- University of Ljubljana, Academy of Fine Arts and Design, Conservation and Restauration of Cultural Heritage.edit
Title of the thesis: Aesthetic presentation of painting Marija dobrega srca by the painter Anton Cebej from the Franciscan Friary in Kamnik The graduation thesis is about the conservation and restoration of the late Baroque... more
Title of the thesis: Aesthetic presentation of painting Marija dobrega srca by the painter Anton Cebej from the Franciscan Friary in Kamnik
The graduation thesis is about the conservation and restoration of the late Baroque painting Marija dobrega srca by the painter Anton Cebej from the Franciscan Friary in Kamnik. The painting is currently located at the National Gallery in Ljubljana due to restoration before an announced exhibition. In this paper I shall describe the treatments of conservation and restoration which I have performed on the painting Marija dobrega srca.
In the first part of the thesis I shall deal with the general characteristics of the time the painting originates from through historical and theological aspects. The iconography of the painting on canvas is described. Before the realization of the conservational-restorative intervention I shall tackle aesthetic development within the field and the debates of experts on the approach to conservation and restoration of works of art.
Concretization is achieved in the fourth segment which refers to the classical conservational approach with an emphasis on reports on the treatments. Further treatments will be thoroughly described with diagnosing the original state and the realization of all of my interventions performed on the painting Marija dobrega srca.
The graduation thesis is about the conservation and restoration of the late Baroque painting Marija dobrega srca by the painter Anton Cebej from the Franciscan Friary in Kamnik. The painting is currently located at the National Gallery in Ljubljana due to restoration before an announced exhibition. In this paper I shall describe the treatments of conservation and restoration which I have performed on the painting Marija dobrega srca.
In the first part of the thesis I shall deal with the general characteristics of the time the painting originates from through historical and theological aspects. The iconography of the painting on canvas is described. Before the realization of the conservational-restorative intervention I shall tackle aesthetic development within the field and the debates of experts on the approach to conservation and restoration of works of art.
Concretization is achieved in the fourth segment which refers to the classical conservational approach with an emphasis on reports on the treatments. Further treatments will be thoroughly described with diagnosing the original state and the realization of all of my interventions performed on the painting Marija dobrega srca.
