ALZAMORA, G. C.. TELEVISÃO EM SEMIOSE: mídia, intermídia, transmídia. In: Anais. Associação Nacional dos Programas de Pós-Graduação em Comunicação XXVI Encontro Anual da Compós,, 2017, São Paulo. Anais -> 2017 - XXVI COMPÓS: SÃO... more
In this paper, we present some reflections that have emerged from the incorporation of facial recognition technology in evangelical churches in Brazil. In these contexts, the faces of the believers shift from being questioned as signs of... more
In this paper, we present some reflections that have emerged from the incorporation of facial recognition technology in evangelical churches in Brazil. In these contexts, the faces of the believers shift from being questioned as signs of an identity to being supporters of a facial analysis taxonomy. In that interpellation, a gradual similarity is built between what the artificial technology recognizes and enunciates and what the priest or pastor expects to see. In this tension between the aletheic and the scopic, the face of the believer ceases to be a point of connection with an individuality to become the source of facial data. These data, finally, have a performative capacity: categories and patterns of recognition forge a reality.
Il percorso didattico della studiosa di scenografia e di spazi scenici storici alla luce del magistero pluridecennale all'interno dell'Accademia Nazionale d'Arte Drammatica ?Silvio D'Amico'
Animals are sense-makers and new actors in the semiotics of urbanism. Indeed, many wild animals modify the codes of the city and change the internal relations between the various actors that compose it (Schilthuizen 2018). The city has... more
Animals are sense-makers and new actors in the semiotics of urbanism. Indeed, many wild animals modify the codes of the city and change the internal relations between the various actors that compose it (Schilthuizen 2018). The city has been thought as the place of culture, a boundary of separation from wild nature. Recently, ecosemiotics has shown that any kind of space is a habitat and a refuge for those who survive in it. Through a semiotic reading of the city, we will try to deconstruct the opposition between nature and culture. The notion of “naturcultural” (Haraway 2007) indicates a synthesis of nature and culture that recognizes their inseparability in ecological relationships that are both biophysical and social. We will use this notion to describe intertwined multi-species histories, rethinking the agency, power and sociality of life forms. This presentation will attempt to rethink our time in a multispecies project aimed towards designing a post-Anthropocene. In the proposal we will see what can be done to live together with non-humans by designing a future of coexistence. For this we have to think a new space for a peaceful coexistence in the space of the city. The final question that will connect each speech is the following: is it possible to design the city through the relationship between human and non-human? Or rather, is it possible to design the city from the non-human point of view?
This essay is a study of two extinct intellectual species of the seventeenth century, the polymath, or Universalgelehrter or polyhistor and the poeta doctus. Both are so completely extinct that it is difficult to imagine from a modern... more
This essay is a study of two extinct intellectual species of the seventeenth century, the polymath, or Universalgelehrter or polyhistor and the poeta doctus. Both are so completely extinct that it is difficult to imagine from a modern point of view how they could have ever existed,
