Mariana Tavares
Visiting professor in the Department of Photography and Cinema at the School of Fine Arts, Federal University of Minas Gerais (2021-2023). Post-Doctorate by the Graduate Program in Arts of EBA, School of Fine Arts / Federal University of Minas Gerais-Brazil (PNPD - CAPES: 2014 - 2019) where she also worked as a collaborating professor in disciplines on Theory and History of Brazilian and animated cinema. Her doctoral thesis gave rise to the book 'Helena Solberg, from Cinema Novo to Contemporary Documentary' (É Tudo Verdade/ Imprensa Oficial de SP, 2014) and the 1st Retrospective of the filmmaker's films, at the International Documentary Film Festival It’s all True (Brazil). Author of chapters in books on Brazilian Cinema - Feminine and Plural: Women in Brazilian Cinema (Papirus, 2017, finalist of the 60th Jabuti Literary Award in 2018); Women behind the camera: Brazilian filmmakers from 1930 to 2018, (Abraccine/ Ed.Estação Liberdade, SP, 2019, finalist of the 62nd Jabuty Literary Award in 2020) and Brazilian Short Film: 100 essential films, Ed.Letramento/Abraccine/Canal Brasil, 2019. Master's degree in Arts/Cinema at EBA, UFMG (2007). Coordinator, critic and curator of film shows. As a director she has award-winning works in the documentary such as “Touch of Samba”, 2014; “Giramundo, a story of puppets”, 2002; “A century of history of the fine arts in BH”, 1999 and in video art – “Underground Horizon”, 1997 and “Vocabulary” (1994).
Supervisors: Professor Doutor Evandro José Lemos da Cunha and Professora Doutora Lúcia Gouvea Pimentel
Supervisors: Professor Doutor Evandro José Lemos da Cunha and Professora Doutora Lúcia Gouvea Pimentel
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Nair da Silva, 94, is the oldest member. She has been the flag keeper for 15 years and still comes out as a highlight.
Geneci Gomes dos Reis (Cici), 70, created the costumes for 15 years and always participates in the parade.
Dionysia Moreira do Parto, 82, was for three times the queen of the block beside her husband, Clóvis Martins de Araújo. In 2013, when she was 81, she recorded her 1st CD, Dionysia Moreira, where she plays sambas from composers of Juiz de Fora, Brazil.
Na segunda parte, “65 Anos de Ensino-Aprendizagem em Artes: Compartilhando Experiências”, onze artigos de professores-artistas apresentam relatos históricos e metodologias de ensino-aprendizagem na graduação e na pós-graduação. São procedimentos que foram criados pelos professores em diversos cursos da Escola de Belas Artes e que podem ser referências para outras escolas de arte no país. Das práticas da improvisação no Curso de Teatro à pesquisa em Artes da Cena; da experimentação no cinema de animação à criação de um espaço expositivo para os alunos de fotografia, esses relatos constituem possibilidades de ações em sala de aula e outros espaços que podem impulsionar outras iniciativas de ensino-aprendizagem no Brasil.
O livro apresenta 27 artigos que abordam o cinema feito por mulheres no Brasil por meio de ensaios com recortes temáticos ou focados em figuras de destaque. Desde o pioneirismo de Cléo de Verberena (a primeira realizadora mulher), Carmen Santos (produtora, atriz, criadora de estúdios) e Gilda Abreu (roteirista e diretora do sucesso O ébrio [1946]), até diretoras em atividade como Anna Muylaert, Suzana Amaral e Helena Solberg. A edição também inclui filmografias das realizadoras e o primeiro “Dicionário das cineastas brasileiras” com mais de 250 verbetes.
O prefácio salienta as dificuldades impostas às mulheres (e, em particular, mulheres negras) para ascender à qualidade de diretoras na indústria cinematográfica. Nos artigos, acompanhamos a jornada dessas mulheres que diversificaram o cinema brasileiro e o histórico de suas contribuições.
The author identifies the phases of the filmmaker: Trilogy of Women; Militant Cinema and Brazilian Art (current phase) and gives voice to Helena Solberg who comments on her films and her experience in the USA where she has made 10 films recognized at international festivals.
A trajectory that began in the 60's when she was the only woman director to be part of the Cinema Novo group. Good reading for scholars, teachers and film lovers and also for the new generations who can identify and learn from the professional career of the filmmaker.
The book is the result of a doctorat thesis defended by the author at the School of Fine Arts of the Federal University of Minas Gerais in 2011 and has been published in 2014 by the International Festival of Film Documentary, É Tudo Verdade (It's all True) witch organized the first exhibition of Helena Solberg's films in Brazil.
INCLUDES:
. Chronology of Helena Solberg
. Filmography by year
. 60 photos
The book has a foreword by Hernani Heffner, Chief Conservative of the Cinematheque of MAM-RJ
The author identifies the phases of the filmmaker: Trilogy of Women; Militant Cinema and Brazilian Art (current phase) and gives voice to Helena Solberg who comments on her films and her experience in the USA where she has made 10 films recognized at international festivals.
A trajectory that began in the 60's when she was the only woman director to be part of the Cinema Novo group. Good reading for scholars, teachers and film lovers and also for the new generations who can identify and learn from the professional career of the filmmaker.
The book is the result of a doctorat thesis defended by the author at the School of Fine Arts of the Federal University of Minas Gerais in 2011.
INCLUDES:
. Chronology of Helena Solberg
. Filmography by year
. 60 photos
The book has a foreword by Hernani Heffner, Chief Conservative of the Cinematheque of MAM-RJ
other areas of the arts and communication; for privileging the procedural character of script development; and for favoring the collaborative construction of knowledge with students.
Keywords: Teaching; Screenwriting; Animation.
Keywords:
Animation teaching; CAAD-UFMG; National Film Board of Canada.
For the full interview: www.postscriptjournal.org
ABSTRACT This article briefly covers the first three generations of video art in Brazil in the twentieth century, highlighting the production carried out in Minas Gerais and analyzes the loss of video art status as a form of autonomous artistic expression and its incorporation into contemporary, hybrid formats such as audiovisual performances; generative art; web-art; visual music; video dance; video clips and also hegemonic forms like cinema and television. Keywords: Video art, generations of video art, Minas Gerais video art.
Os 27 artigos estruturam esta produção por meio de ensaios com recortes temáticos ou focados em figuras de destaque. Desde o pioneirismo de Cléo de Verberena (a primeira realizadora mulher), Carmen Santos (produtora, atriz, criadora de estúdios) e Gilda de Abreu (roteirista e diretora do sucesso de bilheteria "O ébrio" [1946]), até diretoras em atividade como Anna Muylaert, Suzana Amaral e Helena Solberg. A edição inclui filmografias das realizadoras e na segunda parte, o "Primeiro dicionário das cineastas brasileiras" com mais de 250 verbetes.
Feminino & Plural preenche lacuna de 30 anos nos estudos sobre o cinema de autoria feminina no país, desde as publicações do 'Quase Catálogo', organizado por Heloísa Buarque de Hollanda em 1989 e 'Musas da matinê' de Elice Munerato e Maria Helena Darcy Oliveira de 1982
Nair da Silva, 94, is the oldest member. She has been the flag keeper for 15 years and still comes out as a highlight.
Geneci Gomes dos Reis (Cici), 70, created the costumes for 15 years and always participates in the parade.
Dionysia Moreira do Parto, 82, was for three times the queen of the block beside her husband, Clóvis Martins de Araújo. In 2013, when she was 81, she recorded her 1st CD, Dionysia Moreira, where she plays sambas from composers of Juiz de Fora, Brazil.
Na segunda parte, “65 Anos de Ensino-Aprendizagem em Artes: Compartilhando Experiências”, onze artigos de professores-artistas apresentam relatos históricos e metodologias de ensino-aprendizagem na graduação e na pós-graduação. São procedimentos que foram criados pelos professores em diversos cursos da Escola de Belas Artes e que podem ser referências para outras escolas de arte no país. Das práticas da improvisação no Curso de Teatro à pesquisa em Artes da Cena; da experimentação no cinema de animação à criação de um espaço expositivo para os alunos de fotografia, esses relatos constituem possibilidades de ações em sala de aula e outros espaços que podem impulsionar outras iniciativas de ensino-aprendizagem no Brasil.
O livro apresenta 27 artigos que abordam o cinema feito por mulheres no Brasil por meio de ensaios com recortes temáticos ou focados em figuras de destaque. Desde o pioneirismo de Cléo de Verberena (a primeira realizadora mulher), Carmen Santos (produtora, atriz, criadora de estúdios) e Gilda Abreu (roteirista e diretora do sucesso O ébrio [1946]), até diretoras em atividade como Anna Muylaert, Suzana Amaral e Helena Solberg. A edição também inclui filmografias das realizadoras e o primeiro “Dicionário das cineastas brasileiras” com mais de 250 verbetes.
O prefácio salienta as dificuldades impostas às mulheres (e, em particular, mulheres negras) para ascender à qualidade de diretoras na indústria cinematográfica. Nos artigos, acompanhamos a jornada dessas mulheres que diversificaram o cinema brasileiro e o histórico de suas contribuições.
The author identifies the phases of the filmmaker: Trilogy of Women; Militant Cinema and Brazilian Art (current phase) and gives voice to Helena Solberg who comments on her films and her experience in the USA where she has made 10 films recognized at international festivals.
A trajectory that began in the 60's when she was the only woman director to be part of the Cinema Novo group. Good reading for scholars, teachers and film lovers and also for the new generations who can identify and learn from the professional career of the filmmaker.
The book is the result of a doctorat thesis defended by the author at the School of Fine Arts of the Federal University of Minas Gerais in 2011 and has been published in 2014 by the International Festival of Film Documentary, É Tudo Verdade (It's all True) witch organized the first exhibition of Helena Solberg's films in Brazil.
INCLUDES:
. Chronology of Helena Solberg
. Filmography by year
. 60 photos
The book has a foreword by Hernani Heffner, Chief Conservative of the Cinematheque of MAM-RJ
The author identifies the phases of the filmmaker: Trilogy of Women; Militant Cinema and Brazilian Art (current phase) and gives voice to Helena Solberg who comments on her films and her experience in the USA where she has made 10 films recognized at international festivals.
A trajectory that began in the 60's when she was the only woman director to be part of the Cinema Novo group. Good reading for scholars, teachers and film lovers and also for the new generations who can identify and learn from the professional career of the filmmaker.
The book is the result of a doctorat thesis defended by the author at the School of Fine Arts of the Federal University of Minas Gerais in 2011.
INCLUDES:
. Chronology of Helena Solberg
. Filmography by year
. 60 photos
The book has a foreword by Hernani Heffner, Chief Conservative of the Cinematheque of MAM-RJ
other areas of the arts and communication; for privileging the procedural character of script development; and for favoring the collaborative construction of knowledge with students.
Keywords: Teaching; Screenwriting; Animation.
Keywords:
Animation teaching; CAAD-UFMG; National Film Board of Canada.
For the full interview: www.postscriptjournal.org
ABSTRACT This article briefly covers the first three generations of video art in Brazil in the twentieth century, highlighting the production carried out in Minas Gerais and analyzes the loss of video art status as a form of autonomous artistic expression and its incorporation into contemporary, hybrid formats such as audiovisual performances; generative art; web-art; visual music; video dance; video clips and also hegemonic forms like cinema and television. Keywords: Video art, generations of video art, Minas Gerais video art.
Os 27 artigos estruturam esta produção por meio de ensaios com recortes temáticos ou focados em figuras de destaque. Desde o pioneirismo de Cléo de Verberena (a primeira realizadora mulher), Carmen Santos (produtora, atriz, criadora de estúdios) e Gilda de Abreu (roteirista e diretora do sucesso de bilheteria "O ébrio" [1946]), até diretoras em atividade como Anna Muylaert, Suzana Amaral e Helena Solberg. A edição inclui filmografias das realizadoras e na segunda parte, o "Primeiro dicionário das cineastas brasileiras" com mais de 250 verbetes.
Feminino & Plural preenche lacuna de 30 anos nos estudos sobre o cinema de autoria feminina no país, desde as publicações do 'Quase Catálogo', organizado por Heloísa Buarque de Hollanda em 1989 e 'Musas da matinê' de Elice Munerato e Maria Helena Darcy Oliveira de 1982
Dados catalográficos: ISBN 978-85-9530-324-9
Editado em 2019, 316p. Páginas do capítulo: 271-273p