- Archeologia romana, Archeologia funeraria romana, Ceramologia, topografia e archeologia del paesaggio, Archeologia Classica, Scultura greca e romana, Storia Dell'Archeologia, Antiquaria e collezionismo, and 56 moreMaritime Archaeology, Landscape Archaeology, Fibula, Sanniti, Archaeology, Iron Age, Archeologia, Mediterranean archaeology, Survey Research, Roman Archaeology, Roman Brick Industry - Brickstamps, Brick and Tile, Archaeological photography, Roman Amphorae, Ostia (Archaeology), Late Antique Archaeology, Brick and tile (Archaeology), Roman Brick Industry - brick stamps, Material Culture Studies, Funerary Archaeology, Ostia Antica, Antonine Plague, Roman burial practices, Burial Practices (Archaeology), Death and Burial (Archaeology), Roman Necropolis, Anepigraphic Brick Stamps, Bolli Laterizi Anepigrafi, Roman tombs and burial customs, Funeral Practices, Roman Pottery, Architectural terracottas, Ostia, Portus, Roman Funerary Architecture, Roman Funerary Art, Building Materials (Archaeology), Late Antique Ostia, Roman Pottery Production, Late Roman Pottery, Ceramica Comune Romana, Cybele and Attis, Roman gardens, Roman Funerary Commemoration, Ancient Topography (Archaeology), Archaeology of Roman Religion, Terrecotte Architettoniche, Deliciae Fictiles, Lastre Campana, Arqueología romana / Roman archeology, Ceramica a Vernice Nera, Sigillata italica, Samian Ware, Roman Lamps, Pottery (Archaeology), Anfore, and Ceramica Romanaedit
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Il dossier raccoglie i risultati di una giornata di studio tenutasi all' EFRome nel giugno 2004 incentrato sulla distribuzione dell'acqua, tramite acquedotto, nel territorio di competenza dell'allora Soprintendenza per i beni... more
Il dossier raccoglie i risultati di una giornata di studio tenutasi all' EFRome nel giugno 2004 incentrato sulla distribuzione dell'acqua, tramite acquedotto, nel territorio di competenza dell'allora Soprintendenza per i beni archeologici di Ostia. Si tratta di una serie contributi relativi ai ritrovamenti effettuati ad Ostia antica, Porto e territori circostanti.
Telling Raissa Calza’s life (born in Gurevic) means analysing an entire century of our history, full of people and various events. Both her own personal and professional existence, from her debut as a ballerina during Tsarist’s Russia to... more
Telling Raissa Calza’s life (born in Gurevic) means analysing an entire century of our history, full of people and various events.
Both her own personal and professional existence, from her debut as a ballerina during Tsarist’s Russia to her consecration as an ancient art historian, are indissolubly bounded to her lifelong companions (Krol’, De Chirico and Calza). Because of this, it has been hypothesized that her personal and private life influenced and conditioned her variegate professional career.
Raissa was a tireless worker and a prolific writer. Furthermore, her complex personality, characterised by an observing spirit, is in contrast to her need to find a sense of stability, which made Raissa live three different lives, very distant from one another.
Both her own personal and professional existence, from her debut as a ballerina during Tsarist’s Russia to her consecration as an ancient art historian, are indissolubly bounded to her lifelong companions (Krol’, De Chirico and Calza). Because of this, it has been hypothesized that her personal and private life influenced and conditioned her variegate professional career.
Raissa was a tireless worker and a prolific writer. Furthermore, her complex personality, characterised by an observing spirit, is in contrast to her need to find a sense of stability, which made Raissa live three different lives, very distant from one another.
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Experimenting new applications of photography to the excavations in Ostia was one of the main activities in the years of Vaglieri’s direction (1908-1913). First, a photographic cabinet was set up in Ostia, providing photos directly on the... more
Experimenting new applications of photography to the excavations in Ostia was one of the main activities in the
years of Vaglieri’s direction (1908-1913). First, a photographic cabinet was set up in Ostia, providing photos
directly on the site; then, a corps of military Engineers (Brigata Specialisti del Genio) was requested to take aerial
photographs from a balloon, resulting in one of the first aerial photomosaics ever produced (1911) that was
instrumental in providing archaeologists with the first, complete map of the excavations; last, stereoscopy was
introduced in 1912-1913 as a popular way of documenting life on the site.
years of Vaglieri’s direction (1908-1913). First, a photographic cabinet was set up in Ostia, providing photos
directly on the site; then, a corps of military Engineers (Brigata Specialisti del Genio) was requested to take aerial
photographs from a balloon, resulting in one of the first aerial photomosaics ever produced (1911) that was
instrumental in providing archaeologists with the first, complete map of the excavations; last, stereoscopy was
introduced in 1912-1913 as a popular way of documenting life on the site.
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A presentation to a 2006 meeting, reflecting the situation at the time.