Ambar

Araştırmamızda Şalpazarı'nda bulunan seksen sekiz adet serender incelenmiştir. Çalışmada serender mimarisinin tarihi menşei hakkında incelemeler yapılmıştır. İlçenin tarihi ve serender mimarisinin yapımına etkisi bakımından iklimi ve coğrafyası hakkında araştırmalar da yapılmıştır. Bir mimari; rastlantısal bir şekilde ortaya çıkmamakta, bir toplumun düşüncesiyle şeklini almaktadır ve ayrıca mimarinin yapıldığı bölgenin iklimi ve coğrafi özellikleri de bu düşünceyi etkileyen unsurlardandır. Ahşap yığma tekniğiyle yapılan, kurtboğazı tekniğiyle birbirine tutturulan bu yapıların duvar tekniğini tarihin derinliklerinde de aranmıştır ve bu şekilde çalışmamızda serender mimarisinin tarihi menşei ortaya çıkartılmaya çalışılmıştır. Araştırma sürecinde genel kanı olarak sadece Karadeniz'de bulunduğu sanılan bu tür ambar mimarisinin benzerlerinin aslında Norveç'te, Finandiya'da, bazı elemanlarıyla ABD ve İngiltere'de, ülkemizde ise Ege Bölgesi'ndeki Uşak ilimizde olduğu ortaya çıkmıştır. Çok etkili bir süsleme özelliği bulunmayan serenderler ahşap mimarisiyle bu açığını kapatmaktadır. Şalpazarı'nda tekir denilen serenderlerin mimarisi, malzeme ve tekniği, süsleme özellikleri çalışmamızda incelenmeye çalışılmıştır.
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Eighty-eight serender in Şalpazarı were investigated in our study. In this study, the historical origin of the serender architecture was examined. The history of the district was examined. The effects of climate and geography of the district on wood warehouse architecture were investigated. An architecture; it does not appear in a coincidental way, it takes its shape with the thought of a society. Besides, the climate and geographical characteristics of the region where architecture is made are also factors affecting this idea. These structures are made by wood stacking technique. The planks are tied together by wolf throat technique. We searched this architectural technique in the depths of history. Thus, the historical origin of the serender architecture was tried to be revealed. We noticed some points in the research process. It is seen that this wood warehouse architecture, which is believed to be only in the Black Sea, is also in Uşak in the Aegean Region. In addition to our country, Norway, Finland and some of the elements are seen in the United States, England and Italy. There is not much interesting decorations of the serenders. However, the wooden architecture closes this gap. In the Şalpazarı region, serenders are also called tekir. In this study; architectural features, materials and technique and decoration features were examined.

En este artículo se presenta un conjunto de datos procedentes de las fuentes etnohistóricas del Altiplano Central de México que muestran la importancia y variedad de un tipo especifico de ornamento, los bezotes o labretes. Asimismo, se destaca su importancia como símbolos asociados al valor y las hazañas militares, pues eran concedidos a manera de dádivas reales a los comerciantes y guerreros más señalados.

Gültepe Village Mosque in Gültepe (Alçakbel) Village of Niksar District in Tokat Province and the village chamber and granaries within the mosque were examined in this study. Being 15 km north of Niksar, Gültepe village is located on the southern slopes of the Canik Mountains, which form a set between the regions of Central Black Sea and the Central Anatolia. Niksar, home to many civilizations in the historical process, is one of the first settlements conquered by the Turks in Anatolia in the 11 th century. Niksar also has a special importance because it was the capital of Danishmends Principality, one of the first Turkish principalities established in Anatolia. Many buildings have been constructed during the process of Turkish rule, which started with the Danishmends and has continued until today. Even though the focus of the zoning activities was on the district center, this process was in progress in the villages as well. The mosque built in form of çantı technique in Gültepe Village is one of these examples. Gültepe Village Mosque, which can be considered as an important example of the wooden mosque tradition that has been seen since the 13th century in the Black Sea Region, is located on a sloping land in the west side of the village. The structure with a rectangular plan in the north-south direction has an important place including a village chamber and two wooden granaries within its settlement. The mosque was retrodated by comparing it with similar examples in terms of plan, construction technique, material, and decoration, and its place in Turkish art was tried to be revealed in this study.