- Universita' della Svizzera Italiana, Archivio del Moderno, Faculty Memberadd
- Since 2016 a HdR Professor at the ENSA Versailles in Theory and History of Architecture, and a member of the Ecole do... moreSince 2016 a HdR Professor at the ENSA Versailles in Theory and History of Architecture, and a member of the Ecole doctorale des Sciences de l'Homme et de la Société, Université Paris-Saclay. Since 2017 she has been co-director of the Master 2 Recherche “Architecture et ses territoires” at the School Humanités de l'Université Paris-Saclay.
Since 2006 she has been a researcher at the Archivio del Moderno (Università della Svizzera italiana, Accademia di architettura), where she is in charge of the scientific coordination and direction of international research projects.
Graduated in Architecture from the Università di Napoli “Federico II” in 2000, and from the same university gained a post-graduate scholarship for conducting advanced studies at the Institut d'Architecture of the University of Geneva under the direction of Bruno Reichlin.
In 2004 she gained the 2nd cycle European Master's degree in History of Architecture from the Università di Roma Tre with a thesis on the analytical inventory of the Fondo Pietro Aschieri preserved at the Accademia Nazionale di San Luca.
In 2010 she obtained a PhD in architecture from the Institut d'Architecture of the University of Geneva with a thesis directed by Bruno Reichlin and focused on the villa "La Saracena" by Luigi Moretti (published in 2012 by Mendrisio Academy Press).
From 2011 to 2012 she spent a year at the EHESS - École des Hautes Études en Sciences Sociales in Paris as a post-doc with the research project “Formes émouvantes. Sur la captation savante de l’œuvre d’architecture au XX siècle” .
In 2015 she obtained the Habilitation à Diriger des Recherches (Université de Versailles Saint-Quentin-en-Yvelines and Université Paris Saclay).
From 2006 to 2011 she was an assistant of Bruno Reichlin at the Accademia di Architettura in Mendrisio, Università della Svizzera italiana, in the courses in “Critical Instruments for Twentieth-Century Architecture”, “Reuse Project” and “Restoration and Reuse of Twentieth-Century Architecture”; in 2013 she collaborated with Marianne Burkhalter/Christian Sumi in the course “Concept of Modernism”.
From 2013 to 2016 she was maître assistant associée at the Ecole Nationale Supérieure d'Architecture of Versailles (ENSA Versailles) and a guest researcher at the research laboratory of the same Ecole (LéaV).
Her researches at the Archivio del Moderno deal with Italian and Swiss Twentieth-century architects (such as Luigi Moretti, Giulio Minoletti, Marco Zanuso, Peppo Brivio) and on transversal themes such as the forms of interaction between architecture and the arts (André Bloc, Hans Hartung and Anna Eva Bergman).
In the academic year 2015-2016 she was a senior scholarship researcher at the Department of Education of the Republic and Canton Ticino with the research project “Peppo Brivio (1923): the architect-intellectual in search of a “grammar”.
She was in charge of the scientific coordination of the exhibition “Luigi Moretti architect. From Rationalism to Art Informel”, MAXXI, Rome (curators: Bruno Reichlin and Maristella Casciato, 2010) and “Luigi Moretti. History, Art and Science”, Accademia Nazionale di San Luca, Rome (curators: Bruno Reichlin and Letizia Tedeschi, 2010).
She was co-curator of “Luigi Moretti Architect: from Rationalism to Art Informel” (with Bruno Reichlin, 2012) and “Giulio Minoletti (1910-1981): Architect, Urbanist and Designer” (with Christian Sumi, 2014), both presented at the Gallery of the Accademia di Architettura, Mendrisio; and of “Structure Sculpture. Architecture et performance de 1960 à nos jours à Genève” at the Commun-BAC, Geneva (with Paolo Amaldi and Maïlis Favre, 2017).
She was scientific consultant of the exhibition “Experiments in Synthesis of the Arts. André Bloc and Gianni Monnet on a Journey among the Protagonists of Concrete Art”, Studio Dabbeni, Lugano (2016).
Her researches are focused principally on:
1. Archives of architecture: inventory and valorisation
2. Critical tools for the analysis of twentieth century architecture
3. Forms of interaction between artistic disciplines in architecture
4. Methodological approaches to the history of architecture.edit
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Ideata e costruita fra il 1955 e il 1957 sulla costa tirrena di Santa Marinella, vicino a Roma, Villa La Saracena segna la pienezza del tempo professionale di Luigi Moretti (1907-1973), ormai maturo per condensare in un'opera... more
Ideata e costruita fra il 1955 e il 1957 sulla costa tirrena di Santa Marinella, vicino a Roma, Villa La Saracena segna la pienezza del tempo professionale di Luigi Moretti (1907-1973), ormai maturo per condensare in un'opera esemplare le sue argute e appassionate riflessioni sui diversi linguaggi artistici e sulle rispettive possibilità di una tangenza e contaminazione. Di questo capolavoro, il presente volume ripercorre minutamente la storia progettuale e propone un'originale interpretazione fondata sulle categorie critiche della "mediterraneità", del Barocco e dell'Informale, al centro di un vivace dibattito culturale negli anni Cinquanta. Ne emerge il ruolo di protagonista dello spazio interno, da cui procedono forma e struttura, e da cui promanano movimenti di superfici, modulazioni luministiche, singolari trasmutazioni di materia che sollecitano senza posa la sfera emotiva dell'osservatore
Convegno internazionale tenutosi presso l'École nationale supérieure d’architecture de Versailles (ENSA-V) e École Camondo di Parigi. Venerdi 11 ottobre 2019: ENSA-V / Salle des Conseils. Sabato 12 ottobre 2019: Ecole Camondo / Salle... more
Convegno internazionale tenutosi presso l'École nationale supérieure d’architecture de Versailles (ENSA-V) e École Camondo di Parigi. Venerdi 11 ottobre 2019: ENSA-V / Salle des Conseils. Sabato 12 ottobre 2019: Ecole Camondo / Salle La passerelle
Research Interests: Art History and Art
«Esperimenti di sintesi delle arti». Analogie fra MAC et Espace/ «Experiments in the synthesis of arts». Analogies between MAC and Espace, testo pubblicato nel giornale dell'esposizione Expériences de synthèses des arts. André Bloc et... more
«Esperimenti di sintesi delle arti». Analogie fra MAC et Espace/ «Experiments in the synthesis of arts». Analogies between MAC and Espace, testo pubblicato nel giornale dell'esposizione Expériences de synthèses des arts. André Bloc et Gianni Monnet dans un parcours parmi les protagonistes de l’Art Concret, Studio Dabbeni, Lugano 4 novembre–31 gennaio 2017.
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Partiture per altri spazi/Scores for other space, in Tiziana Lotti Tramezzani, (a cura di) Adriana Beretta. Stanze e distanze, catalogo dell'esposizione omonima che si è tenuta alla Erich Lindenberg Art Foundation, Porza (Svizzera), 26... more
Partiture per altri spazi/Scores for other space, in Tiziana Lotti Tramezzani, (a cura di) Adriana Beretta. Stanze e distanze, catalogo dell'esposizione omonima che si è tenuta alla Erich Lindenberg Art Foundation, Porza (Svizzera), 26 novembre 2017-29 aprile 2018, Casagrande, Bellinzona 2018, pp. 18-30 e 157-165. ISBN 978-88-7713-803-3
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Per «congetture e confutazioni». Modi di una critica demistificante, introduzione a A. Viati Navone, a cura di, Bruno Reichlin. Dalla «soluzione elegante» all’«edificio aperto». Scritti intorno ad alcune opere di Le Corbusier, Mendrisio... more
Per «congetture e confutazioni». Modi di una critica demistificante, introduzione a A. Viati Navone, a cura di, Bruno Reichlin. Dalla «soluzione elegante» all’«edificio aperto». Scritti intorno ad alcune opere di Le Corbusier, Mendrisio Academy Press-Silvana editoriale, Mendrisio-Milano 2013, pp. 9-19, ISBN 978-88-3662-6755.
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Riflessi di «architettura concreta». Le dimore di Minoletti dall’appartamento in via Gesù alla «villa sul tetto», in M.C. Loi, C. Sumi, A. Viati Navone, a cura di, Giulio Minoletti (1910-1981). Lo spettacolo dell’architettura, Mendrisio... more
Riflessi di «architettura concreta». Le dimore di Minoletti dall’appartamento in via Gesù alla «villa sul tetto», in M.C. Loi, C. Sumi, A. Viati Navone, a cura di, Giulio Minoletti (1910-1981). Lo spettacolo dell’architettura, Mendrisio Academy Press-SilvanaEditoriale, Mendrisio-Milano 2017, pp. 531-569, ISBN 978-88-36-6371-26.
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Una composizione di «forme così intellettualmente scandite». L’architettura della colonia climatico-balneare a Formia come paradigma dei temi compositivi dell’anteguerra, in M.C. Loi, C. Sumi, A. Viati Navone, a cura di, Giulio Minoletti... more
Una composizione di «forme così intellettualmente scandite». L’architettura della colonia climatico-balneare a Formia come paradigma dei temi compositivi dell’anteguerra, in M.C. Loi, C. Sumi, A. Viati Navone, a cura di, Giulio Minoletti (1910-1981). Lo spettacolo dell’architettura, Mendrisio Academy Press-SilvanaEditoriale, Mendrisio-Milano 2017, pp. 115-143, ISBN 978-88-36-6371-26.
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(see Program pdf attached here) 17-18 May 2022: Meetings at ÉNSA Versailles and Ecole Camondo-MAD Location(s) ÉNSA Versailles, 5, avenue de Sceaux, 78000 Versailles, France. Ecole Camondo-MAD, 266 Bd Raspail, 75014 Paris, France... more
(see Program pdf attached here)
17-18 May 2022: Meetings at ÉNSA Versailles and Ecole Camondo-MAD
Location(s)
ÉNSA Versailles, 5, avenue de Sceaux, 78000 Versailles, France.
Ecole Camondo-MAD, 266 Bd Raspail, 75014 Paris, France
Scientific Committee
● Javier Fernandez Contreras, architect and doctor in architecture (Madrid School of Architecture - ETSAM), associate professor and head of the Interior Architecture Department at HEAD - Geneva
● Imma Forino, architect, PhD in Interior Design and Interior Architecture from Politecnico di Milano, professor of Interior Architecture and Exhibition Design, Politecnico di Milano, AUIC School, researcher at the Department of Architecture and Urban Studies - DAStU.
● Aurélien Fouillet, Doctor in Sociology from the University of Paris Descartes following a Master's degree in Philosophy and associate researcher at the Centre de Recherche en Design (ENS Paris Saclay/ENSCI).
● Alexis Markovics, PhD in the history of modern and contemporary architecture from the University of Versailles Saint-Quentin/ÉNSA Versailles, Ladrhaus, director of research and teacher at the Ecole Camondo, researcher at LéaV.
● Charlotte Poupon, designer, PhD in aesthetics and neuroscience from the University of Artois, director of pedagogy and teacher at the Camondo School, associate researcher at LéaV.
● Marion Trousselard, MD, HDR, associate professor at the Val-de-Grâce school in "neuroscience and cognitive sciences", director of the neurophysiology of stress unit at the Armed Forces Biomedical Research Institute (IRBA), researcher at the University of Lorraine, APEMAC UR 4360, Metz
● Annalisa Viati Navone, architect, PhD in architecture from the University of Geneva, professor of History and Architectural Cultures at ÉNSA Versailles, researcher at LéaV and at the Archivio del Moderno (Accademia di architettura - University of Italian Switzerland).
Scientific leaders
● Alexis Markovics, PhD in history of modern and contemporary architecture from the University of Versailles Saint-Quentin/ÉNSA Versailles, Ladrhaus, pedagogical coordinator and teacher at the Camondo School, researcher at LéaV.
● Charlotte Poupon, designer, PhD in aesthetics and neuroscience from the University of Artois and the Armed Forces Biomedical Research Institute, director of pedagogy and teacher at the Camondo School, associate researcher at Léav.
● Annalisa Viati Navone, architect, doctor in architecture at the Institute of Architecture of the University of Geneva, professor of History and Architectural Cultures at ÉNSA-Versailles, researcher at LéaV and at the Archivio del Moderno (Accademia di architettura - University of Italian Switzerland).
17-18 May 2022: Meetings at ÉNSA Versailles and Ecole Camondo-MAD
Location(s)
ÉNSA Versailles, 5, avenue de Sceaux, 78000 Versailles, France.
Ecole Camondo-MAD, 266 Bd Raspail, 75014 Paris, France
Scientific Committee
● Javier Fernandez Contreras, architect and doctor in architecture (Madrid School of Architecture - ETSAM), associate professor and head of the Interior Architecture Department at HEAD - Geneva
● Imma Forino, architect, PhD in Interior Design and Interior Architecture from Politecnico di Milano, professor of Interior Architecture and Exhibition Design, Politecnico di Milano, AUIC School, researcher at the Department of Architecture and Urban Studies - DAStU.
● Aurélien Fouillet, Doctor in Sociology from the University of Paris Descartes following a Master's degree in Philosophy and associate researcher at the Centre de Recherche en Design (ENS Paris Saclay/ENSCI).
● Alexis Markovics, PhD in the history of modern and contemporary architecture from the University of Versailles Saint-Quentin/ÉNSA Versailles, Ladrhaus, director of research and teacher at the Ecole Camondo, researcher at LéaV.
● Charlotte Poupon, designer, PhD in aesthetics and neuroscience from the University of Artois, director of pedagogy and teacher at the Camondo School, associate researcher at LéaV.
● Marion Trousselard, MD, HDR, associate professor at the Val-de-Grâce school in "neuroscience and cognitive sciences", director of the neurophysiology of stress unit at the Armed Forces Biomedical Research Institute (IRBA), researcher at the University of Lorraine, APEMAC UR 4360, Metz
● Annalisa Viati Navone, architect, PhD in architecture from the University of Geneva, professor of History and Architectural Cultures at ÉNSA Versailles, researcher at LéaV and at the Archivio del Moderno (Accademia di architettura - University of Italian Switzerland).
Scientific leaders
● Alexis Markovics, PhD in history of modern and contemporary architecture from the University of Versailles Saint-Quentin/ÉNSA Versailles, Ladrhaus, pedagogical coordinator and teacher at the Camondo School, researcher at LéaV.
● Charlotte Poupon, designer, PhD in aesthetics and neuroscience from the University of Artois and the Armed Forces Biomedical Research Institute, director of pedagogy and teacher at the Camondo School, associate researcher at Léav.
● Annalisa Viati Navone, architect, doctor in architecture at the Institute of Architecture of the University of Geneva, professor of History and Architectural Cultures at ÉNSA-Versailles, researcher at LéaV and at the Archivio del Moderno (Accademia di architettura - University of Italian Switzerland).