Ralf Remshardt
University of Florida, School of Theatre and Dance, Faculty Member
- Ralf Remshardt, professor of theatre in the School of Theatre and Dance at the University of Florida, is a graduate o... moreRalf Remshardt, professor of theatre in the School of Theatre and Dance at the University of Florida, is a graduate of the Ludwig-Maximilians-Universität München (Munich, Germany), the Freie Universität Berlin, where he received an MA in German Literature and Theatre Studies, and the University of California at Santa Barbara, where he was awarded a PhD in Dramatic Art. He is a native of Berlin and first came to the U.S. on a Fulbright Scholarship.edit
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... What Fritsch proposed was that Ibsen is the undead of the modern theatre, a kind of dramaturgical zombie or high priest of high moral seriousness that ... solemn Ibsenism meant not so much to parody it as to turn it inside out and... more
... What Fritsch proposed was that Ibsen is the undead of the modern theatre, a kind of dramaturgical zombie or high priest of high moral seriousness that ... solemn Ibsenism meant not so much to parody it as to turn it inside out and against itself, exploding all of the coy nuances and ...
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A review essay on four productions presented at Berlin's Foreign Affairs Festival in June/July 2014: "Van den vos" by FC Bergman, "Ende einer Liebe" by Pascal Rambert, "Please, Continue (Hamlet)" by Roger Bernat and Yan Duyvendak, and... more
A review essay on four productions presented at Berlin's Foreign Affairs Festival in June/July 2014: "Van den vos" by FC Bergman, "Ende einer Liebe" by Pascal Rambert, "Please, Continue (Hamlet)" by Roger Bernat and Yan Duyvendak, and "Praxis Makes Perfect" by Neon Neon and National Theatre Wales