Aesthetics of digital cinema
1,057 Followers
Most cited papers in Aesthetics of digital cinema
Taking a schizoanalytic approach to audio-visual images, this article explores some of the radical potential for deterritorialisation found within David Fincher’s Fight Club (1999). The film’s potential for deterritorialisation is... more
This article explores the ways in which digital special effects cinema shares some of the principles and effects of surrealist cinema, namely by rendering indistinguishable waking and dream images. Although there is much debate concerning... more
Robert Zemeckis’ Beowulf (2007) is the latest film made using motion capture technology, a film that tells the story of a hero’s quest to defeat a series of monsters. This article examines not only the thematic role of monstrosity in the... more
Current trends in film and television production styles have favoured the use of aesthetics associated with prosumer and social media products. These aesthetics, including handheld shaky-cam, variable audio and open acknowledgement of the... more
Rossellini’s year zero is also a year zero for images: the year when the cinema depicts a teenager committing suicide is the year when the innocence of the movement-image seems insufficient to understand a world ripped apart. It is... more
Au cours de la dernière décennie, le cinéma équatorien a connu un essor important, dû en grande partie à la démocratisation des caméras numériques, mais l’essentiel de ce développement s’est produit dans le cadre d’un système économique... more
La digitalización y virtualización del mundo es un proceso que no da luces de parar, en ello el cine ha sido un testigo privilegiado de estos cambios, desde sus primeros esbozos digitales en los años ochenta hasta las tecnologías 3D y... more
The Lady and The Duke (2001) is an atypical movie by its duality in unity, mainly resulting from the digital incrustation of real actors in pictorial settings. Éric Rohmer, resorting to that obvious a visual technique and to that... more
El cine de José Luis Guerin, situado en los márgenes de la industria (unas veces en el lado de acá con todas las implicaciones de un equipo y de una producción; otras en el lado de allá, a modo de soliloquio reflexivo) se ha venido... more
Il saggio analizza due importanti innovazioni avvenute nel cinema negli ultimi anni, e che hanno impattato sopratutto nella distribuzione dei contenuti audiovisivi: da un lato lʼemergere di tecnologie di produzione e proiezione 3D in... more
In light of the current transition from celluloid to digital cinema, this paper will explore the relation between old and new technologies as a means for understanding medium specificity as an activity of mediation. While the ongoing... more
This essay looks at digital special effects in contemporary mainstream cinema through the theoretical lens of posthumanism. It argues that digital cinema retains the (humanist) tenets of analogue cinema (particularly the cut), but that it... more