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This study attempts to discern the meaning of unspoken works related to both African and African American women as presented in the novels of the leading African American writer, Alice Walker. Therefore, the discourse of the silence is... more
This study attempts to discern the meaning of unspoken works related to both African and African American women as presented in the novels of the leading African American writer, Alice Walker. Therefore, the discourse of the silence is central to the study. It deploys different concepts from linguistic and critical theories and offers a close reading of relevant parts of the texts to grab the discursive void, evaporating the very generic experience of African originated women in America or elsewhere. Correspondingly, it contributes to Black Feminist discourse by registering into academia the systematic discussion of ignored, collateral experience of Black women. The study concedes that in mainstream academia the absence of discussion regarding Black women’s suppression, oppression, and commodification is, in fact, multi-patterned primarily caused by the intersectional systems of racism, sexism, and classism which Walker delineate with. Exploring and naming out that silence generating factors, this paper gives words to the traumatic wound conserved deep in the collective unconscious of Black women as a whole. While exploring those reasons, it argues that pulling those women’s issues off the discussion is more a politicised venture than anything else of western academia.
The paper aims at studying the patterns of the male fantasy in Robert Coover’s erotically charged short story, “The Babysitter”. The story centres on the image of a Babysitter stepping into a bathtub for having a shower while the phone in... more
The paper aims at studying the patterns of the male fantasy in Robert Coover’s erotically charged short story, “The Babysitter”. The story centres on the image of a Babysitter stepping into a bathtub for having a shower while the phone in the living room rings, driving her out of the tub to answer it by the time the towel wrapping her pulls off giving a view of her naked body. In a rapid succession of one hundred and seven fragmented paragraphs, this image vividly recurs in and rolls up through the fantasies to fantasies of its male characters, blurring and overlapping these, creating fresh new versions of the story from the Babysitter being raped to the Babysitter saved from being raped. The study examines a clear line of development in the fantasies of each of these characters. Considering age, sexual orientation, experiments, adjustment and satisfaction, personality, and other socio-cultural variables, it (re)conceptualizes their fantasies as falling into certain patterns like ob...
The imagery of 'eyeing', 'gazing', and 're-visioning' recurrently occur in the works of the writers who belong to the marginalized (in terms of race and sex) communities. They examine their images in literature and society as well and... more
The imagery of 'eyeing', 'gazing', and 're-visioning' recurrently occur in the works of the writers who belong to the marginalized (in terms of race and sex) communities. They examine their images in literature and society as well and feel to reconstruct identity that has so far been constructed by the 'gaze' of the mainstream. Their essential selves have been castrated, and pinned to some stereotypes by the racist and phallocentric culture. So, after a long period of subjugation, they look back afresh with a view to gaining sovereignty over their own senses of identities. This paper seeks to study some canonical works from the marginalized writers in America which ponder on the gazing process of the dominant culture. To pursue the study we have concentrated upon the novels, The Native Son (1940) by Richard Wright and The Bluest Eye (1970) by Tony Morrison, and some poems from Adrienne Rich. In their writings, each writer has explored the functioning of the mechanism of 'gaze' leading to the internalization of the hegemonic ideology and inferiority. Thus, they dismantle the dominant 'gaze', and reconstruct identity in a fictional world which results in envisioning a new world to come.
Research Interests:
Research Interests: