cohesive strength in the places where the threads are woven, where we have sets of ribbons. one of the main objectives of the research is to devise a new method for the development of handmade textile products and the purposes used in handmade chenille fabrics are decorative fabrics, ladies' fabrics (evening cloths), pendants, curtains, Broudray, Furnishing fabrics and carpets. the stages of the design and handmade chenille, 1) in the case of simple fabrics: a) weft in one color continuous, b) the use of stripes of the cross of the flesh, whether different colors of the chenille weft or the use of different materials with different Tex count and different specifications; First in the case of simple fabrics: in this type of design of the chenille of handmade simple and easy so as not to draw on the squared paper and the resulting effects are automatic and simple. And the formation and pile of the chenille (the process of the first weaving), which have their distinctive features. Second in the case of embossed fabrics. Handmade design of pile and chenille, formation chenille weft, the design of the chenille weave is designed so that the horizontal rows have the vertical position parallel to the warp threads to be woven, the second weaving process, the woven fabric structures of the cloth, handmade chenille according to the purpose for which the cloth is used. For example, tablecloths, curtains and pendants the production of one square meter of chenille carpets takes seven hours and is produced by one textile worker assisted by a youngster. The production of a meter of handmade carpets takes at least seven days and is produced by a number of boys, ranging from three to five. This is in addition to saving about 25% of the wool used in the blaze with handmade chenille carpets in traditional carpets.

The basis of the design of handmade chenille yarns and fabrics is similar to the other ways of designing velvety fabrics with the same effect as the woven fabric on paper. The boxes are of the same size that should be shown on the cloth. This is why a special type of square paper is usually used for this purpose. The weavers use handwork: a number of shuttles as much as the number of colors available. It is characterized by its cohesive strength in the places where the threads are woven, where we have sets of ribbons. one of the main objectives of the research is to devise a new method for the development of handmade textile products and the purposes used in handmade chenille fabrics are decorative fabrics, ladies' fabrics (evening cloths), pendants, curtains, Broudray, Furnishing fabrics and carpets. the stages of the design and handmade chenille, 1) in the case of simple fabrics: a) weft in one color continuous, b) the use of stripes of the cross of the flesh, whether different colors of the chenille weft or the use of different materials with different Tex count and different specifications; First in the case of simple fabrics: in this type of design of the chenille of handmade simple and easy so as not to draw on the squared paper and the resulting effects are automatic and simple. And the formation and pile of the chenille (the process of the first weaving), which have their distinctive features. Second in the case of embossed fabrics. Handmade design of pile and chenille, formation chenille weft, the design of the chenille weave is designed so that the horizontal rows have the vertical position parallel to the warp threads to be woven, the second weaving process, the woven fabric structures of the cloth, handmade chenille according to the purpose for which the cloth is used. For example, tablecloths, curtains and pendants the production of one square meter of chenille carpets takes seven hours and is produced by one textile worker assisted by a youngster. The production of a meter of handmade carpets takes at least seven days and is produced by a number of boys, ranging from three to five. This is in addition to saving about 25% of the wool used in the blaze with handmade chenille carpets in traditional carpets.

The basis of the design of handmade chenille yarns and fabrics is similar to the other ways of designing velvety fabrics with the same effect as the woven fabric on paper. The boxes are of the same size that should be shown on the cloth. This is why a special type of square paper is usually used for this purpose. The weavers use handwork: a number of shuttles as much as the number of colors available. It is characterized by its cohesive strength in the places where the threads are woven, where we have sets of ribbons. one of the main objectives of the research is to devise a new method for the development of handmade textile products and the purposes used in handmade chenille fabrics are decorative fabrics, ladies' fabrics (evening cloths), pendants, curtains, Broudray, Furnishing fabrics and carpets. the stages of the design and handmade chenille, 1) in the case of simple fabrics: a) weft in one color continuous, b) the use of stripes of the cross of the flesh, whether different colors of the chenille weft or the use of different materials with different Tex count and different specifications; First in the case of simple fabrics: in this type of design of the chenille of handmade simple and easy so as not to draw on the squared paper and the resulting effects are automatic and simple. And the formation and pile of the chenille (the process of the first weaving), which have their distinctive features. Second in the case of embossed fabrics. Handmade design of pile and chenille, formation chenille weft, the design of the chenille weave is designed so that the horizontal rows have the vertical position parallel to the warp threads to be woven, the second weaving process, the woven fabric structures of the cloth, handmade chenille according to the purpose for which the cloth is used. For example, tablecloths, curtains and pendants the production of one square meter of chenille carpets takes seven hours and is produced by one textile worker assisted by a youngster. The production of a meter of handmade carpets takes at least seven days and is produced by a number of boys, ranging from three to five. This is in addition to saving about 25% of the wool used in the blaze with handmade chenille carpets in traditional carpets.

The basis of the design of handmade chenille yarns and fabrics is similar to the other ways of designing velvety fabrics with the same effect as the woven fabric on paper. The boxes are of the same size that should be shown on the cloth. This is why a special type of square paper is usually used for this purpose. The weavers use handwork: a number of shuttles as much as the number of colors available. It is characterized by its cohesive strength in the places where the threads are woven, where we have sets of ribbons. one of the main objectives of the research is to devise a new method for the development of handmade textile products and the purposes used in handmade chenille fabrics are decorative fabrics, ladies' fabrics (evening cloths), pendants, curtains, Broudray, Furnishing fabrics and carpets. the stages of the design and handmade chenille, 1) in the case of simple fabrics: a) weft in one color continuous, b) the use of stripes of the cross of the flesh, whether different colors of the chenille weft or the use of different materials with different Tex count and different specifications; First in the case of simple fabrics: in this type of design of the chenille of handmade simple and easy so as not to draw on the squared paper and the resulting effects are automatic and simple. And the formation and pile of the chenille (the process of the first weaving), which have their distinctive features. Second in the case of embossed fabrics. Handmade design of pile and chenille, formation chenille weft, the design of the chenille weave is designed so that the horizontal rows have the vertical position parallel to the warp threads to be woven, the second weaving process, the woven fabric structures of the cloth, handmade chenille according to the purpose for which the cloth is used. For example, tablecloths, curtains and pendants the production of one square meter of chenille carpets takes seven hours and is produced by one textile worker assisted by a youngster. The production of a meter of handmade carpets takes at least seven days and is produced by a number of boys, ranging from three to five. This is in addition to saving about 25% of the wool used in the blaze with handmade chenille carpets in traditional carpets.

The basis of the design of handmade chenille yarns and fabrics is similar to the other ways of designing velvety fabrics with the same effect as the woven fabric on paper. The boxes are of the same size that should be shown on the cloth. This is why a special type of square paper is usually used for this purpose. The weavers use handwork: a number of shuttles as much as the number of colors available. It is characterized by its cohesive strength in the places where the threads are woven, where we have sets of ribbons. one of the main objectives of the research is to devise a new method for the development of handmade textile products and the purposes used in handmade chenille fabrics are decorative fabrics, ladies' fabrics (evening cloths), pendants, curtains, Broudray, Furnishing fabrics and carpets. the stages of the design and handmade chenille, 1) in the case of simple fabrics: a) weft in one color continuous, b) the use of stripes of the cross of the flesh, whether different colors of the chenille weft or the use of different materials with different Tex count and different specifications; First in the case of simple fabrics: in this type of design of the chenille of handmade simple and easy so as not to draw on the squared paper and the resulting effects are automatic and simple. And the formation and pile of the chenille (the process of the first weaving), which have their distinctive features. Second in the case of embossed fabrics. Handmade design of pile and chenille, formation chenille weft, the design of the chenille weave is designed so that the horizontal rows have the vertical position parallel to the warp threads to be woven, the second weaving process, the woven fabric structures of the cloth, handmade chenille according to the purpose for which the cloth is used. For example, tablecloths, curtains and pendants the production of one square meter of chenille carpets takes seven hours and is produced by one textile worker assisted by a youngster. The production of a meter of handmade carpets takes at least seven days and is produced by a number of boys, ranging from three to five. This is in addition to saving about 25% of the wool used in the blaze with handmade chenille carpets in traditional carpets.

The basis of the design of handmade chenille yarns and fabrics is similar to the other ways of designing velvety fabrics with the same effect as the woven fabric on paper. The boxes are of the same size that should be shown on the cloth. This is why a special type of square paper is usually used for this purpose. The weavers use handwork: a number of shuttles as much as the number of colors available. It is characterized by its cohesive strength in the places where the threads are woven, where we have sets of ribbons. one of the main objectives of the research is to devise a new method for the development of handmade textile products and the purposes used in handmade chenille fabrics are decorative fabrics, ladies' fabrics (evening cloths), pendants, curtains, Broudray, Furnishing fabrics and carpets. the stages of the design and handmade chenille, 1) in the case of simple fabrics: a) weft in one color continuous, b) the use of stripes of the cross of the flesh, whether different colors of the chenille weft or the use of different materials with different Tex count and different specifications; First in the case of simple fabrics: in this type of design of the chenille of handmade simple and easy so as not to draw on the squared paper and the resulting effects are automatic and simple. And the formation and pile of the chenille (the process of the first weaving), which have their distinctive features. Second in the case of embossed fabrics. Handmade design of pile and chenille, formation chenille weft, the design of the chenille weave is designed so that the horizontal rows have the vertical position parallel to the warp threads to be woven, the second weaving process, the woven fabric structures of the cloth, handmade chenille according to the purpose for which the cloth is used. For example, tablecloths, curtains and pendants the production of one square meter of chenille carpets takes seven hours and is produced by one textile worker assisted by a youngster. The production of a meter of handmade carpets takes at least seven days and is produced by a number of boys, ranging from three to five. This is in addition to saving about 25% of the wool used in the blaze with handmade chenille carpets in traditional carpets.

The basis of the design of handmade chenille yarns and fabrics is similar to the other ways of designing velvety fabrics with the same effect as the woven fabric on paper. The boxes are of the same size that should be shown on the cloth. This is why a special type of square paper is usually used for this purpose. The weavers use handwork: a number of shuttles as much as the number of colors available. It is characterized by its cohesive strength in the places where the threads are woven, where we have sets of ribbons. one of the main objectives of the research is to devise a new method for the development of handmade textile products and the purposes used in handmade chenille fabrics are decorative fabrics, ladies' fabrics (evening cloths), pendants, curtains, Broudray, Furnishing fabrics and carpets. the stages of the design and handmade chenille, 1) in the case of simple fabrics: a) weft in one color continuous, b) the use of stripes of the cross of the flesh, whether different colors of the chenille weft or the use of different materials with different Tex count and different specifications; First in the case of simple fabrics: in this type of design of the chenille of handmade simple and easy so as not to draw on the squared paper and the resulting effects are automatic and simple. And the formation and pile of the chenille (the process of the first weaving), which have their distinctive features. Second in the case of embossed fabrics. Handmade design of pile and chenille, formation chenille weft, the design of the chenille weave is designed so that the horizontal rows have the vertical position parallel to the warp threads to be woven, the second weaving process, the woven fabric structures of the cloth, handmade chenille according to the purpose for which the cloth is used. For example, tablecloths, curtains and pendants the production of one square meter of chenille carpets takes seven hours and is produced by one textile worker assisted by a youngster. The production of a meter of handmade carpets takes at least seven days and is produced by a number of boys, ranging from three to five. This is in addition to saving about 25% of the wool used in the blaze with handmade chenille carpets in traditional carpets.

Utilization from ancient to contemporary Egyptian of OYA in Mahalet Marhoum city for clothes and curtains fringe and passementerie of lace design the impulse to beautifying clothing through acts of contemporary Egyptian of OYA adornments or embellishments is an innate characteristic of humans. The added decorative details are used for identification and visual communication by the wearer and comprehension and visual appreciation by the viewer. This utilization from ancient to contemporary Egyptian of OYA investigates the recent attention to female Fashion trends, labeled as the Fashion trends Movement the community that has developed around the apparel segment of the Movement and the framework of the behavior encompassing the participants within Movement. Additionally, the utilization from ancient to contemporary Egyptian of OYA focuses on adornment through the lens of textile/surface design embellishment specific to the Greater Middle East and the northern provinces of India and its application to Fashion trends apparel. Surface design is defined as manipulation of a textile beyond the woven construction, in this context it is applied to women's apparel that covers the head and chest. Through a series of experiments using light, sound and motion the utilization from ancient to contemporary Egyptian of OYA examines how the use of adornment simultaneously conveys identity and conceals the wearer.

Utilization from ancient to contemporary Egyptian of OYA in Mahalet Marhoum city for clothes and curtains fringe and passementerie of lace design the impulse to beautifying clothing through acts of contemporary Egyptian of OYA adornments or embellishments is an innate characteristic of humans. The added decorative details are used for identification and visual communication by the wearer and comprehension and visual appreciation by the viewer. This utilization from ancient to contemporary Egyptian of OYA investigates the recent attention to female Fashion trends, labeled as the Fashion trends Movement the community that has developed around the apparel segment of the Movement and the framework of the behavior encompassing the participants within Movement. Additionally, the utilization from ancient to contemporary Egyptian of OYA focuses on adornment through the lens of textile/surface design embellishment specific to the Greater Middle East and the northern provinces of India and its application to Fashion trends apparel. Surface design is defined as manipulation of a textile beyond the woven construction, in this context it is applied to women's apparel that covers the head and chest. Through a series of experiments using light, sound and motion the utilization from ancient to contemporary Egyptian of OYA examines how the use of adornment simultaneously conveys identity and conceals the wearer.

Abstract:
Effect of fashion on Economic Growth from Egyptian Small Industries through the Home Economy theories the share of poor people in the global population has declined during recent decades. One-third of the population of the world lived in poverty in 1980, whereas the share was 15 per cent in 2010. The decline is largely due to rapid economic growth in population rich countries like Egypt. There are, however, remarkable differences between countries and between regions in the developing world. Some regions and countries, notably in North Africa, are rapidly catching up to fashion industrialized countries. Especially in North Africa, are lagging far behind and the share of poor people in the population has even increased in some countries. Fashion Industrial development has had an important role in the economic growth of countries like China as example of Asia, Egypt, Morocco and Tunisia. Along with accelerated growth, poverty rates have declined in many countries. Some countries have managed to achieve growth with equity, whereas in others inequality has remained high. In this chapter, the growth stories of seven countries China, Egypt, Morocco and Tunisia are described and discussed. The main emphasis is on describing their growth processes and strategies, the role of fashion industrial development, the contribution of a range of policies to growth performance, and the impact of growth on poverty and income inequality. The study begins with a short theoretical discussion of the impact of fashion industrial development on growth and the impact of growth on poverty and income inequality and then proceeds to the country examples. The final section discusses the lessons learnt.
Keywords: Fashion, Economic Growth, Small Industries, Home Economy Theories.

The main aim of the article is to improve the alteration process of design solutions in clothing design by means of automate mode
of sketch designing. The process of choosing the design solution based on its visualization characteristic is the object under study. Its
information model allows one to explore the human figure and the shape of costume as a single sign system in communicative space of
fashion with the help of a sketch. The concept of choosing the solution contains two stages: artistic and constructive analysis, and synthesis.
For the first time, the topology of the perceptual design image of a clothing model in the triads of a sign imaging system has been proved. At
the same time, the constraint of the development of costume language is the limited database to assess the emotional experience of
consumers. As a result of the research the author proposed the process of harmonization of graphic fashion image to individual harmonized
design image with planned impression. Vector graphic editor was used to create technical sketches and graphic objects.
Keywords: customized garment design, design decision, perceptual design image of clothing model, sketch.





Визначені окремі конструктивно-композиційні рішення медичного одягу для формування бази даних зображень медичного одягу, яка може бути використана для глибокого навчання машин, пряме призначення яких-підбір конструктивного прототипу одягу повсякденного призначення для розробки одягу медичного призначення. Ключові слова: медичний одяг, база даних, ознаки виробу, семантичний диференціал, евклідова відстань. The main objective of the study is to organize the database of properly labelled images of medical clothing. It was considered advisable to use as labels specific features of the particular garment type rather than its name because the features are standard and can be determined specifically. With the help of the developed bipolar scales of semantic differential, the description of key emotional attributes of medical clothes in the form of psychographic profiles was made. The selected material was sampled for the next categorical principal components analysis and general assessment of differences that are caused by specific features of medical clothing. Thus, the structure of the databases of medical clothing corresponds to the indicators of clusters, which were revealed in the results of the categorical principal components analysis. Based on the information given in the database the typical design documentation of the garment that is already constructed at the given sewing enterprise might be selected out to design the medical clothing. Вступ Забезпечення медичного обслуговування населення є одним із ключових елементів національної безпеки будь-якої держави. Медичне обслуговування забезпечує, насамперед, медичний персонал, вимоги до якого чітко регламентовані як у плані відповідності професійним якостям, так і в аспекті дотримання правил гігієни, які прямо пов'язані з забезпеченням санітарно-епідеміологічної безпеки. Під гігієною медичного персоналу розуміють підтримання зовнішнього вигляду, вибір та носіння комплекту спеціального медичного одягу, взуття, догляд за тілом (а особливо за руками) перед початком роботи, під час та після закінчення роботи. Однією із найперших вимог щодо підтримання зовнішнього вигляду є наступна: загальний вигляд медичного персоналу повинен бути естетично довершеним, строгим та водночас привабливим для зору, що сприяє довірі з боку пацієнтів та їх близьких. З такою функцією успішно справляється одяг медичного персоналу, який повинен: 1) захистити пацієнта від інфекцій та бактерій, які лікар може принести на повсякденному одязі із зовнішнього світу; 2) захистити лікаря від потрапляння препаратів та біологічних рідин на шкіру; 3) забезпечити уникнення психо-емоційного збудження пацієнта (одяг чистий і білий). Проте, сьогодні асортимент медичного одягу, що розробляється у відповідності з діючою в Україні нормативно-технічною документацією, не відповідає в повній мірі вимогам споживачів до захисних, експлуатаційних і естетичних вимог спецодягу. Діючі стандарти не завжди враховують спеціалізацію працівника, умови праці, а одяг, що виготовляється не володіє захисними властивостями [1]. Дослідники відмічають цілий ряд недоліків: обмежений асортимент; відсутність поділу одягу за спеціалізацією медичного працівника; матеріали, що рекомендуються в стандартах, не включають сучасних матеріалів зі спеціальними обробками. Існуючі технічні умови на моделі медичного одягу не дають рекомендацій для конкретної спеціальності лікаря, вони єдині для всіх, а кожен лікар різної спеціалізації може висувати різні вимоги до свого одягу. Важливо врахувати, що раніше розроблені стандарти, які були затверджені в 80-х роках минулого століття, застаріли і вимагають розробки нових базових конструкцій медичного одягу з урахуванням сучасної типології населення та розроблення базових конструкцій з більш високими ергономічними, захисними, психофізіологічними і гігієнічними властивостями [1]. Крім того, слід звернути увагу на те, що необхідність побороти у пацієнтів так званий «страх білого халату» зумовлює потребу в зміні дизайну та звичного білого забарвлення медичного одягу. Поступово медичний одяг зі спецодягу перетворюється на окремий предмет гардеробу, над яким працюють дизайнери. На ринку з'являються нові, сучасні моделі медичного одягу, вироби оздоблюють декоративними елементами. Існуючі дослідження медичного одягу концентрують свою увагу на матеріалах, з яких він виготовляється [2-5] та їх відповідності вимогам стандартів [6], в той час як композиційне вирішення моделей медичного одягу та їх конструктивний устрій залишаються поза увагою дослідників. Відсутні

Abstract: Today, the design analysis is becoming more and more important due to its new use. Safety and
ergonomic comfort in automobiles has increasingly become important. The textile product can be used for this
purpose in the form of various safety airbag devices. These textile products could be made of different fibers
such as polyester, nylon, pvc, acrylic, viscose/cotton and applied to airbags by nanotechnology. Therefore, the
paper will consider the new emerging field called automotive textile and its application onto airbags.
Keywords: Ergonomic, Automotive Textile, Smart Airbags, Functional Textiles, Design, Nanotechnology
ANALIZA DIZAJNA FUNKCIONALNIH TEKSTILA ZA
PAMETNE ERBEGOVE IZRAĐENE POSREDSTVOM
NANOTEHNOLOGIJE U AUTOMOBILSKOJ INDUSTRIJI
Apstrakt: Danas, analiza dizajna postaje sve značajnija zbog svojih novih dodatnih vrednosti. Bezbednost i
ergonomski zahtevi u automobilima su sve značajni. Tekstilni poizvodi se mogu upotrebiti u ovu svrhu primenom
na različitim bezbedonosnim propratnim delovima erbega. Ovi tekstilni proizvodi mogu biti izrađeni od različitih
vlakana kao što je poliester, najlon, pvc, akril, viskoza/pamuk i posredstvom nanotehnologije primeniti na
erbegovima. Stoga, rad će razmatrati novo polje, tkanine za automobile, i njihovu primenu na erbegove.
Ključne reči: ergonomski, tkanine za automobile, pametni erbeg, funkcionalni materijali, dizajn, nanotehnologija

Consumption of clothing, water and energy by washing laundry is one of the most widespread housework in the Egypt. Today, washing machines do this work in many private households, using water, energy, chemical substances, and process time. Although energy efficiency is in the focus of many regulations which have already achieved significant improvements, the question remains, how relevant these processes are in terms of the absolute impact on resources and whether there are possibilities to improve even further by looking abroad. This survey, which is based on published data, compares the energy and water consumption for automatic laundry washing in an average private household with the total energy and water consumption of private households. Only little data are available on resource consumption for laundry washing based on in-use measurements are hard to obtain. But although some of the data in this report are poor, this is the first work that tries to elucidate the contribution of automatic laundry washing to the total energy and water consumption of households in selected countries North Africa. The report estimates the resource consumption of roughly about 37.72 Million only household washing machines in five countries (Egypt, Libya, Algeria Tunes, Morocco,) with about 188.6 Million people, which is about one third of the North Africa population. The results of this work show that laundry washing in private households is done with quite different amounts of energy and water in different parts of the North Africa both in absolute and relative comparison to the overall household consumption. But due to different consumer habits in dealing with the achieved washing performance in the different global regions, the best practice in washing laundry in a most sustainable way cannot be determined yet. Further research is needed to form a basis for a most sustainable development of resource consumption in Private households.

УДК 687(038) ББК 37.24я2 V834 Рекомендовано до друку Вченою радою Хмельницького національного університету, протокол № 7 від 31.01.2019 Рецензенти: Березненко С. М.-д-р техн. наук, проф., зав. кафедри технології та конструювання швейних виробів, Національний університет технологій та дизайну (м. Київ); Чепелюк О. В.-д-р техн. наук, проф., зав. кафедри дизайну, Херсонський національний технічний університет; Дорофєєва О. М.-канд. філол. наук, доц. кафедри практики іноземної мови та методики викладання, Хмельницький національний університет; Михайловська О. А.-канд. техн. наук, доц., зав. кафедри технології та конструювання виробів зі шкіри, Хмельницький національний університет.

РЕСУРСОЗБЕРІГАЮЧІ ТЕХНОЛОГІЇ
ЛЕГКОЇ, ТЕКСТИЛЬНОЇ
І ХАРЧОВОЇ ПРОМИСЛОВОСТІ
Збірник тез доповідей Всеукраїнської
науково-практичної Інтернет-конференції
молодих вчених та студентів
16-17 листопада 2017 р.
ХМЕЛЬНИЦЬКИЙ
2
Ресурсозберігаючі технології легкої, текстильної і харчової промисловості
Ресурсозберігаючі технології легкої, текстильної і харчової
промисловості: збірник тез доповідей Всеукраїнської науково-практичної
Інтернет-конференції молодих вчених та студентів, 16-17 листопада 2017 р. –
Хмельницький : ХНУ, 2017. – 240 с.
У збірнику подані тези наукових доповідей вчених, які розглядались на
науково-практичній Інтернет-конференції молодих вчених та студентів
«Ресурсозберігаючі технології легкої, текстильної і харчової промисловості»
(16-17 листопада 2017 р.).
Тези наукових доповідей подано в авторській редакції з дотриманням
індивідуального стилю. За фактичний матеріал і його інтерпретацію
відповідальність несуть автори.
ПРОГРАМНИЙ КОМІТЕТ
Славінська Алла Людвигівна – д-р техн. наук, професор, зав.
кафедри технології та конструювання швейних виробів Хмельницького
національного університету
Elsayed Ahmed Elnashar – PhD, Full-Professor of Textiles & Apparel
Faculty of Specific Education, Kafrelsheikh University, Egypt
Кущевський Микола Олександрович – канд. техн. наук, професор,
професор кафедри технології та конструювання швейних виробів
Хмельницького національного університету
Закора Оксана Василівна – канд. техн. наук, доцент, в. о. зав. кафедри
експертизи, технології і дизайну текстилю Херсонського національного
технічного університету
Хісамієва Люція Габдулхаківна – канд. пед. наук, доцент, доцент
кафедри «Моди і технології» Казанського національного дослідницького
технологічного університету

ОРГАНІЗАЦІЙНИЙ КОМІТЕТ
Славінська А.Л., д-р техн. наук, професор, ХНУ
Захаркевич О.В, канд. техн. наук, доцент, ХНУ
Балабанов В.В., ХНУ
Відповідальний за випуск: д.т.н., проф. Славінська А.Л.
Технічний редактор: к.т.н., доц. Захаркевич О.В.
Комп’ютерний набір і верстка: Балабанов В.В.
ISSN 2308-6718
© «Хмельницький національний університет», 2017

الفن أو الفنون هي أحد أهم أنواع الثقافة، تتكون من العديد من التخصصات تشمل الفنون البصرية
والأدبية والمسرحية )الموسيقي والمسرح والرقص والسينما( وغيرها، ويعود تاريخ الفنون إلى أوائل عصر
ما قبل التاريخ، ومنذ العصر الإغريقي ومحاولات الفنانين لا تنقطع من أجل خلق عمل فني شامل
يجمع الفنون كلها. وقد تجسد هذا العمل أولاً في الد ا رما الإغريقية التي جمعت بين الشعر والغناء
والموسيقى والرقص الايمائي أمام خلفية من المناظر التي رسمها الفنانون التشكيليون، وقد تلاقت
الفنون جميعها في كل من نموذجي الأوب ا ر والباليه، غير أنها لم تصل إلى مرتبة التوازن والتكامل .
واليوم تتصدر السينما لتجمع بين الفنون جميعاً محققة العمل الفني المتسق الشامل. ولم تكن السينما
في بدايتها غير فنٍ مرئي صامت يعرض صو ا رً متحركة لا تنبض بصوت، كأفلام " بولا نيجري"
و"رودولف فالنتينو" "تشارلي تشابلن" في أيامه الأولى. حتى إذا اكتشفت مادة "السالينيوم" التي تحيل
الموجات الصوتية إلى موجات ضوئية ثم تحيل هذه إلى صوتية، بدأت السينما خطوتها الجبارة في
تجميع الفنون المرئية والمسموعة، وأخذت تقدم المسرح والموسيقى والفنون التشكيليّة كلها في عمل
واحد ا رئع التناسق، وأصبحت السينما وسيلة إلى بلوغ الكمال لجميع الفنون، كما حطمت حواجز الزمان
والمكان حاملة أروع الأعمال الفنية بين ربوع العالم بما لا يستطيعه فن الباليه ولا الأوب ا ر .
هناك أنواع عديدة للفن، منها ما ا زل عبر التاريخ، ومنها ما ظهر حديث اً. اليوم هناك فنون جميلة مثل
التصوير والنحت والحفر والعمارة والتصميم الداخلي والرسم وهو أبرزها. وهناك فنون كالموسيقى الأدب
والشعر والرقص والمسرح . وجاء تطوي ا ر على المسرح السينما ورسوم متحركة وفن الصورة والفن إن
جاز التعبير شيء هلامي متغير يرجع إلى وجهات النظر أحياناً وللثقافة أحياناً وللعصور أحيان اً .

Prof.Dr. ELSAYED AHMED ELNASHAR, Ph.D.
Full-Professor of Textiles &Apparel, Faculty of Specific Education, Kaferelsheikh University, Egypt.
ORCID iD Scopus Author ID: 11638930300
https://orcid.org/0000-0002-7963-1926

Editor in chief “SmarTex Research Journal”
Print: (2090-634x) , Online: (2090-6358)

Certificate participation for Prof. Dr. Elsayed Ahmed Elnashar , Professor , Kafrelsheikh University, Egypt, MATERIAL COLLECTION , XXI International , scientific and practical forum , "SMARTEX - 2018"  “PHYSICS OF FIBROUS MATERIALS: STRUCTURE, PROPERTIES, SCIENTIFIC TECHNOLOGIES AND MATERIALS » September 26 - 28, 2018,
Ivanovo State Polytechnic University , Institute of Chemistry of Solutions named after G.A. Krestov of the Russian Academy of Sciences , Moscow State University Lomonosov, Ivanovo State University of Chemical Technology
https://smartex2.ivgpu.com/wp-content/uploads/2018/10/Sbornik.pdf?fbclid=IwAR1xe_IMpdAbC9lveJzn7OCeEGMcKoSO9oMK851Z4QSKGTKFnkDpgFWOuCA

Certificate of Membership for  Prof.Dr. Elsayed Ahmed Elnashar, Professor, Kaferelsheikh University, Egypt , EDITORIAL BOARD member . “International Journal of Research-GRANTHAALAYAH (IJRG)”.  open access journal that provides monthly publication of articles in all areas of Engineering, Management, Social, Arts, Commerce, Technology and Science etc.  http://granthaalayah.com/editorial.html

Certificate to Prof. Dr. Elsayed Ahmed Elnashar,  Kafrelsheikh University, Egypt. Editorial Board Members ("Associate Editors") International Journal of Multidisciplinary Research and Development.
http://www.allsubjectjournal.com/
http://www.allsubjectjournal.com/board

Awards:
Decision of the Presidium of the Russian Academy of Natural Sciences about your membership in the Academy." Decision on membership in the Academy of Natural Sciences. Professor ". Russian scientist
Prof.Dr. ELSAYED AHMED ELNASHAR, Ph.D.( Эльнашар Эльсайед Ахмед)
Full-Professor of textiles & Apparel
РОССИЙСКАЯ АКАДЕМИЯ ЕСТЕСТВОЗНАНИЯ Международная ассоциация ученых, преподавателей и специалистов
THE RUSSIAN ACADEMY . NATURAL SCIENCES, International Association of Scientists, teachers and specialists
الأكاديمية الروسية , العلوم الطبيعية , الرابطة الدولية للعلماء، والمعلمين والمتخصصين
Решением Президиума Российской Академии Естествознания (РАЕ) (от 01 февраля 2018 г.) утверждено заключение Аттестационной комиссии РАЕ , о присуждении Вам ученого звания профессор Российской Академии Естествознания.
Decision of the Presidium of the Russian Academy of Natural History (RAE) (from February 1, 2018) approved the conclusion of the Certification Commission RAE on awarding you a scientific title of professor of the Russian Academy Natural science.

Prof. Dr. Elsayed Ahmed Elnashar,  Kafrelsheikh University, Egypt. Editorial Board Members: Editorial Board Member Certificate(associate Editor). International Journal of Management and Commerce Research
http://www.managementjournal.in/board

Distinguished Scientist in Textiles and Apparel
To
Prof. Dr. ELSAYED AHMED ELNASHAR (Award Winner)
Professor, Department of Art Education & Home Economic,
Faculty of Specific Education, Kafrelsheikh University,
Kaferelsheikh City, Egypt.
Dear Prof. Dr. Elsayed Ahmed Elnashar,
Sub: Your nomination documents submitted for the Venus International Research Awards-
VIRA 2017 vide call for nominations F.No.VIF/CFN/RA/2017 opened on July 3, 2017
Ref-1: Nomination Code - RA17ENNC2628
Ref-2: Award Code-DSEN/ Textiles and Apparel /AAP-III
I am delighted to inform that, based on the Expert Committee report and Apex Committee
recommendations, you have been selected as a DISTINGUISHED SCIENTIST in Textiles and
Apparel.
We are very proud of your contribution, research excellence and accomplishments in the
area of Textiles and Apparel. My hearty congratulations to you on this well deserved recognition. I
sincerely hope that you will continue to strive hard to reach your potential and to prove your
leadership in the coming years.
The VIRA 2017 Award carries a Certificate, Bronze Medal and Memento. Further
information may be found at: http://viraw.info/winners.html
I invite you to receive the award in person during the 3rd Annual Research Meet-ARM 2017
(http://venusinfo.org/arm.html) that is to be held on November 11, 2017 at the Radha Regent,
Chennai City, India.
I look forward to greeting you personally at the award presentation ceremony. In this
process, you have to submit the ARM 2017 registration form on or before October 20, 2017.
Again, on behalf of the Venus International Foundation, I extend my warmest
congratulations to you for winning this award.
Sincerely
( R. Sathishkumar )
Copy to:
1. Dr. T. R. Ganeshbabu - Expert Committee, VIRA 2017
2. Mrs. M. S. Sudha, Member - Apex Committee, VIRA 2017


Distinguished Scientist in Textiles and Apparel, you have been selected as a DISTINGUISHED SCIENTIST in Textiles and Apparel.
We are very proud of your contribution, research excellence and accomplishments in the
Area of Textiles and Apparel. My hearty congratulations to you on this well-deserved recognition. I sincerely hope that you will continue to strive hard to reach your potential and to prove your leadership in the coming years.
The VIRA 2017 Award carries a Certificate, Bronze Medal and Memento. Further
Information may be found at: http://viraw.info/winners.html

Prof.Dr. ELSAYED AHMED ELNASHAR, Ph.D.
Full-Professor of textiles & Apparel

  Faculty of Specific Education, Kafrelsheikh University, Egypt.
Editor in chief “SmarTex Research Journal”
Print: (2090-634x) , Online: (2090-6358)



EDUCATION:
Ph.D. (2000): University of Helwan, Cairo, Egypt. Ph.D. thesis entitles "Design of Database for Forecasting the Specification of Woven Fabric Design for Ladies Dresses".
Msc. (1995): Faculty of applied arts, University of Helwan, Cairo, Egypt.  Entitle: "Effect of warp-ends densities distributions on some esthetical and physical properties of multi- layers woven fabric".
Bsc. (1989): With a very good, "spinning, weaving &knitting Branch", from Helwan University, faculty of applied arts, Cairo, Egypt.
Diploma. (1985): of the advanced of an industrial technical five years institute, weaving department.

PROFESSIONAL EXPERENCE:

Vice Dean for Higher Studies and Research of faculty of Specific Education, Kaferelsheikh University, Egypt, Since August 2011 till 31July 2015.

Dean & Vice Dean for Higher Studies and Research of faculty of Specific Education, Kaferelsheikh University, Egypt, since 1 August 2013  till: 16 May 2015

Vice Dean for Higher Studies and Research & Head of Home Economic Department, Faculty of Specific Education, Kafrelsheikh University, Egypt. Since August 2011 to 1 August 2013 

Editor in chief “SmarTex Research Journal” Print ISSN: (2090-634X) Starting Jun 2011.
Editor in chief “SmarTex Research Journal” Online ISSN: (2090-6358) starting Jun 2011
August 2010 Head of Home Economic Department, Faculty of Specific Education, Kaferelsheikh University, Egypt.

27/5/2012- present Professor of textiles & Apparel in Home Economics  Department, faculty of Specific Education, Kafrelsheikh University Egypt.

27/5/2007- Associate Professor of textiles & Apparel in Home Economics  Department, faculty of Specific Education, Kafrelsheikh University Egypt
.

1/02-3/07 Assistant Professor Textile apparel in Home Economics Department, faculty of Specific Education, Kafrelsheikh University Egypt.

12/00-1/02Assistant Prof. Textiles in art education Department, faculty of Specific Education, Kafrelsheikh University Egypt.
1/97-12/00Assistant lecture of textiles in art education Department, faculty of Specific Education, Kafrelsheikh University Egypt.

The first decade of the 21st century brought about a revolution in anthropometry. For garments the phases of product development and preparation of production require approximately triple the time of the actual garment life span. The development of existing technology made it possible to collect anthropometric data using a non-contact body scanner. In order to compensate for resulting grater efforts in the product preparation and to react more quickly and flexibly to the latest fashion, the technology. Clothing manufacture is extremely labour-intensive. At present, there are various software tools for 2D design, grading, nesting and so on, allowing great saving of time and material; however, each of them covers only a particular step of the garment design process.

Prof.Dr. ELSAYED AHMED ELNASHAR, Ph.D.
Full-Professor of textiles & Apparel

  Faculty of Specific Education, Kafrelsheikh University, Egypt.
Editor in chief “SmarTex Research Journal”
Print: (2090-634x) , Online: (2090-6358)











Personal Information:
              Date of Birth: 19 of August 1965
              Home Address: 24 Hospital Street, Mahalet, Marhoum Tanta, Egypt
Work address: Kaferelsheikh University, Egypt.
El-Geish Street, 33516 Kaferelsheikh City, Egypt,
              Cell phone: (+2) 0106 9288940
              Home phone:  (+2) 0403608776
              Work& Fax: (+2) 047 3212932
              Email: Smartex@kfs.edu.eg
              Email: elsayed.elnashar@spe.kfs.edu.eg
              Email: smartex-journal@kfs.edu.eg
              Email: Dr_elnashar@hotmail.com
              Email: Dr_elnashar@yahoo.com
              National ID: 26508191600152

EDUCATION:
Ph.D. (2000): University of Helwan, Cairo, Egypt. Ph.D. thesis entitles "Design of Database for Forecasting the Specification of Woven Fabric Design for Ladies Dresses".
Msc. (1995): Faculty of applied arts, University of Helwan, Cairo, Egypt.  Entitle: "Effect of warp-ends densities distributions on some esthetical and physical properties of multi- layers woven fabric".
Bsc. (1989): With a very good, "spinning, weaving &knitting Branch", from Helwan University, faculty of applied arts, Cairo, Egypt.
Diploma. (1985): of the advanced of an industrial technical five years institute, weaving department.

ELSAYED AHMED ELNASHAR, Full-Professor of textiles Apparel, Kaferelsheikh University, Egypt. Born in 19 /8/1965. Have Ph.D. 2000, Msc.1995, Bsc.1989, Helwan University. Diploma1985advanced industrial textiles institute. He holds several academic administrative positions: Dean, Vice Dean, Head of Department, He has many textiles patents, Member of international scientific committees. Development of Faculties of Education, commissioned of Supreme Council of Egyptian Universities. Has design books published in Germany. Has published over 160 scientific Articles. Editorial board member & Reviewer for more 30 journal Founder and editor two scientific journals. And Smartex Conference Egypt. Member of the editorial board of several international journals and conferences, He has made many scientific agreements with European &Africa universities

• Inadequate education colleges generally achieve quality of language and technology required, where is the final product in any graduate with sufficient skills to function efficiently and compete in local and external labour market. • Need colleges of education to development and modernization of language and technology in terms of processing factories and workshops equipped, introducing language and education technology and employ them in various educational activities. • A gap between theory and practice in the area (language and technology) both for the teacher in pre service, or at his training during the service, where attention to theoretical aspects and psychological and educational philosophies more applications in everyday situations. • Absence of the institutional role of the colleges of education in the processes of development of education and tools (language and technology), this may be due to the many burdens and responsibilities and pressures on both students and faculty and staff of these colleges, which may entail a reduction (language and technology) and their teaching activity and reverse and the related processes of exams and correct and the announcement of the results. • Lack of communication between education faculties and directorates of education and education departments, and then wasting opportunities that will help develop (language and technology) general education teacher. The current setting for the teacher does not contribute to the achievement of educational scientific outputs specifically for alumni, training does not meet the needs of the labour market for teachers with high efficiency at a time when global standards-based teacher preparation: • inadequate language and technology in academic preparation for labour market needs • Inefficient professional preparation in light of language and advanced technology and how to use optimal • Inefficient training on how to employ the information through language and technology free activities using technological innovations • inefficient teacher on being a mentor, coordinated and directed education 

A COMPARATIVE STUDY OF THE "SEARCH IN LANGUAGE AND TECHNOLOGY IN FACULTIES OF EDUCATION". Available from: https://www.researchgate.net/publication/316407561_A_COMPARATIVE_STUDY_OF_THE_SEARCH_IN_LANGUAGE_AND_TECHNOLOGY_IN_FACULTIES_OF_EDUCATION [accessed Apr 23, 2017].

Msc. (1995): Faculty of applied arts, University of Helwan, Cairo, Egypt. Entitle: "Effect of warp-ends densities distributions on some esthetical and physical properties of multi-layers woven fabric". Bsc. (1989): With a very good, "spinning, weaving &knitting Branch", from Helwan University, faculty of applied arts, Cairo, Egypt. Diploma. (1985): of the advanced of an industrial technical five years institute, weaving department.

Background Spandex production accounts for 0.9% of the world natural and manufactured fiber production. It is used in sweaters, tops, trousers, formal suits, jackets, sleeveless dresses, vests and knickers, shaped garments, hosiery, swimwear, sportswear, and bodies. While the increase in Spandex production and markets is significant, little scientific research has been published. This research goal is to explore the potential of using filling yarns containing Spandex to produce 3-D effects. The 3D effects are developed through woven fabric design with varying tightness. Variation in tightness cause differential shrinkage upon removing the fabric from the loom and/or washing while in relaxed state. Loose weave structure causes more shrinkage as compared to tight weaves. The differential shrinkage causes parts of the design to be raised in the direction perpendicular to the fabric plane.