Keyboard Manual

Owners Manual
SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specically recommended by Yamaha. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. This product may also use household type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.
SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specications without notice or obligation to update existing units. This product, either alone or in combination with an amplier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Model Serial No. Purchase Date
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately ve years. When replacement becomes necessary, contact a qualied service representative to perform the replacement.
PLEASE KEEP THIS MANUAL

92-BP (bottom)
DGX-205/203, PSR-295/293 Owners Manual
FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line lter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
2. IMPORTANT: When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the
requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
(class B)
OBSERVERA!
Apparaten kopplas inte ur vxelstrmskllan (ntet) s lnge som den ar ansluten till vgguttaget, ven om sjlva apparaten har stngts av. ADVARSEL: Netspendingen til dette apparat er IKKE afbrudt, slenge netledningen siddr i en stikkontakt, som er t endt ogs selvom der or slukket p apparatets afbryder. VAROITUS: Laitteen toisiopiiriin kytketty kyttkytkin ei irroita koko laitetta verkosta.
(standby)
Entsorgung leerer Batterien (nur innerhalb Deutschlands)

Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder Akkumulatoren drfen nicht in den Hausmll. Sie knnen bei einer Sammelstelle fr Altbatterien bzw. Sondermll abgegeben werden. Informieren Sie sich bei Ihrer Kommune.
(battery)
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, re or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
Only use the voltage specied as correct for the instrument. The required voltage is printed on the name plate of the instrument. Use the specied adaptor (PA-5D, PA-3C or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
Water warning
Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. Never insert or remove an electric plug with wet hands.
Fire warning
Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a re.
If you notice any abnormality

If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualied Yamaha service personnel.
Do not open
Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualied Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Unplug the AC power adaptor when not using the instrument, or during electrical storms. Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
Battery
Always make sure all batteries are inserted in conformity with the +/- polarity markings. Failure to do so might result in overheating, re, or battery uid leakage. Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, re, or battery uid leakage.
(4)-8
1/2
Do not dispose of batteries in re. Do not attempt to recharge batteries that are not intended to be charged. When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument to prevent possible leakage of the battery uid. Keep batteries away from children. If the batteries do leak, avoid contact with the leaked uid. If the battery uid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery uid is corrosive and may possibly cause loss of sight or chemical burns.
Maintenance
When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning uids, or chemical-impregnated wiping cloths.
Handling caution
Do not insert a nger or hand in any gaps on the instrument. Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualied Yamaha service personnel. Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
Location
Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disguration or damage to the internal components. Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. Do not place the instrument in an unstable position where it might accidentally fall over. Before moving the instrument, remove all connected adaptor and other cables. Use only the stand specied for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.
Saving data
Saving and backing up your data
The panel settings and some other types of data (page 42) will be lost if the power is turned off before they are saved. Be sure to save data you want to keep to the internal Flash Memory (page 42) before turning off the power. Saved data may be lost due to malfunction or incorrect operation. Save the important data to your computer. For information on sending the data, see page 64 (FUNCTION Bulk Send item)
Connections
Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Yamaha cannot be held responsible for damage caused by improper use or modications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use. When using a power adaptor, even when the power switch is in the STANDBY position, electricity is still owing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet. Make sure to discard used batteries according to local regulations.
The illustrations and LCD screens as shown in this owners manual are for instructional purposes only, and may be different from the ones on your instrument. Unless otherwise indicated, the example panel control illustrations, Keyboard illustrations and LCD screenshots are taken from the DGX-205. Please note that the DGX-205/203 and PSR-295/293 have different numbers of keys: the DGX-205/203 has 76 keys, and the PSR-295/293 has 61 keys. Trademarks Windows is the registered trademark of Microsoft Corporation. All other trademarks are the property of their respective holders.
(4)-8
2/2 5
Copyright Notice
The followings are the titles, credits and copyright notices for three (3) of the songs pre-installed in this electronic keyboard:
Dont Know Why
Words and Music by Jesse Harris Copyright 2002 Sony/ATV Songs LLC and Beanly Songs All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
All Rights Reserved, Unauthorized copying, public performance and broadcasting are strictly prohibited regarding the above three songs pre-installed. COPYRIGHT NOTICE This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others copyrights. Such copyrighted materials include, without limitation, all computer software, styles les, MIDI les, WAVE data and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DONT MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. Copying of the commercially available software is strictly prohibited except for your personal use.
My Favorite Things from THE SOUND OF MUSIC

Lyrics by Oscar Hammerstein II Music by Richard Rodgers Copyright 1959 by Richard Rodgers and Oscar Hammerstein II Copyright Renewed WILLIAMSON MUSIC owner of publication and allied rights throughout the world International Copyright Secured All Rights Reserved
Killing Me Softly With His Song

Words by Norman Gimbel Music by Charles Fox Copyright 1972 Rodali Music and Fox-Gimbel Productions, Inc. (P.O. Box 15221, Beverly Hills, CA 90209 USA) Copyright Renewed All Rights on behalf of Rodali Music Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
Panel logos
GM System Level 1
GM System Level 1 is an addition to the MIDI standard which ensures that any GM-compatible music data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM mark is afxed to all software and hardware products that support GM System Level.
XGlite
As its name implies, XGlite is a simplied version of Yamahas high-quality XG tone generation format. Naturally, you can play back any XG song data using an XGlite tone generator. However, keep in mind that some songs may play back differently compared to the original data, due to the reduced set of control parameters and effects.
USB
USB is an abbreviation for Universal Serial Bus. It is a serial interface for connecting a computer with peripheral Devices. It allows hot swapping (connecting peripheral devices while the power to the computer is on).
Congratulations and thank you for purchasing the Yamaha DGX-205/203 Portable Grand or PSR-295/293 PortaTone! Please read this owners manual carefully before using the instrument in order to take full advantage of its various features. Make sure to keep this manual in a safe and handy place even after you nish reading, and refer to it often when you need to better understand an operation or function.
Supplied Accessories
The DGX-205/203, PSR-295/293 package includes the following items. Please check that you have them all.
Music rest Owners manual (this book) Accessory CD-ROM Song book
About the Supplied CD-ROM

The following software which facilitates data transfer between a computer and the instrument is provided on the supplied CD-ROM. This software is compatible with Windows operating systems only.
USB driver Musicsoft Downloader
The USB Driver enables data communication with the computer via USB. The Musicsoft Downloader application allows you to transfer songs downloaded from the Internet, as well as songs provided on the Accessory CD-ROM, to the instruments ash memory. For details refer to the Accessory CD-ROM Installation Guide (page 70) and to the online help provided for each program.
CAUTION
Never attempt to play the supplied CD-ROM on an audio CD player. Doing so can result in damage to your audio system and speakers, and potentially to your hearing!
Music Rest
Insert the music rest into the slots as shown.
Special features of the DGX-205/203, PSR-295/293

Performance assistant technology
page 14
Play along with a song on the instruments keyboard and produce a perfect performance every time even if you play wrong notes! All you have to do is play on the keyboard alternately on the left- and right-hand ranges of the keyboard, for example and youll sound like a pro as long as you play in time with the music.
Play a Variety Of Instrument Voices
page 18
The instrument voice that sounds when you play the keyboard can be changed to violin, ute, harp, or any of an extensive range of voices. You can change the mood of a song written for piano, for example, by using violin to play it instead. Experience a whole new world of musical variety.
Learning music is fun
page 32
This instrument includes a range of songs covering a variety of genres that are enjoyable to listen to, or to play along with. You can start practicing with just one hand, and you can even practice at your own tempo, one note at a time as slowly as you like, until you are able to play at full speed. Song playback will automatically follow your tempo. You can also use songs you have downloaded from the Internet for lessons, so your musical resources are essentially unlimited! The instrument will even evaluate and grade your performance for you!
Excellen
Play Along With Styles
page 24
Want to play with full accompaniment? Try the auto-accompaniment Styles. The accompaniment styles provide the equivalent of a full backing band covering wide variety of styles from waltzes to 8-beat to euro-trance and much more. Select a style that matches the music you want to play, or experiment with new styles to expand your musical horizons.
PopBossa
080
Contents
Copyright Notice .................................................................... 6 Panel logos ............................................................................ 6 Supplied Accessories............................................................. 7 Special features of the DGX-205/203, PSR-295/293............. 8
Reference
Handy Performance Features 46
Adding Reverb ..................................................................... 46 Adding Chorus ..................................................................... 47 The Metronome.................................................................... 48 Touch Response Sensitivity................................................. 49 One Touch Setting ............................................................... 49 Adjusting the Voice Parameters........................................... 50 Adjusting the Harmony Volume ........................................... 50 Panel Sustain....................................................................... 50
Setting Up
10
Power Requirements ........................................................... 10 Connecting headphones (PHONES/OUTPUT jack) ............ 11 Connecting a footswitch (SUSTAIN JACK).......................... 11 Connecting to a computer (USB terminal) ........................... 11 Turn on the power................................................................ 11
Panel Controls and Terminals
12
Style (Auto-accompaniment) Functions
51
Front Panel .......................................................................... 13 Rear Panel ........................................................................... 13
Quick Guide
The Easy Way To Play Piano 14
Play With Both Hands .......................................................... 14 Change the Song Tempo..................................................... 17 Play the Demo Song ............................................................ 17
Setting the Split Point........................................................... 51 Play Only the Style Rhythm ................................................. 51 Play a Style With Chords but No Rhythm (Stop Accompaniment) ................................................... 52 Adjusting the Style Volume .................................................. 52 Playing Auto-accompaniment Chords.................................. 53 Looking Up Chords Using the Chord Dictionary .................. 55
Song Settings
57
Try Playing a Variety Of Instrument Voices
18
Select and Play a Voice MAIN .......................................... 18 Play Two Voices Simultaneously DUAL ........................... 19 Play Different Voices With the Left and Right Hands SPLIT.. 20 Play the Grand Piano Voice................................................. 22 Pitch Bend (DGX-205/203 only)........................................... 22 Touch Response.................................................................. 22
Song Volume ....................................................................... 57 A-B Repeat .......................................................................... 57 Muting Independent Song Parts .......................................... 57 Change the Key Of a Song .................................................. 58 Song Fast Forward, Fast Reverse, and Pause.................... 58 Change the Melody Voice.................................................... 59
Memorize Your Favorite Panel Settings Function settings Connecting To a Computer
60 62 65
Saving Settings to the Registration Memory........................ 60
Fun Sounds
23
Drum Kits ............................................................................. 23 Sound Effects....................................................................... 23
Locating and Editing the Function Settings.......................... 62
Styles (Auto Accompaniment)
24
Play Along With Auto Accompaniment STYLE ................. 24 Harmony .............................................................................. 26 A Variety Of Ways To Start and Stop Style Playback.......... 28
Using Songs
30
What Is MIDI? ...................................................................... 65 USB Connection .................................................................. 66 MIDI Settings ....................................................................... 66 MIDI (PC Mode) Settings For Computer Connection........... 67 Remote Control Of MIDI Devices......................................... 67 Transferring Song Files From a Computer .......................... 68
Select and Listen To a Song................................................ 30 Types Of Songs ................................................................... 31
Accessory CD-ROM Installation Guide
70
Select a Song For a Lesson
32
Lesson 1: Waiting ................................................................ 32 Lesson 2: Your Tempo......................................................... 34 Lesson 3: Minus One ........................................................... 35 Practice Makes Perfect Repeat and Learn ....................... 35
CD-ROM Contents............................................................... 70 System Requirements.......................................................... 71 Software Installation............................................................. 71
Appendix
Troubleshooting................................................................. 75 Specifications..................................................................... 77 Voice List ............................................................................ 78 Drum Kit List ...................................................................... 82 Style List ............................................................................ 84 Song List............................................................................. 85 Effect Type List .................................................................. 86 MIDI Implementation Chart ............................................... 87 MIDI Data Format ............................................................... 88 Index.................................................................................... 89
Change a Songs Style Record Your Own Performance
36 38
Using the Easy Song Arranger ............................................ 36
Track Configuration.............................................................. 38 Recording Procedure ........................................................... 39 Song Clear Deleting User Songs ...................................... 41 Track Clear Deleting a Specified Track From a User Song... 41
Backup and Initialization
42
Backup ................................................................................. 42 Initialization .......................................................................... 42
Basic Operation and Displays
43
Basic Operation ................................................................... 43 Display Items ....................................................................... 45
Setting Up
Be sure to do the following operations BEFORE turning on the power.
Power Requirements
Although the instrument will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources.
Using an AC Power Adaptor

Make sure that the [STANDBY/ON] switch of the instrument is set to STANDBY.
WARNING
Use ONLY a Yamaha PA-5D or PA-3C AC Power Adaptor (or other adaptor specically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the instrument.
Connect the AC adaptor (PA-5D, PA-3C or other adaptor specically recommended by Yamaha) to the power supply jack. Plug the AC adaptor into an AC outlet.
CAUTION
Unplug the AC Power Adaptor when not using the instrument, or during electrical storms.
For battery operation the instrument requires six 1.5V D size, R20P (LR20) or equivalent batteries. (Alkaline batteries are recommended.) When battery power becomes too low for proper operation, the battery exchange indication ashes in the display. As soon as this message appears, make sure to replace all batteries, following the precautions listed below. If necessary, also make sure to save all important User data (see page 42), since custom panel settings are lost when the batteries are removed.
PA-5D or PA-3C AC outlet
CAUTION
Use only manganese or alkaline batteries for this instrument. Other types of batteries (including rechargeable batteries) may have sudden drops of power when battery power becomes low, possibly resulting in loss of data in the ash memory. Make sure to install the batteries in the same direction, maintaining the correct polarity (as shown). Incorrect battery installation may result in heat, re and/or leaking of corrosive chemicals. When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new batteries. Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time. If the instrument is not to be in use for a long time, remove the batteries from it, in order to prevent possible uid leakage from the battery. Please use the power adaptor when transferring data to ash memory. Batteries (including rechargeable types) can be drained rapidly by this type of operation. If the batteries do become drained during a data transfer, both the data being transferred and the data currently in the transfer destination will be lost.
Using Batteries
Open the battery compartment cover located on the instruments bottom panel. Insert the six new batteries, being careful to follow the polarity markings on the inside of the compartment. Replace the compartment cover, making sure that it locks rmly in place.
NOTE Connecting the AC power adaptor automatically supplies power from the adaptor and overrides battery power, even when batteries are installed.
10
Setting Up
Make all necessary connections BEFORE turning the power on.
Connecting headphones (PHONES/OUTPUT jack)
Connecting to a computer (USB terminal)
The DGX-205/203, PSR-295/293 speakers are automatically shut off when a plug is inserted into this jack. The PHONES/OUTPUT jack also functions as an external output. You can connect the PHONES/OUTPUT jack to a keyboard amplier, stereo system, mixer, tape recorder, or other line-level audio device to send the instruments output signal to that device.
WARNING
Avoid listening with the headphones at high volume for long periods of time; doing so may not only result in ear fatigue, it may be damaging to your hearing.
Connect the instruments USB terminal to the USB terminal of a computer, and you can transfer performance data and song les between the two (page 66). To use the USB data-transfer features youll need to do the following:
Connect the USB terminal of the computer to the USB terminal on the instrument using a standard USB cable. Install the USB MIDI driver on your computer.
CAUTION
To prevent damage to the speakers, set the volume of the external devices at the minimum setting before connecting them. Failure to observe these cautions may result in electric shock or equipment damage. Also, be sure to set the volumes of all devices at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Installation of the USB MIDI driver is described on page 71. With this capability you can, for example, use the Musicsoft Downloader software provided on the supplied CD-ROM to transfer songs from your computer to the instruments ash memory.
NOTE Make sure to purchase a quality USB cable at a musical instrument store, computer store or electrical appliance store.
Turn on the power Connecting a footswitch (SUSTAIN JACK)

Turn down the volume by turning the [MASTER VOLUME] control to the left and press the [STANDBY/ON] switch to turn on the power. Pressing the switch again turns the power off.
The sustain function lets you produce a natural sustain as you play by pressing an optional footswitch. Plug the Yamaha FC4 or FC5 footswitch into this jack and use it to switch sustain on and off.
NOTE Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power.
Do not press the footswitch while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.
Backup data in the ash memory (page 42) is loaded to the instrument when the power is turned on. If no backup data exists on ash memory, all instrument settings are restored to the initial factory defaults when the power is turned on.
CAUTION
Even when the switch is in the STANDBY position, a small amount of electricity is still being consumed by the instrument. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.
CAUTION
Never attempt to turn the power off when a WRITING! message is shown in the display. Doing so can damage the ash memory and result in a loss of data.
11

DGX-205/203
Song Category List
(pages 31, 85)
Style Category List

(page 84)
Display
(page 45)
e r t y
u i !0 !1 o
!2 !3 !4 !5
GrandPno
001
092 001
#2
@3
@4
@5
@6
@7
@8
@9
PSR-295/293
Song Category List
(pages 31, 85)
Style Category List

(page 84)
Display
(page 45)
e r t y
u i !0 !1 o
!2 !3 !4 !5
GrandPno
001
092 001
@3
@4
@5
@6
@7
@8
@9
DGX-205/203, PSR-295/293
#3
#4
#5
#6
12
Front Panel Voice Category List

(page 78)
q [STANDBY/ON] switch ..................................... page 11 w [MASTER VOLUME] control..................... pages 11, 15 e [TOUCH] button .......................................... page 22, 49 r [HARMONY] button .......................................... page 26 t [DUAL] button ................................................... page 19 y [SPLIT] button................................................... page 20 u [DEMO] button .................................................. page 17 i [LESSON MODE] button .................................. page 33
!8 !6 !7 !9 @0 @1 @2
o [LESSON L/R] button ....................................... page 32 !0 [LESSON REPEAT & LEARN] button.............. page 35 !1 [PERFORMANCE ASSISTANT] button............ page 14 !2 [FUNCTION] button .......................................... page 62 !3 [PC] button ........................................................ page 67 !4 [METRONOME] button ..................................... page 48 !5 [PORTABLE GRAND] button ........................... page 22 !6 Dial............................................................. pages 44, 62 !7 CATEGORY buttons [
], [
#0
#1
].................. pages 44, 62
!8 [SONG] button .................................................. page 30 !9 [EASY SONG ARRANGER] button.................. page 36 @0 [STYLE] button ................................................. page 24 @1 [VOICE] button.................................................. page 18 @2 Number buttons [0] [9],
[+] and [-] buttons..................................... pages 44, 62
Voice Category List

(page 78)
@3 [ACMP ON/OFF] / [
] button .......... pages 24, 57
@4 [SYNC STOP] button ........................................ page 28 @5 [SYNC START] / [ ] button..................... pages 25, 58 @6 [INTRO/ENDING/rit.] / [ r ] button .......... pages 25, 58
!8 !6 !7 !9 @0 @1 @2
@7 [MAIN/AUTO FILL] / [ f ] button ............. pages 26, 58 @8 [START/STOP] / [ >/ ] button........... pages 24, 30, 44 @9 [TEMPO/TAP] button ........................................ page 17 #0 REGIST. MEMORY
[] (MEMORY/BANK), [1], [2] buttons............. page 60
#1 SONG MEMORY
[REC], [1] [5], [A] buttons.............................. page 39
#2 PITCH BEND wheel (DGX-205/203 only)......... page 22

#0 #1
Rear Panel
#3 USB terminal............................................. pages 11, 66 #4 SUSTAIN jack .................................................... page 11 #5 PHONES/OUTPUT jack..................................... page 11 #6 DC IN 12V jack .................................................. page 10
13
ck Gui ui Q
The Easy Way To Play Piano

Quick Guide
The secret to the performance assistant technologys ability to turn random playing into music is divulged on page 16. Enjoy the feature for a while rst, then read about how its done.
To use the performance assistant technology you must be playing a song that includes chord data.
e d
This instrument includes a performance assistant technology feature that lets you play along with a song and sound like a great pianist (even though you might be making lots of mistakes)! In fact, you can play any notes and still sound good! So even if you cant play piano and cant read a note of music, you can have some musical fun.
Play With Both Hands
Press the [SONG] button.

NOTE
For details on Chords, see pages 53, 54.
The song number and name will be displayed. You can use the dial or other selection controls to select a different song.
DontKnow
001
Song name Song number
Select a song.
NOTE
MIDI songs included on the supplied Accessory CD-ROM can also be transferred to the instrument and used with the performance assistant technology. (page 16, 68)
Rotate the dial and watch the displayed song names for this example well select song 026 Twinkle Star.
Twinkle
026
The song displayed here will be played.
Press the [PERFORMANCE ASSISTANT] button.
This turns on the performance assistant technology feature. Icon will appear after displaying PERFORMANCE ASSISTANT.
14
Quick Guide
Twinkle
026
Press the [PERFORMANCE ASSISTANT] button to turn the function on or off.
Icon will appear when performance assistant technology is on.
Press the [START/STOP] button.
Song playback will begin. Use the [MASTER VOLUME] control to adjust the overall volume.
Adjust volume
Play on the keyboard.
To begin, try to feel the rhythm of the song. Then, with your hands spread as shown in the illustration, simply play the keyboard alternately with your left and right hands (any notes will do).
Sounds like youre playing the right notes! You will get even better results if you match your left-hand rhythm to the rhythm of the chord indicator in the display.
How does it sound? Youll get acceptable results no matter where you play thanks to performance assistant technology! Next try the three playing methods illustrated below. Different ways of playing produce different results.
Play with the left and right hands at the same timing type 1. Play with the left and right hands at the same timing type 2. Play alternately with the left and right hands type 3.
Play 3 notes at once with your right hand.
Play 1 note at a time with your right hand (for example: index nger middle nger ring nger).
Play 3 notes at once with your right hand.
Once you get a feel for it, try playing chords with your left hand and a melody with your right or any other combination. Song playback will stop automatically when the song has played all the way through. You can also stop playback at any time by pressing the [START/STOP] button. When you want to end performance assistant technology operation press the [PERFORMANCE ASSISTANT] button.
15
Quick Guide
The Secret Of performance assistant technology
How It Creates Music From Random Notes

Performance assistant technology reads the chord data from the song and only assigns notes that will work at that moment to the keyboard. Since the chords of a song are constantly changing, different notes and chords will be produced even if you repeatedly play the same keys.
Song
Melody data Chord data Rhythm data
Playback
performance assistant technology

Chord tones and other usable notes are assigned to the keyboard.
You produce a harmonious group of notes no matter where you play.
Songs That Can Be Used With the performance assistant technology Performance assistant technology can only be used with songs that include chord data. Preset Songs can be used with performance assistant technology since the songs include chord data. External Songs and the performance assistant technology In addition to the instruments internal songs, the 70 songs provided on the Accessory CD-ROM (page 70) can be used with performance assistant technology. A list of the MIDI songs included on the Accessory CD-ROM is provided on page 85. Songs downloaded from the Internet can also be used with performance assistant technology as long as they include the required chord data. Transfer song les you want to use from your computer to the instruments ash memory (page 68).
16
Quick Guide
Change the Song Tempo

When using the performance assistant technology or in other situations in which the tempo of the song is too fast or too slow for you, you can change the tempo as required. Press the [TEMPO/TAP] button. The tempo display will appear and you can use the dial, the [+] and [-] buttons, or the [0] [9] number buttons to set to tempo to anywhere from 032 and 280 quarter-note beats per minute.
Tempo
090
090 001
Current Tempo value
You can also set the tempo by simply tapping the [TEMPO/TAP] button at the required tempo 4 times for time signatures in 4, and three times for time signatures in 3. You can change the tempo during song playback by pressing the button just twice.
You can return to the original tempo by simultaneously pressing the [+] and [-] buttons. About the Beat Display The arrow marks in the beat display ash in time with the rhythm of the song or style.
First beat of measure
Third beat Fourth beat
Second beat
Play the Demo Song

DGX-205/203 and PSR-295/293 are packed with a total of 30 songs, including three Demo songs listen to some of the outstanding instrument voices provided! You can use the performance assistant technology with the demo songs.
Press the [DEMO] button.
The demo songs will start playing. The song playback sequence will repeat: 001 002 003 001 ... You can stop demo playback at any time by pressing the [START/STOP] button.
DontKnow
001
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In addition to piano, organ, and other standard keyboard instruments, this instrument has a large range of voices that includes guitar, bass, strings, sax, trumpet, drums and percussion, sound effects a wide variety of musical sounds.
This procedure selects the main voice you will play on the keyboard. The voice is known as the main voice.
Flute
090
Select 090 Flute
Play the keyboard.
Try selecting and playing a variety of voices.
18
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Select and Play a Voice MAIN
Press the [VOICE] button.
The voice number and name will be displayed. You can use the dial or other selection controls to select a different song.
GrandPno
001
voice name voice number
Select the voice you want to play.

NOTE
You can also select the voice using the CATEGORY button [ ], [ ] after pressing the [VOICE] button.
While watching the displayed voice name rotate the dial. The available voices will be selected and displayed in sequence. The voice selected here becomes the main voice. For this example select the 090 Flute voice.
Quick Guide
Play Two Voices Simultaneously DUAL

You can select a second voice which will play in addition to the main voice when you play the keyboard. The second voice is known as the dual voice.
Press the [DUAL] button.

NOTE
The dual voice feature cannot be used during a song lesson (page 32).
The [DUAL] button turns the dual voice on or off. When turned on the dual voice icon will appear in the display. The currently selected dual voice will sound in addition to the main voice when you play the keyboard.
Flute
090
Dual voice icon
Press and hold the [DUAL] button for longer than a second.
NOTE
You can also select the Dual Voice display by pressing the [FUNCTION] button and then using the CATEGORY buttons to select the D.Voice item.
D. VOICE appears in the display for a few seconds, then the currently selected dual voice will be displayed.
Marimba
108
Hold for longer than a second
The currently selected dual voice
Select the desired dual voice.
Watch the displayed dual voice and rotate the dial until the voice you want to use is selected. The voice selected here becomes the dual voice. For this example try selecting the 107 Vibraphone voice.
Vibes
107
19
Quick Guide
Play the keyboard.
Two voices will sound at the same time.
Try selecting and playing a range of dual voices.
Play Different Voices With the Left and Right Hands SPLIT
In the split mode you can play different voices to the left and right of the keyboard split point. The main and dual voices can be played to the right of the split point, while the voice played to the left of the split point is known as the split voice. The split point setting can be changed as required (page 51).
Split point
Split voice
Main voice and dual voice
Press the [SPLIT] button.

NOTE
The split voice feature cannot be used during a song lesson (page 32).
The [SPLIT] button turns the split voice on or off. When turned on the split voice icon will appear in the display. The currently selected split voice will sound to the left of the keyboard split point.
Flute
090
Split voice icon
Press and hold the [SPLIT] button for longer than a second.
NOTE
You can also select the Split Voice display by pressing the [FUNCTION] button and then using the CATEGORY buttons to select the S.Voice item.
S. VOICE appears in the display for a few seconds, then the currently selected split voice will be displayed.
FngrBass
041
The currently selected SPLIT voice
20
Quick Guide
Select the desired split voice.
Watch the displayed split voice and rotate the dial until the voice you want to use is selected. The voice selected here becomes the split voice which will play to the left of the keyboard split point. For this example try selecting the 031 Folk Guitar voice.
Folk Gtr
031
Play the keyboard.
Try selecting and playing a range of split voices.
21
Quick Guide
Play the Grand Piano Voice

When you just want to play piano, all you have to do is press one convenient button.
Press the [PORTABLE GRAND] button.

The 001 Grand Piano voice will be selected.
NOTE
When you press the [PORTABLE GRAND] button all settings other than touch sensitivity are turned off. The dual and split voices will also be turned off, so only the Grand Piano voice will play over the entire keyboard.
Pitch Bend (DGX-205/203 only)

The pitch bend wheel provided on the DGX-205/203 can be used to add smooth pitch variations to notes you play on the keyboard. Roll the wheel upward to raise the pitch, or downward to lower the pitch. If you use this feature with a voice such as the 038 Overdriven guitar voice (page 18), you can produce remarkably realistic string-bending effects.
Touch Response
When touch response is on you can control the volume of notes according to how hard you play the keys much like a real piano responds to subtle touch nuances. When touch response is off the same volume will be produced no matter how hard you play the keys.
Press the [TOUCH] button.

The [TOUCH] button turns touch response on or off. Touch response is normally on. When touch response is on the touch response icon will appear in the display.
NOTE
Touch response sensitivity can be adjusted in three steps page 49.
GrandPno
001
Touch response icon
22
Fun Sounds
This instrument includes a range of drum kits and unique sound effects you can use for entertainment. Laughter, babbling brooks, jet y-bys, eerie effects, and much more. These sounds can be a great way to enhance the mood at parties.
Drum Kits
Drum kits are collections of drum and percussion instruments. When you select a violin or other normal instrument main voice, for example, all keys produce the sound of the same violin, only at different pitches. If you select a drum kit as the main voice, however, each key produces the sound of a different drum or percussion instrument.
Drum Kit Selection Procedure (refer to steps 1 and 2 on page 18)
1 Press the [VOICE] button. 2 Use the dial to select 115 Std.Kit1. 3 Try out each key and enjoy the drum and percussion sounds!
Dont forget the black keys! Youll hear a triangle, maracas, bongos, drums a comprehensive variety of drum and percussion sounds. For details on the instruments included in the drum kit voices (voice numbers 115 126), see the Drum kit List on page 82.
Sound Effects
The sound effects are included in the drum kit voice group (voice numbers 125 and 126). When either of these voices are selected you will be able to play a range of sound effects on the keyboard.
Sound Effect Selection Procedure (refer to steps 1 and 2 on page 18)
1 Press the [VOICE] button from the MAIN display. 2 Use the dial to select 126 SFX Kit2. 3 Try out each key and enjoy the sound effects!
As you try out the various keys youll hear the sound of a submarine, a telephone bell, a creaking door, laughter, and many other useful effects. 125 SFX Kit1 includes lightning, running water, dogs barking, and others. Some keys do not have assigned sound effects, and will therefore produce no sound. For details on the instruments included in the SFX kit voices, see SFX Kit 1 and SFX Kit 2 in the Drum kit List on page 83.
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This instrument includes an auto-accompaniment feature that plays appropriate styles (rhythm + bass + chord accompaniment) when you play left-hand chords. 135 different styles covering a wide range of musical genres are provided (see page 84 for a complete style list). Heres how you can use the auto-accompaniment feature.
4 5
e d
Play Along With Auto Accompaniment STYLE

Press the [STYLE] button.
The currently selected style number and name will be displayed. You can now use the dial to select the desired style
8BtModrn
001
Select a style.
The currently selected style number and name
Use the dial to select a style. For this example try selecting the 080 PopBossa style.
PopBossa
080
Press the [START/STOP] button.

NOTE
Since style number 112 and the pianist category styles (124 135) have no rhythm parts, no sound will be produced if you start rhythm-only playback. To use these styles turn on the auto-accompaniment and play on the keyboard as described on page 28 (the bass and chord accompaniment parts will sound).
Rhythm-only playback of the selected style will begin.
Style rhythm start!
Press the [START/STOP] button again.
The style rhythm will stop.
Press the [ACMP ON/OFF] button.

NOTE
If ACMP ON is not showing in the display press the [ACMP ON/OFF] button so that it appears. The [ACMP ON/OFF] button alternately turns autoaccompaniment on and off.
This turns auto-accompaniment on. Check that ACMP ON appears in the display.
PopBossa
080
ACMP ON appears when auto-accompaniment is on.
24
Quick Guide
When Auto-accompaniment Is On
The left-hand section of the keyboard becomes the accompaniment range in which you will play the chords that dene the accompaniment.
Split point
Accompaniment range
NOTE
The auto-accompaniment range of the keyboard can be changed as required by changing the split point (page 51).
If you press the [START/STOP] button at this point rhythm-only playback will begin. Then if you play a chord in the accompaniment range bass and chord accompaniment will also begin. You can start style playback in a number of ways see page 28.
Press the [INTRO/ENDING/rit.] button.
INTROA or INTROB will appear in the display. Style playback will then start with an introduction, which will lead to either the MAIN A or MAIN B accompaniment pattern, accordingly.
INTROB
Press the [SYNC START] button.
The beat display will begin ashing, indicating that the synchro-start standby mode has been engaged.
PopBossa
080
Synchro-start standby mode
The Synchro-start Standby Mode Is

When the synchro-start standby mode is engaged style playback will begin as soon as you play a chord in the accompaniment range of the keyboard. You can disengage the synchro-start standby mode by pressing the [SYNC START] button again.
Start style playback by playing a chord in the accompaniment range of the keyboard.
Not sure how to play chords? No problem! This instrument is capable of playing chords even if you only play one key refer to page 53 for detailed instructions for playing chords. Theres even a Chord Dictionary that will show you the ngerings for chords you specify by name (page 55).
Split point Accompaniment range
Style start
25
Quick Guide
Play along with the style.
Play a melody with right hand while playing cords in the accompaniment range of the keyboard with your left hand. The beat display will ash at the current playback tempo.
Accompaniment range
PopBossa
080
Chords Melody
Flashes at the current tempo
Each style has two main patterns MAIN A and MAIN B. If you press the [MAIN/AUTO FILL] button during playback a ll-in will play and then playback will switch to the other MAIN pattern.
An example of how you might play a pattern:
Style preparation INTRO A MAIN A FILL B MAIN B ENDING Style stop
10
Press the [INTRO/ENDING/rit.] button to end.
Style playback will stop after an appropriate ending.
ENDING
Harmony
This feature adds harmony notes to the main voice. When you press the [HARMONY] button to turn this feature on, the appropriate harmony type for the currently selected main voice is automatically selected. 26 different harmony types are provided. You can select a different harmony type by following the procedure outlined below. The effect and operation of each harmony type is different refer to the Harmony Type List on page 86 for details.
Press the [HARMONY] button.

NOTE
Harmony cannot be turned on or off during a song lesson.
The [HARMONY] button turns the harmony feature on and off. When harmony is on the harmony icon will appear in the display.
GrandPno
001
Harmony icon
26
Quick Guide
Press and hold the [HARMONY] button for longer than a second.
NOTE
You can also select the Harmony Type item after pressing the [FUNCTION] button (page 62).
HarmType appears in the display for a few seconds, and the currently selected harmony type will be displayed. Use the dial to select a different harmony type.
Trio
02
The currently selected harmony type
Select a harmony type.

NOTE
Harmony types 01 05 only function when auto-accompaniment is on and a style is being played. Harmony notes are added to the right-hand melody based on the chords played in the accompaniment range of the keyboard. Harmony types 06 26 can be used when auto-accompaniment is off. After step 4, try playing these harmony types after checking the operating conditions listed in the Harmony type list on page 86.
Rotate the dial to select a harmony type from 01 through 26. Select 03 (Block) for this example.
Block
03
03 (Block) selected
Perform steps 1, 2, 3, and 5 on page 24.
Auto-accompaniment will be on. Check that ACMP ON appears in the display. If ACMP ON is not showing in the display press the [ACMP ON/OFF] button so that it appears.
PopBossa
080
ACMP ON appears
Play a chord in the accompaniment range of the keyboard.

Split point Accompaniment range
Style playback will begin.
Play the keyboard.

NOTE
The Harmony feature produces little or no effect with drum kit or sound effect voices. Use the Harmony feature with pitched instrument voices.
Harmony notes will be added to a melody you play in the right-hand section of the keyboard.
Accompaniment range
Melody
27
Quick Guide
A Variety Of Ways To Start and Stop Style Playback

I Ways To Start Style Playback G G G G G G G G G G G G G G G G G G G
There are four different ways to start style playback, listed below. In all cases you will need to press the [ACMP ON/OFF] button to turn auto-accompaniment on before actually starting style playback. Whichever method you choose, you can press the [INTRO/ENDING/rit.] before starting playback. To begin your performance, an introduction will play automatically, then will automatically switch to the MAIN section when nished. G Immediate Start Press the [START/STOP] button to begin rhythm-only playback of the selected style. The bass and chords will begin playing as soon as you play a chord in the accompaniment range of the keyboard.
Immediate start
G Chord Start Press the [SYNC START] button and the beat display will begin ashing, indicating that the synchro start standby mode has been engaged. The style will begin playing as soon as you play a chord in the accompaniment range of the keyboard.
Accompaniment range
8BtModrn
001
Synchro-start standby
Style playback begins when you play a chord
G Synchro Stop When this function is selected the accompaniment style will only play while you are playing chords in the accompaniment range of the keyboard. Style playback will stop when you release the keys. Press the [SYNC STOP] button. The synchro-start standby mode will be engaged and the beat display will begin ashing. Style playback will begin as soon as you play a chord in the accompaniment range of the keyboard, but then style playback will stop (the synchro start standby mode will be re-engaged) when you release the left-hand keys. Style playback will continue only while you are actually playing in the keyboards accompaniment range.
Accompaniment range The style will play while you are playing the keys
8BtModrn
001
Synchro-stop indicator Synchro-start standby
Style playback will stop when you release the keys
Press the [SYNC STOP] button to disengage the synchro-stop mode.

28
Quick Guide
Tap Start You can supply a count-in at any tempo you like to start playback. Simply tap the [TEMPO/TAP] button at any tempo 4 times for time signatures in 4, and 3 times for time signatures in 3 and the selected style will begin playing at the tapped tempo.
Start at the tapped tempo
Ways To Stop Style Playback

The following three methods can be used to stop style playback. Immediate Stop Playback will stop as soon as you press the [START/STOP] button.
Immediate stop
Stop and Enter Synchro Start Mode If you press the [SYNC START] button during style playback, playback will stop immediately and the synchro-start standby mode will be engaged (the beat display will ash).
Stop immediately and enter the Synchro Start mode
8BtModrn
001
Synchro-start standby
Play the Ending and Stop Press the [INTRO/ENDING/rit.] button to begin playing ending section. Playback will stop when the ending has played all the way through.
Stop after ending plays
If you press the [INTRO/ENDING/rit.] button a second time (while the ending is playing) the ending will play ritardando (the tempo will gradually get slower).
Changing the Voice
During style playback the voice you play on the keyboard is the currently selected main/dual/split voices. Select an appropriate voice for the style you are using in the normal way (page 18).
29
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Using Songs
This instrument has 30 built in songs that you can simply listen to and enjoy, or use with a range of other features. Use the songs with the lesson features described on page 32 and you have an advanced learning tool that will let you learn playing techniques. The internal songs arent the only ones you can use, however. Songs you have downloaded from the Internet can also be used with many of the instruments features.
The term SONG refers to a data le including both melody and auto-accompaniment data.
e d
Select and Listen To a Song

Press the [SONG] button.
The song number and name will be displayed. You can now use the dial to select a different song.
Twinkle
026
The currently selected song and number are displayed
Select a song.
NOTE
In addition to the dial you can also use the [+] and [-] buttons or the number buttons [0] [9] to directly select songs. You can also listen to songs you have recorded yourself (page 38) and songs transferred from computer into the instruments ash memory (page 68).
Select a song after referring to the preset song category list on page 31. Rotate the dial to select the song you want to listen to.
DontKnow
001
The song displayed here can be played
Listen to the song.
Press the [START/STOP] button to begin playback of the selected song. You can stop playback at any time by pressing the [START/STOP] button again.
Song start!
30
Using Songs
Quick Guide
Types Of Songs
The following three types of songs can be used by the DGX-205/203 and PSR-295/293. Preset Songs (the 30 songs built into the instrument)................ Song numbers 001 030. User Songs (recordings of your own performances) .................. Song numbers 031 035. External song les (song data transferred from a computer*) ... Song numbers 036 .
* The Accessory CD-ROM includes a selection of 70 MIDI songs. See page 68 for instructions on how to transfer the songs to the instrument.
The different types of songs can be saved to different song numbers. The chart below shows the basic DGX-205/203 and PSR-295/293 processes ow for using the preset songs, user songs, and external song les from storage to playback.
Computer
Your own performance
External song le
Record
(page 39)
Transfer
(page 68)
External song les can be saved to ash memory (036 ).
DGX-205/203, PSR-295/293 Song Storage locations
Preset Songs (001 030)

The 30 songs built into the instrument.
User Songs (031 035)

Stored in the internal ash memory.
Flash Memory (036 134)

Save to internal ash memory. Currently available.
NOTE
Different ash memory areas are used to store user songs and external song les transferred from a computer. User songs cannot be directly transferred to the external song le ash memory area, and vice versa.
Play
Preset Song Categories The 30 preset songs have been organized into 8 categories that make it easier to select appropriate songs for lessons. Refer to this chart when selecting songs.
Category Favorites Easy Play Pianist Organist Advanced Band Play Duet Holidays Number 001 003 004 008 009 013 014 016 017 021 022 024 025 027 028 030 Ideal for Popular songs, for people who want to play pops. Right-hand melody songs. Ideal for beginner lessons. Folk songs arranged for piano. For people who want to play in a classic style. Players who enjoy the rich resonance of organ pieces. Lively tunes when its time to move up from one-hand lessons. Slow ballads. Experience the role of the pianist in an ensemble. Songs made up of two right-hand melodies. Songs for anyone who wants to expand their repertoire.
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Yamaha Education Suite 4
You can select any song you like and use it for a left-hand, right-hand, or both-hands lesson. You can also use songs (only SMF format 0) downloaded from the Internet and saved to ash memory. During the lesson you can play as slowly as you like, and you can even play wrong notes. Song playback will slow down to a speed you can handle. Its never too late to start learning!
The lesson procedure is as follows:

Select the song you want to learn. Select the part you want to work on (right hand, left hand, both hands) Select lesson 1, 2, or 3.
(Refer to the category list on page 31)
Only songs in SMF Format 0 can be used for practice. You need to specify which channels are to be played back as the right/left-hand parts when you practice using songs downloaded from the Internet (page 69).
e d
Lesson 1 ...........(Learn to play the correct notes): The song will wait until you play the right note. Lesson 2 ...........(Learn to play the correct notes with the correct timing): Song playback tempo will vary to match the speed you are playing at. The song will slow down when you play wrong notes, so you can learn at your own pace. Lesson 3 ...........(Learn to play the correct notes at the correct timing along with the song): heres where you can perfect your technique.
Lesson 1: Waiting
Select a song for your lesson.
NOTE
Song numbers 004 008 (Simple melodies) are intended for use as right-hand lessons, and cannot be used for left-hand or both-hands lessons.
Press the [SONG] button so that the song number and name are displayed. Use the dial to select the song you want to use for your lesson. As listed on page 31 there are a variety of song types. For this example select 011 Londonderry Air from the PIANIST category (009 013).
Select the part you want to practice.
Press the [LESSON L/R] button to select the part you want to practice. Each time you press the [LESSON L/R] button the parts are selected in sequence: right hand left hand both hands right hand . The currently selected part is shown in the display.
(Refer to step 2 below)
(Refer to step 3 on page 33)
Londonde
011
Right Left BothHand
Right-hand lesson
Left-hand lesson
Both-hands lesson
32
Quick Guide
Use the [LESSON MODE] button to select Lesson 1.
Press the [LESSON MODE] button to select Lesson 1. Each time the [LESSON MODE] button is pressed the lesson modes are selected in sequence: Lesson 1 Lesson 2 Lesson 3 Off Lesson 1 . The currently selected mode is shown in the display.
NOTE
What the upper-right-corner displays mean:
Right Hand r1 r2 r3 Left Hand L 1 L 2 L 3 Both hands Lr1 Lr2 Lr3
Waiting
r1
Lesson 1 Lesson 2 Lesson 3
(Lesson 1)
YourTemp
r2
(Lesson 2)
MinusOne
r3
(Lesson 3)
Londonde
011
(Song Lesson off)
Song playback will begin automatically when you select Lesson 1.
Start the lesson!
Play the note shown in the display. When you play the correct note, the next note you need play is shown. The song will wait until you play the correct note.
Waiting
r1
057 007
Left-hand part
Right-hand part
(In the case of a right-hand lesson)
33
Quick Guide
See How Youve Done

~~~~~~~~ Excellent Very Good ~~~~~~ ~~~~ Good ~~ OK
When the lesson song has played all the way through your performance will be evaluated in 4 levels: OK, Good, Very Good, or Excellent. Excellent is the highest evaluation.
The evaluation will appear after you have played all the way through the song. After the evaluation display has appeared, the lesson will start again from the beginning. Press the [START/STOP] button to exit from the lesson mode. Once youve mastered Lesson 1, move on to Lesson 2.
NOTE
The evaluation feature can be turned off via the FUNCTION Grade item (page 64).
Lesson 2: Your Tempo
1 2
Select the song and part you want to practice (steps 1 and 2 on page 32). Press the [LESSON MODE] button twice to start Lesson 2.
Each time the [LESSON MODE] button is pressed the lesson modes are selected in sequence: Lesson 1 Lesson 2 Lesson 3 Off Lesson 1
YourTemp
r2
In this case the icons r2 indicate that right-hand lesson 2 has been selected.
Song playback will begin automatically when Lesson 2 is selected.
Start the lesson!
Play the note shown in the display. Try to play the notes at the correct timing. As you learn to play the right notes at the right timing the tempo will increase until eventually youll be playing at the songs original tempo.
Left-hand part Right-hand part
The evaluation display will appear when the song has played all the way through. Press the [START/STOP] button to exit from the lesson mode. Once youve mastered Lesson 2, move on to Lesson 3.
34
Quick Guide
Lesson 3: Minus One
1 2
Select the song and part you want to practice (steps 1 and 2 on page 32).
Press the [LESSON MODE] button three times to start Lesson 3.
Each time the [LESSON MODE] button is pressed the lesson modes are selected in sequence: Lesson 1 Lesson 2 Lesson 3 Off Lesson 1
MinusOne
r3
In this case the icons r3 indicate that right-hand lesson 3 has been selected.
Song playback will begin automatically when Lesson 3 is selected.
Start the lesson!
The song will play at the normal tempo, minus the part you have chosen to play. Play along while listening to the song.
Left-hand part Right-hand part
The evaluation display will appear when the song has played all the way through. Press the [START/STOP] button to exit from the lesson mode.
Practice Makes Perfect Repeat and Learn

Use this feature when you want to start again just ahead of a section on which you made a mistake, or to repeatedly practice a section you nd difcult.
Press the [LESSON REPEAT & LEARN] button during a lesson.

The song location will move back four measures from the point at which you pressed the button, and playback will begin after a one-measure count-in. Playback will continue up to the point at which you pressed the [LESSON REPEAT & LEARN] button, and then jump back four measures and begin again after a count-in. This process will repeat, so all you have to do is press [LESSON REPEAT & LEARN] when you make a mistake in order to repeat practice of that section until you get it right.
e Jump back 4 measures and repeat playback q
Song playback direction
NOTE
You can change the number of measures the Repeat and learn function jumps back by pressing a number button [0] [9] during repeat playback.
w
Press immediately
Oops! A mistake!
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Change a Songs Style

In addition to each songs default style, you can select any other style to play the song with the Easy Song Arranger feature. This means that you can play a song that is normally a ballad, for example, as a bossa nova, as a hip-hop tune, etc. Since songs are combinations of a melody and a style, you can create totally different arrangements by changing the style with which a song is played. You can also change the songs melody voice and the keyboard voice for a complete change of image.
e d
Using the Easy Song Arranger

Press the [EASY SONG ARRANGER] button.
The song number and name will be displayed. You can now use the dial to select a different song.
Londonde
011
Select a song.
The currently selected song number and name
Use the dial to select the song you want to arrange. For this example select 004 Down By The River.
Riversid
004
Listen to the song.
NOTE
When playing song numbers 022 024 while using the Easy Song Arranger, melody tracks will be automatically muted and no melody will sound. In order to hear the melody tracks you will need to press the SONG MEMORY buttons [3] [5].
Press the [START/STOP] button to begin playback of the song. Move on to the next step while the song is playing.
Song start!
Press the [EASY SONG ARRANGER] button.
The style number and name will be displayed. You can now use the dial to select a different style.
PopShf 1
012
The currently selected style number and name
36
Change a Songs Style
Quick Guide
Select a style.
NOTE
Because the Easy Song Arranger uses song data you cant specify chords by playing in the accompaniment range of the keyboard. The [ACMP ON/ OFF] button will not function. If the time signature of the song and style are different, the time signature of the song will be used.
Rotate the dial and listen to how the song sounds with different styles. As you select different styles the song will remain the same while only the styles change. When you have selected a suitable style move on to the next step while the song is still playing (if you have stopped the song, start it again by pressing the [START/STOP] button).
TchPolis
031
Press the [VOICE] button.
The currently selected voice number and name will be displayed. You can now use the dial to select a different voice.
GrandPno
001
The currently selected voice number and name
7 8
Select a voice.
Rotate the dial until the voice you want to use is selected.
Press and hold the [VOICE] button for longer than a second.
After MELODY VOICE CHANGE appears on the display the voice you selected in step 7 becomes the songs melody voice.
MELODY V
37
ck Gui ui Q
Record Your Own Performance

You can record up to 5 of your own performances and save them as user songs 031 through 035. You can also record performances using the performance assistant technology feature.
Recordable Data You can record to a total of 6 tracks: 5 melody tracks and 1 style (chord) track. Each track can be recorded individually.
Melody Track [1] [5] .................. Record the melody parts. Style Track [A] ............................. Records the chord part.
Data Recorded On the Melody Tracks [1] [5] Data Recorded On the Style Track [A]
Note on/off (keys pressed and released) Velocity (keyboard dynamics) Voice number Reverb type* Chorus type* Harmony note Sustain on/off Tempo*/time signature* (only when the style track is not recorded) Pitch bend (DGX-205/203 only) Pitch bend range (DGX-205/203 only) Dual voice on/off Panel sustain on/off Main/Dual voice Voice volume, Octave, Pan, Reverb send level, Chorus send level
* These data items are recorded at the beginning of the track. Changes made during the song will not be recorded.
To record your own performance, rst use the SONG MEMORY [1] [5] and [A] buttons to specify the track(s) you want to record on. The track you record on determines the part that plays back later.
Track [1] Will play back as the right-hand melody part (MELODY R)
Specify track(s) and record
e d
NOTE
A maximum of 5 user songs can be recorded. If you record a 6th song after recording to the 5 available user song locations, choose a song number (031 035) containing a song that you dont mind erasing so that you can overwrite the internal user song memory without permanently losing your song data. Up to approximately 10,000 notes can be recorded if you record only to the melody tracks. Up to approximately 5,500 chord changes can be recorded if you record only to the style track.
Chord changes and chord timing Style pattern changes Style number* Reverb type* Chorus type* Tempo Time signature* Style volume*
Track Configuration
Melody
Chords
Track [2] Will play back as the left-hand melody part (MELODY L) Tracks [3] [5] Will play back as other performance data.
Track 1
Track 2
Track 3
Track 4
Track 5
Track A
Track [A] Will play back as the Style (autoaccompaniment) part.

NOTE
Right-hand Left-hand Other performelody melody mance data (MELODY R) (MELODY L) The parts played by each track when a user song is played back.
Style
The Difference Between MELODY R and MELODY L Songs are a combination of a melody and an autoaccompaniment style. Normally melody refers to the right-hand part, but in this instrument melody parts are provided for both the right and left hands. MELODY R is the melody part played by the right hand, and MELODY L is the melody part played by the left hand.
38
Quick Guide
Recording Procedure
Press the [SONG] button, then use the dial to select the user song number (031 035) you want to record to.
User 1
031
Rotate the dial to select a song number between 031 and 035.
Select the track(s) you want to record to and conrm your selection on the display.
CAUTION
If you record to a track that contains previously-recorded data the previous data will be overwritten and lost.
Record a Melody Track and the Accompaniment Track Together Press the melody track button [1] [5] you want to record to while holding the [REC] button. Next, press the [A] button while holding the [REC] button. The selected tracks will ash in the display.
NOTE
Style accompaniment is automatically turned on when you select the style track [A] for recording. Style accompaniment cannot turned on or off while recording is in progress. If you use a split voice for recording, notes played to the left of the split point will not be recorded.
User 1
rEC
Press and hold
120 001
Record a Melody track Press the melody track button [1] [5] you want to record to while holding the [REC] button. The selected track will ash in the display.
NOTE
If style accompaniment is on and track [A] has not yet been recorded, the style track [A] will automatically be selected for recording when a melody track is selected. If you only want to record a melody track, be sure to turn the style track [A] off. To cancel recording to a selected track, press that track button a second time. Style accompaniment cannot be turned on or off while recording is in progress.
User 1
rEC
120 001
39
Quick Guide
Recording will start when you play on the keyboard.

NOTE
If the memory becomes full during recording a warning message will appear and recording will stop automatically. Use the song clear or track clear (page 41) function to delete unwanted data and make more room available for recording, then do the recording again.
You can also start recording by pressing the [START/STOP] button. The current measure will be shown on the display during recording.
User 1
rEC
Recording starts
120 003
Current measure
Stop recording by pressing the [START/STOP] or [REC] button.
or
If you press the [INTRO/ENDING/rit.] button while recording the style track an appropriate ending pattern will play and then recording will stop. When recording stops the current measure number will return to 001 and the recorded track numbers in the display will light. To Record Other Tracks
Repeat steps 2 through 4 to record any of the remaining tracks. By selecting an unrecorded track SONG MEMORY buttons [1] [5], [A] you can record the new track while listening to previously recorded tracks (the playback tracks will appear in the display). You can also mute previously recorded tracks (the muted tracks will not appear in the display) while recording new tracks.
To Re-record a Track
Simple select the track you want to re-record for recording in the normal way. The new material will overwrite the previous data.
When the recording is done
To Play Back a User Song User songs are played back in the same way as regular songs (page 30).
1 Press the [SONG] button. 2 The current song number/name will be displayed use the dial to select the user song (031 035) you want to play. 3 Press the [START/STOP] button to start playback.
40
Quick Guide
Song Clear Deleting User Songs

This function clears an entire user song (all tracks).
NOTE
If you only want to clear a specic track from a user song use the Track Clear function.
1 2
Press the [SONG] button, then select the user song (031 035) you want to clear.
Press and hold the SONG MEMORY [1] button for longer than a second while holding the SONG MEMORY [A] button.
A conrmation message will appear on the display.
ClrUser1
Hold for longer than a second Press and hold
YES
3 4
Press the [+] button.

NOTE
To execute the Song Clear function press the [+] button. Press [-] to cancel the Song Clear operation.
A conrmation message will appear on the display. You can cancel the clear operation by pressing the [-] button.
Press the [+] button to clear the song.
The clear-in-progress message will appear briey on the display while the song is being cleared.
Track Clear Deleting a Specified Track From a User Song

This function lets you delete a specied track from a user song.
1 2
Press the [SONG] button, then select the user song (031 035) you want to clear. Press and hold the SONG MEMORY track button ([1] [5], [A]) corresponding to the track you want to clear for longer than a second.
A conrmation message will appear on the display.
ClrTr1
YES
3 4
Press the [+] button.

NOTE
To execute the Track Clear function press the [+] button. Press [-] to cancel the Track Clear operation.
A conrmation message will appear on the display. You can cancel the clear operation by pressing the [-] button.
Press the [+] button to clear the track.
The clear-in-progress message will appear briey on the display while the track is being cleared.
41
Backup and Initialization

Backup
Some internal DGX-205/203 and PSR-295/293 parameters will revert to their default values if not saved before the power is turned off. In order to backup these parameters press and hold the [FUNCTION] button for longer than a second.
The Backup Parameters
User songs. Touch response on/off. Registration memory. The following FUNCTION settings: Tuning, Split Point, Touch Sensitivity, Style Volume, Song Volume, Metronome Volume, Grade, Demo Cancel, Panel Sustain.
Initialization
This function erases all backup data in the instruments ash memory and restores the initial default settings. The following initialization procedures are provided.
Backup Clear
To clear data backed up to the internal ash memory panel user setting, registration memory (page 60), user songs (page 39) turn the power on by pressing the [STANDBY/ON] switch while holding the highest white key on the keyboard. The backed up data will be erased and the default values restored.
DGX-205/203 PSR-295/293
Flash Clear
To clear song data that has been transferred to the internal ash memory from a computer, turn the power on by pressing the [STANDBY/ON] switch while simultaneously holding the highest white key on the keyboard and the three highest black keys.
DGX-205/203 PSR-295/293
CAUTION
When you execute the Flash Clear operation, song data you have purchased will also be cleared. Be sure to save data you want to keep to a computer.
42

Basic Operation
Overall DGX-205/203 and PSR-295/293 control is based on the following simple operations.
1 Press a button to select a basic function. 2 Use the dial to select an item or value. 3 Start a function.
3 Start a function.
2 Select an item or value.
1 Select a basic function.
Display (page 45)
GrandPno
888 001
888 888 092 001
Volume Adjustment
Adjusts the volume of the sound heard via the instruments speakers or a pair of headphones plugged into the PHONES jack.
The Press & Hold Symbol

The symbol that appears next to some buttons indicates that the button can be pressed and held for longer than a second to call up a related function. This provides convenient direct access to a range of functions.
Rotate counterclockwise to lower the volume.
Rotate clockwise to increase the volume.
Press a button to select a basic function.
Select a song you want to listen to or a song you want to use for a lesson.
Select an auto-accompaniment style. Select a voice you want to play on the keyboard.
43
Use the dial to select an item or value.
When you select a basic function, the item corresponding to that function will be displayed. You can then use the dial or the number buttons [0] [9] to select the desired item.
DontKnow
001
This portion of the display indicates the name and number of the currently selected song, voice and style. It also displays the name and current setting/ value of other functions.
Changing Values
Dial Rotate the dial clockwise to increase the value of the selected item, or counterclockwise to decrease its value. Rotate the dial continuously to continuously increase or decrease the value.
Decrease Increase
CATEGORY Buttons [ ], [ When selecting a song, style, voice, you can use these buttons jump to the rst item in the next previous category.
] or to or
[+] and [-] Buttons Press the [+] button briey to increment the value by 1, or press the [-] button briey to decrement the value by 1. Press and hold either button to continuously increment or decrement the value in the corresponding direction.
The CATEGORY buttons are useful for selecting categorized items, as in the example below.
Example: VOICE SELECT
Jump to the rst item in the next or previous category.
SweetFlt
Press briey to decrement. Press briey to increment.
088
The rst voice in the selected category is selected.
The number buttons can be used to directly enter a song number or parameter value. Hundreds or tens digits that are 0 can be omitted (see below).
Example: Song number 003 can be entered in three ways. [0] [0] [3] [0] [3] (003 will appear on the display after a brief delay) [3] (003 will appear on the display after a brief delay)
In most procedures described throughout this owners manual the dial is recommended for selection simply because it is the easiest and most intuitive selection method. Please note however, that most items or values that can be selected using the dial can also be selected using the [+] and [-] buttons.
Press number buttons [0], [0], [3].
Start a function.
This is the [START/STOP] button. Press the [START/STOP] button after pressing the [SONG] or [STYLE] button to start playback of the selected song or style (rhythm).
44
Number Buttons [0] [9]
In a display in which a category appears, selection is easy if you rst use the CATEGORY [ ] and [ ] buttons to select the category containing the desired item, then use the dial or [+] and [-] buttons to select the item. This can be particularly handy when you have to select from a large number of voices.
Display Items
The display shows all of the current basic settings: song, style, voice. It also includes a range of indicators that show the on/off status of a range of functions.
Notation
Displays the melody and chord notes of a song when the Easy Performer function is in use, or the notes of chords you specify when the Dictionary function is in use. At other times the notes you play on the keyboard are displayed.
Measure and Tempo

Indicates the current measure during playback of a song or style, and the currently set Tempo value for the song or style. (see page 17)
092 001
Chord Display
Indicates the name of the chord currently being played back, or the name of the chord being played on the keyboard.
NOTE
Any notes occurring below or above the staff are indicated by 8va in the notation. For a few specic chords, not all notes may be shown in the notation section of the display. This is due to space limitations in the display.
SONG TRACK DISPLAY

Information related to the song tracks is shown here. (see page 57)
Battery Level Indicator

Indicates battery power is too low to ensure proper operation. (see page 10)
GrandPno
001
092 001
Beat Display
Indicates the current style or song beat with ashing arrows. (see page 17)
DUAL
Indicates that the Dual voice is turned on. (see page 19)
Performance assistant technology

Indicates that performance assistant technology is turned on. (see page 15)
SPLIT
Indicates that the Split voice is turned on. (see page 20)
TOUCH
Indicates that Touch response is turned on. (see page 22)
ACMP ON
Indicates that Accompaniment is turned on. (see page 24)
HARMONY
Indicates that Harmony is turned on. (see page 26)
SYNC STOP
Indicates that SYNC STOP is turned on. (see page 28)
45
Reference
erenc ef R
Adding Reverb
Reverb lets you play with a rich concert hall type ambience. When you select a style or song the optimum reverb type for the voice used is automatically selected. If you want to select a different reverb type, use the procedure described below. Refer to the Effect Type List on page 86 for information about the available reverb types.
Handy Performance Features
Press the [FUNCTION] button.
Use the dial to select a reverb type. You can check how the selected reverb type sounds by playing on the keyboard.
StyleVol
100
Hall3
2
Use the CATEGORY [ ] and [ ] buttons to select the Reverb Type item. Reverb appears in the display for a few seconds, then the currently selected reverb type will be displayed.
03
Selected reverb type
Adjusting the Reverb Send Level You can individually adjust the amount of reverb that is applied to the main, dual, and split voices. If you press the CATEGORY [ ] or [ ] button a number of times in step 2 of the above procedure, the items listed below will appear. You can then use the dial to adjust the reverb send level for the selected voice (refer to page 62 for details).
Hall2
02
The currently selected Reverb Type
M. Reverb D. Reverb S. Reverb
Main voice reverb send level. Dual voice reverb send level. Split voice reverb send level.
46
Reference
Adding Chorus
The chorus effect creates a thick sound that is similar to many of the same voices being played in unison. When you select a style or song the optimum chorus type for the voice used is automatically selected. If you want to select a different chorus type, use the procedure described below.
Use the dial to select a chorus type. You can check how the selected chorus type sounds by playing on the keyboard.
Use the CATEGORY [ ] and [ ] buttons to select the Chorus Type item. Chorus appears in the display for a few seconds, then the currently selected chorus type will be displayed.
Chorus2
2
Selected chorus type
Chorus1
1
The currently selected Chorus Type
Adjusting the Chorus Send Level You can individually adjust the amount of chorus that is applied to the main, dual, and split voices. If you press the CATEGORY [ ] or [ ] button a number of times in step 2 of the above procedure, the items listed below will appear. You can then use the dial to adjust the chorus send level for the selected voice (refer to page 62 for details). M. Chorus Main voice chorus send level. D. Chorus Dual voice chorus send level. S. Chorus Split voice chorus send level.
47
Reference
The Metronome
The metronome can be set for up to 15-beat time signatures. A chime will sound on the rst beat of each measure, while a metronome click will sound on all others. You can also set the time signature to 00, in which case the chime will not sound and the click sound will be heard on all beats. The metronome will automatically be set to match the time signature and tempo of the selected song or style, but you can also change the tempo and time signature yourself.
Press the [METRONOME] button to start the metronome.
NOTE You can also access the Time Signature item by pressing the [FUNCTION] button and using the CATEGORY [ ] and [ ] buttons to locate the item (page 62).
Use the dial or the [0] [9] number buttons to select a time signature between 00 and 15 beats per measure.
090 1
Indicates the beat number in the measure
You can stop the metronome by pressing the [METRONOME] button a second time.
Adjusting the Metronome Volume
Press the [TEMPO/TAP] button to call up the TEMPO setting.
Use the CATEGORY [ ] and [ ] buttons to select the Metronome Volume item.
Tempo
090
3 4
090 1
Use the dial or the [0] [9] number buttons to select a tempo from 032 to 280 quarternote beats per minute. Press and hold the [METRONOME] button for longer than a second so that the Time Signature item appears.
MtrVol
100
8
Use the dial or the [0] [9] number buttons to set the metronome volume as required.
TimeSig
04
48
Reference
Touch Response Sensitivity

When touch response is on you can adjust the sensitivity of the keyboard in response to keyboard dynamics in three steps.
Press the [TOUCH] button to turn touch response on. The touch response icon will appear in the display when touch response is on (pages 22, 45).
Medium
2
Touch Sensitivity
GrandPno
001
Touch Response icon
Use the dial to select a touch sensitivity setting between 1 and 3. Higher values produce greater (easier) volume variation in response to keyboard dynamics i.e. greater sensitivity.
NOTE The initial default touch sensitivity setting is 2.
You can also access the Touch Sensitivity item by pressing the [FUNCTION] button and using the CATEGORY [ ] and [ ] buttons to locate the item (page 62).
Press and hold the [TOUCH] button for longer than a second so that the Touch Sensitivity item appears. TouchSns appears in the display for a few seconds, then the currently selected Touch Sensitivity will be displayed.
One Touch Setting

Sometimes selecting the ideal voice to play with a song or style can be confusing. The One Touch Setting feature automatically selects a well-balanced voice for you when you select a style or song. Simply select voice number 000 to activate this feature.
Select voice number 000 (steps 1 2 on page 18).
If you have stopped playback at some point during this procedure press the [START/STOP] button to start playback again.
Use the dial to change songs, then play the keyboard and listen to the voice.
SweetSpr
000
Use the dial to select voice number 000.
2 3
Select and play back any song (steps 1 3 on page 30). Play the keyboard and remember the sound of the voice.
You should hear a different keyboard voice than you played in step 3. If you select a different song the keyboard voice will also change accordingly.
49
Reference
Adjusting the Voice Parameters

Reverb send level, pan, and a variety of other parameters can be individually adjusted for the main, dual, and split voices. Press the [FUNCTION] button and then use the CATEGORY [ ] and [ ] buttons to locate any of the following parameters. Once you have selected an appropriate parameter you can use the dial to adjust its value. Main Voice Parameters (page 63) M. Volume Main voice volume. M. Octave Main voice octave. M. Pan Main voice pan. M. Reverb Main voice reverb send level. M. Chorus Main voice chorus send level. Dual Voice Parameters (page 63) D. Volume Dual voice volume. D. Octave Dual voice octave. D. Pan Dual voice pan. D. Reverb Dual voice reverb send level. D. Chorus Dual voice chorus send level. Split Voice Parameters (page 63) S. Volume Split voice volume. S. Octave Split voice octave. S. Pan Split voice pan. S. Reverb Split voice reverb send level. S. Chorus Split voice chorus send level.
Adjusting the Harmony Volume

The harmony volume level can be adjusted for harmony types 01 (Duet) through 05 (octave).
HarmVol
080
2
Use the CATEGORY [ ] and [ ] buttons to select the Harmony Volume item.
Panel Sustain
This function adds sustain to the keyboard voices. Use it when you want to add sustain to the voices at all times, regardless of footswitch (optionally-available) operation. Press the [FUNCTION] button and then use the CATEGORY [ ] and [ ] buttons to locate the Sustain item. You can then use the [+] and [-] buttons to turn panel sustain on or off.
NOTE The sustain of some voices may not be markedly affected when the panel sustain function is turned on.
Use the dial or the [0] [9] number buttons to set the harmony volume from 000 through 127 as required.
50
erenc ef R
Basic operation of the Style (auto-accompaniment) feature is described on page 24 of the Quick Guide. Here are some other ways you can play the styles, the style volume adjustment procedure, how you can play chords using the styles, and more.
Setting the Split Point

The initial default split point is key number 54 (the F#2 key), but you can change it to another key using the procedure described below.
1 2
Press the [STYLE] button or the [EASY SONG ARRANGER] button. Press and hold the [ACMP ON/OFF] for longer than a second so that the FUNCTION Split point item appears.
Use the dial or the [0] [9] number buttons to set the split point to any key from 000 (C2) through 127 (G8).
Split point (54: F#2)
Split voice
Main voice

NOTE When you change the split point the auto-accompaniment split point also changes.
The split point cannot be changed during a song lesson. The split voice sounds when the split-point key is played.
SplitPnt
054
092 001
Split point
NOTE You can also access the Split Point item by pressing the [FUNCTION] button and using the CATEGORY [ ] and [ ] buttons to locate the item (page 62).
NOTE The FUNCTION Split point item can only be accessed by pressing and holding the [ACMP ON/OFF] button when either the [STYLE] button or the [EASY SONG ARRANGER] is engaged and lit.
Play Only the Style Rhythm

Auto-accompaniment is alternately turned on and off each time the [ACMP ON/OFF] button is pressed. If you use the [ACMP ON/OFF] button to turn auto-accompaniment off, only the rhythm (percussion) parts will play when the style is started.
Press the [STYLE] button to engage the style function.
PopBossa
080
ACMP ON indicator not showing
NOTE Since style numbers 112 and 124 135 (Pianist) have no rhythm parts, no rhythm will play when you start these styles.
51
Reference
Play a Style With Chords but No Rhythm (Stop Accompaniment)

When auto accompaniment is on (the ACMP ON icon is showing) and Synchro Start is off, you can play chords in the left-hand accompaniment range of the keyboard while the style is stopped and still hear the accompaniment chords. This is Stop Accompaniment, and any of the chord ngerings recognized by the instrument can be used (page 53). The chord root and type will be shown on the display. You can also use the Harmony effects with Stop Accompaniment.
Accompaniment range
PopBossa
080
Adjusting the Style Volume

Use the CATEGORY [ ] and [ select the Style Volume item.
] buttons to
StyleVol
100
3
Use the dial or the [0] [9] number buttons to set the style volume between 000 and 127 as required.
52
Reference
Playing Auto-accompaniment Chords

There are two ways of playing auto-accompaniment chords:
Easy Chords Standard Chords
The instrument will automatically recognize the different chord types. This function is called Multi Fingering.
Press the [ACMP ON/OFF] button to turn auto-accompaniment on (page 24). The keyboard to the left of the split point (default: 54/F#2) becomes the accompaniment range. Play the accompaniment chords in this area of the keyboard.
Split point (default: 54/F#2)
Db Eb
F# G# Bb
Db Eb
F#
C D E F GA B C D E F
Accompaniment range Root notes and the corresponding keys
Easy Chords
This method lets you easily play chords in the accompaniment range of the keyboard using only one, two, or three ngers.
C
Standard Chords
This method lets you produce accompaniment by playing chords using normal ngerings in the accompaniment range of the keyboard.
How to play Standard Chords [Example for C chords]
To play a major chord Press the root note of the chord.

Cm
(9)
C6
C6
(9)
To play a minor chord Press the root note together with the nearest black key to the left of it.
C7
C M7
C M7
(9 )
C M7
(#11)
(b5)
To play a seventh chord Press the root note together with the nearest white key to the left of it.
C m7
C M7
(b5)
C sus4
C aug
C M7aug
To play a minor seventh chord Press the root note together with the nearest white and black keys to the left of it (three keys altogether).
Cm
Cm
(9 )
C m6
C m7
C m7
(9 )
C m7
(11)
C mM7
( )
C mM7
(9)
C m7
(b5)
C mM7
(b5)
C dim
C dim7
C7
C7
(b9)
C7
(b13)
C7
(9)
C7
(#11)
C7
(13)
C7
(#9)
C7
(b5)
C 7aug
C 7sus4
C 1+2+5
* Notes enclosed in parentheses ( be recognized without them.
) are optional; the chords will
53
Reference
Recognized Standard Chords

All chords in the chart are C-root chords.
Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fth [(b5)] Major seventh atted fth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh add eleventh [m7(11)] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh atted fth [m7b5] Minor major seventh atted fth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh atted ninth [7(b9)] Seventh add atted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh atted fth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] One plus two plus ve [1+2+5] Normal Voicing 1-3-5 1-2-3-5 1 - (3) - 5 - 6 1 - 2 - 3 - (5) - 6 1 - 3 - (5) - 7 or 1 - (3) - 5 - 7 1 - 2 - 3 - (5) - 7 1 - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - 7 1 - 3 - b5 1 - 3 - b5 - 7 1-4-5 1 - 3 - #5 1 - (3) - #5 - 7 1 - b3 - 5 1 - 2 - b3 - 5 1 - b3 - 5 - 6 1 - b3 - (5) - b7 1 - 2 - b3 - (5) - b7 1 - (2) - b3 - 4 - 5 - (b7) 1 - b3 - (5) - 7 1 - 2 - b3 - (5) - 7 1 - b3 - b5 - b7 1 - b3 - b5 - 7 1 - b3 - b5 1 - b3 - b5 - 6 1 - 3 - (5) - b7 or 1 - (3) - 5 - b7 1 - b2 - 3 - (5) - b7 1 - 3 - 5 - b6 - b7 1 - 2 - 3 - (5) - b7 1 - (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b7 1 - 3 - (5) - 6 - b7 1 - #2 - 3 - (5) - b7 1 - 3 - b5 - b7 1 - 3 - #5 - b7 1 - 4 - (5) - b7 1-2-5 Chord (C)
C
(9)
Display C C(9) C6 C6(9) * CM7 CM7(9) * CM7(#11) * Cb5 * CM7b5 * Csus4 Caug CM7aug * Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) * CmM7 CmM7(9) * Cm7b5 CmM7b5 * Cdim Cdim7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 * C7aug C7sus4 C*
C6 C6
(9)
C M7 C M7
(9)
C M7 C
(#11)
(b5) (b5)
C M7
C sus4 C aug C M7aug Cm Cm

(9)
C m6 C m7 C m7 C m7
(9) (11)
C mM7 C mM7 C m7
(b5) (b5) (9)
C mM7 C dim C dim7 C7 C7 C7

(b9)
(b13)
C7 C7 C7
(9)
(#11)
(13) (#9)
C7
C 7b5 C 7aug C 7sus4 C 1+2+5
* These chords are not shown in the Dictionary function.
NOTE Notes in parentheses can be omitted.

Playing two same root keys in the adjacent octaves produces accompaniment based only on the root. A perfect fth (1 + 5) produces accompaniment based only on the root and fth which can be used with both major and minor chords. The chord ngerings listed are all in root position, but other inversions can be used with the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), 1+2+5.
NOTE Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown in parentheses are omitted.
The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh). Two-note ngerings will produce a chord based on the previously played chord.
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Reference
Looking Up Chords Using the Chord Dictionary

The Dictionary function is essentially a built-in chord book that shows you the individual notes of chords. It is ideal when you know the name of a certain chord and want to quickly learn how to play it.
Press and hold the [LESSON MODE] button for longer than a second.
Press the M7 (major seventh) key in the section of the keyboard labeled CHORD TYPE. (The note doesnt sound.) The notes you should play for the specied chord (root note and chord type) are shown in the display, both as notation and in the keyboard diagram.
Dict.
2
Notation of chord Chord name (root and type)
As an example, well learn how to play a GM7 (G major seventh) chord. Press the G key in the section of the keyboard labeled CHORD ROOT. (The note doesnt sound.) The root note you set is shown in the display.
Dict.
092 001
Individual notes of chord (keyboard)

To call up possible inversions of the chord, press the [+]/[-] buttons.
Dict.
092 001
NOTE About major chords: Simple major chords are usually indicated only by the root note. For example, C refers to C major. However, when specifying major chords here, make sure to select M (major) after pressing the root note.
Try playing a chord in the auto accompaniment section of the keyboard, checking the indications in the display. When youve played the chord properly, a bell sound signals your success and the chord name in the display ash.
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Reference
Chord Basics
Two or more notes played together constitute a chord. The most basic chord type is the triad consisting of three notes: the root, third, and fth degrees of the corresponding scale. A C major triad, for example, is made up of the notes C (the root), E (the third note of the C major scale), and G (the fth note of the C major scale).
3rd
Root
3rd
In the C major triad shown above, the lowest note is the root of the chord (this is the chords root position using other chord notes for the lowest note results in inversions). The root is the central sound of the chord, which supports and anchors the other chord notes. The distance (interval) between adjacent notes of a triad in root position is either a major or minor third.
Major third four half steps (semitones) Minor third three half steps (semitones)
The lowest interval in our root-position triad (between the root and the third) determines whether the triad is a major or minor chord, and we can shift the highest note up or down by a semitone to produce two additional chords, as shown below.
Major chord Minor chord Augmented chord Diminished chord
CM
Cm
C aug
C dim
Minor 3rd
Major 3rd
Major 3rd
Minor 3rd
Major 3rd
Major 3rd
Minor 3rd
Minor 3rd
The basic characteristics of the chord sound remain intact even if we change the order of the notes to create different inversions. Successive chords in a chord progression can be smoothly connected, for example, by choosing the appropriate inversions (or chord voicings). Reading Chord Names Chord names tell you just about everything you need to know about a chord (other than the inversion/voicing). The chord name tells you what the root of the chord is, whether it is a major, minor, or diminished chord, whether it requires a major or atted seventh, what alterations or tensions it uses all at a glance.
Cm
Root note Chord type Major 7 th
Some Chord Types (These are just some of the Standard chord types recognized by the DGX-205/203 and PSR-295/
293.)
Suspended 4 th 7 th Minor 7 th
C sus4
C7
C m7
C M7
Perfect 5 th
Perfect 4 th
Flatted 7 th
Major chord
Flatted 7 th
Minor chord
Major 7 th
Major chord
Minor/major 7 th
7 th, atted 5 th
Minor 7 th, atted 5 th
7 th, suspended 4 th
C mM7
C7
(b5)
C m7
(b5)
C 7sus4
Major 7 th
Minor chord
Flatted 5 th
7 th chord
Flatted 5 th
Minor 7 th chord
Flatted 7 th
Suspended 4 th chord
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Song Volume
1
Song Settings
Use the dial or the [0] [9] number buttons to set the song volume between 000 and 127 as required.
NOTE Song volume can be adjusted while a song is selected.
Use the CATEGORY [ ] and [ select the Song Volume item.
] buttons to
SongVol
100
Song Volume item Song Volume
A-B Repeat
You can specify a section of a song A is the start point and B is the end point for repeat playback.
Press the [ ] button a second time at the end of the section you want to repeat (the B point).
Play the song (page 30) and press the [ ] button at the beginning of the section you want to repeat (the A point).
The specied A-B section of the song will now play repeatedly. You can stop repeat playback at any time by pressing the [ ] button.
NOTE The repeat start and end points can be specied in one-measure increments.
The current measure number is shown in the display during playback. If you want to set the start point A at the very beginning of the song press the [ ] button before starting playback of the song.
Muting Independent Song Parts

Each track of a song plays a different part of the song melody, percussion, accompaniment, etc. You can mute individual tracks and play the muted part on the keyboard yourself, or simply mute tracks other than the ones you want to listen to. Use the SONG MEMORY [1] [5] and [A] buttons to mute or un-mute the corresponding tracks. The track number in the display disappears when that track is muted. Refer to page 38 for information about the song track conguration.
Track number on Track will play back.
Track number off Track is muted or contains no data
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Reference
Song Settings
Change the Key Of a Song

Large Pitch Changes (Transpose) Small Pitch Changes (Tuning)
The overall pitch of the instrument can by shifted up or down by a maximum of 1 octave in semitone increments.
The overall tuning of the instrument can by shifted up or down by a maximum of 100 cents in 1-cent increments (100 cents = 1 semitone).
Use the CATEGORY [ ] and [ select the Transpose item.
] buttons to
Use the CATEGORY [ ] and [ select the Tuning item.
] buttons to
Transpos
00
3
Use the dial or the [0] [9] number buttons to set the transpose value between -12 and +12 as required.
NOTE The pitch of Drum Kits voices cannot be changed.
Tuning
000
3
Use the dial or the [0] [9] number buttons to set the tuning value between -100 +100 as required.
NOTE The pitch of Drum Kits voices cannot be changed.
Song Fast Forward, Fast Reverse, and Pause

These are just like the transport controls on a cassette deck or CD player, letting you fast forward [ f ], rewind [ r ] and pause [ ] playback of the song.
NOTE When an A-B repeat range is specied the fast reverse and forward function will only work within that range.
Press the pause button to pause playback.
Press the fast reverse button to rapidly return to an earlier point in the song.
Press the fast forward button to rapidly skip ahead to a later point in the song.
58
Song Settings
Reference
Change the Melody Voice

You can change a songs melody voice to any other voice you prefer.
NOTE You cannot change the melody voice of a user song.
1 2
Select the song and play it.
Press the [VOICE] button for longer than a second. MELODY VOICE CHANGE appears in the display for a few seconds, indicating that the voice selected in step #2 has replaced the songs original melody voice.
Rotate the dial to select the song you want to listen to after pressing the [VOICE] button.
Strings
048
MELODY V
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This instrument has a Registration Memory feature that lets you save your favorite settings for easy recall whenever theyre needed. Up to 16 complete setups can be saved (8 banks of two setups each).
8 Banks Up to 16 presets (eight banks of two each) can be memorized.
Saving Settings to the Registration Memory

Settings That Can be Saved to the Registration Memory
Style settings* Style number, Auto Accompaniment ON/OFF, Split Point, Style settings (Main A/B), Style Volume, Tempo Voice settings Main Voice setting (Voice number, Volume, Octave, Pan, Reverb Send Level, Chorus Send Level), Dual Voice settings (Dual ON/OFF, Voice number, Volume, Octave, Pan, Reverb Send Level, Chorus Send Level), Split Voice settings (Split ON/OFF, Voice number, Volume, Octave, Pan, Reverb Send Level, Chorus Send Level) Effect settings Reverb Type, Chorus Type, Panel Sustain ON/OFF Harmony settings Harmony ON/OFF, Harmony Type, Harmony Volume Other settings Transpose, Pitch Bend Range (DGX-205/203 only)
* Style settings are not available for Registration Memory when using the Song features.
Memorize Your Favorite Panel Settings
Memory 1
Memory 2
Saving to the Registration Memory
1 2
Set the panel controls as required select a voice, accompaniment style, etc. Press the [] (MEMORY/BANK) button. A bank number will appear in the display when you release the button.
Bank
1
Bank number
Use the dial or the [1] [8] number buttons to select a bank number from 1 to 8.
NOTE Data cannot be saved to the registration memory during song playback.
60
Memorize Your Favorite Panel Settings
Reference
Press the REGIST. MEMORY [1] or [2] button while holding the [] (MEMORY/BANK) button to store the current panel settings to the specied registration memory.
Recalling a Registration Memory
Press the [] (MEMORY/BANK) button. A bank number will appear in the display when you release the button.
Bank
1
Bank number
Bank
1
Bank number
NOTE If you select a Registration Memory number that already contains data, the previous data is deleted and overwritten by the new data.
2
CAUTION
Do not turn off the power while saving settings to the registration memory, otherwise the data may be damaged or lost.
Use the dial or the [1] [8] number buttons to select bank you want to recall.
Press the REGIST. MEMORY button, [1] or [2], containing the settings you want to recall. The panel controls will be instantly set accordingly.
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The Function settings include detailed settings for the instruments voices, effects, split point, tuning, and more. Button shortcuts can be used to quickly access commonly used settings: hold a shortcut button for longer than a second to directly access the related setting.
Locating and Editing the Function Settings

1
Function settings
StyleVol
100
Set the value as required using the dial, the [+] and [-] buttons, or the [0] [9] number buttons. For ON/OFF settings use the [+] button to turn the function ON and the [-] button to turn the function OFF. Use the [+] button to begin execution of operations, or the [-] button to cancel the selected operation. All these settings can be conveniently reset to their initial default values by pressing the [+] and [-] buttons simultaneously. (The exception to this is Initial Setup Send and Bulk Send, which is an operation, not a setting.)
Use the CATEGORY [ ] and [ ] buttons to select the required item. For details on individual settings refer to the FUNCTION Setting List on page 63.
Directly enter numeric values
Decrease a value by 1 Turn a setting OFF Cancel an operation
Reset a value to its default setting
Increase a value by 1 Turn a setting ON Execute an operation
Transpos
00
Current item
If necessary, hold the [FUNCTION] button for longer than a second to save your settings to ash memory. Although all settings are retained by the instrument while the power is on, your custom settings will be lost when the power is turned off unless you save them to ash memory. Simply save the settings to ash memory by holding the [FUNCTION] button for more than a second, and your settings will be retained in ash memory even while the power is off and will be recalled the next time the instrument is turned on.
CAUTION
Do not turn off the power while saving settings, otherwise the data may be damaged or lost.
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Function settings
Reference
Function Setting List

Category
VOLUME OVERALL
Setting
Style Volume Song Volume Transpose Tuning Pitch Bend Range (DGX-205/203 only) Split Point
Item title
StyleVol SongVol Transpos Tuning
Range/Settings
000 127 000 127 -12 12 -100 100 01 12 000 127 (C-2 G8)
Description
Determines the volume of the Style. Determines the volume of the Song. Determines the pitch of the instrument by semitone increments. Sets the pitch of the instruments sound in 1-cent increments. Sets the pitch bend range in semitone increments. Determines the highest key for the Split voice and sets the Split point in other words, the key that separates the Split (lower) and Main (upper) voices. The Split Point setting and Accompaniment Split Point setting are automatically set to the same value. When Touch Response is on, this determines the sensitivity of the feature. Determines the volume of the Main voice. Determines the octave range for the Main voice. Determines the pan position of the Main voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Main voices signal is sent to the Reverb effect. Determines how much of the Main voices signal is sent to the Chorus effect. Selects the Dual voice. Determines the volume of the Dual voice. Determines the octave range for the Dual voice. Determines the pan position of the Dual voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Dual voices signal is sent to the Reverb effect. Determines how much of the Dual voices signal is sent to the Chorus effect. Selects the Split voice. Determines the volume of the Split voice. Determines the octave range for the Split voice. Determines the pan position of the Split voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Split voices signal is sent to the Reverb effect. Determines how much of the Split voices signal is sent to the Chorus effect. Determines the Reverb type, including off (10). (See the list on page 86) Determines the Chorus type, including off (05). (See the list on page 86) Determines whether or not panel sustain is always applied to the MAIN/DUAL/SPLIT voices. Panel sustain is applied continuously when ON, or not applied when OFF. (page 50) Determines the Harmony type. (See the list on page 86) Determines the volume of the Harmony effect when Harmony type 1-5 is selected.
PBRange SplitPnt
Touch Sensitivity MAIN VOICE Volume Octave Pan
TouchSns
M.Volume M.Octave M.Pan
1 (Soft)/2 (Medium)/ 3 (Hard) 000 127 -2 +2 000 (left) 64 (center) 127 (right)
Reverb Send Level Chorus Send Level DUAL VOICE Voice Volume Octave Pan
M.Reverb M.Chorus
000 127 000 127 001 487 000 127 -2 +2 000 (left) 64 (center) 127 (right)
D.Voice D.Volume
D.Octave D.Pan
Reverb Send Level Chorus Send Level SPLIT VOICE Voice Volume Octave Pan
D.Reverb D.Chorus S.Voice S.Volume S.Octave S.Pan
000 127 000 127 001 487 000 127 -2 +2 000 (left) 64 (center) 127 (right)
Reverb Send Level Chorus Send Level EFFECT Reverb Type Chorus Type Panel Sustain
S.Reverb S.Chorus Reverb Chorus Sustain
000 127 000 127 01 10 01 05 ON/OFF
HARMONY
Harmony Type Harmony Volume
HarmType
01 26 000 127
HarmVol
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Reference
Function settings
Category
PC MODE
Setting
PC mode
Item title
PC mode
Range/Settings
PC1/PC2/OFF
Description
Optimizes the MIDI settings when you connect to a computer (page 67). PC1 sets local off and external clock on for use with an external sequencer or similar device. The PC2 setting allows the instrument to use Digital Music Notebook content on the connected computer. OFF turns local control on, external clock off, keyboard out on, style out on, and song out on. Determines whether the instruments keyboard controls the internal tone generator (ON) or not (OFF). (page 66) Determines whether the instrument synchronizes to the internal clock (OFF) or an external clock (ON). (page 66) Determines whether keyboard performance data of the instrument is transmitted (ON) or not (OFF). Determines whether Style data is transmitted (ON) via USB or not (OFF) during Style playback. Determines whether Song data is transmitted (ON) via USB or not (OFF) during Song playback. Lets you send the data of the panel settings to a computer. Press [+] to send, or press [-] to cancel. Use the [+] button to transmit the data. Use the [-] button to stop the transmission. User song and registration memory data can be transmitted as bulk data to sequence software running on your computer, where it can be stored for later retrieval and use. The instrument must be connected to a computer on which the appropriate USB MIDI driver is installed. With Bulk Send showing on the instruments display, press [+] to begin bulk data transmission. Press [-] to cancel the transmission. Refer to page 67 for information on connecting the instrument to a computer, and to page 71 for information on installing the USB MIDI driver. Determines the time signature of the Metronome. Determines the volume of the Metronome. Determines the guide track number for your right hand lesson. The setting is only effective for songs in SMF format 0 transferred from a computer. Determines the guide track number for your left hand lesson. The setting is only effective for songs in SMF format 0 transferred from a computer. Determines whether the Grade function is on or off. Determines whether Demo cancel is enabled or not. When this is set to ON, the Demo Song will not play, even if the [DEMO] button is pressed.
MIDI
Local On/Off
Local
ON/OFF
External Clock
ExtClock
ON/OFF
Keyboard Out Style Out Song Out Initial Setup Send
KbdOut
StyleOut SongOut
ON/OFF ON/OFF ON/OFF YES/NO
InitSend
Bulk Send
BulkSend
YES/NO
METRONOME LESSON
Time Signature Metronome Volume Lesson Track (R)
TimeSig MtrVol
R-Part
00 15 000 127 GuideTrack 1 16
Lesson Track (L)
L-Part
GuideTrack 1 16
UTILITY
Grade Demo Cancel
Grade D-Cancel
ON/OFF ON/OFF
* All these settings can be conveniently reset to their initial default values by pressing the [+] and [-] buttons simultaneously. (The exception to this is Initial Setup Send and Bulk Send, which is an operation, not a setting.)
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Nearly all of the electronic musical instruments made today particularly synthesizers, sequencers and computer music related devices use MIDI. MIDI is a worldwide standard that allows these devices to send and receive performance and setting data. Naturally, this instrument lets you save or send your keyboard performance as MIDI data, as well as the songs, styles and panel settings. The potential MIDI holds for your live performances and music creation/production is enormous simply by connecting this instrument to a computer and transmitting MIDI data. In this section, youll learn the basics of MIDI and the specic MIDI functions provided by this instrument.
What Is MIDI?
No doubt you have heard the terms acoustic instrument and digital instrument. In the world today, these are the two main categories of instruments. Lets consider a grand piano and a classical guitar as representative acoustic instruments. They are easy to understand. With the piano, you strike a key, and a hammer inside hits some strings and plays a note. With the guitar, you directly pluck a string and the note sounds. But how does a digital instrument go about playing a note?
Acoustic guitar note production
Digital instrument note production
Based on playing information from the keyboard, a sampling note stored in the tone generator is played through the speakers.
As shown in the illustration above, in an electronic instrument the sampling note (previously recorded note) stored in the tone generator section (electronic circuit) is played based on information received from the keyboard. So then what is the information from the keyboard that becomes the basis for note production? For example, lets say you play a C quarter note using the grand piano sound on the instrument. Unlike an acoustic instrument that puts out a resonated note, the electronic instrument puts out information from the keyboard such as with what voice, with which key, about how strong, when was it pressed, and when was it released. Then each piece of information is changed into a number value and sent to the tone gener-
e
L
Connecting To a Computer
ator. Using these numbers as a basis, the tone generator plays the stored sampling note.
Example of Keyboard Information
Voice number (with what voice) Note number (with which key) Note on (when was it pressed) and note off (when was it released) Velocity (about how strong) 1 (grand piano) 60 (C3) Timing expressed numerically (quarter note) 120 (strong)
Pluck a string and the body resonates the sound.
Your keyboard performance and all panel operations of this instrument are processed as MIDI data. The songs, auto accompaniment (styles), and User songs are also made up of MIDI data. MIDI is an acronym that stands for Musical Instrument Digital Interface and it allows different musical instruments and devices to instantly communicate with each other, via digital data. The MIDI standard is used all over the world and was designed to transmit performance data between electronic musical instruments (or computers). Thanks to MIDI, you can control one instrument from another and transmit performance data between the devices-taking your creative and performance potential to even higher levels. MIDI messages can be divided into two groups: Channel messages and System messages. Channel Messages This instrument is capable of handling 16 MIDI channels simultaneously meaning it can play up to sixteen different instruments at the same time. Channel messages transmit information such as Note ON/OFF, Program Change, for each of the 16 channels.
Message Name Note ON/OFF Program Change Control Change Instrument Operation/Panel Setting Performance data of the keyboard (contains note number and velocity data) Instrument selection (including bank select MSB/LSB, if necessary) Instrument settings (volume, pan, etc.)
Sampling Note
Tone Generator (Electronic circuit)
Sampling Note
Playing the keyboard
System Messages This is data that is used in common by the entire MIDI system. System messages include messages like Exclusive Messages that transmit data unique to each instrument manufacturer and Realtime Messages that control the MIDI device.
Message Name Exclusive Message Realtime Messages Instrument Operation/Panel Setting Reverb/chorus settings, etc. Start/stop operation
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Reference
USB Connection
This instrument can be connected to a computer to allow transfer of MIDI data. Connect a standard USB cable between the instruments rear-panel USB connector and the USB connector on your computer (USB cable sold separately). It is also necessary to install the USB driver provided on the supplied CD-ROM on your computer. Refer to the Accessory CD-ROM Installation Guide on page 70 for details. The supplied CD-ROM also includes a Musicsoft Downloader application that allows you to transfer song les from your computer to the instruments ash memory. Failure to do so can cause the instrument and/or the computer to hang up (freeze), possibly causing corruption or loss of data. If the instrument or computer does hang up, turn the power to both devices off and then on again, and restart the computer.
CAUTION
Wake the computer from a sleep/suspended/standby mode before connecting the USB cable. Connect the USB cable to the instrument and computer before turning power to the instrument on. Check the following points before turning the instruments power on or off, and before plugging or unplugging the USB cable. Quit all applications. Make sure that no data transfer is in progress (data is transferred whenever you play on the keyboard or play a song). Allow at least 6 seconds between turning the instruments power on and off, and between plugging and unplugging the USB cable. Directly connect the instrument to the computer using a single USB cable. Do not use a USB hub.
DGX-205/203 PSR-295/293
USB cable
NOTE The Musicsoft Downloader application may not be able to access the instrument in the following cases: During a MIDI bulk dump. During style playback. During song playback.
USB Precautions Please observe the following precautions when connecting the instrument to a computer via a USB cable.
MIDI Settings
These settings pertain to MIDI data transmission and reception.
Local ON/OFF
Local control determines whether or not notes played on the instrument are sounded by its internal tone generator system: the internal tone generator is active when local control is on, and inactive when local control is off.
ON
This is the normal setting in which notes played on the instruments keyboard are sounded by the internal tone generator system. Data received via the instruments USB connector will also be played by the internal tone generator. With this setting the instrument itself produces no sound (keyboard performance, harmony, or style playback), but the performance data is transmitted via the USB connector. Data received via the instruments USB connector will also be played by the internal tone generator.
External Clock ON/OFF

These settings determine whether the instrument is synchronized to its own internal clock (OFF), or to a clock signal from an external device (ON).
ON
The instruments time based functions will be synchronized to the clock from an external device connected to the USB connector. The instrument uses its own internal clock (default).
OFF
OFF
External clock control can turned on or off via the FUNCTION External Clock item (page 64).
NOTE If External Clock is ON and no clock signal is being received from an external device, the song, style, and metronome functions will not start.
Local control can turned on or off via the FUNCTION Local item (page 64).
NOTE If you cant get any sound out of the instrument, this may be the most likely cause. Playing the keyboard results in no sound when Local is set to OFF.
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Reference
MIDI (PC Mode) Settings For Computer Connection

A number of MIDI settings need to be made when you connect the instrument to a computer. The PC Mode item can conveniently make multiple settings for you in one operation. Three settings are available: PC1, PC2, and OFF. Press the [PC] button to call up the PC Mode item, and select PC1 or PC2, as required. The setting you choose will set parameters such as Local ON/OFF, External Clock ON/OFF, and others for optimum operation with a sequencer application on your computer, for example. Refer to page 64 for details about the MIDI settings.
NOTE Set the PC mode to PC2 when using Digital Music Notebook* in the supplied CD-ROM. * Digital Music Notebook is a software application for handling songs and scores on your computer. Refer to the applications online help le for more information.
Setting the PC Mode
Press the [PC] button so that the FUNCTION display PC Mode item appears.
PC mode
oFF
2
Use the dial or the [+] and [-] buttons to select PC1, PC2, or OFF.
NOTE When the PC2 setting is selected the instruments style, song, demo, song recording, and lesson features cannot be used.
PC1
PC2
PC Mode = OFF
Local External Clock Keyboard Out Style Out Song Out
OFF ON OFF OFF OFF
OFF OFF ON OFF OFF
ON OFF ON ON ON
NOTE You can also access the PC Mode item by rst pressing the [FUNCTION] button and then using the CATEGORY [ ] and [ ] buttons to locate it (page 62).
Remote Control Of MIDI Devices

You can also use this instrument as a remote control device for the Digital Music Notebook application on your computer (via the USB connection) controlling playback, stop and transport functions from the panel. PSR-295/293: To use the remote control functions, simultaneously hold down the lowest two keys on the keyboard (C1 and C#1) and press the appropriate key (shown below).
C#1
Remote control keys

DGX-205/203: To use the remote control functions, simultaneously hold down the lowest two keys on the keyboard (E0 and F#0) and press the appropriate key (shown below).
C1 F#0
C6: Fast forward B5: Start A5: Stop G5: Rewind F5: Top (move to the beginning of the song) E5: Metronome ON/OFF
E0
G6: Fast forward F6: Start E6: Stop D6: Rewind C6: Top (move to the beginning of the song) B5: Metronome ON/OFF
NOTE Remote control of MIDI devices will function independently of the PC2 mode.
67
Reference
Transferring Song Files From a Computer

This instrument can access ash memory for storage and retrieval of song data: When song les are transferred to ash memory media from your computer they can be used with the instruments performance assistant technology or Lesson functions. In order to transfer songs between your computer and the instrument you will need to install the Musicsoft Downloader application and the USB-MIDI Driver included on the Accessory CD-ROM on your computer. Refer to the Accessory CD-ROM Installation Guide on page 70 for installation details.
NOTE A USB cable is required in order to transfer song les to the instruments ash memory. USB cables can be purchased at an electrical goods or computer supply store.
Use Musicsoft Downloader To Transfer Songs From the Accessory CD-ROM To the Instruments Flash Memory
NOTE If a song or style is being played, stop playback before proceeding.
1 2
Install the Musicsoft Downloader application and the USB-MIDI driver on your computer (page 71 73). Insert the supplied CD-ROM into your computers CD-ROM drive. The start window should appear automatically, and close the window. Double-click the Musicsoft Downloader shortcut icon that is created on the desktop. This will launch the Musicsoft Downloader application and the main window will appear.
NOTE The instrument cannot be operated while the Musicsoft Downloader is running.
Data That Can be Transferred From a Computer To This Instrument Song Capacity (max.) Flash memory 99 songs (Song numbers 036 134) Data Capacity Flash memory 373 kb Data Format SMF format 0/1 What is SMF (Standard MIDI File)? The SMF (Standard MIDI File) format is one of the most common and widely compatible sequence formats used for storing sequence data. There are two variations: Format 0 and Format 1. A large number of MIDI devices are compatible with SMF Format 0, and most commercially available MIDI sequence data is provided in SMF Format 0.
4 5
Click the Add File button and the Add File window will appear. Click the [] button to the right of Look in and select the CD-ROM drive from the dropdown menu that appears. Double-click the SongCollection Folder on the window. Select the le you want to transfer to the instrument, and click Open.
q Click the CD-ROM drive
With the Musicsoft Downloader You Can

Transfer MIDI songs you have downloaded from the Internet or created on your computer from the computer to the instruments ash memory.
Refer to the step #1 #9.
The procedure for transferring songs included on the Accessory CD-ROM from your computer to the instrument is given as an example.
Use the Musicsoft Downloader application with Internet Explorer 5.5 or higher.
w Double-click SongCollection Folder. Double-click for_CD Folder and click a song le.
e Click Open
68
Reference
A copy of the selected MIDI song le will appear in the List of les stored temporarily at the top of the window. The ash memory medium will also be displayed at the bottom of the window to specify the destination for the transfer. Click the ash memory.
To Use transferred Songs For Lessons In order to use songs (only SMF format 0) transferred from a computer for lessons it is necessary to specify which channels are to be played back as the right-hand and left-hand parts. The procedure for setting the guide track is as follows: 1 Press the [SONG] button and select the song (036 ) residing in ash memory for which you want to set the guide track. 2 Press the [FUNCTION] button. 3 Use the CATEGORY [ ] and [ ] buttons to select the R-Part or L-Part item. 4 Use the dial to select the channel you want to play back as the specied right- or left-hand part.
We recommend that you select channel 1 for the right-hand part and channel 2 for the left-hand part.
q Click the Flash Memory
After selecting the le in the List of les stored temporarily, click the downward [Move] button and a conrmation message will appear. Click [OK] and the song will be transferred from the List of les stored temporarily to the instruments ash memory. Close the window to end the Musicsoft Downloader.
NOTE Quit the Musicsoft Downloader to play back the song transferred from your computer.
To play back a song stored in ash memory, press the [SONG] button. Use the dial to select the song you want to play, then press the [START/STOP] button to start playback.
CAUTION
Do not unplug the USB cable during a data transfer. Not only will the data not be transferred and saved, but operation of the memory media may become unstable and its contents may disappear completely when the power is turned on or off.
CAUTION
Stored data can be lost due to equipment malfunction or improper operation. For safety we recommend that you keep a copy of all important data stored on your computer. We recommend that you use a power adaptor rather than batteries when transferring data. The data can be corrupted if the batteries fail during the transfer.
69
erenc ef R
The software and this Installation Guide are exclusive copyrights of Yamaha Corporation. Use of the software and this guide is governed by the SOFTWARE LICENSING AGREEMENT which the purchaser fully agrees to upon breaking the seal of the software packaging. (Please read the AGREEMENT at the end of this guide carefully before installing the application.) Copying of the software or reproduction of this guide in whole or in part by any means is expressly forbidden without the written consent of the manufacturer. Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this guide and the software. This disc is a CD-ROM. Do not attempt to play the disc on an audio CD player. Doing so may result in irreparable damage to your audio CD player.
CD-ROM Contents
The data on this CD-ROM is compatible with computers running the Windows operating system.
CAUTION
Do not attempt to play this CD-ROM on an audio CD player. The result high-volume noise can potentially cause hearing damage or damage your CD player and speakers.
MSD_
DMN_ USBdrv_ USBdrv2k_
SongCollection
* 1 The software cannot be used when the instrument is in the following state: During style or song playback. During a lesson.
Using the CD-ROM
Please read the Software License Agreement on page 74 before opening the CD-ROM package.

SPECIAL NOTICES
Copying of commercially available music data is strictly prohibited except for your personal use. The company names and product names in this Installation Guide are the trademarks or registered trademarks of their respective companies. Future upgrades of application and system software and any changes in specications and functions will be announced separately. Software such as the USB MIDI driver may be revised and updated without prior notice. Make sure to check and download the latest version of the software from the following site. http://music.yamaha.com/download/ Depending on the version of your operating system, the screen shots and messages shown in this guide may differ to those that you see on your computer screen.
Folder Name
Application/Data Name Musicsoft Downloader *1 *2
Contents This application can be used to download MIDI song data from the Internet and transfer it from the computer to memory media supported by the instrument (eg. ash memory). Digital Music Notebook is a major new multimedia platform for music tuition and performance. This driver software is necessary to connect MIDI devices to your computer via USB. The SongCollection folder contains two folders. The for_CD folder contains the 70 MIDI songs and the corresponding 70 notation PDF les. These songs can be transferred to the instrument for listening and/or lessons. The for_Preset (Only Score) folder contains the notation PDF les of the 30 songs provided with the instrument (not including copyrighted songs). * 2 This software includes an online manual. * 3 This software is not supported by Yamaha Corporation.
Digital Music Notebook *2 USB Driver For Windows 98/Me USB Driver For Windows 2000/XP for_CD for_Preset (Only Score)
3 4
Connect the instrument to the computer. The connection procedure is described on page 66. Install the driver on your computer and make the necessary settings. Refer to Installing the USB-MIDI Driver on page 71 for installation and setup instructions.
1 2
Check the system requirements to make sure that the software will run on your computer. Insert the Accessory CD-ROM into your computers CD-ROM drive. The start window should appear automatically.
70
Reference
Install the software.

Digital Music Notebook and Musicsoft Downloader:
Launch the software.
Refer to page 73.

YAMAHA USB-MIDI Driver:
For further software operation refer to the online help supplied with the software.
Refer to page 71.
System Requirements
Application/Data Musicsoft Downloader
USB Driver for Windows 98/Me USB Driver for Windows 2000/XP
OS Windows 98SE/Me/2000/ XP Home Edition/ XP Professional Windows 98/98SE/Me Windows 2000/XP Home Edition/XP Professional Windows XP Professional Edition, SP1a more Windows XP Home Edition, SP1a more Windows 2000 Professional, SP4 more
CPU 233 MHz or higher; Intel Pentium/Celeron processor family 166 MHz or higher; Intel Pentium/Celeron processor family 300MHz or higher; Intel Pentium/Celeron Processor family (1GHz or more is recommended) 1GHz or higher; Intel Pentium/Celeron Processor family (1.4GHz or more is recommended)
Memory 64 MB or more (256 MB or more is recommended) 32 MB or more (64 MB or more is recommended) 128 MB or more (256 MB or more is recommended) 256 MB or more
Hard Disk at least 128 MB of free space (at least 512 MB of free space is recommended) at least 2 MB of free space
Display 800 x 600 HighColor (16-bit)
Digital Music Notebook Digital Music Notebook (Requirements for playing content with video included.)
at least 50 MB of free space
1024 x 768 HighColor (16-bit)
Software Installation
Uninstall (Removing the Software) Installed software can be removed from your computer as follows: From the Windows Start menu select Start Settings Control panel Add or Remove Applications Install and Uninstall. Select the item you want to remove and click [Add or Remove]. Follow the on-screen instructions to remove the selected software.
NOTE The actual names of the menu items and buttons will depend on the OS version you are using.
Installing the USB-MIDI Driver

In order to be able to communicate with and use MIDI devices connected to your computer, the appropriate driver software must be properly installed on your computer. The USB-MIDI driver allows sequence software and similar applications on your computer to transmit and receive MIDI data to and from MIDI devices via a USB cable.
Computer
Sequence software USB Cable Driver MIDI device
Windows 98/Me installation page 72. Windows 2000 installation page 72. Windows XP installation page 73. Check the drive name of the CD-ROM drive you will be using (D:, E:, Q: etc.) The drive name is displayed beside the CD-ROM icon in your My Computer folder. The root directory of the CD-ROM drive will be D:\, E:\, or Q:\, respectively.
71
Reference
Installing the driver on Windows 98/Me
Installing the driver on Windows 2000
1 2 3
Start the computer. Insert the supplied CD-ROM into the CDROM drive. A start window will appear automatically. Close the window. First, make sure the POWER switch on the instrument is set to OFF, then use a USB cable to connect the USB terminal of the computer to the USB connector of the instrument. When the instrument is turned on, the computer automatically displays the Add New Hardware Wizard. If the Add New Hardware Wizard does not appear, click Add New Hardware in the Control Panel. For Windows Me users, check the radio button to the left of Automatic search for a better driver (Recommended) and click [Next]. The system automatically starts searching and installing the driver. Proceed to Step 8. If the system does not detect the driver, select Specify the location of the driver (Advanced) and specify the CD-ROM drives USBdrv_ folder to install the driver and click [Next]. Execute the installation by following the onscreen instructions and proceed to Step 8.
NOTE If you are using Windows Me, skip Step 4 7.
1 2
Start the computer and use the Administrator account to log into Windows 2000. Select [My Computer] [Control Panel] [System] [Hardware] [Driver Signing] [File Signature Verication], and check the radio button to the left of Ignore Install all les, regardless of le signature and click [OK]. Insert the supplied CD-ROM into the CDROM drive. A start window will appear automatically. Close the window. First, make sure the POWER switch on the instrument is set to OFF, then use a USB cable to connect the USB connector of the computer to the USB connector of the instrument. When the instrument is turned on, the computer automatically displays Found New Hardware Wizard. Click [Next]. Check the radio button to the left of Search for a suitable driver for my device. (Recommended). Click [Next]. The window that appears enables you to select a location in which to install the driver. Check the CD-ROM drives box and uncheck all other items. Click [Next].
NOTE The system may ask you to insert a Windows CD-ROM while it checks for the driver. Specify the USBdrv2k_ directory of the CDROM drive (such as D:\USBdrv2k_\) and continue the installation.
3 4
4 5
Click [Next]. The window that appears enables you to select the search method. Check the radio button to the left of Search for the best driver for your device. (Recommended). Click [Next]. The window that appears enables you to select a location in which to install the driver. Check the Specify a location box, click Browse.., then specify the USBdrv directory of the CD-ROM drive (such as D:\USBdrv_\) and continue the installation. When the system detects the driver on the CD-ROM and is ready for installation, an appropriate message will appear on the screen. Make sure that the YAMAHA USB MIDI Driver is listed, and click [Next]. The installation process will begin. When installation is complete, a message indicating so appears. Click [Finish].
NOTE Some computers may take about ten seconds to show this screen after the installation is complete.
When the installation is complete, the system displays Completing the Found New Hardware Wizard. Click [Finish].
NOTE Some computers may take about ten seconds to show this screen after the installation is complete.
Restart the computer.
The driver has been installed.

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Reference
Installing the driver on Windows XP
1 2
Start the computer. Select [Start] [Control Panel]. If the control panel appears as Pick a category, click Switch to Classic View in the upper left of the window. All control panels and icons will be displayed. Go to [System] [Hardware] [Driver Signing Options] and check the radio button to the left of Ignore and click [OK]. Click the [OK] button to close System Properties, and then click X in the upper right of the window to close the Control Panel. Insert the supplied CD-ROM into the CDROM drive. A start window will appear automatically. Close the window. First, make sure the POWER switch on the instrument is set to OFF, then use a USB cable to connect the USB connector of the computer to the USB connector of the instrument. When the instrument is turned on, the computer automatically displays the Found New Hardware Wizard.
NOTE Some computers may take a few minutes to show this screen.
I Installing the Musicsoft Downloader and Digital Music Notebook Applications G G G G G G G G G G G G G G G G G G G G G

IMPORTANT You will need to log in with administrator (root) privileges in order to install Musicsoft Downloader on a computer running Windows 2000 or XP.
You will need to log in with administrator (root) privileges in order to install Digital Music Notebook on a computer running Windows 2000 or XP.
3 4 5 6
IMPORTANT When installing the Digital Music Notebook, make sure that Internet Explorer 6.0 (with SP1) or higher is installed to your computer. IMPORTANT Credit card settlement is required to purchase Digital Music Notebook content. Credit card processing may not be possible for some areas, so please check with your local authorities to make sure that your credit card can be used. NOTE Use of the DMN (Digital Music Notebook) is governed by the SIBELIUS SCORCH LICENSE AGREEMENT, which the purchaser fully agrees to when using the application. Please read carefully the AGREEMENT at the end of this manual before using the application.
Insert the Accessory CD-ROM into your computers CD-ROM drive. The start window will appear automatically showing software applications.
NOTE If the start window does not appear automatically, double click your My Computer folder to open it. Right-click the CD-ROM icon and select Open from the pop-up menu. Double click Start.exe and proceed to step 2, below.
Check the radio button to the left of Install the software automatically. (Recommended). Click [Next]. The system starts the installation. When the installation is complete, the system displays Completing the Found New Hardware Wizard. Click [Finish].
NOTE Some computers may take about a few minutes to show this screen after the installation is complete.
2 3
Click [Musicsoft Downloader] or [Digital Music Notebook]. Click the [install] button, and follow the onscreen instructions to install the software. For Digital Music Notebook operating instructions see the help menu: launch the Digital Music Notebook application and click Help. For Musicsoft Downloader operating instructions see the Help menu: launch the Musicsoft Downloader application and click Help.
Restart the computer. The driver has been installed.
* You can obtain the latest version of the Musicsoft Downloader at the following Internet URL. http://music.yamaha.com/download/
IMPORTANT Only Musicsoft Downloader can be used to transfer les between this instrument and a computer. No other le transfer application can be used.
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Reference
SOFTWARE LICENSING AGREEMENT

The following is a legal agreement between you, the end user, and Yamaha Corporation (Yamaha). The enclosed Yamaha software program is licensed by Yamaha to the original purchaser for use only on the terms set forth herein. Please read this licensing agreement with care. Opening this package indicates that you accept all terms outlined herein. If you do not agree to the terms, return this package unopened to Yamaha for a full refund. In the event that you obtained the enclosed Yamaha software program(s) as a part of a software package or software bundled with a hardware product, you may not return the enclosed Yamaha software program(s) to Yamaha. 1. GRANT OF LICENSE AND COPYRIGHT Yamaha grants you, the original purchaser, the right to use one copy of the enclosed software program and data (SOFTWARE) on a single-user computer system. You may not use it on more than one computer or computer terminal. The SOFTWARE is owned by Yamaha and is protected by Japanese copyright laws and all applicable international treaty provisions. You are entitled to claim ownership of the media in which the SOFTWARE is included. Therefore, you must treat the SOFTWARE like any other copyrighted materials. 2. RESTRICTIONS The SOFTWARE program is copyrighted. You may not engage in reverse engineering or reproduction of the SOFTWARE by other conceivable methods. You may not reproduce, modify, change, rent, lease, resell, or distribute the SOFTWARE in whole or in part, or create derivative works from the SOFTWARE. You may not transmit or network the SOFTWARE with other computers. You may transfer ownership of the SOFTWARE and the accompanying written materials on a permanent basis provided that you retain no copies and the recipient agrees to the terms of the licensing agreement.
3. TERMINATION The licensing condition of the software program becomes effective on the day that you receive the SOFTWARE. If any one of the copyright laws or clauses of the licensing conditions is violated, the licensing agreement shall be terminated automatically without notice from Yamaha. In this case, you must destroy the licensed SOFTWARE and its copies immediately. 4. PRODUCT WARRANTY Yamaha warrants to the original purchaser that if the SOFTWARE, when used in normal conditions, will not perform the functions described in the manual provided by Yamaha, the sole remedy will be that Yamaha will replace any media which proves defective in materials or workmanship on an exchange basis without charge. Except as expressly set forth above, the SOFTWARE is provided as is, and no other warranties, either expressed or implied, are made with respect to this software, including, without limitation the implied warranties of merchantability and tness for a particular purpose. 5. LIMITED LIABILITY Your sole remedies and Yamahas entire liability are as set forth above. In no event will Yamaha be liable to you or any other person for any damages, including without limitation any incidental or consequential damages, expenses, lost prots, lost savings or other damages arising out of the use or inability to use such SOFTWARE even if Yamaha or an authorized dealer has been advised of the possibility of such damages, or for any claim by any other party. 6. GENERAL This license agreement shall be interpreted according to and governed by Japanese laws.
74
Appendix
Troubleshooting
I For the DGX-205/203, PSR-295/293
Problem When the instrument is turned on or off, a popping sound is temporarily produced. When using a mobile phone, noise is produced. Possible Cause and Solution This is normal and indicates that the instrument is receiving electrical power. Using a mobile phone in close proximity to the instrument may produce interference. To prevent this, turn off the mobile phone or use it further away from the instrument. Check that nothing is connected to the PHONES/OUTPUT jack on the rear panel. When a set of headphones is plugged into this jack, no sound is output. Check the Local Control on/off. (See page 66.) Playing keys in the right hand area of the keyboard does not produce any sound. The volume is too soft. The sound quality is poor. The rhythm stops unexpectedly or will not play. The recorded data of the song, etc. does not play correctly. The LCD display suddenly goes dark, and all panel settings are reset. The style or song does not play back when the [START/ STOP] button is pressed. When using the Dictionary function (page 55), the keys in the right hand area are used only for entering the chord root and type.
There is no sound even when the keyboard is played or when a song or style is being played back.
The batteries are low or dead. Replace all six batteries with completely new ones, or use the optional AC adaptor.
Is External Clock set to ON? Make sure External Clock is set to OFF; refer to External Clock on page 66. Make sure that the Style Volume (page 63) is set to an appropriate level.
The style does not sound properly.
Is the split point set at an appropriate key for the cords you are playing? Set the split point at an appropriate key (page 51). Is the ACMP ON indicator showing in the display? If it is not showing press the [ACMP ON/OFF] button so that it does show. This is not a malfunction. Style number 112 and style numbers 124 135 (Pianist) have no rhythm parts, so no rhythm will play. The other parts will begin playing when you play a chord in the accompaniment range of the keyboard if style playback is turned on. The instrument is polyphonic up to a maximum of 32 notes. If the Dual voice or Split voice is being used and a style or song is playing back at the same time, some notes/sounds may be omitted (or stolen) from the accompaniment or song. The polarity of the footswitch is reversed. Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power. This is normal. The AWM tone generation method uses multiple recordings (samples) of an instrument across the range of the keyboard; thus, the actual sound of the voice may be slightly different from note to note. Perhaps the performance assistant technology is turned on. Press the [PERFORMANCE ASSISTANT] button to turn it off. Is the [STYLE] button lit? Always press the [STYLE] button rst when you are going to use any style-related function. The harmony effects (01 26) behave differently according to their type. Types 01 05 function when style playback is on, chords are played in the accompaniment range of the keyboard, and a melody is played in the righthand range. Types 06 26 will function whether style playback is on or off. For types 06 = 12 you need to play two notes at the same time.
No rhythm accompaniment plays when the [START/ STOP] button is pressed after selecting style number 112 or a style between 124 and 135 (Pianist).
Not all of the voices seem to sound, or the sound seems to be cut off. The footswitch (for sustain) seems to produce the opposite effect. For example, pressing the footswitch cuts off the sound and releasing it sustains the sounds. The sound of the voice changes from note to note.
The wrong notes sound when the keyboard is played. The ACMP ON indicator does not appear when the [ACMP ON/OFF] button is pressed.
There is no harmony sound.
75
Troubleshooting
For the included software

The driver cannot be installed. Is the USB cable connected correctly? Check the USB cable connection. Disconnect the USB cable, then connect it again. Is the USB function enabled on your computer? When you connect the instrument to the computer for the rst time, if the Add New Hardware Wizard does not appear, the USB function on the computer may be disabled. Perform the following steps. Are you using the latest USB MIDI driver? The latest driver can be downloaded from the following web site. http://music.yamaha.com/download/
Playback response is delayed. Does your computer satisfy the system requirements? Is any other application or device driver running?
Select [Control Panel] [System] [Device Manager] (for Windows 98/Me), or select [Control Panel]* [System] [Hardware] [Device Manager] (for Windows 2000/XP).
* Classic View only in Windows XP.
Cannot suspend or resume the computer correctly. Do not suspend the computer while the MIDI application is running. If you are using Windows 2000, you may not be able to suspend/resume normally, depending on the particular environment (USB Host Controller, etc.). Even so, simply disconnecting and connecting the USB cable will allow you to use the instrument functions again.
Make sure that no ! or x marks appear at Universal serial bus controller or USB Root Hub. If you see an ! or x mark, the USB controller is disabled.
Is any unknown device registered? If driver installation fails, the instrument will be marked as an Unknown device, and you will not be able to install the driver. Delete the Unknown device by following the steps below.
Select [Control Panel] [System] [Device Manager] (for Windows 98/Me), or select [Control Panel]* [System] [Hardware] [Device Manager] (for Windows 2000/XP).
* Classic View only in Windows XP.
How can I delete or re-install the driver?

Windows Me/98
2 3 4 5
1 2 3
Look for Other devices in the menu View devices by type. If you nd Other devices, double-click it to extend the tree to look for Unknown device. If one appears, select it and click the [Remove] button. Remove the USB cable from the instrument, and make the connection again. Install the driver again. Windows 98/Me users .......... see page 72 Windows 2000 users ............ see page 72 Windows XP users ............... see page 73
When the instrument is recognized correctly, doubleclick System in the Control Panel to open the System window. Double-click the Device Manager tab, select YAMAHA USB MIDI Driver and delete it. Use the MS-DOS prompt or Explorer to delete the following three les.
NOTE To delete these les using Explorer, select Folder Options from the Tool (View) menu, and select Show all les (and folders).
\WINDOWS\INF\OTHER\***.INF \WINDOWS\SYSTEM\Xgusb.drv \WINDOWS\SYSTEM\Ymidusb.sys
When controlling the instrument from your computer via USB, the instrument does not operate correctly or no sound is heard. Did you install the driver? (page 71) Is the USB cable connected correctly? Are the volume settings of the instrument, playback device, and application program set to the appropriate levels? Have you selected an appropriate port in the sequence software?
4 5 6
Disconnect the USB cable. Restart the computer. Re-install the driver.
76
Specications
Keyboards
DGX-205/203: 76 standard-size keys (E0 G6), with Touch Response. PSR-295/293: 61 standard-size keys (C1 C6), with Touch Response.
Song
30 Preset Songs + 5 User Songs + Accessory CD-ROM Songs (70) Song Clear, Track Clear Song Volume
Display
Large multi-function LCD display (backlit)
Performance assistant technology Recording

Song User Song: 5 Songs Recording Tracks: 1, 2, 3, 4, 5, STYLE
Setup
STANDBY/ON MASTER VOLUME: MIN - MAX
Panel Controls
SONG, VOICE, STYLE, EASY SONG ARRANGER, PERFORMANCE ASSISTANT, PC, LESSON L/R, LESSON MODE, LESSON REPEAT & LEARN, METRONOME, PORTABLE GRAND, DEMO, FUNCTION, TOUCH, HARMONY, DUAL, SPLIT, TEMPO/TAP, [0] [9], [+], [], CATEGORY, Dial, ACMP ON/OFF, SYNC STOP, SYNC START, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL, REGIST. MEMORY ([] (MEMORY/BANK), [1], [2]), SONG MEMORY (REC, [1] [5], [A])
MIDI
Local On/Off Keyboard Out Bulk Send Initial Setup Send Style Out External Clock Song Out
Auxiliary jacks
PHONES/OUTPUT, DC IN 12V, USB, SUSTAIN
Amplier
DGX-205/203: 6W + 6W PSR-295/293: 3W + 3W
Realtime Control
Pitch Bend Wheel (DGX-205/203 only)
Speakers
12cm x 2 + 3cm x 2
Voice
114 panel voices + 12 drum kits + 359 XGlite voices + 2 XGlite optional voices Polyphony: 32 DUAL SPLIT
Power Consumption
DGX-205/203: 20W (When using PA-5D power adaptor) PSR-295/293: 16W (When using PA-3C power adaptor)
Power Supply
Adaptor: Yamaha PA-5D AC power adaptor (DGX-205/203) Yamaha PA-3C AC power adaptor (PSR-295/293) Batteries: Six D size, R20P (LR20) or equivalent batteries
Style
135 Preset Styles Style Control: ACMP ON/OFF, SYNC STOP, SYNC START, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL Fingering: Multi fingering Style Volume
Dimensions (W x D x H)
DGX-205/203: 1,178 x 412 x 150 mm (46-3/8" x 16-1/4" x 5-7/8") PSR-295/293: 952 x 388 x 146 mm (37-1/2" x 15-1/4" x 5-3/4")
Education Feature
Dictionary Lesson 1-3, Lesson Repeat & Learn
Registration Memory
8 banks x 2 types
Weight
DGX-205/203: 8.8kg (19 lbs. 6 oz.) (not including batteries) PSR-295/293: 7.0kg (15 lbs. 7 oz.) (not including batteries)
Function
VOLUME: OVERALL:
Style Volume, Song Volume Tuning, Transpose, Split Point, Touch Sensitivity, Pitch Bend Range (DGX-205/203 only) MAIN VOICE: Volume, Octave, Pan, Reverb Send Level, Chorus Send Level DUAL VOICE: Voice, Volume, Octave, Pan, Reverb Send Level, Chorus Send Level SPLIT VOICE: Voice, Volume, Octave, Pan, Reverb Send Level, Chorus Send Level EFFECT: Reverb Type, Chorus Type, Panel Sustain HARMONY: Harmony Type, Harmony Volume PC: PC1/PC2/Off MIDI: Local On/Off, External Clock, Initial Setup Send, Keyboard Out, Style Out, Song Out, Bulk Send METRONOME: Time Signature, Metronome Volume LESSON: Lesson Track (R), Lesson Track (L) UTILITY: Grade, Demo Cancel
Supplied Accessories
Music Rest Accessory CD-ROM Owners Manual Song Book
Optional Accessories
AC Power Adaptor: PA-5D/PA-5C (DGX-205/203) PA-3C (PSR-295/293) Footswitch: FC4/FC5 Keyboard Stand: LW-15/LW-16 (DGX-205/203) L-2C/L-2L (PSR-295/293) * Specifications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.
Effects
Reverb: 9 types Chorus: 4 types Harmony: 26 types
77
Voice List
Maximum Polyphony
The instrument has 32-note maximum polyphony. This means that it can play a maximum of up to 32 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions. If the maximum polyphony is exceeded, earlier played notes will be cut off and the most recent notes have priority (last note priority).
NOTE
The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the instrument via MIDI from an external device. Program Numbers 001 to 128 directly relate to MIDI Program Change Numbers 000 to 127. That is, Program Numbers and Program Change Numbers differ by a value of 1. Remember to take this into consideration. Some voices may sound continuously or have a long decay after the notes have been released while the sustain pedal (footswitch) is held.
Panel Voice List

Voice No. Bank Select MIDI Program Voice Name MSB LSB Change# (0 - 127) (0 - 127) (1 - 128) PIANO 000 112 001 Grand Piano 000 112 002 Bright Piano 000 112 004 Honky-tonk Piano 000 112 003 MIDI Grand Piano 000 113 003 CP 80 000 112 007 Harpsichord E.PIANO 000 114 005 Cool! Galaxy Electric Piano 000 112 005 Funky Electric Piano 000 112 006 DX Modern Electric Piano 000 113 006 Hyper Tines 000 114 006 Venus Electric Piano 000 112 008 Clavi ORGAN 000 118 019 Cool! Organ 000 112 017 Jazz Organ 1 000 113 017 Jazz Organ 2 000 112 018 Click Organ 000 116 017 Bright Organ 000 112 019 Rock Organ 000 114 019 Purple Organ 000 118 017 16'+2' Organ 000 119 017 16'+4' Organ 000 114 017 Theater Organ 000 112 020 Church Organ 000 113 020 Chapel Organ 000 112 021 Reed Organ ACCORDION 000 113 022 Traditional Accordion 000 112 022 Musette Accordion 000 113 024 Bandoneon 000 112 023 Harmonica GUITAR 000 112 025 Classical Guitar 000 112 026 Folk Guitar 000 113 026 12Strings Guitar 000 112 027 Jazz Guitar 000 113 027 Octave Guitar 000 112 028 Clean Guitar 000 117 028 60s Clean Guitar 000 112 029 Muted Guitar 000 112 030 Overdriven Guitar 000 112 031 Distortion Guitar BASS 000 112 033 Acoustic Bass 000 112 034 Finger Bass 000 112 035 Pick Bass 000 112 036 Fretless Bass 000 112 037 Slap Bass 000 112 039 Synth Bass 000 113 039 Hi-Q Bass 000 113 040 Dance Bass Voice No. Bank Select MIDI Program Voice Name MSB LSB Change# (0 - 127) (0 - 127) (1 - 128) STRINGS 000 112 049 String Ensemble 000 112 050 Chamber Strings 000 112 051 Synth Strings 000 113 050 Slow Strings 000 112 045 Tremolo Strings 000 112 046 Pizzicato Strings 000 112 041 Violin 000 112 043 Cello 000 112 044 Contrabass 000 112 106 Banjo 000 112 047 Harp 000 112 056 Orchestra Hit CHOIR 000 112 053 Choir 000 113 053 Vocal Ensemble 000 112 054 Vox Humana 000 112 055 Air Choir SAXOPHONE 000 117 067 Sweet! Tenor Sax 000 113 065 Sweet! Soprano Sax 000 112 067 Tenor Sax 000 112 066 Alto Sax 000 112 065 Soprano Sax 000 112 068 Baritone Sax 000 114 067 Breathy Tenor Sax 000 112 069 Oboe 000 112 072 Clarinet 000 112 070 English Horn 000 112 071 Bassoon TRUMPET 000 115 057 Sweet! Trumpet 000 112 057 Trumpet 000 112 060 Muted Trumpet 000 112 058 Trombone 000 113 058 Trombone Section 000 112 061 French Horn 000 112 059 Tuba BRASS 000 112 062 Brass Section 000 113 062 Big Band Brass 000 119 062 Mellow Horns 000 112 063 Synth Brass 000 113 063 80s Brass 000 114 063 Techno Brass FLUTE 000 114 074 Sweet! Flute 000 113 076 Sweet! Pan Flute 000 112 074 Flute 000 112 073 Piccolo 000 112 076 Pan Flute 000 112 075 Recorder 000 112 080 Ocarina
001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047
048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094
78
Voice List
Voice No.
095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126
Bank Select MIDI Program Voice Name MSB LSB Change# (0 - 127) (0 - 127) (1 - 128) SYNTH LEAD 000 112 081 Square Lead 000 112 082 Sawtooth Lead 000 112 086 Voice Lead 000 112 099 Star Dust 000 112 101 Brightness 000 115 082 Analogon 000 119 082 Fargo SYNTH PAD 000 112 089 Fantasia 000 113 101 Bell Pad 000 112 092 Xenon Pad 000 112 095 Equinox 000 113 090 Dark Moon PERCUSSION 000 112 012 Vibraphone 000 112 013 Marimba 000 112 014 Xylophone 000 112 115 Steel Drums 000 112 009 Celesta 000 112 011 Music Box 000 112 015 Tubular Bells 000 112 048 Timpani DRUM KITS 127 000 001 Standard Kit 1 127 000 002 Standard Kit 2 127 000 009 Room Kit 127 000 017 Rock Kit 127 000 025 Electronic Kit 127 000 026 Analog Kit 127 000 028 Dance Kit 127 000 033 Jazz Kit 127 000 041 Brush Kit 127 000 049 Symphony Kit 126 000 001 SFX Kit 1 126 000 002 SFX Kit 2
Voice No. 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220
XGlite Voice/XGlite Optional Voice* List

Voice No. Bank Select MIDI Program Voice Name MSB LSB Change# (0 - 127) (0 - 127) (1 - 128) PIANO 000 000 001 Grand Piano 000 001 001 Grand Piano KSP 000 040 001 Piano Strings 000 041 001 Dream 000 000 002 Bright Piano 000 001 002 Bright Piano KSP 000 000 003 Electric Grand Piano 000 001 003 Electric Grand Piano KSP 000 032 003 Detuned CP80 000 000 004 Honky-tonk Piano 000 001 004 Honky-tonk Piano KSP 000 000 005 Electric Piano 1 000 001 005 Electric Piano 1 KSP 000 032 005 Chorus Electric Piano 1 000 000 006 Electric Piano 2 000 001 006 Electric Piano 2 KSP 000 032 006 Chorus Electric Piano 2 000 041 006 DX + Analog Electric Piano 000 000 007 Harpsichord 000 001 007 Harpsichord KSP 000 035 007 Harpsichord 3 000 000 008 Clavi 000 001 008 Clavi KSP CHROMATIC 000 000 009 Celesta 000 000 010 Glockenspiel 000 000 011 Music Box
127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 *143 144 145 146 147 148 149 150 151 152
Bank Select MIDI Program MSB LSB Change# (0 - 127) (0 - 127) (1 - 128) 000 064 011 000 000 012 000 001 012 000 000 013 000 001 013 000 064 013 000 097 013 000 098 013 000 000 014 000 000 015 000 096 015 000 097 015 000 000 016 000 035 016 000 096 016 000 097 016 ORGAN 000 000 017 000 032 017 000 033 017 000 034 017 000 035 017 000 037 017 000 040 017 000 064 017 000 065 017 000 066 017 000 067 017 000 000 018 000 024 018 000 032 018 000 033 018 000 037 018 000 000 019 000 064 019 000 065 019 000 066 019 000 000 020 000 032 020 000 035 020 000 040 020 000 064 020 000 065 020 000 000 021 000 040 021 000 000 022 000 000 023 000 032 023 000 000 024 000 064 024 GUITAR 000 000 025 000 043 025 000 096 025 000 000 026 000 035 026 000 040 026 000 041 026 000 096 026 000 000 027 000 032 027 000 000 028 000 032 028 000 000 029 000 040 029 000 041 029 000 045 029 000 000 030 000 043 030 000 000 031
Voice Name Orgel Vibraphone Vibraphone KSP Marimba Marimba KSP Sine Marimba Balimba Log Drums Xylophone Tubular Bells Church Bells Carillon Dulcimer Dulcimer 2 Cimbalom Santur Drawbar Organ Detuned Drawbar Organ 60s Drawbar Organ 1 60s Drawbar Organ 2 70s Drawbar Organ 1 60s Drawbar Organ 3 16+2' 2/3 Organ Bass 70s Drawbar Organ 2 Cheezy Organ Drawbar Organ 3 Percussive Organ 70s Percussive Organ Detuned Percussive Organ Light Organ Percussive Organ 2 Rock Organ Rotary Organ Slow Rotary Fast Rotary Church Organ Church Organ 3 Church Organ 2 Notre Dame Organ Flute Tremolo Organ Flute Reed Organ Puff Organ Accordion Harmonica Harmonica 2 Tango Accordion Tango Accordion 2 Nylon Guitar Velocity Guitar Harmonics Ukulele Steel Guitar 12-string Guitar Nylon & Steel Guitar Steel Guitar with Body Sound Mandolin Jazz Guitar Jazz Amp Clean Guitar Chorus Guitar Muted Guitar Funk Guitar 1 Muted Steel Guitar Jazz Man Overdriven Guitar Guitar Pinch Distortion Guitar
79
Voice List
Voice No. 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 *252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287
Bank Select MIDI Program Voice Name MSB LSB Change# (0 - 127) (0 - 127) (1 - 128) 000 040 031 Feedback Guitar 000 041 031 Feedback Guitar 2 000 000 032 Guitar Harmonics 000 065 032 Guitar Feedback 000 066 032 Guitar Harmonics 2 BASS 000 000 033 Acoustic Bass 000 040 033 Jazz Rhythm 000 045 033 Velocity Crossfade Upright Bass 000 000 034 Finger Bass 000 018 034 Finger Dark 000 040 034 Bass & Distorted Electric Guitar 000 043 034 Finger Slap Bass 000 045 034 Finger Bass 2 000 065 034 Modulated Bass 000 000 035 Pick Bass 000 028 035 Muted Pick Bass 000 000 036 Fretless Bass 000 032 036 Fretless Bass 2 000 033 036 Fretless Bass 3 000 034 036 Fretless Bass 4 000 000 037 Slap Bass 1 000 032 037 Punch Thumb Bass 000 000 038 Slap Bass 2 000 043 038 Velocity Switch Slap 000 000 039 Synth Bass 1 000 040 039 Techno Synth Bass 000 000 040 Synth Bass 2 000 006 040 Mellow Synth Bass 000 012 040 Sequenced Bass 000 018 040 Click Synth Bass 000 019 040 Synth Bass 2 Dark 000 040 040 Modular Synth Bass 000 041 040 DX Bass STRING 000 000 041 Violin 000 008 041 Slow Violin 000 000 042 Viola 000 000 043 Cello 000 000 044 Contrabass 000 000 045 Tremolo Strings 000 008 045 Slow Tremolo Strings 000 040 045 Suspense Strings 000 000 046 Pizzicato Strings 000 000 047 Orchestral Harp 000 040 047 Yang Chin 000 000 048 Timpani ENSEMBLE 000 000 049 Strings 1 000 003 049 Stereo Strings 000 008 049 Slow Strings 000 035 049 60s Strings 000 040 049 Orchestra 000 041 049 Orchestra 2 000 042 049 Tremolo Orchestra 000 045 049 Velocity Strings 000 000 050 Strings 2 000 003 050 Stereo Slow Strings 000 008 050 Legato Strings 000 040 050 Warm Strings 000 041 050 Kingdom 000 000 051 Synth Strings 1 000 000 052 Synth Strings 2 000 000 053 Choir Aahs 000 003 053 Stereo Choir 000 032 053 Mellow Choir 000 040 053 Choir Strings 000 000 054 Voice Oohs 000 000 055 Synth Voice 000 040 055 Synth Voice 2
Voice No. 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353
Bank Select MIDI Program Voice Name MSB LSB Change# (0 - 127) (0 - 127) (1 - 128) 000 041 055 Choral 000 064 055 Analog Voice 000 000 056 Orchestra Hit 000 035 056 Orchestra Hit 2 000 064 056 Impact BRASS 000 000 057 Trumpet 000 032 057 Warm Trumpet 000 000 058 Trombone 000 018 058 Trombone 2 000 000 059 Tuba 000 000 060 Muted Trumpet 000 000 061 French Horn 000 006 061 French Horn Solo 000 032 061 French Horn 2 000 037 061 Horn Orchestra 000 000 062 Brass Section 000 035 062 Trumpet & Trombone Section 000 000 063 Synth Brass 1 000 020 063 Resonant Synth Brass 000 000 064 Synth Brass 2 000 018 064 Soft Brass 000 041 064 Choir Brass REED 000 000 065 Soprano Sax 000 000 066 Alto Sax 000 040 066 Sax Section 000 000 067 Tenor Sax 000 040 067 Breathy Tenor Sax 000 000 068 Baritone Sax 000 000 069 Oboe 000 000 070 English Horn 000 000 071 Bassoon 000 000 072 Clarinet PIPE 000 000 073 Piccolo 000 000 074 Flute 000 000 075 Recorder 000 000 076 Pan Flute 000 000 077 Blown Bottle 000 000 078 Shakuhachi 000 000 079 Whistle 000 000 080 Ocarina SYNTH LEAD 000 000 081 Square Lead 000 006 081 Square Lead 2 000 008 081 LM Square 000 018 081 Hollow 000 019 081 Shroud 000 064 081 Mellow 000 065 081 Solo Sine 000 066 081 Sine Lead 000 000 082 Sawtooth Lead 000 006 082 Sawtooth Lead 2 000 008 082 Thick Sawtooth 000 018 082 Dynamic Sawtooth 000 019 082 Digital Sawtooth 000 020 082 Big Lead 000 096 082 Sequenced Analog 000 000 083 Calliope Lead 000 065 083 Pure Pad 000 000 084 Chiff Lead 000 000 085 Charang Lead 000 064 085 Distorted Lead 000 000 086 Voice Lead 000 000 087 Fifths Lead 000 035 087 Big Five 000 000 088 Bass & Lead 000 016 088 Big & Low 000 064 088 Fat & Perky
80
Voice List
Voice No. 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419
Bank Select MIDI Program Voice Name MSB LSB Change# (0 - 127) (0 - 127) (1 - 128) 000 065 088 Soft Whirl SYNTH PAD 000 000 089 New Age Pad 000 064 089 Fantasy 000 000 090 Warm Pad 000 000 091 Poly Synth Pad 000 000 092 Choir Pad 000 066 092 Itopia 000 000 093 Bowed Pad 000 000 094 Metallic Pad 000 000 095 Halo Pad 000 000 096 Sweep Pad SYNTH EFFECTS 000 000 097 Rain 000 065 097 African Wind 000 066 097 Carib 000 000 098 Sound Track 000 027 098 Prologue 000 000 099 Crystal 000 012 099 Synth Drum Comp 000 014 099 Popcorn 000 018 099 Tiny Bells 000 035 099 Round Glockenspiel 000 040 099 Glockenspiel Chimes 000 041 099 Clear Bells 000 042 099 Chorus Bells 000 065 099 Soft Crystal 000 070 099 Air Bells 000 071 099 Bell Harp 000 072 099 Gamelimba 000 000 100 Atmosphere 000 018 100 Warm Atmosphere 000 019 100 Hollow Release 000 040 100 Nylon Electric Piano 000 064 100 Nylon Harp 000 065 100 Harp Vox 000 066 100 Atmosphere Pad 000 000 101 Brightness 000 000 102 Goblins 000 064 102 Goblins Synth 000 065 102 Creeper 000 067 102 Ritual 000 068 102 To Heaven 000 070 102 Night 000 071 102 Glisten 000 096 102 Bell Choir 000 000 103 Echoes 000 000 104 Sci-Fi WORLD 000 000 105 Sitar 000 032 105 Detuned Sitar 000 035 105 Sitar 2 000 097 105 Tamboura 000 000 106 Banjo 000 028 106 Muted Banjo 000 096 106 Rabab 000 097 106 Gopichant 000 098 106 Oud 000 000 107 Shamisen 000 000 108 Koto 000 096 108 Taisho-kin 000 097 108 Kanoon 000 000 109 Kalimba 000 000 110 Bagpipe 000 000 111 Fiddle 000 000 112 Shanai PERCUSSIVE 000 000 113 Tinkle Bell 000 096 113 Bonang 000 097 113 Altair
Bank Select MIDI Program Voice Name MSB LSB Change# (0 - 127) (0 - 127) (1 - 128) 420 000 098 113 Gamelan Gongs 421 000 099 113 Stereo Gamelan Gongs 422 000 100 113 Rama Cymbal 423 000 000 114 Agogo 424 000 000 115 Steel Drums 425 000 097 115 Glass Percussion 426 000 098 115 Thai Bells 427 000 000 116 Woodblock 428 000 096 116 Castanets 429 000 000 117 Taiko Drum 430 000 096 117 Gran Cassa 431 000 000 118 Melodic Tom 432 000 064 118 Melodic Tom 2 433 000 065 118 Real Tom 434 000 066 118 Rock Tom 435 000 000 119 Synth Drum 436 000 064 119 Analog Tom 437 000 065 119 Electronic Percussion 438 000 000 120 Reverse Cymbal SOUND EFFECTS 439 000 000 121 Fret Noise 440 000 000 122 Breath Noise 441 000 000 123 Seashore 442 000 000 124 Bird Tweet 443 000 000 125 Telephone Ring 444 000 000 126 Helicopter 445 000 000 127 Applause 446 000 000 128 Gunshot 447 064 000 001 Cutting Noise 448 064 000 002 Cutting Noise 2 449 064 000 004 String Slap 450 064 000 017 Flute Key Click 451 064 000 033 Shower 452 064 000 034 Thunder 453 064 000 035 Wind 454 064 000 036 Stream 455 064 000 037 Bubble 456 064 000 038 Feed 457 064 000 049 Dog 458 064 000 050 Horse 459 064 000 051 Bird Tweet 2 460 064 000 056 Maou 461 064 000 065 Phone Call 462 064 000 066 Door Squeak 463 064 000 067 Door Slam 464 064 000 068 Scratch Cut 465 064 000 069 Scratch Split 466 064 000 070 Wind Chime 467 064 000 071 Telephone Ring 2 468 064 000 081 Car Engine Ignition 469 064 000 082 Car Tires Squeal 470 064 000 083 Car Passing 471 064 000 084 Car Crash 472 064 000 085 Siren 473 064 000 086 Train 474 064 000 087 Jet Plane 475 064 000 088 Starship 476 064 000 089 Burst 477 064 000 090 Roller Coaster 478 064 000 091 Submarine 479 064 000 097 Laugh 480 064 000 098 Scream 481 064 000 099 Punch 482 064 000 100 Heartbeat 483 064 000 101 Footsteps 484 064 000 113 Machine Gun 485 064 000 114 Laser Gun 486 064 000 115 Explosion 487 064 000 116 Firework The voice number with an asterisk (*) is XGlite optional voice. Voice No.
81
Drum Kit List

indicates that the drum sound is the same as Standard Kit 1. Each percussion voice uses one note. The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example, in 115: Standard Kit 1, the Seq Click H (Note# 36/Note C1) corresponds to (Note# 24/Note C0). Key Off: Keys marked O stop sounding the instant they are released. Voices with the same Alternate Note Number (*1 4) cannot be played simultaneously. (They are designed to be played alternately with each other.)
Voice No. MSB (0 - 127) / LSB (0 - 127) / PC (1 - 128) Keyboard MIDI Key Alternate
Note# Note Note# Note Off assign
115 127/000/001 Standard Kit 1 Surdo Mute Surdo Open Hi Q Whip Slap Scratch Push Scratch Pull Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap Brush Tap Swirl Snare Roll Castanet Snare H Soft Sticks Bass Drum Soft Open Rim Shot Bass Drum Hard Bass Drum Side Stick Snare M Hand Clap Snare H Hard Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bell Bell Tree
116 127/000/002 Standard Kit 2
117 127/000/009 Room Kit
118 127/000/017 Rock Kit
119 127/000/025 Electronic Kit
120 127/000/026 Analog Kit
E0 F0 G0 G#0 A0 B0 C1 D1 E1 F1 G1 G#1 A1 B1 C2 D2 E2 F2 G2 G#2 A2 B2 C3 D3 E3 F3 G3 G#3 A3 B3 C4 D4 E4 F4 G4 G#4 A4 B4 C5 D5 E5 F5 G5 G#5 A5 B5 C6 D6 E6 F6 G6 D#6 A#5 D#5 A#4 D#4 A#3 D#3 A#2 D#2 A#1 D#1 A#0 F#0
C#1
F#1
C#2
F#2
C#3
F#3
C#4
F#4
C#5
F#5
C#6
F#6
25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103
C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G
0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5 5 5 5 6 6 6 6 6 6 6 6
13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91
-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5
3 3
4 4
O O O
Reverse Cymbal Hi Q 2 Snare L Bass Drum H Open Rim Shot 2 Bass Drum 2 Snare M 2 Snare H Hard 2 SD Room L SD Room H Room Tom 1 Room Tom 2 Room Tom 3 Room Tom 4 Room Tom 5 Room Tom 6 Bass Drum H BD Rock SD Rock L SD Rock Rim Rock Tom 1 Rock Tom 2 Rock Tom 3 Rock Tom 4 Rock Tom 5 Rock Tom 6 BD Rock BD Gate SD Rock L SD Rock H E Tom 1 E Tom 2 E Tom 3 E Tom 4 E Tom 5 E Tom 6
Reverse Cymbal Hi Q 2 SD Rock H Bass Drum H BD Analog L BD Analog H Analog Side Stick Analog Snare 1 Analog Snare 2 Analog Tom 1 Analog HH Closed 1 Analog Tom 2 Analog HH Closed 2 Analog Tom 3 Analog HH Open Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6
Snare H Soft 2
SD Rock H
1 1 1
Analog Cowbell
Analog Conga H Analog Conga M Analog Conga L
Analog Maracas
O O O
Analog Claves
Scratch Push Scratch Pull
2 2
82
Drum Kit List
Voice No. MSB (0 - 127) / LSB (0 - 127) / PC (1 - 128) Keyboard MIDI Key Alternate
Note# Note Note# Note Off assign
115 127/000/001 Standard Kit 1 Surdo Mute Surdo Open Hi Q Whip Slap Scratch Push Scratch Pull Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap Brush Tap Swirl Snare Roll Castanet Snare H Soft Sticks Bass Drum Soft Open Rim Shot Bass Drum Hard Bass Drum Side Stick Snare M Hand Clap Snare H Hard Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bell Bell Tree
121 127/000/028 Dance Kit
122 127/000/033 Jazz Kit
123 127/000/041 Brush Kit
124 127/000/049 Symphony Kit
125 126/000/001 SFX Kit 1
126 126/000/002 SFX Kit 2
E0 F0 G0 G#0 A0 B0 C1 D1 E1 F1 G1 G#1 A1 B1 C2 D2 E2 F2 G2 G#2 A2 B2 C3 D3 E3 F3 G3 G#3 A3 B3 C4 D4 E4 F4 G4 G#4 A4 B4 C5 D5 E5 F5 G5 G#5 A5 B5 C6 D6 E6 F6 G6 D#6 A#5 D#5 A#4 D#4 A#3 D#3 A#2 D#2 A#1 D#1 A#0 F#0
C#1
F#1
C#2
F#2
C#3
F#3
C#4
F#4
C#5
F#5
C#6
F#6
25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103
0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5 5 5 5 6 6 6 6 6 6 6 6
13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91
-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5
3 3
4 4
O O O
Reverse Cymbal Hi Q 2 AnSD Snappy AnBD Dance-1 AnSD OpenRim AnBD Dance-2 AnBD Dance-3 Analog Side Stick AnSD Q AnSD Ana+Acoustic Analog Tom 1 Analog HH Closed 3 Analog Tom 2 Analog HH Closed 4 Analog Tom 3 Analog HH Open 2 Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6
SD Jazz H Light Brush Slap L Bass Drum L Gran Cassa Gran Cassa Mute Marching Sn M
BD Jazz SD Jazz L SD Jazz M Jazz Tom 1 Jazz Tom 2 Jazz Tom 3 Jazz Tom 4 Jazz Tom 5 Jazz Tom 6
BD Jazz Brush Slap
Brush Tap Marching Sn H Brush Tom 1 Jazz Tom 1 Brush Tom 2 Jazz Tom 2 Brush Tom 3 Jazz Tom 3 Brush Tom 4 Jazz Tom 4 Brush Tom 5 Jazz Tom 5 Hand Cym. L Brush Tom 6 Jazz Tom 6 Hand Cym.Short L
1 1 1
Cutting Noise Phone Call Cutting Noise 2 Door Squeak Door Slam String Slap Scratch Cut Scratch Wind Chime Telephone Ring 2
Analog Cowbell
Analog Conga H Analog Conga M Analog Conga L
Flute Key Click Car Engine Ignition Car Tires Squeal Car Passing Car Crash Siren Hand Cym. H Train Jet Plane Hand Cym.Short H Starship Burst Roller Coaster Submarine
Analog Maracas
O O O
Shower Thunder Wind Stream Bubble Feed
Laugh Scream Punch Heartbeat FootSteps
Analog Claves
2 2
Dog Horse Bird Tweet 2
Machine Gun Laser Gun Explosion Firework
Maou
83
Style List
Style No. 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 Style Name 8BEAT 8BeatModern 60sGuitarPop 8BeatAdria 60s8Beat 8Beat OffBeat 60sRock HardRock RockShuffle 8BeatRock 16BEAT 16Beat PopShuffle1 PopShuffle2 GuitarPop 16BeatUptempo KoolShuffle JazzRock HipHopLight BALLAD PianoBallad LoveSong 6/8ModernEP 6/8SlowRock OrganBallad PopBallad 16BeatBallad1 16BeatBallad2 DANCE EuroTrance Ibiza HouseMusik SwingHouse TechnoPolis Clubdance ClubLatin Garage1 Garage2 TechnoParty UKPop HipHopGroove HipShuffle HipHopPop DISCO 70sDisco1 70sDisco2 LatinDisco DiscoPhilly SaturdayNight DiscoChocolate DiscoHands SWING&JAZZ BigBandFast BigBandMedium BigBandBallad BigBandShuffle JazzClub Swing1 Style No. 054 055 056 057 058 059 060 061 062 063 064 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 Style Name Swing2 Five/Four JazzBallad Dixieland Ragtime AfroCuban Charleston R&B Soul DetroitPop1 60sRock&Roll 6/8Soul CrocoTwist Rock&Roll DetroitPop2 BoogieWoogie ComboBoogie 6/8Blues COUNTRY Country8Beat CountryPop CountrySwing Country2/4 CowboyBoogie CountryShuffle Bluegrass LATIN BrazilianSamba BossaNova PopBossa Tijuana DiscoLatin Mambo Salsa Beguine GuitarRumba RumbaFlamenca RumbaIsland Reggae BALLROOM VienneseWaltz EnglishWaltz Slowfox Foxtrot Quickstep Tango Pasodoble Samba ChaChaCha Rumba Jive TRADITIONAL USMarch 6/8March GermanMarch PolkaPop OberPolka Tarantella Showtune Style No. 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 Style Name ChristmasSwing ChristmasWaltz ScottishReel Hawaiian WALTZ GuitarSerenade SwingWaltz JazzWaltz1 JazzWaltz2 CountryWaltz OberWaltzer Musette DJ DJ-HipHop DJ-DanceSwing DJ-House DJ-GarageHouse DJ-PopR&B PIANIST Stride PianoSwing PianoRag Arpeggio Musical Habanera SlowRock 8BtPianoBallad PianoMarch 6/8PianoMarch PianoWaltz PianoBeguine
84
Song List
Preset Songs
Song No. 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 Song Name Favorites Dont Know Why (Jesse Harris (Norah Jones)) My Favorite Things (Richard Rodgers) Killing Me Softly With His Song (Charles Fox (Roberta Flack)) Easy Play Down By The Riverside (Traditional) Ive Been Working On The Railroad (Traditional) Carry Me Back To Old Virginny (James A. Bland) The Last Rose Of Summer (Thomas Moore) The First Noel (Traditional) Pianist The Entertainer (S. Joplin) Greensleeves (Traditional) Londonderry Air (Traditional) Trumerei (R. Schumann) Pastorale (J.F. Burgmller) Organist Wedding March From A Midsummer Nights Dream (F. Mendelssohn) Allein Gott In Der Hoh Sei Eh (N. Decius) Wachet Auf, Ruft Uns Die Stimme. (J.S. Bach) Advanced Menuett In G Major WoO 10-2 (L.v. Beethoven) Prelude Op.28 No.7 (F. Chopin) To A Wild Rose (E.A. Macdowell) Fr Elise (L.v. Beethoven) Etude Op.10-3 Chanson de ladieu (F. Chopin) Band Play Aura Lee (G. Poulton) Canon (J. Pachelbel) Symphonie Nr.9 (L.v. Beethoven) Duet Sur Le Pont DAvignon (Traditional) Twinkle Twinkle Little Star (Traditional) Muffin Man (Traditional) Holidays Joy To The World (G.F. Hndel) Ave Maria (F. Schubert) Jingle Bells (Traditional) File Name D_SCARBO D_SMOKY D_THREE D_WEASEL D_WEWISH DANUBEWA FRULIED FRUSTIME FUNICULA GAVOTTE GUILLAUM IRISHEYE JOYOFMAN LIEBEST3 LOMOND LORELEI MAGICFLT MIRLITON MONDSHIN MUSSIDEN MYBONNIE ORPHEE P_ANGELS P_ARABES P_CANDEU P_CHEVAL P_CONSOL P_INOCEN P_MENUBA P_MENUBO P_MOMENT P_PCHIEN P_PETITE P_PROGRE P_SARAFA P_TENDRE P_TMARCH P_VIOLET PEARLFIS PRIMVERA SAINTSGO SERENAHY SILENTNT SLAVON10 SURPRISE SUSANNA SYMPHO9 THAIS TOREADOR TURKEY UNGARIS5 VOGLEIN Song Name Scarborough Fair (DUET) (Traditional) On Top Of Old Smoky (DUET) (Traditional) Three Blind Mice (DUET) (Traditional) Pop Goes The Weasel (DUET) (Traditional) We Wish You A Merry Christmas (DUET) (Traditional) The Danube Waves (I. Ivanovici) Frhlingslied (F. Mendelssohn) Frhlingsstimmen (J. Strauss II) Funiculi-Funicula (L. Denza) Gavotte (F.J. Gossec) Guillaume Tell (G. Rossini) When Irish Eyes Are Smiling (E.R. Ball) Jesu, Joy Of Mans Desiring (J.S. Bach) Liebestrume Nr.3 (F. Liszt) Loch Lomond (Traditional) Die Lorelei (F. Silcher) From The Magic Flute (W.A Mozart) Danse Des Mirlitons From The Nutcracker (P.I. Tchaikovsky) Piano Sonate Op.27-2 Mondschein (L.v. Beethoven) Muss I Denn (F. Silcher) My Bonnie (Traditional) Orphe Aux Enfers Ouverture (J. Offenbach) Angels Serenade (Traditional) Arabesque (J.F. Burgmller) La Candeur (J.F. Burgmller) La Chevaleresque (J.F. Burgmller) Consolation (J.F. Burgmller) Innocence (J.F. Burgmller) Menuett (J.S. Bach) Menuett (L. Boccherini) Moments Musicaux Op.94-3 (F. Schubert) Valse Op.64-1 Petit Chien (F. Chopin) Petite Runion (J.F. Burgmller) Progrs (J.F. Burgmller) Krasnyj Sarafan (Traditional) Tendre Fleur (J.F. Burgmller) Turkish March (W.A. Mozart) La Viollette (Streabbog) Song Of The Pearl Fisher (G. Bizet) La Primavera (From Le Quattro Stagioni) (A. Vivaldi) When The Saints Go Marchin In (Traditional) String Quartet No.17 2nd Mov. Serenade (F.J. Haydn) Silent Night (F. Gruber) Slavonic Dances No.10 (A. Dvork) The Surprise Symphony (F.J. Haydn) Oh! Susanna (S.C. Foster) Symphonie Nr.9 (L.v. Beethoven) Mditation De Thais (J. Massenet) Air de Torador Carmen (G. Bizet) Turkey In The Straw (Traditional) Ungarische Tnze Nr.5 (J. Brahms) Wenn Ich Ein Vglein Wr? (Traditional)
70 MIDI Songs Provided On the Supplied CD-ROM

File Name AMERICA ATHOME AURALEE Song Name America The Beautiful (S.A. Ward) Old Folks At Home (S.C. Foster) Aura Lee (G. Poulton) O Mio Babbino Caro (From Gianni Schicchi) BABBINO (G. Puccini) BANJO Ring De Banjo (S.C. Foster) Bill Bailey (Wont You Please Come Home) BILLBAIL (H. Cannon) BROWNJUG Little Brown Jug (Traditional) CAMPTOWN Camptown Races (S.C. Foster) CANON Canon (J. Pachelbel) D_AGSTIN O Du Lieber Augustin (DUET) (Traditional) D_CHTREE O Christmas Tree (DUET) (Traditional) Close Your Hands, Open Your Hands (DUET) D_CLOSE (J.J. Rousseau) D_CUCKOO The Cuckoo (DUET) (Traditional) D_IMMAI Im Mai (DUET) (Traditional) D_INDIAN Ten Little Indians (DUET) (Septimus Winner) D_LONDON London Bridge (DUET) (Traditional) D_MARY Mary Had A Little Lamb (DUET) (Traditional) D_ROWROW Row Row Row Your Boat (DUET) (Traditional)
File names that begin with P_ do not include chord data and they cannot be used with the performance assistant technology feature or Easy Song Arranger feature.
85
Effect Type List

Harmony Types
No. 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 Duet Trio Block Country Octave Trill 1/4 note
3
Harmony Type
Description Harmony types 01 05 are pitch-based and add one-, two- or three-note harmonies to the single-note melody played in the right hand. These types sound when chords are played in the auto accompaniment range of the keyboard. These Harmony types will also work when playing songs that contain chord data.
Trill 1/6 note Trill 1/8 note

3
Trill 1/12 note Trill 1/16 note

3
Trill 1/24 note Trill 1/32 note Tremolo 1/4 note

3
Types 6 26 are rhythm-based effects and add embellishments or delayed repeats in time with the auto accompaniment. These types sound whether the auto accompaniment is on or not; however, the actual speed of the effect depends on the Tempo setting (page 17). The individual note values in each type let you synchronize the effect precisely to the rhythm. Triplet settings are also available: 1/6 = quarter-note triplets, 1/12 = eighth-note triplets, 1/24 = sixteenth-note triplets. The Trill effect Types (06 12) create two-note trills (alternating notes) when two notes are held. The Tremolo effect Types (13 19) repeat all held notes (up to four). The Echo effect Types (20 26) create delayed repeats of each note played.
Tremolo 1/6 note Tremolo 1/8 note

3
Tremolo 1/12 note Tremolo 1/16 note

3
Tremolo 1/24 note Tremolo 1/32 note Echo 1/4 note

3
Echo 1/6 note Echo 1/8 note

3

3
Reverb Types
No. 01 03 04 05 06 07 08 09 10 Hall 1 3 Room 1 2 Stage 1 2 Plate 1 2 Off Reverb Type Concert hall reverb. Small room reverb. Reverb for solo instruments. Simulated steel plate reverb. No effect. Description
Chorus Types
No. 01 02 03 04 05 Chorus 1 2 Flanger 1 2 Off Chorus Type Description Conventional chorus program with rich, warm chorusing. Pronounced three-phase modulation with a slight metallic sound. No effect.
86
MIDI Implementation Chart

YAMAHA [ Portable Grand/PORTATONE ] Date:27-Jan-2004 Model DGX-205/203,PSR-295/293 MIDI Implementation Chart Version : 1.0 Transmitted Function... Basic Channel Mode Note Number Velocity After Touch Pitch Bend 0,32 1 6 38 7 10 11 64 84 71 72 73 74 91,93 96,97 100,101 : True # Default Changed Default Messages Altered 1 - 16 x 3 x ************** 1 - 16 x 3 x x 0 - 127 0 - 127 o 9nH,v=1-127 x x x *2 *1 *2 *2 *1 *1 *1 *1 *1 *2 o o o o o o o o o o o o o o o o o o 0 - 127 Bank Select Modulation wheel Data Entry(MSB) Data Entry(LSB) Part Volume Pan Expression Sustain Portamento Cntrl Harmonic Content Release Time Attack Time Brightness Effect Depth RPN Inc,Dec RPN LSB,MSB Recognized Remarks
0 - 127 : True voice ************** Note ON Note OFF Keys Chs o 9nH,v=1-127 x x x o o x o o o o x o x x o x x o x o
Control Change
Prog Change
o 0 - 127 ************** o x x x o o x x x x o x *3
System Exclusive : Song Pos. : Song Sel. : Tune
o x x x o o
*3
Common
System : Clock Real Time: Commands Aux :All Sound OFF :Reset All Cntrls :Local ON/OFF :All Notes OFF Mes- :Active Sense sages:Reset
o(120,126,127) o(121) o(122) o(123-125) o x
*1 Refer to #2 on page 88. *2 DGX-205/203 only. Refer to #2 on page 88 as for PSR-295/293. *3 Refer to #3 on page 88. Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO x : No
87
MIDI Data Format

NOTE: 1 By default (factory settings) the instrument ordinarily functions as a 16-channel multi-timbral tone generator, and incoming data does not affect the panel voices or panel settings. However, the MIDI messages listed below do affect the panel voices, auto accompaniment, and songs. MIDI Master Tuning System exclusive messages for changing the Reverb Type and Chorus Type. 2 Messages for these control change numbers cannot be transmitted from the instrument itself. However, they may be transmitted when playing the accompaniment, song or using the Harmony effect. 3 Exclusive <GM System ON> F0H, 7EH, 7FH, 09H, 01H, F7H This message automatically restores all default settings for the instrument, with the exception of MIDI Master Tuning. <MIDI Master Volume> F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H This message allows the volume of all channels to be changed simultaneously (Universal System Exclusive). The values of mm is used for MIDI Master Volume. (Values for ll are ignored.) <MIDI Master Tuning> F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mm, ll, cc, F7H This message simultaneously changes the tuning value of all channels. The values of mm and ll are used for MIDI Master Tuning. The default value of mm and ll are 08H and 00H, respectively. Any values can be used for n and cc. <Reverb Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 00H, mmH, llH, F7H mm : Reverb Type MSB ll : Reverb Type LSB Refer to the Effect Map (page 88) for details. <Chorus Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 20H, mmH, llH, F7H mm : Chorus Type MSB ll : Chorus Type LSB Refer to the Effect Map (page 88) for details. 4 When the accompaniment is started, an FAH message is transmitted. When accompaniment is stopped, an FCH message is transmitted.When the clock is set to External, both FAH (accompaniment start) and FCH (accompaniment stop) are recognized. 5 Local ON/OFF <Local ON> Bn, 7A, 7F <Local OFF> Bn, 7A, 00 Value for n is ignored.
Effect map
* When a Type LSB value is received that corresponds to no effect type, a value corresponding to the effect type (coming the closest to the specied value) is automatically set. * The numbers in parentheses in front of the Effect Type names correspond to the number indicated in the display.
REVERB
TYPE MSB 000 001 002 003 004 005...127 TYPE LSB 00 No Effect (01)Hall1 Room Stage Plate No Effect (06)Stage1 (08)Plate1 (02)Hall2 (03)Hall3 (04)Room1 (07)Stage2 (09)Plate2 (05)Room2 01 02 08 16 17 18 19 20
CHORUS
TYPE MSB 000...063 064 065 066 067 068...127 TYPE LSB 00 No Effect Thru Chorus Celeste Flanger No Effect (03)Flanger1 (02)Chorus2 (01)Chorus1 (04)Flanger2 01 02 08 16 17 18 19 20
88
Index
Panel controls and terminals
+/ .................................................. 13, 44 f .................................................. 13, 58 r .................................................. 13, 58 ..................................................... 13, 58 ......................................................... 43 .......................................... 13, 57 >/ ............................................... 13, 44 0 9 ................................................ 13, 44 ACMP ON/OFF ............................. 13, 24 CATEGORY / ....................... 13, 44 DC IN 12V ..................................... 10, 13 DEMO ............................................ 13, 17 Dial ................................................. 13, 44 DUAL ............................................. 13, 19 EASY SONG ARRANGER .......... 13, 36 FUNCTION .......................................... 13 HARMONY ................................... 13, 26 INTRO/ENDING/rit. .......... 13, 25, 28, 29 LESSON L/R ................................. 13, 32 LESSON MODE ............................ 13, 33 LESSON REPEAT & LEARN ...... 13, 35 MAIN/AUTO FILL ........................ 13, 26 MASTER VOLUME ............... 11, 13, 43 MEMORY/BANK, 1, 2 ................. 13, 60 METRONOME .............................. 13, 48 PC ................................................... 13, 67 PERFORMANCE ASSISTANT .............................................. 13, 14, 16 PHONES/OUTPUT ....................... 11, 13 PITCH BEND wheel ...................... 13, 22 PORTABLE GRAND .................... 13, 22 REC, 1 5, A ..................... 13, 38, 41, 57 REGIST. MEMORY ...................... 13, 60 SONG ....................................... 13, 30, 31 SONG MEMORY .............. 13, 38, 41, 57 SPLIT ....................................... 13, 20, 51 STANDBY/ON ........................ 11, 13, 42 START/STOP ................................ 13, 44 STYLE ............................... 13, 24, 28, 51 SUSTAIN ....................................... 11, 13 SYNC START ............................... 13, 25 SYNC STOP .................................. 13, 28 TEMPO/TAP ............................ 13, 17, 48 TOUCH .................................... 13, 22, 49 USB ................................................ 13, 66 VOICE ............................................ 13, 18
Alphabetical order
A
A-B Repeat ...........................................57 Accessories (Optional) .........................77 Accessories (Supplied) ...........................7 ACMP ON ......................................24, 28 Auto Accompaniment Range ................25 Auto-Accompaniment ..............24, 25, 28 AWM ....................................................75
G
Grade .............................................. 34, 64
H
Harmony ............................................... 26 Harmony Type ..................................... 86 Harmony Volume ................................. 50 Headphones .......................................... 11
f r
B
Backup ..................................................42 Battery ..................................................10 Bulk Send .............................................64
I
Initial Send ........................................... 64 Initialization ......................................... 42
C
CD-ROM ..............................................70 Channel Message ..................................65 Chord ........................................25, 53, 55 CHORD ROOT ....................................55 CHORD TYPE .....................................55 Chorus ...................................................47 Chorus Type ...................................63, 86 Computer ......................11, 31, 65, 66, 67
K
Keyboard Out ....................................... 64
L
Lesson .................................................. 32 Local ..................................................... 66 L-Part ............................................. 32, 64
D
D. Chorus ........................................50, 63 D. Octave ........................................50, 63 D. Pan .............................................50, 63 D. Reverb ........................................50, 63 D. Volume ......................................50, 63 Default Setting ......................................62 Demo ....................................................17 Demo Cancel ........................................64 Dictionary .............................................55 Display ..................................................45 Drum Kit .........................................23, 79 Drum Kit List ........................................82 Dual Voice ............................................19
M
M. Chorus ....................................... 50, 63 M. Octave ....................................... 50, 63 M. Pan ............................................ 50, 63 M. Reverb ....................................... 50, 63 M. Volume ..................................... 50, 63 Main Voice ........................................... 18 Measure ................................................ 45 Melody ................................................. 38 MELODY R, MELODY L .................. 38 Melody Voice ................................. 37, 59 Metronome ........................................... 48 MIDI ............................................... 66, 67 MIDI Data Format ............................... 88 MIDI Implementation Chart ................ 87 Music Rest .............................................. 7 Musicsoft Downloader ............. 68, 70, 73 Mute ..................................................... 57
E
Easy Chords ..........................................53 Easy Song Arranger ..............................13 Effect Map ............................................88 Effect Type List ....................................86 External Clock ................................64, 66 External Song .......................................31
O
One Touch Setting ............................... 49
P
Panel Sustain .................................. 50, 63 PC Mode ........................................ 64, 67 performance assistant technology .. 14, 16 Pitch Bend Range ........................... 22, 63 Power Adaptor ..................................... 10 Preset Song ..................................... 30, 31
F
Flash Memory .......................................31 Foot Switch ...........................................11 Function ....................................62, 63, 64
89
Index
R
Recording ............................................. 38 Registration Memory ........................... 60 Remote control ..................................... 67 Repeat ............................................. 35, 57 Reverb .................................................. 46 Reverb Type ......................................... 86 R-Part ............................................. 32, 64
V
Voice .....................................................18 Voice List .............................................78
X
XGlite .....................................................6
S
S. Chorus ........................................ 50, 63 S. Octave ........................................ 50, 63 S. Pan .............................................. 50, 63 S. Reverb ........................................ 50, 63 S. Volume ....................................... 50, 63 SMF (Standard MIDI File) ................... 68 Software Licensing Agreement ............ 74 Song ................................................ 30, 31 Song Book ........................................ 7, 70 Song Clear ............................................ 41 Song List .............................................. 85 Song Memory ........................... 38, 41, 57 Song Out ............................................... 64 Song Volume ........................................ 57 Specifications ....................................... 77 Split Point ....................................... 20, 51 Split Voice ............................................ 20 Standard Chords ................................... 53 Style .................................... 13, 24, 28, 51 Style List .............................................. 84 Style Out ............................................... 64 Style Volume ........................................ 52 Sustain ............................................ 50, 63 Synchro Start .................................. 13, 25 Synchro Stop .................................. 13, 28 System Message ................................... 65
T
Tempo ............................................ 17, 48 Time Signature ..................................... 48 Touch Response ................................... 22 Touch Sensitivity ................................. 49 Track .................................................... 38 Track Clear ........................................... 41 Transfer .................................... 31, 68, 69 Transpose ....................................... 58, 63 Troubleshooting ................................... 75 Tuning ............................................ 58, 63
U
USB ................................................ 13, 66 USB MIDI Driver ............... 66, 68, 70, 71 User Song ....................................... 31, 38
90
SIBELIUS SCORCH LICENSE AGREEMENT

By using this Product you (an individual or legal entity) agree with the Licensor to be bound by the terms of this License which will govern your use of the Product. If you do not accept these terms, do not use this Product. This Product is copyright (c) Sibelius Software Limited and its licensors 1987-2005.
1. Denitions
In this License the following words and expressions have the following meanings : "License": this agreement between you and the Licensor and, if permitted by the context, the conditional license granted to you in this agreement. "Licensor": Sibelius Software Limited, an English company (registered no. 3338819) of The Old Toy Factory, 20-22 City North, Fonthill Road, London N4 3HN, UK. "Product": the Software and the Documentation. "Software": the Sibelius Scorch web browser plug-in, Opus and Inkpen2 font families, any other programs or les supplied by the Licensor which are included in or with the Sibelius Scorch installer, and the Sibelius Scorch installer. "Documentation": any documentation in any form relating to the Software supplied to you with the Software or by the Licensor.
4. Disclaimer of Liability
4.1 In consideration of the fact that the Product is licensed hereunder free of charge, (a) the Licensor disclaims any and all warranties with respect to the Product, whether expressed or implied, including without limitation any warranties that the Product is free from defects, will perform in accordance with the Documentation, is merchantable, or is t for any particular purpose, and (b) the Licensor shall not have or incur any liability to you for any loss, cost, expense or claim (including without limitation any liability for loss or corruption of data and loss of prots, revenue or goodwill and any type of special, indirect or consequential loss) that may arise out of or in connection with your installation and use of the Product.
5. Termination
5.1 This License shall terminate automatically upon your destruction of the Product. In addition, the Licensor may elect to terminate this License in the event of a material breach by you of any condition of this License or of any of your representations, warranties, covenants or obligations hereunder. Upon notication of such termination by the Licensor, you will immediately delete the Software from your computer and destroy the Documentation.
2. License
2.1 The Licensor grants to you a non-exclusive non-transferable license to use this Software in accordance with the Documentation on a single terminal of a single computer in a single location. Any further use is prohibited. Title to the Product is not transferred to you. Ownership of the Product remains vested in the Licensor, subject to the rights granted to you under this License. All other rights are reserved. You may make one printout for your own use of any part of the Documentation provided in electronic form. You shall not make or permit any third party to make any further copies of any part of the Product whether in eye or machine-readable form. You shall not, and shall not cause or permit any third party to,(1) translate, enhance, modify, alter or adapt the Product or any part of it for any purpose (including without limitation for the purpose of error correction); (2) create derivative works based on the Product, or cause the whole or any part of the Product to be combined with or incorporated into any other program, le or product, for any purpose; or (3) use the Software to create les in any format (other than temporary les created and required by your computer's operating system), including without limitation screen capture les, les generated from the Software's playback, graphics les and print les, for any purpose, except for creating MIDI les (if permitted by the Software) for private non-commercial use. You shall not, and shall not cause or permit any third party to, decompile, decode, disassemble or reverse engineer the Software in whole or in part for any purpose. You shall not, and shall not cause any third party to, translate, convert, decode or reverse engineer any le capable of being read by any copy or version of the Software or any data transmitted to or from any copy or version of the Software, in whole or in part for any purpose. The Product or any part of it must not be used to infringe any right of copyright or right of privacy, publicity or personality or any other right whatsoever of any other person or entity.
6. Miscellaneous
6.1 No failure to exercise and no delay in exercising on the part of the Licensor of any right, power or privilege arising hereunder shall operate as a waiver thereof, nor shall any single or partial exercise of any right, power or privilege preclude any other or further exercise thereof or the exercise of any other right, power or privilege. The rights and remedies of the Licensor in connection herewith are not exclusive of any rights or remedies provided by law. You may not distribute, loan, lease, sub-license, rent or otherwise transfer the Product to any third party. You agree to the use of your personal data in accordance with the Licensor's privacy policy (available from the Licensor or on www.sibelius.com) which may change from time to time. This License is intended by the parties hereto to be a nal expression of their agreement with respect to the subject matter hereof and a complete and exclusive statement of the terms of such agreement. This License supercedes any and all prior understandings, whether written or oral, between you and the Licensor relating to the subject matter hereof. (This section only applies if you are resident in the European Union:) This License shall be construed and governed by the laws of England, and both parties agree to submit to the exclusive jurisdiction of the English courts. (This section only applies if you are not resident in the European Union:) This License shall be construed and enforced in accordance with and governed by the laws of the State of California. Any suit, action or proceeding arising out of or in any way related or connected to this License shall be brought and maintained only in the United States District Court for the Northern District of California, sitting in the City of San Francisco. Each party irrevocably submits to the jurisdiction of such federal court over any such suit, action or proceeding. Each party knowingly, voluntarily and irrevocably waives trial by jury in any suit, action or proceeding (including any counterclaim), whether at law or in equity, arising out of or in any way related or connected to this License or the subject matter hereof.
2.2
2.3
6.2 6.3
6.4
2.4
6.5
2.5
6.6
2.6
3. Copyright
3.1 You acknowledge that copyright in the Product as a whole and in the components of the Product as between you and the Licensor belongs to the Licensor or its licensees and is protected by copyright laws, national and international, and all other applicable laws.
(License v2.8, 10 Jan 2005)
91
Limited Warranty
90 DAYS LABOR 1 YEAR PARTS
Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models included in the following series of products:
, PSR SERIES OF ELECTRONIC KEYBOARDS

If during the rst 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor. If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as warranty replacements. THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES. Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these limitations and exclusions may not apply to you. This warranty gives you specic legal rights. You may also have other rights which vary from state to state.
CONSUMERS RESPONSIBILITIES
If warranty service should be required, it is necessary that the consumer assume certain responsibilities: 1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for assistance. You may also contact Yamaha directly at the address provided below. 2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under warranty. 3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely. *Repaired units will be returned PREPAID if warranty service is required within the rst 90 days. IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed. 4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to follow all safety precautions.
EXCLUSIONS
This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to failures and/or damages that may occur as a result of: 1. Neglect, abuse, abnormal strain, modication or exposure to extremes in temperature or humidity. 2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an authorized service center, or an authorized service representative of Yamaha. 3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country. Please record the model and serial number of the product you have purchased in the spaces provided below. Model___________________________ Serial #________________________________ Sales Slip #________________________________ Date______________________________________
Purchased from____________________________________________________________ (Retailer)
YAMAHA CORPORATION OF AMERICA Electronic Service Division 6600 Orangethorpe Avenue Buena Park, CA 90620
KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de dtails sur les produits, veuillez-vous adresser Yamaha ou au distributeur le plus proche de vous gurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefhrten Niederlassung und bei Yamaha Vertragshndlern in den jeweiligen Bestimmungslndern erhltlich. Para detalles sobre productos, contacte su tienda Yamaha ms cercana o el distribuidor autorizado que se lista debajo.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311
BELGIUM/LUXEMBOURG
Yamaha Music Central Europe GmbH, Branch Belgium Rue de Geneve (Genevastraat) 10, 1140 - Brussels, Belgium Tel: 02-726 6032
ASIA
THE PEOPLES REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd. 25/F., United Plaza, 1468 Nanjing Road (West), Jingan, Shanghai, China Tel: 021-6247-2211
U.S.A.
Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011
FRANCE
Yamaha Musique France BP 70-77312 Marne-la-Valle Cedex 2, France Tel: 01-64-61-4000
HONG KONG
Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688
ITALY
Yamaha Musica Italia S.P.A. Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771
INDONESIA
PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577
CENTRAL & SOUTH AMERICA

MEXICO
Yamaha de Mxico S.A. de C.V. Calz. Javier Rojo Gmez #1149, Col. Guadalupe del Moral C.P. 09300, Mxico, D.F., Mxico Tel: 55-5804-0600
SPAIN/PORTUGAL
Yamaha-Hazen Msica, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888
KOREA
Yamaha Music Korea Ltd. Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong, Youngdungpo-ku, Seoul, Korea Tel: 02-3770-0660
BRAZIL
Yamaha Musical do Brasil Ltda. Av. Reboucas 2636-Pinheiros CEP: 05402-400 Sao Paulo-SP. Brasil Tel: 011-3085-1377
GREECE
Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900
SWEDEN
Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-400 43 Gteborg, Sweden Tel: 031 89 34 00
ARGENTINA
Yamaha Music Latin America, S.A. Sucursal de Argentina Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021
PHILIPPINES
Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551
DENMARK
YS Copenhagen Liaison Ofce Generatorvej 6A DK-2730 Herlev, Denmark Tel: 44 92 49 00
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES

Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: +507-269-5311
SINGAPORE
Yamaha Music Asia Pte., Ltd. #03-11 A-Z Building 140 Paya Lebor Road, Singapore 409015 Tel: 747-4374
FINLAND
F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511
TAIWAN
Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700
NORWAY
Norsk lial av Yamaha Scandinavia AB Grini Nringspark 1 N-1345 sters, Norway Tel: 67 16 77 70
THAILAND
Siam Music Yamaha Co., Ltd. 891/1 Siam Motors Building, 15-16 oor Rama 1 road, Wangmai, Pathumwan Bangkok 10330, Thailand Tel: 02-215-2626
ICELAND
Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000
IRELAND
Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177
OTHER ASIAN COUNTRIES

Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317
GERMANY
Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: 04101-3030
OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zrich, Switzerland Tel: 01-383 3990
AFRICA
OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111
AUSTRIA
Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: 04101-3030
NEW ZEALAND
Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099
THE NETHERLANDS
Yamaha Music Central Europe, Branch Nederland Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040
OTHER COUNTRIES
Yamaha Music Gulf FZE LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: +971-4-881-5868
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-3273
[PK] 34
Yamaha PK CLUB (Portable Keyboard Home Page, English Only)
http://www.yamahaPKclub.com/
Yamaha Manual Library
http://www2.yamaha.co.jp/manual/english/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation 2004 Yamaha Corporation WC34910 ???PO???.?-03C0 Printed in China

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Owners Manual

SPECIAL MESSAGE SECTION

SPECIFICATIONS SUBJECT TO CHANGE:

NAME PLATE LOCATION:

Model Serial No. Purchase Date

PLEASE KEEP THIS MANUAL

DGX-205/203, PSR-295/293 Owners Manual

FCC INFORMATION (U.S.A.)

2. IMPORTANT: When connecting this product to accessories and/

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

Entsorgung leerer Batterien (nur innerhalb Deutschlands)

DGX-205/203, PSR-295/293 Owners Manual

If you notice any abnormality

DGX-205/203, PSR-295/293 Owners Manual

DGX-205/203, PSR-295/293 Owners Manual

My Favorite Things from THE SOUND OF MUSIC

Killing Me Softly With His Song

DGX-205/203, PSR-295/293 Owners Manual

About the Supplied CD-ROM

DGX-205/203, PSR-295/293 Owners Manual

Special features of the DGX-205/203, PSR-295/293

Play a Variety Of Instrument Voices

Learning music is fun

Play Along With Styles

DGX-205/203, PSR-295/293 Owners Manual

Panel Controls and Terminals

Style (Auto-accompaniment) Functions

Front Panel .......................................................................... 13 Rear Panel ........................................................................... 13

Try Playing a Variety Of Instrument Voices

Memorize Your Favorite Panel Settings Function settings Connecting To a Computer

Saving Settings to the Registration Memory........................ 60

Drum Kits ............................................................................. 23 Sound Effects....................................................................... 23

Locating and Editing the Function Settings.......................... 62

Styles (Auto Accompaniment)

Select and Listen To a Song................................................ 30 Types Of Songs ................................................................... 31

Accessory CD-ROM Installation Guide

Select a Song For a Lesson

CD-ROM Contents............................................................... 70 System Requirements.......................................................... 71 Software Installation............................................................. 71

Change a Songs Style Record Your Own Performance

Using the Easy Song Arranger ............................................ 36

Backup and Initialization

Backup ................................................................................. 42 Initialization .......................................................................... 42

Basic Operation and Displays

Basic Operation ................................................................... 43 Display Items ....................................................................... 45

DGX-205/203, PSR-295/293 Owners Manual

Using an AC Power Adaptor

DGX-205/203, PSR-295/293 Owners Manual

Make all necessary connections BEFORE turning the power on.

Connecting headphones (PHONES/OUTPUT jack)

Connecting to a computer (USB terminal)

Turn on the power Connecting a footswitch (SUSTAIN JACK)

DGX-205/203, PSR-295/293 Owners Manual

Panel Controls and Terminals

Style Category List

Style Category List

DGX-205/203, PSR-295/293 Owners Manual

Panel Controls and Terminals

Front Panel Voice Category List

].................. pages 44, 62

Voice Category List